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Softcover. Fairfield CT, Cartoonist Profiles, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on animator Grim Natwick, John Romita the Spider-Man artist, Garfield and Jim Davis, Alfred Andriola, c.omic strip history by Bill Blackbeard.

Softcover. Fairfield CT, Cartoonist Profiles, 1979, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on Dik Browne and Hagar the Horrible, editorial cartoonist Jim Borgman, Reminensces by Jack Markow and I. Klein, the Walt Disney archives, Q and A's by Bill Blackbeard.

New York, Scribners, 1st, 1933, Book: Good, Dust Jacket: None, Hardcover, green cloth with black stamping, 329 pages. Previous owner's signature on front end paper. Cover has light edgewear.

Hardcover. New York, Lee & Shepard, 1st, 1868, Book: Good, Dust Jacket: None, 263 pages. Hardcover with no dust jacket. Orange covers with black stamped decorations and gilt panel on spine. Gutter cracked throughout. Rear hinge starting. Captain John Hardy, Retired, a weather-beaten, somewhat eccentric old sea dog of 59 recounts the exciting, sometimes amusing tale of his running away from home at eighteen to become a sailor/mate on a ship bound for the Arctic seas to hunt seals to harvest their valuable pelts.

Hardcover. London, The Great Western Railway, 1st, 1926, Hardcover, maroon boards with black cloth spine, 230 pages. The result of two interesting journeys, devoted to castle-seeking, one in 1924, covering Wales and the English counties along the Welsh border; and the other in 1925 devoted to Somerset, Devon and Cornwall ".The text is accompanied by 105 illustrations, 77 drawings, 1 Plate, 2 colored Plates, and 2 Maps, a color map folded into rear pocket inside cover. Previous owner's inscription on half-title page. Otherwise clean.

Hardcover. New York , Random House, Early edition, Book: Very Good, Dust Jacket: Very Good, Illustrated in red, blue & black by Seuss. Beginner Book. No price on front flap, unclipped. Rear flap with reviews of Cat in the Hat. Back panel lists other Beginner Books, ending with: Are You My Mother? Clean, beautiful copy.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white illustrations throughout. At the age of 21, Gene Deitch discovered The Record Changer, a jazz fan magazine. Every jazz swinger in the '40s was called a "cat," so Gene Deitch created a cartoon feature titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951. Deitch's stylistically virtuoso images exquisitely embodied the essence of the 1950s hipster, and was a visual paean to the joy of collecting records and appreciating jazz. The Cat on a Hot Thin Groove collects all of Deitch's Record Changer work in one gorgeous, coffee-table art book, with commentary and reminiscences by Deitch himself.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white illustrations throughout. At the age of 21, Gene Deitch discovered The Record Changer, a jazz fan magazine. Every jazz swinger in the '40s was called a "cat," so Gene Deitch created a cartoon feature titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951. Deitch's stylistically virtuoso images exquisitely embodied the essence of the 1950s hipster, and was a visual paean to the joy of collecting records and appreciating jazz. The Cat on a Hot Thin Groove collects all of Deitch's Record Changer work in one gorgeous, coffee-table art book, with commentary and reminiscences by Deitch himself.

Hardcover. New York, Macmillan Company, 3rd Printing, 1931, Book: Very Good, Dust Jacket: None, 57 pages. Hardcover. SIGNED BY AUTHOR ELIZABETH COATSWORTH AT BOTTOM OF FRONT ENDPAPER. Black & white illustrations by Lynd Ward. Winner of the Caldecott Medal in 1931. Front cover with areas of foxing to cover hinge and along right edge - approximately 3/4" from top to bottom. No dust jacket. Clean, tight copy.

Hardcover. NY, Doubleday, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped with orange lettering. 64 pages of b&w photos of kittens at play by Spillman, words by Paul Dehn. Name on front fly leaf, otherwise clean. No dust jacket.

Hardcover. London, Printed by Order of the Trustees, 1st, 1892, Book: Very Good, Dust Jacket: None, Orange cloth covers with black lettering and rules on spine and both covers, 443 pages with hundreds of pictures. Front and rear hinges partially cracked, previous owner's initials on front fly leaf, otherwise the book is very good, clean throughout.

Hardcover. Chicago / New York, Eugene Dietzgen Co., 11th pr., 1921, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in black, 404 pages. Dietzgen was a manufacturer of drawing materials, surveying instruments, & measuring tapes. Profusely illustrated with b&w illustrations of tools offered. Pocket on back cover does not have a price list. Otherwise a clean, tight copy.

Hardcover. NY, Privately printed, 1st , 1908, Book: Very Good, Dust Jacket: None, Hardcover, 292 black & white reproductions. 3/4 leather, marbled boards & end papers. All edges gilt, raised bands on spines, gilt lettering. Author's complimentary card tipped on front paste-down. Previous owner's inscription name, stamp on blank prelim page. Exceptional condition.

Hardcover. Burlington VT, University of Vermont , 1st, 1854, Book: Very Good, Dust Jacket: None, Hardcover, marbled boards with black leather spine, gilt lettering on spine. 164 pages, clean copy. light chipping to spine. The 2-page Preface (anonymous) claims a total of 8,108 volumes.

Softcover. NY, Clayton Eshleman, 1st, 1969, Book: Good, Dust Jacket: None, Softcover in yellow wrappers, 160 pages. Edited and published by Clayton Eshleman. B/w illustrations. Bibliographical references. Includes advertising matter. Stiff yellow wrappers, printed black. Contains contributions by Robert Duncan, Larry Eigner, Jack Hirschman, Michael McClure, Charles Olson, Adrienne Rich, Diane Wakoski, et al.; plus book reviews, etc. Light soil to wrappers, no markings.

Hardcover. Boston, Houghton Mifflin, 9th pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY MACAULAY on the half title page. Black & white illustrations by Macaulay. Lavishly illustrated Caldecott Honor book about the construction of an imaginary French Gothic cathedral. Clean copy.

Hardcover. London, Collins, reprint, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black & white illustrations by Macaulay. Lavishly illustrated Caldecott Honor book about the construction of an imaginary French Gothic cathedral. Clean copy.

Hardcover. Boston, Houghton Mifflin, 8th pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black & white illustrations by Macaulay. Lavishly illustrated Caldecott Honor book about the construction of an imaginary French Gothic cathedral. Clean copy.

Hardcover. New York, Aperture Foundation, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Black and white photographs. Clean, unmarked copy with only minor wear to dust jacket. Small abrasion on rear end paper. Covering performance art since is nasence at the East Village's Pyramid Club, the WOW Cafe, 8BC, and other clubs in the early eighties McAdams became the in-house photo archivist at the infamous performance space, P.S. 122, the home of cutting-edge theater that eschews convention as it draws energy and inspiration from all media. At P.S. 122 and other alternative performance spaces such as The Kitchen and Dance Theater Workshop, McAdams developed her long-term relationships with many performers.

Hardcover. New York, Century House, 1st, 1942, Book: Good, Dust Jacket: None, 399 pages. Hardcover with no dust jacket. Spine darkened and discolored. Black and white illustrations throughout. Clean, tight copy.

Hardcover. Emmaus, PA, Story Classics, Ltd Ed., 1950, Book: Very Good, Dust Jacket: None, Hardcover in white linen cloth with black and maroon lettering on spine. # 827 of 3000. Contents include: Cavalleria rusticana. The Saint Joseph's ass. Ugly weather. Property. The mystery play. Home tragedy, and more. illust. by Aldren Watson in 2 colors. No translator credited. Slipcased.

Hardcover. NY, Simon & Schuster, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. Illustrated with full color and black & white photographs. Clean, bright copy. British photographer Beaton was noted for his portraits of royalty. His career spanned 50 years and included well-known portraits of King Geroge V and Queen Mary; his last official photo was in 1979. More than just a photographer, Beaton helped the royal family develop a worldwide image, an important component in the evolution and stability of the British monarchy as symbolic leaders of the Commonwealth. His photos were also an essential part of Britain's public relations and morale efforts, especially after Edward VIII's abdication and during World War II. A splendid compendium of Beaton's best works, supplemented by text explaining his importance.

Hardcover. New York, Duell, Sloan & Pearce, 1st, 1966, Book: Very Good, Dust Jacket: Good, 209 pages. Hardcover with dust jacket. Black & white illustrations by Charles Keeping. Dust jacket price clipped, has light edgewear.

Hardcover. NY, Overlook Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 317 pages. For seventy-five years, the kidnapping and murder of Charles Lindbergh's infant son has gone unsolved. Evidence, opinion, and logic have discredited the notion that Bruno Richard Hauptmann --electrocuted in 1936 --acted alone. In this meticulous and authoritative account of the crime, the trial, and the times of the Lindbergh kidnapping, Robert Zorn clears away decades of ungrounded speculation surrounding the case. Inspired by his father's relationship with the actual accomplices --including the mastermind --he presents the clearest ever picture of a criminal partnership, which would shake every class and culture of American society. Using personal possessions and documents, never-before seen photographs, new forensic evidence, and extensive research, Robert Zorn has written a shocking and captivating account of the crime and the original "Trial of the Century." Thin black remainder line on bottom edge otherwise a clean, bright copy.