Hardcover. London, Gibbings and Co., 2nd Ed., 1896, Book: Very Good, Dust Jacket: None, 341 pages. Hardcover with blue cloth covers with black and gilt design. An ex-library but aside from spine stickers and bookplate, a remarkably clean, tight copy. Doesn't appear to be a circulating copy. Tales of hunting throughout the world, but mostly in America, from snipe shooting to wolf coursing. Includes several fishing chapters; salmon in Japan, black and striped bass, grey mullet, brook trout and muskies, with a final chapter on artificial stocking of lakes and rivers.

Softcover. Los Angeles, Black Sparrow Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, One of 1000 copies in wraps. 62 pages in light brown printed wraps. Clean copy.

Softcover. Burlington VT, The Horn Company, 2nd pr., 1980, Book: Very Good, Dust Jacket: None, Softcover, 75 pages, cream wrappers with black lettering, gun stock on cover. First published in 1975, this second edition has a glued binding that's not destined to last. All there and in good condition. Scarce reference.

Hardcover. NY, Harper & Row , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 383 pages. Illustrated with black & white plates. A vivid picture of French art and society in the revolutionary years of the mid-nineteenth century. Previous owners name at top of front endpaper. Clean, tight copy. Dust jacket spine faded.

Hardcover. Chicago, IL, University of Chicago Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover with dust jacket. Minor foxing to front flyleaf. An otherwise clean, unmarked copy. Black and white photographs throughout. SIGNED BY AUTHOR ON FRONT FLYLEAF.

Hardcover. NY, E.P. Dutton & Co., 1st, 1946, Book: Very Good, Dust Jacket: Poor, Hardcover. Color and black & white illustrations by Fritz Kredel. Dust jacket poor with major chipping and several tears, especially at the spine.

Softcover. Berkleley, CA, Berkeley, CA, 1st wraps, 1989, Book: Very Good, Dust Jacket: None, 119 pages. Clean, tight copy. Color, black & white illustrations by Gahan Wilson. French fold flaps. Paperback.

Hardcover. London, Dewi Lewis Publishing, 1st UK, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small close tear. The corpse of a young man lies in the street, his eyes half open, his face covered with insects. The uncaptioned image is like a jolt of electricity; no words could improve upon it. Ian Thomson's introduction confirms that life has little value in Haiti (cheap for humans, worthless for animals), a once proud nation that has declined into a police state where brutal poverty is the order of the day. Bruce Gilden's largely shocking black-and-white pictures reveal that decline as perhaps never before in a shoot-from-the-hip style of photojournalism. 120 pages. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Chicago, Rand McNally, 1st US, 1970, Book: Very Good, Dust Jacket: None, Black & white illustrations by Victor G. Ambrus. Boards show some minor wear and very light soiling. Hardbound. No dust jacket.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1874, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages. Fold-out frontis, b&w Illustrations, very nice, clean copy. Written by "two of its teachers." Includes "Fifty Cabin and Plantation Songs" arranged by Thomas P. Fenner. Illustrated with a four-fold engraved frontispiece, depicting several of the school's buildings as seen from the water, and many other engravings. An interesting account of the school, including a brief history of Virginia and of slavery and its aftermath in that state, and one of the earliest publications of slave music.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1883, Book: Very Good, Dust Jacket: None, Hardcover First Edition. 4 black & white illustrations, 1 diagram. Previous owner's name stamp on front fly leaf, blank prelim page otherwise clean. Brown cloth, black decoration on front, spine with gilt lettering. Publisher's ad. in rear for the "Leavenworth Case" by the same author. Set in Upstate New York, we follow a team of detectives and attorneys as they try to solve a murder. In the period preceding the advent of advanced forensics, the process is totally dependent on the skills and logic of the men tasked with bringing justice. Known as the "Mother of the Detective Novel," Green shaped the structure of the modern detective novel and gave it a distinctive American style. Light shelfwear, edgewear to cover edges. Opened roughly at page 433, otherwise very good.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1982, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. NY, Bloomsbury, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages with gray paper boards in a black slipcase, unpaginated. Illustrated with full page color plates. A gorgeous collection from one of the world's legendary photographers- capturing human hands in all their vitality. At the end of a session, photographer Eve Arnold always took a parting shot of the hands -and sometimes the feet- of her sitters, for luck and for her personal records. "Handbook with Footnotes brings together two hundred of these superb pictures. A photojournalist who traveled around the world, Eve Arnold also worked on the sets of more than 40 Hollywood movies. These photographs, therefore, which span her career, include such luminaries as Isabella Rossellini, Orson Welles, Marilyn Monroe, and Jimmy Stewart.

Hardcover. St. Louis MO, C.V. Mosby, 3rd Ed., 1912, Book: Very Good, Dust Jacket: None, Hardcover, 409 pages, revised and enlarged edition. B&w frontispiece, black cloth with gilt lettering on spine. Clean, tight copy.

Hardcover. NY, Holiday House, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with price-clipped dust jacket. Small closed tear to dust jacket. Black & white woodcut illustrations by the author.

NY, Doubleday & Co., 1st , 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 188 pages. New translation by Erik Haugaard. Color, black & white illustrations by Michael Foreman.

New York, McLoughlin Brothers, nd, Book: Good, Dust Jacket: None, Hardbound, 186 pages. Beige cloth boards, with color illustration of two children on front. Gold lettering front, black on spine. Color and b&w illustrations by May Audubon Post. Previous owner's inscription on front fly leaf, otherwise clean.

Softcover. Princeton NJ, Princeton University Press, 2nd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 255 pages. Color and black and white illustrations throughout. Second paperback printing. Bright and clean. Hans Holbein the Younger (1497/8-1543), one of the most versatile and admired painters of the Northern Renaissance, trained under his father in Augsburg and then worked for leading patrons in Switzerland before settling in England as Court Painter to Henry VIII. To commemorate the five-hundredth anniversary of the artist's birth, Oskar Batschmann and Pascal Griener offer this richly illustrated book the first comprehensive monograph on the artist to appear in more than forty years which is a major advance in our understanding of Holbein's contribution to European art.

Hardcover. Washington DC, Smithsonian, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Washington. DC, Smithsonian, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 75 portraits of artists in black & white and color by Namuth. 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Hardcover. London, England, Adam & Charles Black, 1st Larger Size Edition, 1909, Book: Good, Dust Jacket: None, 204 pages. Hardcover. Color illustrations throughout. Top edge gilt. Deckled edges. Previous owner's book plate and pen marks on front endpapers. Front hinge cracked, binding still good. Red decorated cover boards, gilt title on spine (faded). Pages have some foxing and tanning from age. Illustrations still very vivid and in excellent condition. Artist memoir and beautiful look at her life in England, painted by her own hand. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Frederick A. Stokes Company, 1st, 1939, Book: Very Good, Dust Jacket: None, 54 pages. Hardcover with dust jacket. Black & white illustrations by Dorothy P. Lathrop. Shows some wear and age.

Softcover. New York, Penguin Books, 1st, 1990, Book: Very Good, Dust Jacket: None, 96 pages. Large-format softcover. Black and white art by Burns throughout. Light edgewear to paper wrappers.

Hardcover. NY, Random House, BC Ed., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Copyright page states first printing, but no price on flap, probably a book club edition. Colorfully illustrated boards with black cloth spine, with gilt lettering; white DJ with red and orange illustration and lettering; 255 pages, profusely illustrated. Long before Harlem became one of the trendiest neighborhoods in the red-hot real estate market of Manhattan, it was a metaphor for African American culture at its richest. Allon Schoener's celebrated Harlem on My Mind is the classic record of Harlem life during some of the most exciting and turbulent years of its history, a beautiful and poignant reminder of a powerful moment in African America history. Including the work of some of Harlem's most treasured photographers, among them James Van Der Zee and Gordon Parks, there are photographs of Harlem's literary lights Langston Hughes, Countee Cullen, and Richard Wright; its politicians Marcus Garvey, Malcolm X, and Adam Clayton Powell Jr.; and its musicians Ethel Waters, Duke Ellington, and Billie Holiday. The book also includes the photographs of the everyday folk who gave life to this legendary community. Clean copy.