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Hardcover. Insight Editions, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 16 pages. Born from shadow and mystery, Will Eisner's deathless hero returns in a recreation of The Spirit's final two issues. Coinciding with Frank Miller's upcoming Spirit movie, Will Eisner's The Spirit: A Pop-Up Graphic Novel spins a noir tale of blackmail, murder, and espionage innovatively crafted into seven full-color pop-up spreads. Reborn, The Spirit breaks out of the conventional comic book frame, animating the vigor and dynamism of Eisner's original vision. Designed by renowned paper engineer Bruce Foster (creator of The Pop-up Book of Celebrity Meltdowns and designer of the Caldecott nominated Little Red Riding Hood) Will Eisner's The Spirit: A Pop-Up Graphic Novel comes alive with expansive panoramic cityscapes, three-dimensional action sequence pop-outs, frame-by-frame expanding mini-booklets, and scene change pullouts. Re-colored and ingeniously renovated, the novel design animates the vigorous action of the Spirit's final exploits with an inventiveness merited by Eisner's original imagination. From the noir aficionado to the comic zealot, fans will celebrate this renaissance of Eisner's masterpiece, heralding the interactive ingenuity of a new format for sequential art.

Softcover. NY, Random House/Vintage Contemporaries, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 1st printing of the first American trade edition SIGNED by Ford on the title page with a black pen. No inscription. A trade paper original with glossy card covers. March Date: 1986. First edition is stated on the copyright page. Mild shelf wear, clean copy.

Hardcover. London, Merrell, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages, color and b&w plates. This book collects Willoughby's candid photographs from the sets of various great films since the 1950s. Also included are filmographies of the directors with whom he has worked. As the subtitle indicates, he really has collaborated with many of the great cinema luminaries. Beginning with Vincente Minnelli, they include Orson Welles, William Wellman, George Stevens, Mike Nichols, William Wyler, Alfred Hitchcock, and others. The most interesting aspect of this book is indisputably the photos (most of them black and white), many of which were shot in informal settings, showing directors and actors in seemingly unguarded moments. He made himself seem invisible, Willoughby said, by blending in with the movie crew, once he realized they were invisible to the actors.

Hardcover. London, Cresta House, 1st, nd, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards in color, 24 full page color illustrations by Angi Petrescu Tiparescu with the story printed in black on half-size sturdy yellow paper & bound in the center of the book. Printed in Romania. No date but appears to be 1970s. Clean copy.

Hardcover. Philadelphia, John C. Winston Company, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth stamped in gilt. beautifully illustrated with color & black lithographs and numerous text illustrations by the Petershams. Gilt lettering on spine faded.

Hardcover. NY, Privately Printed, 1st, 1934, Book: Very Good, Dust Jacket: None, Two hardcover volumes, original two-tone cloth (dark green spines and light green sides). Gilt titles and decorations. Top edge gilt. Memoir of a successful banker and financial businessman. Notable for his his World War 1 recollections and numerous accounts of sporting trips: trolling for lake trout and moose hunting in Quebec, dove shoots in Georgia, trout fishing and elk hunting in Yellowstone, duck shooting in Minnesota, salmon fishing in Newfoundland, grayling fishing in Yukon, black bass fishing in Canada, fishing for sailfish and dolphin off Florida. Clean bright set.

Hardcover. Philadelpha, J. B. Lippincott, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 56 pages illustrated in color. Red cloth stamped in black with $1.50 on front dj flap. No date but appears to be the 1946 edition. Back flap of jacket advertises Sambo and the Twins with blurb describing this as "this new Little Black Sambo story". Child's name on front fly leaf otherwise clean.

Hardcover. San Francisco, Chronicle Books, 1st thus, 2003, Book: Very Good, Hardcover, illustrated in color by Christopher Bing. A remarkable celebration from the Caldecott Honor-winning artist! A clever young boy outwits a band of voracious tigers and returns home in triumph to a splendid feast of a yard-high stack of pancakes. The story, penned by Helen Brodie Bannerman for her two daughters in 1889, has captured the imagination of readers around the world and across many generations. But the pictures which accompanied her text were crudely stereotypical and hurtful to many. Caldecott Honor-winning artist Christopher Bing has spent almost fifteen years rediscovering the joy and energy of the original story. He respects that Bannerman was writing in an Indian setting and with Indian animals-after all, there are no tigers in Africa-and faithfully adheres to the original text. However, recognizing that the image of Sambo has been used as a symbol of repression of Africans and African-Americans, Christopher Bing celebrates Sambo as proudly African, a child of beauty and joy, wit and resourcefulness.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, full black leather with ornate gilt design on cover. all edges gilt, ribbon marker, marbled endpapers, raised bands. This is a facsimile of the 1932 first edition. Considered a 'sophisticated country lawyer', Darrow remains notable for his wit; he was quoted as saying, 'The trouble with law is lawyers.' Here, his autobiography, together with the additional 59-pg. Darrow's Plea, written in his own defense to the jury that exonerated him of the charge of bribery at Los Angeles, August, 1912. Clean, bright copy.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1930, Book: Very Good, Dust Jacket: None, Hardcover. black cloth with color illustration on cover label. 347 pages. 10 color plates by Peter Hurd, including the illustrated title page. Front hinge cracked, bookplate on half-title page. Otherwise clean.

Hardcover. NY, Charles Scribner's Sons, 1st illust thus, 1931, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with pictorial paper label to front cover, gilt stamping to spine. Six color plates, title page design and 2-color endpapers art by Peter Hurd. 279 pages. Some fading tospine gilt, light shelf wear, clean copy.

Hardcover. Chicago, Rand McNally, 1st, 1938, Book: Very Good, Dust Jacket: None, Small hardcover, pictorial boards. Color and b&w illustrations by Clarence Biers and Joan Harman, 60 pages. Light edge wear to boards, clean.

Hardcover. New York, G. K. Hall & Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 225 pages, minor dust jacket edge wear, otherwise, spotless and tight copy.

Softcover. Kingston, Ian Randle Publishers, 1st pbk, 1998, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 434 pages with index. The book traces the African ancestral line of Black Jamaicans through to the influence of Asian, European & Spanish rule of the island throughout the ages, culminating with early English white settlers, forging 2-types of Jamaican People. Clean, like new.

Hardcover. NY, Farrar Straus & Giroux, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust dacket with light fading to spine. Jeremiah, a middle- aged proboscis monkey feels life is passing him by. Wonderful black and white illustrations by the author. Clean copy.

Hardcover. NY, Doubleday, Doran & Co, 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black, no dust jacket. Second mystery "The Curious Case of Callista" begins on page 133, b&w illustrations by Genevieve Foster. Front cover has fading/discoloration to green cloth, inside clean.

Softcover. New York, W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Softcover. New York, W. W. Norton & Company, 1st, 2010-11-01, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Hardcover. NY, Norton, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Hardcover. NY, Grove Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages, in a lightly worn and price-clipped dust jacket. A novel by the African American poet and essayist set in the American South.

Hardcover. NY, Doubleday and Co., 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover in green cloth with black cloth spine, gilt lettering on spine. 108 pages, green endpapers. "I shall reconsider human knowledge by starting from the fact that we can know more than we can tell," writes Michael Polanyi, whose work paved the way for the likes of Thomas Kuhn and Karl Popper. The Tacit Dimension argues that tacit knowledge--tradition, inherited practices, implied values, and prejudgments--is a crucial part of scientific knowledge. A bright, clean first printing of this classic, lacking the dust jacket.

Hardcover. New York , Dial Books, 10th pr., 1994, Book: Very Good, Dust Jacket: Very Good, 151 pages. Hardcover with dust jacket. Color, B&W illustrations by Jerry Pinkney. Tight copy. A retelling of the Afro-American tales about the adventures and misadventures of Brer Rabbit and his friends and enemies.

Hardcover. NY, Charles Scribner's Sons, reprint, 1961, Book: Good, Dust Jacket: None, Hardcover, red cloth covers stamped in black in a nice dust jacket with mild soil and short closed tears. Illustrations by Helen Sewell. Reprint on the 1954 edition with a small 61 code on copyright page.

Hardcover. Boston, Little, Brown, and Company, reprint, 1928, Book: Very Good, Dust Jacket: None, Hardcover in black cloth with gilt lettering on spine, 298 pages. A collection of articles about the theater by Edward Gordon Craig (1872-1966), a stage designer and theatrical producer and director. Although he directed only a handful of plays, "his controversial theories of scene design and stagecraft gave him eminence in the European and American theater" (The New York Times). For instance, he favored three-dimensional stage effects and more innovative lighting than the traditional footlights. Craig argues that theatre is not just a form of entertainment, but a powerful medium for social and political change. He advocates for a new kind of theatre that is not bound by traditional conventions and that challenges the audience's expectations. Craig also emphasizes the importance of the actor's body and movement, and he proposes new techniques for training actors to be more expressive and dynamic on stage. Previous owner's inscription on front fly leaf, otherwise clean.