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Hardcover. NY, Atheneum, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Illustration in color, black & white by Erik Blegvad. Clean, tight copy.

Hardcover. Chicago, Reilly & Lee, 1st, 1913, Book: Fair, Dust Jacket: None, Hardcover, 340 pages plus 5 page addenda in rear. Blue cloth with the title in black and a vignette of Woozy in black and red on the spine, and the title and an illustration of Scraps in red, black and yellow on the front board. Illustrated profusely in b&w and color by John R. Neill, including color illustrated endpapers. Both hinges, front and rear, cracked. Previous owner's bookplate on half title page. There is a clear tape repair to front fly leaf, and the cloth spine at one time was loose, but now reglued. A fair copy only but clean and attractive internally.

Softcover. Tokyo, Genko-sha, 1st, 1987, Book: Very Good, Dust Jacket: None, 104 pages. Illustrated with full color and black & white examples of art and graphic design work by Pater Sato. Clean, tight copy.

Hardcover. New York, Knopf, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. INSCRIBED BY PECK on front fly leaf, black & white drawings by Betty Fraser. Small chip to dust jacket front panel otherwise very good condition.

Hardcover. New York, New York Review Books, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 448 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON TITLE PAGE. Black and white photos in center. Two pages wrinkled and stuck together in the middle of picture pages. Otherwise tight.

Hardcover. NY, Duffield and Green , 1st, 1933, Book: Good, Dust Jacket: None, Hardcover in green cloth stamped in black. Unpaginated. Black-and-white silhouette illustrations throughout. Ex-lib with light residue, stamping to endpapers. Irish fantasy, in which young Patsy O'Flaherty plans to make a fortune capturing leprechauns.

Hardcover. Boston, Houghton Mifflin, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with paper label on spine, lettering faded. Introduction by Franz Boas. 291 pages including index. No date on title page, only date is 1934 on copyright page. Previous owner's inscription on front fly leaf dated 1935. A bright, tight copy.

Softcover. Insight Editions, reprint, 2017, Book: Very Good, Dust Jacket: None, Softcover, 164 pages. A stunning collection of photographs from Frank Stefanko featuring the Godmother of Punk herself, iconic musician and author Patti Smith."There I was sitting in a booth at the co-op of Glassboro State College, a bucolic school in the farmlands of South Jersey. . . Suddenly, the double doors of the co-op swung open and standing there in the vacuum created was an incredible apparition, a vision in a white leather coat with long, jet-black hair flowing down her back. She moseyed in like the bad guy walking into a saloon in an old western movie. This was the first time I set eyes on Patti Smith, and I was captivated."So begins Frank Stefanko's wonderfully personal photographic tale of his friendship and artistic collaboration with Patti Smith. Stefanko's photographs and his warm, personal recollections show us an amazing young woman, long before she became Patti Smith, the cultural icon. Through images and words, we follow her search for a unique voice--from the early days of the Chelsea Hotel to spoken word at the St. Mark's Poetry Project to the release of her seminal album, Horses, and so much more.

Hardcover. Boston, Haughton Mifflin, 1st, 1928, Book: Very Good, Dust Jacket: None, 45 pages. Hardcover with no dust jacket. Illustrated in black and white by Helen Rhodes. Cover faded.

Hardcover. London, Art/Books, reprint, 2019, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with black decoration, 186 pages. A beautiful facsimile of the earliest English translation of Gauguin's frank and entertaining memoir, written just before he died, in which he reveals his most inner thoughts on art, life and love Unappreciated in his own lifetime, Paul Gauguin is now recognized as one of the giants of French post-Impressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the 'hypocrisy of civilization' and in search of a primitive idyll, he left his wife and children behind in Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty and revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later. As his son Emile wrote in the preface, 'These journals are an illuminating self-portrait of a unique personality. They bring sharply into focus for me his goodness, his humor, his insurgent spirit, his clarity of vision, his inordinate hatred of hypocrisy and sham.' Wide-ranging and elliptical, these candid reflections reveal Gauguin's inner thoughts about many subjects, including frank views on his fellow artists back in Paris, his turbulent relationship with Van Gogh, and the charms of Polynesian women, while providing glimpses into his often far-from-idyllic life in the islands. This beautiful facsimile reproduces the first American translation of the journals, a rare limited edition privately published in New York in 1921 for a select group of subscribers. With full-page sketches by the artist, these entertaining and enlightening musings give us a unique insight into Gauguin the man and the artist. Clean copy.

Softcover. Canada, Vancover Art Gallery, 1st, 1984, Book: Good, Dust Jacket: None, 82 pages. Softcover with dust jacket. Light musty odor. Clean, tight copy otherwise. Black and white and color pictures throughout.

Hardcover. London, Thames and Hudson, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 207 pages. Hardcover with gilt titles to spine. Full page, full color & black & white illustrations throughout. Features 131 illustrations, 31 in full color. Dust jacket with age toning to edges, tears to corners one closed tear (2 inches) to back of jacket. Otherwise clean, bright & unmarked.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, illustrated paper-covered boards; no dust jacket as issued. Photographs by Paul Pfeiffer. 80 pages with 35 four-color plates and 2 black-and-white plates. Essays (in German and English) by Valeria Liebermann and Stefano Basilico. Conversation with the artist (in German and English) by Thomas Ruff. Includes a list of works, biography, list of awards, exhibition history and publications. Clean copy.

Softcover. Boston, The Paul Revere Memorial Association, 1st pbk, 1988, Book: Very Good, Dust Jacket: None, Hardcover, pictorial black wrappers, 191 pages. Issued in conjunction with a 1988-1989 exhibition featuring the silver work of Paul Revere (1735-1818). With illustrated essays by Patrick M. Leehey, Janine E. Skerry, Deborah A. Federhen, Edgard Moreno, and Edith J. Steblecki. Includes a bibliography and many views of Revere's silversmithing capabilities. 236 b&w illustrations. Clean copy.

Hardcover. New York, Harper & Row, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 217 pages. Hardcover with price-clipped dust jacket. Clean, tight copy. Scarce biography of Robeson by Hamilton, a noted African-American children's book author.

NY, Knopf, 1st, 1988, Book: Very Good, Hardcover in a bright, unclipped dust jacket. Passionate and enormously talented, Paul Robeson lived one of the great lives of the twentieth century. Martin Duberman's classic biography is a monumental and powerfully affecting portrait of one of this century's most notable performers, political radicals, and champions of racial equality. Drawing on a vast archive of family papers and interviews with friends and relatives as well as FBI files, Paul Robeson charts the heroic and tragic course of Robeson's life: from his early days as the son of a former slave to his rise to unprecedented international acclaim as a stage actor and singer, and from his political awakening to his downfall as a victim of McCarthyism and the efforts of the U.S. government to destroy him. Clean copy.

Hardcover. NY, Aperture, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 183 pages. Profile of Strand by Calvin Tompkins. Features excerpts from correspondence, interviews, and other documents along with numerous black and white images by Strand. Clean copy.

Hardcover. New York, Aperture, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Black and white photographs throughout. A tight copy.

Hardcover. NY, Aperture, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Illustrated with 113 black & white photographs. Clean, bright copy. An Intimate Portrait by Catherine Duncan. Critical Essay by Ute Eskildsen. From 1950 to 1976 Paul Strand embarked on a series of photographic journeys through France, Italy, the Hebrides, Egypt, Morocco, Romania, and Ghana. This volume is devoted to those photographs, made by Strand in the last twenty-six years of his career.

Hardcover. Boston, Little, Brown, 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 259 pages. Illustrated with 16 black & white photographs. Previous owners signature at top of front endpaper. Dust jacket missing 3 small chunks at top and bottom of spine. Clean, tight copy.

Hardcover. Westport CT, Greenwood Press, reprint, 1981, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 210 pages. Professor Dunn presents an account of the making of the Japanese peace treaty. He discusses the international environment from the outbreak of World War II to 1950, the San Francisco conference of September 1951 and the security arrangements which the United States helped to create in the Pacific and Asian area. Originally published in 1963 by Princeton. Name on front fly leaf, otherwise clean.

Hardcover. London, British Library, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket. Ernest Cromwell Peake arrived in the Hankow region of inland China in 1899, the first medical missionary to attempt to bring modern medicine to the rural Chinese. Black and white images throughout.

Hardcover. Seattle WA, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 272 pages, illustrated throughout in color. Light edgewear to dust jacket, else a clean, tight copy. Since their original publication, Peanuts Sundays have almost always been collected and reprinted in black and white. But many who read Peanuts in their original Sunday papers remain fond of the striking coloring, which makes for a surprisingly different reading experience. These late 1950s strips comprise the first golden age of Peanuts Sundays in one gorgeous, full-color coffee table book. Linus, Charlie Brown, Pig-Pen, Shermy, Violet, Sally, Patty, and Schroeder are all present, but the rising star is undoubtedly Snoopy. Peanuts Every Sunday: 1956-1960 has been scrupulously re-colored to match the original syndicate coloring-allowing readers once again to plunge back into Charles Schulz's marvelous world.

Hardcover. Chicago, Thompson & Thomas, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, 303 pages, b&w illustrations by Heath. Blue cloth covers with black, red and white illustration. Previous owner's inscription on blank prelim page.