Hardcover. New York, Plenum Press, rep, 1998, Book: Very Good, Dust Jacket: None, 189 pages. Hardcover with laminated boards. Previous owner's stamp in front fly leaf, otherwise, clean, tight copy with minor wear to covers. Black and white pictures throughout.

Hardcover. NY, Miramax/Hyperion, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, in a bright, unclipped dust jacket.Profusely illustrated with black and white film stills. With a knowledgeable text by the director and film historian. Clean.

Hardcover. NY, Horace Liveright, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, vintage b&w cartoons by Arno. Black cloth covers, lacks dust jacket.

Hardcover. New York, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket. Color and black & white illustrations throughout. Tight copy.

Hardcover. New York, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy. Black and white pictures throughout.

Hardcover. London, B. T. Batsford Ltd., 1st, 1949, Book: Very Good, Dust Jacket: Good, 169 pages. Hardcover. Red cloth edition. Top edge stained red. Illustrated with 126 black & white photographs and a few in color. Previous owners name embossed at top of rear interior dust jacket flap. Dust jacket with darkening to spine, minor smudges at upper left corner - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. Philadelphia, J.B. Lippincott, 3rd pr., Book: Good, Dust Jacket: None, Hardcover, light green cloth stamped with blue decoration, 427 pages. B&w drawings by Helene Carter. "The intrepid Swallows (explorers John, Susan, Titty, and Roger Walker) and fearsome Amazon pirates (Nancy and Peggy Blackett) sail the high seas, outwitting a pirate and his cutthroat crew, sharks, and the ravenous creatures of Crab Island in search of buried treasure." Hinges tender, pencil notation on dedication page otherwise clean. Mild shelf wear.

Softcover. NY, Platt & Munk Co., 1st thus, 1934, Book: Very Good, Dust Jacket: None, Softcover. A fresh, clean, well bound copy. 6 leaves (12 pages) including the cover. Color illustrated front cover with interior of alternating spreads of color and black and white. Illustrations by Eulalie Banks. Stapled binding. Pages are clean and bright.

Hardcover. London, Blackie & Son, 1st, Book: Very Good, Dust Jacket: None, Hardcover, color pictorial boards with beige cloth spine, 64 pages. B&w illustrations by Frank Adams. No date or printing. Inscription on inside front cover otherwise clean and bright.

New York, Viking Press, 2nd pr., 1949, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages. Black & white illustrations by the authors. Front flyleaf detached but laid in. Light chipping to cover and spine edges. Horizontal crease to bottom front cover. Unobtrusive marking on top front. Otherwise good dust jacket, in protective mylar cover. Internally very good. Peter's activities are blended with the beauty of Utah, and the history of the Mormons. A city boy adapts to ranch life.

Hardcover. NY, Harper & Brothers, 1st, 1909, Hardcover, Edwardian era novel, illustrated throughout with 34 black and white plates by Rose O'Neill. Orange cloth lettered and decorated in gilt and dark green with an inset blind-stamped design of pumpkins and vines on the front cover, 307 pages, no dust jacket. Small number stamp on inside front cover, otherwise clean copy.

Hardcover. Philadephia, Charles J. Peterson, 1870, Book: Very Good, Dust Jacket: None, Hardcover, 3/4 leather with black cloth covers, raised bands on spine, gilt lettering. January thru December 1870, all hand-colored plates and fold-outs present, dozens of steel and wood engravings. Edge and corner wear, chipping to black leather, front hinge cracked but volume is solid, binding sound. Previous owner's leather label, ruled and lettered in gilt, on front cover.

Hardcover. Paris, Tchou, 1st, 1966, Book: Very Good, Dust Jacket: None, 253 pages, b&w cartoon drawings by Copi. White cloth covers with black design. A collection of quotes from writers of the Surrealist movement in France. Long preface by Corvin. INSCRIBED BY BOTH AUTHOR AND ILLUSTRATOR (HIS WITH A SKETCH OF A BIRD) to Roger Shattuck, author and chronicler of the period. Publishers complimentary card laid in. Small tan stain to cloth at top of front cover, otherwise very good.

Hardcover. NY, Charles Scribner's Sons, reprint, 1909, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black title on spine, 344 pages. This is a juvenile-young adult novel set in mid-19th century Rochester, New York, where Johnson himself grew up. It follows Phaeton Rogers, a spirited boy whose scientific experiments, pranks, and misadventures reflect the energetic curiosity of boyhood. B&w illustrations. Clean copy.

Hardcover. Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 162 pages. Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his intricate, compulsive and highly evolved form of tagging. Frost's gallery exhibitions are crowded affairs, filled with wildly patterned totemic objects and baseball bats while the walls are stacked with colorful mixed media paintings. He crafts his painstaking paintings by collaging layers of found imagery on grounds of symmetrical black-and-white patterning, which he paints with correction fluid, and that often morph into language-like glyphs or symbols. Frost states, "I believe [my work] is indigenous to myself. I believe that within every person there is an indigenous expression of themselves." Including an essay by New York journalist Carlo McCormick and notorious lowbrow artist Pusshead, this is Frost's first monograph, and an invaluable introduction to the evolution of his style.

Hardcover. New York, Henry Holt & Co,, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages. SIGNED BY AUTHOR on the title page. Very nice copy in brodart cover.

Softcover. Scranton, PA, Whitney Museum of American Art, 1st, 1960, Book: Very Good, Dust Jacket: None, Exhibition catalog. Approx. 115 pages. 91 B&W and color prints. Red pictorial cover with slight wear around edges and spine. Black marks on front endpaper and flyleaf, binding glue also visible. Previous owner marking (Evergood) on spine. Overall, a clean, nice copy.

Softcover. New York, Thames & Hudson, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Philip Guston Retrospective is the extensive catalog for his 4 museum retrospective orhanized by Michael Auping. Texts by Auping, Dore Ashton, Bill Berkson, Philip Guston, Andrew Graham-Dixon, Joseph Rishel, Michael E. Shapiro. 271 Pages, paper with stiff wraps. Color and black & white reproductions. 12" x 9 3/4".

Hardcover. NY, Aperture, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers with black lettering, 160 pages. American Mirror is award-winning photographer Philip Montgomery's dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the Covid-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads. SIGNED BY MONTGOMERY on the title page.

Hardcover. Manila, Capitol Publishing House, 3rd Pr., 1952, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on front cover. Originally published as a oversize softcover (10 X 12 1/2"), here bound in hardcovers. 152 pages with 481 numbered images in b&w, Maps, drawings, photographs. Printed on cheap paper stock with heavy paper wrapper. Several short tears to about 20 pages, no paper loss. Otherwise clean.

Hardcover. NY, The Viking Press, 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, bound in black cloth with design of a phoenix on the front cover. No dust jacket. First edition with Published in October 1936 on copyright page and no additional printings noted. Fading to the spine. 852 pages. A complete collection of D H Lawrence's unpublished essays. Discoloration to black cloth along bottom of front cover and spine, Interior is bright and clean.

Hardcover. NY, Norton, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 464 pages. An autobiography from this important photographer. Includes numerous color and black and white images. A record of the photographic career of David Douglas Duncan, LIFE photographer and chronicler of wars from 1939 to Vietnam. From Picasso's private life and his unknown paintings to never-photographed treasures in Moscow's Kremlin, to America's historic 1968 Presidential Convention (also NBC's first photo-news one-man report), the results of Duncan's exuberance and keen eye are finally assembled in Photo Nomad. Clean copy.

London, Hutchinson, 1st UK, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Black & white photos. Very small closed tear on spine of dust jacket. An account of his life and work. Ponting became the official photographer of Scott's second expedition to the South Pole. With 77 black and white photographs taken on his travels.

Hardcover. Nevada City CA, Carl Mautz Pub, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Black cloth. 126 pages illustrated by photographs and including an extensive bibliography and a directory of photographers. A typically well produced book from this publisher on the history of photography in the pioneer west as well as a scholarly effort. Both the book and jacket are bright, crisp and unworn.