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Hardcover. Moscow, Sovietsky Khudozhnik, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 359 pages. Hardcover with dust jacket. Russian text only. Profusely illustrated in full color and black & whiite. A survey of Russia's brief Art Nouveau movement in architecture. Bright, clean copy in a similar dust jacket. In a plain cardboard slipcase.

Hardcover. NY, Aperture, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An acclaimed photographer's images and the words of Russia's foremost writers combine in an intimate record of the contemporary Russian experience: an intractable culture in the throes of irrevocable change. 30 color and 70 black-and-white photographs. This handsome photo album with Morath's own foreword and captions depicts a world to which many Russians in the grip of post-Soviet nostalgia long to return. Morath's Russia is devoid of Soviet excresence: no ugly concrete apartment blocks, Stalinist skyscrapers, or exhortative banners appear. Landscapes and street scenes are poetic and largely deserted. Sidetrips to Armenia, Georgia, Kyrgyzstan, Lithuania, and Uzbekistan are subsumed under "Russian culture." The people shown are mainly artists and intellectuals, and portraits of embattled dissident writers (Nadezhda Mandelstam and Joseph Brodsky) testify to the moral support Morath and her husband Arthur Miller offered them in the 1960s. The album includes fond letters from Mandelstam and poet Andrei Voznesensky, as well as Olga Andreyev Carlisle's reminiscence of her 1967 trip to the Soviet Union with Morath. Clean copy.

Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.

Hardcover. Rutland, Sharp Offsett Printing, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcovers in bright dustjackets. SIGNED BY AUTHOR. Includes parts 1 and 2. Approx. 400 pages. B&W illustrations throughout. Rail map laid-in to part 1. Black pictorial covers. Pen mark on bottom edge of part 2. Overall, a clean, tight set.

Hardcover. NY, Hermitage House, 2nd pr., 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 336 pages, illustrated in black and white. The story of a great impresario's adventures in the dance world. Mr. Hurok remembers Anna Pavlova, Isadora Duncan, Martha Graham, et al. Clean copy.

Hardcover. Kampala Uganda, Saben's Directories, 1st, 1960, Hardcover, 312, 74, , 64 pages. Original publisher's brown cloth boards with black lettering at front and gilt lettering and illustration at spine. Illustrated throughout in black and white. Laid in is the envelope holding 3 folding maps: Uganda Protectorate Map, East African Railway Map, Kampala Street Plan. Some tanning at edges of pages. Binding is slightly cocked where maps were laid in. Previous owner's name inside front cover, otherwise clean.

Hardcover. New York, E. P. Dutton & Co. , 1st, 1936, Book: Good, Dust Jacket: None, Hardbound, 216 pages. Black & white illustrations by Julian Brazelton. Illustrated endpapers. Faded blue top edge. Corners bumped. Soiling to covers.

Hardcover. New York, Harcourt, Brace and Company, 1st, 1936, Book: Good, Dust Jacket: None, 148 pages. Black & white illustrations by Rockwell Kent. 1st edition review copy. "Review Copy" with date and price stamped on front endpaper. Previous owners bookplate on inside front cover. Tanning along top edge of pages. Darkening to spine, and top edges of covers. Clean, tight copy.

NY, Scribners, 1st, 1937, Book: Good, Dust Jacket: None, Black & white illustrations. Black & white Illustrated frontispiece. Illustrated end papers. Light edgewear and soil to covers.

Hardcover. New York, Alfred A. Knopf, 1st, 1950, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with a drawing of a saddle on front cover. 184 pages. Black & white illustrations by Earl Mayan. Faded green top edge. Corners slightly bumped. Spine faded. No dust jacket. Rick and his sister Jinny help raise an orphan filly. Clean copy.

Hardcover. New York, E. P. Dutton & Co, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover, blue cloth with black stamping. 221 pages. Black & white illustrations by Edward Ardizzone. Ex-library with usual markings and stamping.

Hardcover. New York, E. P. Dutton & Co, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover. 221 pages. Black & white illustrations by Edward Ardizzone. Ex-library with usual markings and stamping. Dust jacket with faded spine, library labels on spine, light edgewear.

Softcover. NY, Vintage Books, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 101 pages. Interview with American artist, David Salle by Peter Schjeldahl. 65 pages of text (interview) as well as color and black & white plates by Salle. In very good condition. Cover is a black & white photograph of David Salle.

Softcover. Montrose, Western Reflections Publishing Company, 1st, 2005, Book: Very Good, Dust Jacket: None, 259 pages. Softcover. Black & white illustrations. Light wear. Clean, tight copy.

Hardcover. NY, Little, Brown and Company, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 763 pages, b&w illustrations. From the author of the critically acclaimed Elvis Presley biography: Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandily steered the revolutionary path of Sun Records. The music that he shaped in his tiny Memphis studio with artists as diverse as Elvis Presley, Ike Turner, Howlin' Wolf, Jerry Lee Lewis, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices passionately proclaiming the vitality of the American vernacular tradition while at the same time declaring, once and for all, a new, integrated musical day. With extensive interviews and firsthand personal observations extending over a 25-year period with Phillips, along with wide-ranging interviews with nearly all the legendary Sun Records artists, Guralnick gives us an ardent, unrestrained portrait of an American original as compelling in his own right as Mark Twain, Walt Whitman, or Thomas Edison.

Hardcover. NY, Barnes & Noble, reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. Includes a bibliography of Bannerman's books and 47 reproductions of the first British and first American editions and her illustrations for them. Phyllis Yuill and Justin Schiller helped with the publishing history and supplied illustrations. Hay shows that it was the illustrations of later artists that provoked the controversy over THE STORY OF LITTLE BLACK SAMBO, not Bannerman's original text or pictures. Bound in the original gilt-stamped red boards. From the dust jacket: "This first biography of Helen Bannerman covers much new ground and is based on the vast collection of letters to the children, usually lovingly illustrated, in the possession of the Bannerman family. As well as telling the story of one of the most popular children's books of all time, Elizabeth Hay's biography offers an intimate picture of the daily life of a British memsahib in the heyday of the Raj." Clean copy.

Hardcover. New York, Abrams Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover. 95 pages. Oversized. Striking design, black cloth covered boards with embossed titles to cover & spine. Black & grey toned dust jacket with illlustration. Black endpapers. Crisp edges, only light marginal wear to dust jacket edges. Full page, black & white illustrations of the legendary Italian film studio Cinecitta, where directors such as Federico Fellini and Roberto Rossellini shot films, beautifully presented. A nice copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt stamping, 85 pages. First edition, first printing with date to title page matching that copyright page. Seven b&w plates by the author. A 1926 work by Lebanese-American poet Khalil Gibran. It contains eighty-five pages of aphorisms, poems, and parables that demonstrate Gibran's characteristic ability to masterfully encapsulate profound concepts in just two or three lines. Gilt lettering on spine faded. There is a previous owner's name in red ink on the front fly leaf, otherwise a clean copy.

Hardcover. Boston, Ticknor and Fields, 1st Edition, 1860, Book: Very Good, Dust Jacket: None, 267 pages. Hardcover. Black cloth cover boards, Blind-stamped with decoration, gilt title on spine. Very Good condition. Rubs to the corners and spine tips. Gilt top edge (faded). Edges and pages have tanning from age. Dark endpapers. Binding good. Spine straight. Pages unmarked except title page with original owner's name and address in top right corner. 19 tales.

Hardcover. New York, Charles Scribners Sons, 1st, 1929, Book: Good, Dust Jacket: None, 328 pages. Hardcover. Black & white illustrations by Will James. Green cloth covers with some small areas of spotting. Spine slightly cocked. Clean, tight copy.

NY, Harper and Brothers, 1st, 1924, Book: Good, Dust Jacket: None, Hardcover, orange cloth with green and black decoration. Four b&w plates by Margaret Harper. Light shelf wear.

Chicago, Wilcox and Follett, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth covers stamped in black. B&W illustrations by Milo Winter. 189 pages. Small bookstore stamp to front end papers otherwise very good. An "action-packed adventure story based on authentic history of early Illinois" set during the Black Hawk War. Clean copy.

Hardcover. London, Sampson Low, Marston, Low, & Searle, 1st, 1873, Book: Good, Dust Jacket: None, 511 pages. Hardcover with gilt and black lettering on front and spine. Fraying on corners. Heavy soil on top page block. Illustrations and maps. Gutter crack on page 176.

Hardcover. New York, Viking, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 208 pages. SIGNED BY DOBYNS ON TITLE PAGE. Blue covers with black spine, color illustrated dust jacket with mylar-protective covering. Dust jacket lightly chipped, though still very neat and tight with mylar, unmarked boards, crisp pages; a very clean, tight copy in great condition.