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Hardcover. Pound Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Photographing the intersection between culture and nature for over 25 years, Virginia Beahan creates luminous and finely detailed images with an 8x10 view camera that describe the complexities of this relationship in diverse geographic settings. Her eight-year project in the waning years of Fidel Castro's revolutionary Cuba resulted in a major 2009 monograph entitled CUBA singing with bright tears. The images depict a country both tragic and beautiful, struggling beneath the weight of history. Larger-than-life images of revolutionary heroes Che Guevara and Jose Marti populate the island. The Bay of Pigs is sublime and treacherous; an atmospheric body of water rimmed with jagged black coral is the same unwelcoming shore that greeted invading CIA-trained Cuban exiles over forty-seven years ago. On a billboard, Fidel Castro reminds us that the US might invade again, and if so, he "will die fighting." Virginia Beahan's work falls within the tradition of great American photographers such as Walker Evans and Robert Adams. Her luminous and detailed large-format photographs reveal a landscape imbued with nuanced stories of culture shaped by geography and human action. Cuba's long and complicated relationship with the United States is part of this unfolding drama. Clean, bright copy.

Hardcover. New York, Zone Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 565 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent, in protective brodart. Boards bound in black cloth, gilt title on spine. Binding tight. Some light pencil underlining throughout. Boards have a touch of rubbing, but in very good shape. A little light foxing to edges (shelfwear). A stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with problems of authenticity, identity, and originality.

Hardcover. New York, Covici-Friede, 2nd pr., 1936, Book: Very Good, Dust Jacket: Very Good, Hardcover, 269 pages. Previous owners name and the number "10" on front endpaper. Top edge stained black. Price clipped dust jacket with light chipping along edges. Clean, tight copy.

Hardcover. New York, Desmond FitzGerald, Inc., 1st, 1914, Book: Good, Dust Jacket: None, 95 pages. Hardcover. Text and Black & white illustrations by A. Vimar. Full color illustrated cover with light rubbing to edges, darkening in spots. Clean, unmarked pages. Good plus condition.

Hardcover. New York, Arno Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcovers, 2 volumes complete. 331 + 404 pages with 354 plates. Originally printed by Doubleday, Doran in 1929. In this edition the color illustrations are reproduced in black-and-white.. Cream colored boards. Light smudging to covers and edges. Else a very clean, tight copy.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1982, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. NY/London, St. Martin's Press/Academy, 1st US, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with tape repair to reverse which bleeds through on front panel. A collection of black and white photographs from this early British photographer.

Hardcover. Los Angeles, Vidal Sassoon Inc., 1st, 1978, Book: Very Good, Dust Jacket: None, 169 pages. Hardcover. Illustrated with black & white photographs. Original receipt from Vidal Sassoon Shop in London, England laid-in. Book has damp odor. Light foxing to edges. Light wear.

Softcover. Chapel Hill NC, University of North Carolina Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 235 pages, b&w illustrations. Focusing on the porkpacking industry in Iowa, Fink investigates the experience of the rural working class and highlights its significance in shaping the state's economic, political, and social contours. Fink draws both on interviews and on her own firsthand experience working on the production floor of a pork-processing plant. She weaves a fascinating account of the meatpacking industry's history in Iowa--a history, she notes, that has been experienced differently by male and female, immigrant and native-born, white and black workers. Like new.

Hardcover. Seattle, University of Washington Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth stamped in gilt, 204 pages. Dust jacket with partial fading, edgewear. Clean copy. The author's last work, a study of the Dahomean Kingdom, it's history and the part gold, colonialism and the slave trade played in it's fortunes. Scarce title.

Hardcover. Philadelphia, American Book and Bible House, 1st, Book: Very Good, Dust Jacket: None, Hardcover, decorated green cloth covers. An attractive how-to book for girls, featuring extensive descriptions of various crafts and even magic tricks to play with friends. Illustrated with several full-page color plates and numerous black-and-white in-text images and diagrams. 268 pages. Clean copy.

Softcover. Urbana IL, University of Illinois Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 295 pages, b&w illustrations. INSCRIBED BY BECK on the title page. A daughter of freed African American slaves, Daisy Turner became a living repository of history. The family narrative entrusted to her--"a well-polished artifact, an heirloom that had been carefully preserved"--began among the Yoruba in West Africa and continued with her own century and more of life. In 1983, folklorist Jane Beck began a series of interviews with Turner, then one hundred years old and still relating four generations of oral history. Beck uses Turner's storytelling to build the Turner family saga, using at its foundation the oft-repeated touchstone stories at the heart of their experiences: the abduction into slavery of Turner's African ancestors; Daisy's father Alec Turner learning to read; his return as a soldier to his former plantation to kill his former overseer; and Daisy's childhood stand against racism. Other stories re-create enslavement and her father's life in Vermont--in short, the range of life events large and small, transmitted by means so alive as to include voice inflections. Beck, at the same time, weaves in historical research and offers a folklorist's perspective on oral history and the hazards--and uses--of memory. Clean copy.

Softcover. Washington DC, Smithsonian Institute Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 54 pages. The most well-known celebrity photographer working today focuses on a longtime fascination: dance. This collection of photographs features portraits of Mikhail Baryshnikov, taken over a period of more than ten years, which show the man behind the legend and also includes a selection of photos of other dancers. 30 black-and-white photographs. Light soil to covers.

Hardcover. New York, Dodd, Mead & Company, 1st, 1927, Book: Very Good, Dust Jacket: None, 279 pages. Black cloth with green lettering and design. Light rubbing to front cover, spine and back cover. Light tanning to front end papers and slight foxing to back endpapers. light musty odor.

Hardcover. NY, Grosset & Dunlap, 1st thus, 1956, Book: Very Good, Dust Jacket: None, Hardcover in laminated boards, 69 pages. Black & white and color illustrations by De Witt Whistler Jayne. Light wear to corners and spine.

Hardcover. New York , Harper and Brothers, reprint, 1958, Book: Good, Dust Jacket: Good, 64 pages, hardcover with laminated boards, illustrated in color and 2-colors by Hoff. Dust jacket with chipping, light wear, price-clipped. Very early edition but not a first printing, no black cloth spine, code on dust jacket rear No. 5963, rear flap has reviews of Little Bear, Harper Blue Ribbon sticker on spine.

Hardcover. NT, Harper & Brothers, 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers stamped in black and orange. 257 pages. When a Civil War veteran who had lost his leg in the fighting and who had been living in the poorhouse comes into an unexpected inheritance, he heads West towards Colorado - and takes 9 year old Danny and his dog with him. Illustrated with a glossy frontispiece and three internal plates by Rogers, The author was primarily known for being a great illustrator for Harper Brothers during the golden age of illustration. Stated first edition. Inscription on front fly leaf, otherwise clean.

Hardcover. Berlin, Argon, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 151 pages. Hardcover with dust jacket. Black and white photos throughout. GERMAN TEXT. Clean, tight copy.

Hardcover. Rome, Institut Suisse De Rome, 1st Edition, 1976, Book: Good, Dust Jacket: Good, 159 pages followed by 46 plates in black & white. Hardcover limited edition to 800 copies in German Text. White cloth boards with brick titles to spine. Previous owner's name to front flyleaf. Spotting, foxing to preliminary pages & edges. Dust jacket with light foxing, now protected with plastic cover. Plates detail fresco cycle of the Oratorio di San Giovanni Decollato in Rome commissioned by the Florentine confraternity of the Misericordia, related drawings & sculptures. Clean, unmarked copy.

Hardcover. NY, Harper and Row, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 244 pages. The author spent 6 weeks with a courageous and devoted group of black reporters from the Johannesburg Star. This book focuses on the dilemma of these men and women caught between the militant black community, the police who harass them mercilessly, and their white editors who, fearful of the truth and wary of government disapproval, sometimes refuse to print the stories the reporters risked their lives to get. Clean copy.

Hardcover. New York, Lovell, Coryell & Company, 1st, 1895, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth stamped in black and gilt. Cover shows some light wear but otherwise internally clean. Black & white illustrations by E.W. Kemble. An early American novel featuring Italian immigrants in New York by a respected journalist who was familiar with the people there. Clean copy.

Hardcover. London, Rodale Press, 1st thus, 1954, Book: Very Good, Dust Jacket: None, Hardcover, publisher's original cream and red pattern paper covered boards, gilt title and author lettering to the black cloth spine. 36 printed pages of text with monochrome illustrations throughout. A small (although not really a miniature) book containing an essay by James which was originally published in the Century Magazine in 1890. Illustrated with a portrait of Honore Daumier and 15 his caricatures. Mild foxing to endpapers otherwise clean.

Hardcover. Chicago, John C. Winston Company, 1st, 1938, Book: Very Good, Dust Jacket: None, Non-Paginated. Hardcover. SIGNED BY MAUD AND MISKA PETERSHAM ON HALF TITLE PAGE. Full color and black & white illustrations. Light wear to blue cloth covers. Clean, tight copy.

Softcover. New York, Pantheon, 1st, 2000, Book: Very Good, Dust Jacket: None, 136 pages. Softcover. Black and white comic. Light edgewear to wrappers. Meet David Boring: a nineteen-year-old security guard with a tortured inner life and an obsessive nature. When he meets the girl of his dreams, things begin to go awry: what seems too good to be true apparently is. And what seems truest in Boring's life is that, given the right set of circumstances (in this case, an orgiastic cascade of vengeance, humiliation and murder) the primal nature of humankind will come inexorably to the fore.