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Hardcover. London, Hamish Hamilton, 1st UK, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn , unclipped dust jacket. A biography of poet Harry Crosby, who inexplicably took the life of another man's bride of six months, and subsequently his own life, in 1929. INSCRIBED BY WOLFF on the blank prelim page: "To the yeoman of Chittenden, and to Steve, from the guy whose fat they pulled from the fire/Geoffrey Wolff/Repayment Day, 1977/Waitsfield, Vt".

Hardcover. Boston, Houghton Mifflin, 1st US, 1932, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with red lettering, 311 pages. Spine slightly cocked. Clean and bright except for faded spine.

Hardcover. Boston, MA, Little, Brown, and Comany, 3rd printing, 1935, Book: Very Good, Dust Jacket: Good, Hardcover, 159 pages, b&w photos. Previous owner's bookplate on front end paper. Light edgewear, sun-fade and rubbing tom dust jacket. Internally very good.

Hardcover. New Haven CT, Yale University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 360 pages. Charles Clover, award-winning journalist and former Moscow bureau chief for the Financial Times, here analyzes the idea of "Eurasianism," a theory of Russian national identity based on ethnicity and geography. Clover traces Eurasianism's origins in the writings of white Russian exiles in 1920s Europe, through Siberia's Gulag archipelago in the 1950s, the dissolution of the Soviet Union in the early 1990s, and up to its steady infiltration of the governing elite around Vladimir Putin. This eye-opening analysis pieces together the evidence for Eurasianism's place at the heart of Kremlin thinking today and explores its impact on recent events, the annexation of Crimea, and the rise in Russia of anti-Western paranoia and imperialist rhetoric, as well as Putin's sometimes perplexing political actions and ambitions. Clean copy.

Softcover. Hanover NH, Hood Museum of Art, Dartmouth College , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 374 pages illustrated in b&w and color. Issued in connection with an exhibition held March 8 to September 7, 2008, Hood Museum of Art, Dartmouth College. Black Womanhood examines an especially charged icon - the black female body - and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies. This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. Edinburgh, A & C Black, reprint, 1872, Book: Good, Dust Jacket: None, Hardcover. One of many popular travel guide books published by Adam and Charles Black from 1839 to the 1910s, this series was the leading competitor to Baedeker's iconic guide books. Illustrated with maps and tables throughout, including three folding maps. Includes 112 pages of publisher's advertisements to the rear. In the original dark green cloth binding with a gilt design on front cover. One map has been neatly repaired with paper and paste due to a small closed tear. Front hinge with mild crack, signature opposite half-title page.

Hardcover. Edinburgh, A & C Black, reprint, 1874, Book: Good, Dust Jacket: None, Hardcover. One of many popular travel guide books published by Adam and Charles Black from 1839 to the 1910s, this series was the leading competitor to Baedeker's iconic guide books. Illustrated with maps and tables throughout including a fold-out map. This guide suggests potential routes and excursions for exploring this picturesque county. 74-page publisher's catalogue to the rear. In the publisher's original dark green cloth binding with a gilt decoration on the front cover. Clean copy.

Hardcover. New York , Crown Pub., 1st, 1989, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Color illustrations by Hurd and SIGNED BY HURD on title-page. Library binding.

Hardcover. Chicago, Albert Whitman, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, 64 pages illustrated in color, black & white by Kurt Wiese. Two discreet library stamps to both endpapers, previous owner's ink name, light edgewear to covers, otherwise very good overall.

Hardcover. London, Blackie and Son Limited, Unknown, Unknown, Book: Fair, Dust Jacket: None, Hardcover, pictorial cardboard covers with a fed cloth spine.Unpaginated. Color plates and black-and-white illustrations throughout. Some soiling/staining, edge-wear, and shelf-wear to covers. Rear cover bumped along bottom edge. Foxing to top edge. Previous owner's signature to back of half-title page. Complete gutter crack after title page. A little soiling to some of pages. Otherwise, fair, unmarked copy.

Softcover. London, Hard Case Crime, 1st thus, 2007, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Glen Orbik. From the Academy Award-Nominated Screenwriter of BREAKFAST AT TIFFANY'S and THE MANCHURIAN CANDIDATE Comes a Breathtaking Story of Murder and Mischief...IT'S THE STORY of a big-game hunter, fisherman, fighter, visitor to Cuba, drunk, and Nobel Prize-winning author, recently deceased of a self-inflicted gunshot wound, whose final unpublished manuscript could fetch a mint...IT'S THE STORY of a short, balding man with a high-pitched voice and a vicious wit, whose cocktail parties are the talk of the town, especially when a beautiful woman dies at one of them. And it's the story of Dick Sherman, intrepid New York publisher, on the trail of the literary find of the century--and the killer who will stop at nothing to keep it from being found. Like new.

Softcover. NY, ibooks, 1st US, 2003, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. The story of a private detective seeking revenge for the death of his assassinated ex-girlfriend. A stunning thriller, enhanced by a wonderfully detailed drawing style, with characters in the form of the animals that best reflect the nuances of their personalities. Rendered in a film noir style, the stories are set in late 1950s United States. The strip attempts to reflect a dirty, realist outlook and a dark cinematic style through fairly clean, realistic lines. Detailed watercolor drawings, including real-life places and cities, also contribute to the realistic feel of the series, despite the fact that characters are animals. Dog-ear crease to rear corner of cover, clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Color frontispiece, black and white reduced facsimile after the text. 169 pages. This work was commissioned by Blake's friend John Flaxman for his wife Ann, adapted from the 1790 edition of "Gray's Poems", and was likely completed around 1800. These illustrations were not available to the public during Blake's lifetime, likely due to a combination of the owner Ann Flaxman's desire to keep them exclusive, and the politically subversive nature of the contents which would have been dangerous for Blake. Clean copy.

Hardcover. New York, Coward, McCann & Geoghegan, Inc., 1st US, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages. Hardcover. Previous owners bookplate on preliminary pages. 16 pages of black & white illustrations. Foxing to top edge. Dust jacket with chipping along edges.

Hardcover. Black Dog Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 189 pages. Blasphemy: Art that Offends is a prescient examination of the perpetually troubled, often explosive relationship between religion, politics and art. This book draws on a rich wealth of visual material, tracing both the history of blasphemy as a concept and re-positioning the term in the twenty-first century. Questions of censorship and freedom of expression are today extremely volatile, a fact evinced by the recent international backlash against the Danish newspaper Islamic caricatures and the murder of the Dutch filmmaker Theo Van Gogh following the release of his notorious Submission. Blasphemy: Art that Offends provides a vital vantage point from which to view the complicated, compelling interrelations between religion, politics and the visual arts.

Hardcover. Seattle, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover. Over 400 pages of original art collected over 50 years. In the mid-sixties, Glenn Bray was a kid with a lot of money -- his family owned a very successful hardware store chain -- and an appreciation for obscure art that was prescient to the point of being visionary; he was a fanboy-turned-tastemaker who elevated his private collecting into something that would influence the evolution of the comic medium. He became a loyal and passionate patron of artists who went largely ignored, like some mellow, SoCal Medici. It seems crazy today, but original comic art pages were still considered 'by-products' of printing and publication when Bray began purchasing the black-&-white illustration-boards from EC greats like Wolverton, Kurtzman, Davis, Feldstein, Wood and Elder. More importantly, his original art purchases and private commissions were key in fostering the careers of unknown artists in his own age bracket, particularly now legendary Underground greats like R. Crumb, S. Clay Wilson, Robert Williams, Rick Griffin, and Gilbert Shelton. With a collection of original comic art and illustration spanning 6 decades, Bray has become vital to the work of establishing the official histories of comic art.

Hardcover. Boston, Little Brown, 2nd pr., 1916, Book: Very Good, Dust Jacket: None, Hardcover, black & white illustrations by Wilson C. Dexter. Bright gilt-decorated cover, spine faded, stamping to front paste-down otherwise VG.

Hardcover. London, Ballier, Tindall & Cox, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering, embossed rules, beveled edges. 167 pages, b&w illustrations, 2 color plates at back of book. Bookplate inside front cover, minor wear to top of spine otherwise clean, very good.

Hardcover. NY, Taplinger, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white drawings by Alice Caddy. Judge Black and J.C. the sporty fox go down to Tickpaw in marsh country below New Orleans to help. people there resist a terrible coyote invasion from the West. Clean copy.

Hardcover. New York, Meredith Press, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover. Non-paginated. Illustrated with black & white drawings by Edward Gorey. Some light rubbing to cover edges. Price clipped dust jacket with chips of paper missing at top of spine and along edges - dust jacket now protected with clear plastic protective cover. Clean, tight copy.

NY, Macmillan, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, light blue cloth stamped in dark blue. Black & white illustrations by Sewell. Light edgewear and soil to covers. spine faded. Previous owner's inscription on front fly leaf. Previous owner's bookplate.

Hardcover. Chicago, University Of Chicago Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. Light marking to several pages in margins, otherwise clean. In Blue Chicago, David Grazian takes us inside the world of contemporary urban blues clubs to uncover how such images are manufactured and sold to music fans and audiences. Drawing on countless nights in dozens of blues clubs throughout Chicago, Grazian shows how this quest for authenticity has transformed the very shape of the blues experience. He explores the ways in which professional and amateur musicians, club owners, and city boosters define authenticity and dish it out to tourists and bar regulars. He also tracks the changing relations between race and the blues over the past several decades, including the increased frustrations of black musicians forced to slog through the same set of overplayed blues standards for mainly white audiences night after night. In the end, Grazian finds that authenticity lies in the eye of the beholder: a nocturnal fantasy to some, an essential way of life to others, and a frustrating burden to the rest.

New Heven, Dumont/Yale Univ. Press, 1st , 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color, black & white illustrations. 365 pages. Scholarly essays on the four artists.

Hardcover. New York, Fox Duffield & Co., 1st, 1904, Book: Good, Dust Jacket: None, 350 pages, 13 pages of b&w photographs (12 African American portraits by A.L. Coburn). Textured blue cloth covers with dark blue lettering and ruled design. Some light soiling and wear to covers and spine. Internally clean, a few dog-eared pages.