Hardcover. NY, New Directions, 1st, 1050, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in yellow. No dust jacket. Clean copy. Published in 1950, his first novel was acclaimed by Gore Vidal as "splendidly written, precise, short, complete, and fine." It is the story of a wealthy, fiftyish American widow recently a famous stage beauty, but now "drifting." With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo.
Hardcover. NY, Frederick A. Stokes, 1st illust thus, Book: Very Good, Dust Jacket: None, Hardcover, geen cloth with 4 color decoration on front and spine. Color frontispiece, numerous black and white illustrations by Gordon Browne, No date (circa 1910). Tight, clean copy.
New York, Viking Press, Book Club, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. Black & white illustrations by David Rook. Dust jacket spine slightly faded otherwise very good.
Hardcover. London, Chatto & Windus, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, purple and black boards with black lettering on the spine label. 162 pages, b&w frontispiece by Ray Garnett (his first wife, Rachel 'Ray' Garnett). Top edge gilt. Tells the fictional story of the racism and hostility experienced by an interracial couple in Victorian Dorset. Clean copy.
Hardcover. NY, Books of Wonder, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. With twelve glowing color plates and over one hundred black-and-white drawings by Oz artist John R. Neill, this is a beautiful reproduction of the rare 1915 first edition. Afterword by Peter Glassman.
Softcover. Padova Italy, Editrice Antenore, 1st, 1961, Book: Very Good, Dust Jacket: None, Softcover, cream color wrappers with black and blue type, 141 pages with index. Foreword by author. English text. Name on front fly leaf, light pencil marking to 10 pages.
Hardcover. NY, Doubleday, Doran & Company, 1st, 1931, Book: Very Good, Dust Jacket: None, Four hardcover volumes. Original blue cloth spines, title printed in black on paper label affixed to spines. Blue paper-covered boards with H.G. Wells's facsimile signature in gilt on covers. Top edges gilt. Solid text blocks, rubbed corners, sunning to spines, a very good set. Internally bright with numerous in-text illustrations and diagrams. The frontispiece of each volume contains a colorful illustration in a theme related to the subject matter of the work. A limited edition set, number 526 of 750 signed copies. Signed by H.G. Wells, Julian Huxley, and G.F. Wells on the limitation page. Many illustrations and diagrams. Iconic work from the thirties on all things biological from two of the greatest exponents of science in the 20th century, along with Well's' son and zoologist, George Wells. Clean set, minor shelf wear. DOMESTIC SHIPPING ONLY.
Hardcover. NY, William Sloane Associates, 2nd pr., 1964, Book: Very Good, Dust Jacket: Good, Hardcover, 256 pages. Bright, clean copy in a lightly soiled dust jacket. A man crossing a London street is killed. He is carrying four blackmail letters. Mostly set in France, the basis for the 1968 MGM film directed by Richard Thorpe.
Hardcover. London, Frederick Warne and Co., 1st, Book: Good, Hardcover, pictorial paper-covered boards; color frontis, some black and white illustrations by Gordon Browne. Short splits along spine edge, bookplate on inside front cover.
Hardcover. NY, Grosset & Dunlap , 1st thus, ND (1924), Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, blue cloth binding with black lettering. Black and white plate frontispiece, black and white plates throughout featuring scenes from the 1924 film starring Milton Sills, rear panel of dust jacket shows scenes from the photoplay of Scaramouche, starring Alice Terry and Roman Novarro. Inscription on front fly leaf, otherwise a clean copy.
Hardcover. NY, Grosset & Dunlap, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, lavender cloth with black lettering and design. End papers show the Dana girls reading a letter printed in dark green. Nancy Drew titles listed to The Mystery of the Brass Bound Trunk. Clean, bright copy.
Hardcover. London, Ward, Lock & Co, reprint, 1959, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with silver pattern and lettering. Novel about three young merchant navy officers on a ship captured by pirates in the 1930s their imprisonment on a fortified island and their escape by sea. Has black and white frontis and plates. Clean copy.
Hardcover. NY, Pellegrini & Cudahy, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with silver stamping, 241 pages, b&w illustrations. Limited to 1500 copies. John Marin was one of the most important American artists of the 20th century, known for his luminous watercolors and bold, expressive style. In this beautifully curated collection, Dorothy Norman presents a selection of Marin's most important writings, offering insights into his creative process and philosophy. Clean copy.
Hardcover. NY, Seabury, 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 154 pages. Black & white illustrations by Anne Dalton. Clean copy.
Softcover. NY, Vintage Crime/Black Lizard, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 263 pages. Larry Dolman is a rather literal minded ex-cop who now works private security. Eddie Miller is an airline pilot who's studying to get his real estate license. Don Luchessi is a silver salesman who's separated from his wife but too Catholic to get a divorce. Hank Norton is a drug company rep who gets four times as many dames as any of the other guys. They are all regular guys who like to drink, play cards, meet broads, and shoot a little pool. But when a friendly bet goes horribly awry, they find themselves with two dead bodies on their hands and a homicidal husband in the wings--and acting more like hardened criminals than upstanding citizens. Mild shelf wear, clean copy.
Hardcover. NY, New Directions, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, putty color cloth with spine stamped in black and blue. 1st printing with no additional printings on copyright page. Light tanning to endpapers, mild shelf wear, clean copy. Bowles first novel.
Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with black lettering in a bright dust jacket with edgewear and chipping, 335 pages. Rear dj lists to Wild Horse Mesa. Name on front fly leaf, otherwise clean.
Hardcover. NY, G.P. Putnam's Sons, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, 326 pages. Bound in original dark red cloth with lettering in black.
Softcover. NY, Oxford University Press, repriny, 1989, Book: Very Good, Dust Jacket: None, Softcover, 290 pages. Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself.Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system forinterpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. Clean copy.
Hardcover. London, Methuen & Co. Ltd, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, pale yellow boards with black stamping, 196 pages. One of the wonderful series of Chiang Yee's city books where here he describes and depicts aspects of Edinburgh. Illustrated throughout with drawings and 20 full-page color plates. Bookplate on inside front cover, otherwise clean.
Hardcover. NY, W W Norton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. Author, artist, and poet Chiang Lee found in San Francisco the poetic beauty similar to his much-loved Chinese landscape. His view is keen and original as he wanders with his notepad and records his quizzical, quiet observations. Illustrated with 16 of the author's full color paintings, and over 50 of his black and white drawings, Clean copy.
Hardcover. NY, Farrar & Rinehart, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with red lettering. The acclaimed crime writer's last book (he died in 1930), a collection of courtroom stories featuring Colonel Braxton, "great lawyer, great detective, and gallant gentleman ", and set in Virginia in the 1850's. Both Howard Haycraft and Ellery Queen considered Post second only to Poe as an American writer of detective fiction. Clean, square copy.
Hardcover. NY, Julian Messner, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. A German story retold by Erich Kastner and translated by Richard & Clara Winston. Illustrated in color and b&w throughout by Horst Lemke. Story of a little town called Schilda and the people who lived there- who did everything wrong. They built a three cornered town hall, burned down a house to catch a mouse, etc. They are the SIMPLETONS!! No dust jacket, clean copy.
Hardcover. NY, Doubleday, BC Edition, 1991, Hardcover in a bright dust jacket, 358 pages. A race of turtle-like creatures conquers Earth, imposing a gentler set of values on humankind, outlawing destructive technology, and denying the validity of human scientific theories. When their home planet disappears into a black hole, however, the aliens' only hope for the future hinges on the possibility that humanity's flawed sciences might contain a glimmer of truth. Two veteran sf authors combine their strengths to produce a novel that both explains and explores the ''mysteries'' of modern science. Clean copy.