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Boston, Little Brown , 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in black. B&w drawings by Erik Blegvad. Previous owner's inscription on front fly leaf other wise very good, clean. A banker rents a house to Peter Finch, charging him next to nothing because there's a small volcano in the basement. Eventually, there is a volcanic eruption, but of course, not in the basement. The house is spared, the family is safe, the town officials get re-elected, and everyone lives happily ever after.

Hardcover. New York, Franklin Watts, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, 83 pages. Black & white illustrations by Douglas Gorsline. Dust jacket has light edgewear. Dust jacket is protected by a mylar cover.

Softcover. Berkeley, University of California Press, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 417 pages, b&w illustrations. Hollywood celebrities feared her. William Randolph Hearst adored her. Between 1915 and 1960, Louella Parsons was America's premier movie gossip columnist and in her heyday commanded a following of more than forty million readers. This first full-length biography of Parsons tells the story of her reign over Hollywood during the studio era, her lifelong alliance with her employer, William Randolph Hearst, and her complex and turbulent relationships with such noted stars, directors, and studio executives as Orson Welles, Joan Crawford, Louis B. Mayer, Ronald Reagan, and Frank Sinatra-as well as her rival columnists Hedda Hopper and Walter Winchell. Loved by fans for her "just folks," small-town image, Parsons became notorious within the film industry for her involvement in the suppression of the 1941 film Citizen Kane and her use of blackmail in the service of Hearst's political and personal agendas. As she traces Parsons's life and career, Samantha Barbas situates Parsons's experiences in the broader trajectory of Hollywood history, charting the rise of the star system and the complex interactions of publicity, journalism, and movie-making.

Hardcover. Chicago, University of Chicago Press , 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 280 pages. Preface by Geoff Dyer. Essay by David Van Reybrouck. Includes 20 color plates and 80 halftones. Still in publisher's shrinkwrap. The First World War presents a startlingly different perspective, one based on rare glass plate photographs, that reveals the war with previously unseen, even uncanny, clarity.Scanned from the original plates, with scratches and other flaws expertly removed, these oversized reproductions offer a wealth of unusual moments, including scenes of men in training, pictures of African colonial troops on the Western front, landscapes of astonishing destruction, and postmortem portraits of Belgian soldiers killed in action. Readers previously familiar with only black-and-white or sepia-toned prints of the hostilities will be riveted by the book's many authentic color photographs, products of the early autochrome method. From children playing war games to a wrenching deathbed visit, these images are extraordinary not only for their subject matter, but also for the wide range of emotions they evoke.

Hardcover. NY, Junior Literary Guild, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with mild discoloration, 278 pages, previous owner's signature on page opposite half-title. Color frontis painting and black & white illustrations by Herbert Rogers.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 408 pages, color illustrations, In this provocative and resonant autobiography, world-renowned artist and feminist icon Judy Chicago reflects on her extraordinary life and career. Judy Chicago is America's most dynamic living artist. Her works comprise a dizzying array of media from performance and installation to the glittering table laid for thirty-nine iconic women in The Dinner Party (now permanently housed at the Brooklyn Museum), the groundbreaking Birth Project, and the meticulously researched Holocaust Project. She designed the monumental installation for Dior's 2020 Paris couture show and, in 2019, established the Judy Chicago Portal, which will help to accomplish her lifelong goal of overcoming the erasure that has eclipsed the achievements of so many women. The Flowering is her vivid and revealing autobiography, fully illustrated with photographs of her work, as well as never-before-published personal images and a foreword by Gloria Steinem. Black remainder line on bottom edge, otherwise clean and bright.

Hardcover. Baton Rouge, Louisiana State University, 1st, 1987, Book: Good, Dust Jacket: Fair, Hardcover in a lightly worn dust jacket, 227 pages, b&w illustrations. In this penetrating study, Carl Brasseaux looks beyond long-standing mythology to provide a critical account of early Acadian culture in Louisiana and the reasons for its survival. He convincingly dispels many received notions about the routes Acadians traveled from Nova Scotia to Louisiana, their original settlement sites, and the patterns of their subsequent migrations within the state, and closely examines the relations of Louisiana's Acadians with their black, Spanish, Indian, and Creole neighbors. In adapting to subtropical Louisiana, with its turmoil of alternating French and Spanish regimes, the Acadians exhibited industry, pragmatism, individualism, and the ability to close ranks in the face of a general threat. As Brasseaux reveals, Acadians' cohesiveness and insularity preserved the core elements of their culture and helped them adjust to new physical and social demands. Names, inscription to front fly leaf, interior clean and bright.

Hardcover. London, Rider & Co., 1st, 1928, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, black lettering on spine, 143 pages. A spiritual guidebook that explores the four major initiations of the human soul. The book delves into the spiritual journey of the soul and its evolution through the four initiations: Birth, Baptism, Transfiguration, and Resurrection. Conroy draws on the teachings of ancient wisdom traditions and modern spiritual practices to provide readers with a comprehensive understanding of these initiations and their significance in the spiritual path. The book is written in a clear and accessible language and provides practical exercises and meditations to help readers deepen their spiritual practice. Name on front fly leaf, inscription on dedication page. Otherwise a clean, tight copy.

New York, Farrar, Straus and Giroux, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, hardcover, 108 pages. Black & white illustrations by William Geldart. In a nice dust jacket.

Lawrence, KS, Spencer Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, 158 pages. Black & white illustrations throughout. No dust jacket.

Softcover. Philadelphia, J B Lippincott, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 103 pages. Edited by Harold M Hyman. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1933, Hardcover, black cloth stamped with gilt title and design, 68 pages. Gilt lettering on spine with light fading. This is the first printing with 1933 on title page and First Edition stated on copyright page. Illustrated with seven drawings on glossy stock by Gibran and two facsimile manuscript pages, all present and intact. Previous owner's signature on front fly leaf, mild wear to covers, faint foxing to endpapers, otherwise clean.

Hardcover. NY, Hugh Lauter Levin, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 100 pages. Hardcover with dust jacket. The planning and sketches for the famous installation that took place in 2005. Many black and white and color photographs. Bibliography.

Softcover. London, The Observer/Thames & Hudson, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 120 full-page black-and white plates. Semi-stiff pictorial covers, titled in purple. Published to accompany an exhibition at the National Portrait Gallery. Introduction by Patrick O'Donovan. This collection showcases the distinctive photographic work of Jane Bown, a renowned British photographer known for her ability to capture candid and evocative portraits with a "gentle eye." Clean, bright copy.

Softcover. Rutland VT, self-published, 2nd Ed., 1909, Book: Very Good, Dust Jacket: None, Softcover, red paper covers stamped with a black title and cartoon portrait of author. Yankee humor in the form of short sketches originally published in the Rutland Herald. The author (pictured in a photo on the first inside page) was a member of the Vermont legislature. Several cartoons by George Randall embellish the 90 pages of text. Ads in rear. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 303 pages. Eighty percent of everything ever built in America has been built since the end of World War II. This tragic landscape of highway strips, parking lots, housing tracts, mega-malls, junked cities, and ravaged countryside is not simply an expression of our economic predicament, but in large part a cause. It is the everyday environment where most Americans live and work, and it represents a gathering calamity whose effects we have hardly begun to measure. In The Geography of Nowhere, James Howard Kunstler traces America's evolution from a nation of Main Streets and coherent communities to a land where everyplace is like noplace in particular, where the city is a dead zone and the countryside a wasteland of cars and blacktop. Now that the great suburban build-out is over, Kunstler argues, we are stuck with the consequences: a national living arrangement that destroys civic life while imposing enormous social costs and economic burdens. Kunstler explains how our present zoning laws impoverish the life of our communities, and how all our efforts to make automobiles happy have resulted in making human beings miserable. Name on front fly leaf, otherwise like new.

Hardcover. NY, Viking Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated red paper covered boards over black cloth spine; illustrated endpapers. Illustrated stylistically in black and white by Richard M. Powers. 64 pages, "the exaggerated nonsense, the bellylaugh humor, and the colorful salt-water lingo of Miss Ritchie's story clearly stem from the well-loved American traditional tale. But it is also as modern as today, and Richard M. Powers has designed and illustrated it with the bold, freewheeling vigor of our times." Clean copy.

Hardcover. NY, Dutton, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 69 pages. Black & white illustrations by Alan E. Cober. A young adult fantasy about a frozen land, written in second person.

Softcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 139 pages. How does a poet repeatedly make art over a lifetime out of an arbitrary assignment of fate? By asking this question of the work of four American poets--two men of the postwar generation, two young women writing today--Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery. Fate hands every poet certain unavoidable "givens." Of the poets Vendler studies, Robert Lowell sprang from a family famous in American and especially New England history; John Berryman found himself an alcoholic manic-depressive; Rita Dove was born black; Jorie Graham grew up trilingual, with three words for every object. In Vendler's readings, we see how these poets return again and again to the problems set out by their givens, and how each invents complex ways, both thematic and formal, of making poetry out of fate. Clean copy.

Hardcover. NY, Scholastic, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "Those shackles didn't rob us of being black, son, they robbed us of being human."This is the story of one family. A family whose history saw its first ancestor captured, shackled, and brought to this country from Africa. A family who can still see remnants of the shackles that held some of its members captive -- even today. It is a story of pride, determination, struggle, and love. And of the piece of the land that holds them together throughout it all. Clean copy.

Hardcover. Taschen , reprint, 2020, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. As special photographer on the sets and locations of Francis Ford Coppola's The Godfather trilogy, Steve Schapiro had the remarkable experience of witnessing legendary actors giving some of their most memorable performances. Schapiro immortalized Marlon Brando, Al Pacino, Robert De Niro, James Caan, Robert Duvall, and Diane Keaton in photos that have since become iconic images, instantly recognizable and endlessly imitated. Gathered together in this book are Schapiro's finest photographs from all three Godfather films, lovingly reproduced from the original negatives. With contextual essays and interviews covering the trilogy in its entirety, this book contains over 300 color and black-and-white images. Schapiro's images take us behind the scenes of this epic and inimitable cinematic saga, revealing the director's working process, capturing the moods and personalities involved, and providing insight into the making of movie history. This book is a smaller edition of the 2010 Taschen edition. Still in publisher's shrinkwrap.

Hardcover. London, John Lane, 1st thus, 1900, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with with 41 gold X's and 40 gilt butterflies stamped on the cover, no dust jacket, top edge gilt, untrimmed edges. With the date of 1900 on the title page, but with a John Lane Copyright 1899, The University Press U.S.A. on the CR page. With 18 Maxfield Parrish black & white plates. Previous owner's bookplate on inside front cover, name on front fly leaf, otherwise clean.

Hardcover. San Francisco, Encounter Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. SIGNED BY AUTHOR ON HALF TITLE PAGE. Clean, unmarked copy. Black and white pictures in center. Goodyear was an entrepreneur who actually made good on the ever-popular claim that his company would change the world. Korman, senior editor of Engineering News-Record, dryly traces the life of the rubber pioneer and American industrial legend in this part scientific history lesson and part American business story. Goodyear (1800-1860) became an inventor not out of any great scientific thirst; he was self-taught and wanted to make money. He earned success, but endured continual patent monopoly battles and numerous trips to debtors' prison as he steadfastly and compulsively held onto his dream of using rubber to change just about every aspect of life. (According to Korman, Goodyear frequently wore a coat made of rubber in his early inventing days to underscore the versatility of his product.) Korman waxes scientific at times, offering in-depth descriptions of how Goodyear cooked rubber and sulfur compounds, yet his technical discourses are not so esoteric that they will turn away amateurs. His book is also valuable for its accurate portrayal of factory life in the 1830s and '40s; his accounts of the aproned men who chopped rubber with axes and knives and the machines that ground it are lively examples of industrial age America. Clean copy.

Hardcover. San Francisco, Encounter Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. Clean, unmarked copy. Black and white pictures in center. Goodyear was an entrepreneur who actually made good on the ever-popular claim that his company would change the world. Korman, senior editor of Engineering News-Record, dryly traces the life of the rubber pioneer and American industrial legend in this part scientific history lesson and part American business story. Goodyear (1800-1860) became an inventor not out of any great scientific thirst; he was self-taught and wanted to make money. He earned success, but endured continual patent monopoly battles and numerous trips to debtors' prison as he steadfastly and compulsively held onto his dream of using rubber to change just about every aspect of life. (According to Korman, Goodyear frequently wore a coat made of rubber in his early inventing days to underscore the versatility of his product.) Korman waxes scientific at times, offering in-depth descriptions of how Goodyear cooked rubber and sulfur compounds, yet his technical discourses are not so esoteric that they will turn away amateurs. His book is also valuable for its accurate portrayal of factory life in the 1830s and '40s; his accounts of the aproned men who chopped rubber with axes and knives and the machines that ground it are lively examples of industrial age America. Clean copy.