Hardcover. Chicago, Rand McNally, reprint, 1939, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Cover extremities rubbed, else clean tight copy: Very Good/no dj. 12mo. Illustrated in color by Margaret Evans Price and in black and white by Dorothea Snow. Copyright 1921 as part of larger book, first separate edition.

Hardcover. Chicago, Rand McNally & Company, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. Ii a worn, chipped dust jacket. Illustrated in b&w by Wesley Dennis. With "A" on the copyright page, first thus. 154 pages. light wear to cloth at bottom of spine. George Washington meets his match in a wily fox in this legendary hunting tale from Newbery Award-winning author Marguerite Henry. Cinnabar is a fox. He lives in a den with his family, Vicky and four little cubs. He's a hardworking fox who does everything he can to ensure that his family has what they need. But during fox hunting season, he likes to have a little fun: Every hunt day, promptly at one o'clock, Cinnabar shows up and runs until nightfall. Can the huntsmen ever catch this clever fox? Based on an old legend about fox hunting in the area around Mount Vernon.

Hardcover. Chicago, Rand McNally & Company, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. No dust jacket. Illustrated in b&w by Wesley Dennis. With "A" on the copyright page, first thus. 154 pages. Stamp with inscription on half-title page. Otherwise clean. George Washington meets his match in a wily fox in this legendary hunting tale from Newbery Award-winning author Marguerite Henry. Cinnabar is a fox. He lives in a den with his family, Vicky and four little cubs. He's a hardworking fox who does everything he can to ensure that his family has what they need. But during fox hunting season, he likes to have a little fun: Every hunt day, promptly at one o'clock, Cinnabar shows up and runs until nightfall. Can the huntsmen ever catch this clever fox? Based on an old legend about fox hunting in the area around Mount Vernon.

Hardcover. Lewisburg ME, Bucknell University Press , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 321 pages, black cloth covers with gilt lettering on the spine. Bright, unclipped dust jacket. INSCRIBED BY THE TRANSLATOR, DANIEL SHAPIRO on the title page. Bilingual edition. Chilean poet Tomas Harris's Cipango - written in the 1980s, first published in 1992, and considered by many to be the author's best work to date - employs the metaphor of a journey. The poems collectively allude to the voyage of Columbus, who believed that he'd reached the Far East ("Cipango," or Japan), not the Americas. Building on that mistaken historical premise, Cipango comments on the oppressive legacy of colonialism in Latin America - manifested in twentieth-century Chile through the 1973 military coup by Augusto Pinochet and the brutal dictatorship there - and on the violence and degradation of contemporary urban society. The author's vision is of a decadent, apocalyptic world that nonetheless contains the possibility for regeneration. Clean copy.

Hardcover. Kenosha WI, John Martins House, 1st, 1946, Book: Good, Dust Jacket: None, Illustrated in color and black & white by Sari. 32 pages. cardboard covers, worn at corners, previous owner's inscription on inside cover. light soil.

Hardcover. New York, Macmillan, 1st, 1936, Book: Very Good, Dust Jacket: Very Good, Hard cover. 194 pages. Black & white illustrations by George M. Richards. Red top edge. Light spine wear. Dust jacket with edgewear, chipping, soiling. Clear plastic protective cover. Bookseller's label front end paper.

Hardcover. New York , HarperCollins, reprint, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover reissue of a book first published in 1956 written by Jack Sendak and illustrated by his brother, Maurice. SIGNED BY MAURICE SENDAK. Flora, a little circus girl, wonders what the people who come to the circus do when they are not at the circus. Illustrated in black-and-white and pastel pink and green. Fine in fine and bright dust jacket.

Hardcover. NY, Lothrop Lee & Shepard, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Robert Andrew Parker. Kael, a black timber wolf, is captured & performs for a circus, until he has the opportunity to escape. Haunting story of a wild Wolf & the gentle man who trains him. Clean copy.

Hardcover. NY, Lothrop Lee & Shepard, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Robert Andrew Parker. Kael, a black timber wolf, is captured & performs for a circus, until he has the opportunity to escape. Haunting story of a wild Wolf & the gentle man who trains him. Clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1889, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with gilt embossed lettering on spine, gilt lettering and black design on front. No dust jacket. 19 mostly full-page engraved illustrations. Will Carleton, brought up in a log farmhouse in rural Michigan, was America's poet. Writing about ordinary Americans and everyday life, he enjoyed the same kind of success that Robert Burns had in Scotland. "Betsy and I Are Out," a poem about divorce, was picked up by a national newspaper and brought him widespread recognition, that was cemented by "Over The Hill To the Poorhouse," which brought attention to the shabby treatment provided to the country's old and poor. "City Legends" is Carleton's third collection of "city" related poetry and 17th collection overall. Clean, bright copy.

Hardcover. London, Korero Press, 1st, 2019, Book: Very Good, Dust Jacket: None, 174 pages. Hardcover with no dust jacket. Contains nudity. Adults only. Black and white photographs throughout. Clean, tight copy.

Hardcover. New York, McGraw Hill, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 171 pages, in a bright, unclipped dust jacket with art by Charles Lilly.

Hardcover. NY, Jonathan Cape & Harrison Smith, 2nd pr., 1930, Book: Very Good, Dust Jacket: None, Hardcover, bound in publisher's black cloth ruled in blind with faded gilt title on the spine. Top edge stained black. Stated second printing, October 1930 on the copyright page. Translated by Alice Riviere. Ownership signature in pencil by Gertrude Franchot Tone, women's rights activist with her pencil marking in text. Owner's small embossed stamp on front fly leaf.

Hardcover. New York, Museum of Modern Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Padded vinyl covers, 221 pages illustrated in color and black and white. SIGNED BY OLDENBURG and dated '72 on the title page. Edges of vinyl with light soil, otherwise very good. This major retrospective exhibition was held 25 September to 23 November 1969. The catalogue designed by Chermayeff & Geismar Associates is a work of art in itself, from its innovative cover proudly highlighting the work of curator Barbara Rose, to the profusion of illustrations, both documentary of Oldenburg and his artistic peers and representative of his large body of work.

Softcover. Pasadena, CA, Pasadena Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 135 pages. Exhibition catalog. Mostly black-and-white illustrations, with a few color illustrations. Light shelf-wear, scratching, and edge-wear on covers. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work.

Hardcover. Los Angeles, CA, Ward Ritchie Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work. Cloth bound book is in very good condition. Dust jacket has some scratches/wear.

Hardcover. Fort Worth, Amon Carter Museum, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 149 pages. Primarily black & white photographs by Clara Sipprell. Foreword by Jan Keene Muhlert. The first comprehensive study of this noted pictorialist photographer. Noteworthy is the extensive exhibition chronology and bibliography.

Softcover. Oxford, UK, Clarendon Press, Reprint, 1978, Book: Very Good, Dust Jacket: None, 306 pages. Softcover with light wear to wraps. Sunfade to spine. Spine faded. Small black mark on rear wrap, some lines highlighted on four pages. Light toning throughout, illustrated by tables & figures in bw.

Hardcover. New York, Harcourt Brace and Co., 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, 323 pages, light blue cloth with black lettering. illustrated in b&w by Frank Beaudouin. Clean and tight.

Hardcover. New York, Harcourt Brace and Co., 1st, 1940, Book: Very Good, Dust Jacket: None, 323 pages, light blue cloth with black lettering. illustrated in b&w by Frank Beaudouin. Light fade to spine. Clean and tight.

Hardcover. San Francisco, McSweeney's, 1st, 2010, Book: Very Good, Dust Jacket: None, Very good hardback bound in publisher's shaped boards cut in the shape of a house and issued without a jacket. SIGNED in black marker by Barnett and Horowitz on the rear board.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. Like new in publishers shrink-wrap. A Siamese cat beneath a clothes line, three women with linked arms standing on the front lawn, a man drying his hands on a dish towel in front of the kitchen stove. These scenes are part of Close to Home and the accompanying the Getty Museum exhibition held from October 12, 2004 to January 16, 2005, which celebrate snapshots--"found" photographs by anonymous photographers--that capture everyday life in all of its joy, banality, and mystery. Taken between 1930 and the mid-1960s, these photographs, most of them in black-and-white, create an unpretentious portrait of suburban American life by untrained photographers whose images can be unexpectedly lyrical and moving.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. Like new in publishers shrink-wrap. A Siamese cat beneath a clothes line, three women with linked arms standing on the front lawn, a man drying his hands on a dish towel in front of the kitchen stove. These scenes are part of Close to Home and the accompanying the Getty Museum exhibition held from October 12, 2004 to January 16, 2005, which celebrate snapshots--"found" photographs by anonymous photographers--that capture everyday life in all of its joy, banality, and mystery. Taken between 1930 and the mid-1960s, these photographs, most of them in black-and-white, create an unpretentious portrait of suburban American life by untrained photographers whose images can be unexpectedly lyrical and moving.

Hardcover. San Diego, Harcourt Brace, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Black & white illustrations by Barry Moser. Clean, tight copy.