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Hardcover. NY, Curt Valentin, 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover, textured beige boards with a green cloth spine. 94 pages of text and 58 black & white plates. Limited to 1,000 copies. Clean copy.

Hardcover. MY, Harcourt Brace & Co., 2nd pr., 1939, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth stamped in black, 267 pages, b&w illustrations by James MacDonald. A boy's novel about track and field competition. Jim Wellington, Harvard senior and Waterloo, Iowa native, already the U. S. collegiate record holder for the two-mile, heads to Berlin for the Olympics. Inscription on front fly leaf, otherwise a clean, bright copy. Lacks dust jacket.

Hardcover. NY, New York University Press, 1st, 1992, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Under the influence of European historians, scholarship about the Dutch in America has generally emphasized what was derived from the urban and merchant character of the Netherlands, particularly the single province of Holland in the seventeenth century. But it was among the farmers of New York and New Jersey, according to David Steven Cohen, rather than the urban merchants of Albany and New York City, that a distinctive Dutch-American regional subculture arose, thrived, and survived through the end of the nineteenth century. By examining the life of the early emigrant Dutch settlers, the author constructs a picture of their culture through the farmhouses they built, the landscapes they cultivated, and the tools and equipment they used, relating it all to the structure of their families, their folklore, and folklife. It was in the second quarter of the eighteenth century, according to Cohen, that a change occurred in the culture of the Dutch in America by which they became Dutch-American, and the most striking material evidence of this transformation was in the development of a new type of farmhouse, which began to replace those still traceable to the Netherlands.Thirty black-and-white illustrations. Many pages with light pencil notations.

Hardcover. NY , Harry N. Abrams, 1st, 1970, Book: Good, Dust Jacket: None, Hardcover in black cloth stamped in white, red and gilt, no dust jacket. 232 pages. The puppet theatre designed by William Addison Dwiggins, the well-known typographer and writer. Profusely illustrated throughout, some color, tipped-in. The book is clean and solid but has a strong MUSTY odor. DUE TO WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Philadelphia, W.A. Henry Press, 3rd Ed., 1926, Book: Very Good, Dust Jacket: None, Hardcover, pictorial gray cloth stamped in black and white. 330 pages, top edge gilt. frontis., b/w plates, text illustrations appendix, index. A highly regarded social history of Nantucket treats the purchase and settlement of the island, the early proprietors, and various events in Nantucket history, such as Nantucket's role in the Revolution. The balance of the work consists of histories of some thirty founding families. Genealogists should also consult the appendices for a list of Quakers who visited Nantucket between 1664 and 1847. Small embossed stamp on front fly leaf, otherwise a bright, clean copy.

Hardcover. Shelton CT, Greenwich Workshop Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. SIGNED BY DOOLITTLE on the half-title page. Nicely illustrated with Doolittle's signature artwork, including black-and-white pencil sketches overlaid with detailed color paintings. At the end of the novel there is a fold-out poster illustration. This book will have the most appeal to those interested in Doolittle's dramatic illustrations. Clean copy.

Softcover. Washington D. C., Eastern High School, 1st, 1915, Book: Very Good, Dust Jacket: None, Softcover with heavy gray wrappers stamped in blue and black, 40 pages, stapled. Magazine format. Illustrated with black & white photographs and drawings, local ads. Cover chipped, interior clean, sound.

Hardcover. Duke University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 440 pages. Black cloth, no dust jacket. The Edge of Surrealism is an essential introduction to the writing of French social theorist Roger Caillois. Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France's most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois's work to appear in any language. These thirty-two essays with commentaries strike a balance between Caillois's political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois's consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois's intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Levi-Strauss.

Hardcover. NY, Whittlesey House, McGraw Hill, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. 32 pages illustrated in 2-colors by Alain (the pen name of Daniel Brustlein, painter, book illustrator, magazine illustrator, and cartoonist). Stamp to front fly leaf otherwise clean.

Hardcover. NY, Books of Wonder, reprint, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. For the first time in more than eighty years, the most spectacularly illustrated of all the Oz books is available again with the metallic "emerald" green ink that illuminated the color plates of the original edition. This deluxe new edition features ninety black-and-white pictures and sixteen dazzling five-color plates by Oz artist John R. Neill. Afterword by Peter Glassman.

Hardcover. Boston, Little, Brown and Company, 1st US, 1943, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers lettered in gold with black letterbox, 322 pages. Contains speeches throughout 1942. This year was a low point of the war, full of setbacks and disappointments across the globe for the British. Throughout the year Churchill's speeches conveyed sober, resolved, and eloquent defiance - with of course an occasional sparkle of Churchillian wit, even in the dark hours of the war. The title of this volume comes from Churchill's 10 November 1942 speech at the Lord Mayor's Day Luncheon in London at a time when fortune finally favored the British with victories in North Africa: "The Germans have received back again that measure of fire and steel which they have so often meted out to others. Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning." Light marking to front endpapers.

Hardcover. Chicago, University of Chicago Press, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 87 pages. Foreword, black and white photographs, and colophon. A description of the Allied bombing campaign from the perspective of the German survivors.

Softcover. Philadelphia, Lippincott, 1st pbk., 1973, Book: Very Good, Dust Jacket: None, Softcover, 258 pages. A study of various black, chicano, Chinese and other ethnic neighborhoods in various American cities. (Circa 1973) Clean copy.

Hardcover. NY, Grove Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover. Marbled boards and black spine lettered in gilt. the complete set of copper plate engravings Zichy made in an edition of 200 for private sale in 1911. He then destroyed the plates. This is from one of the rare original copies and contains 40 of the most exquisitely executed works of erotica ever made. Claen copy. No dust jacket.

Hardcover. Holdrege NE, privately printed, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black and gilt, 92 pages. 11 1/4" x 8 1/2". Errata slip loosely laid in. A survey of this Italian-American modernist painter's etchings of highly realistic and romanticized still lifes, landscapes, and portraits. Clean copy.

Hardcover. London, Hodder & Stoughton, Ltd. Ed., 1981, Book: Very Good, Dust Jacket: None, Hardcover, red leather stamped in gilt. Facsimile edition of a book that was first published in 1909 by Hodder & Stoughton. 152 pages. 23 full page illustrations in color by Detmold plus various line illustrations in black and white throughout the text. #337 of 500 copies as indicated on tipped-on plate inside front cover. All edges gilt. No slipcase.

Hardcover. London, Ingram, Cooke, and Co., 1st transl. thus, 1853, Book: Very Good, Hardcover, marbled boards with black leather spine and corners. 100 pages, illustrated frontis, drawing on title page. Preface on Fable, The Fabulists and La Fontaine by the translator, text is formatted in double columns per page. Name on inside front cover, otherwise a clean, tight copy.

Hardcover. NY, Stein & Day, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Quarter bound in publisher's gray cloth over brick boards, gilt lettering on brown panel on spine, author's facsimile signature, gilt, on cover, green endpapers, 457 pages with 164 black & white plates and 39 black & white line drawings. Red top edge. Corners a bit rubbed. Dust jacket with edgewear, closed tear.

Hardcover. London, Society for Promoting Christian Knowledge, 1st, 1892, Book: Good, Dust Jacket: None, Hardcover, blue cloth with gilt stamping. Black endpapers, title page states 1892 with only "Richard Clay and Sons, Limited/London & Bungay" on copyright page. A commentary on the biblical book of Revelation, also known as the Apocalypse, which describes the end of the world and the return of Christ. Throughout the book, Rossetti offers her insights and reflections on the various chapters and verses of the Apocalypse. She provides a devotional perspective, emphasizing the spiritual lessons that can be gleaned from the text. The book is divided into chapters, each of which covers a different section of the Apocalypse. Rossetti provides an overview of the text, followed by her commentary. Her last and perhaps most audacious volume, she found the Tractarian emphasis on emotional and imaginative freedom particularly helpful in her need for a woman's response to a 'masculine' text. Rear hinge cracked, 13 line quote from text written in ink on the half title page, otherwise clean.

Hardcover. NY, A. C. Armstrong & Son, 1st, 1883, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, stamped in gilt and black, beveled edges, all edges gilt. 29 plates and one map, a very sound and bright copy. including Yosemite Falls of Yellowstone, upper Falls of Yellowstone, and the map of the Niagara region.

Hardcover. NY, Amphoto, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly edgeworn dust jacket. 192 pages with 80 color pages and over 80 black and white illustrations. This book goes behind the scenes in the fascinating world of fashion photography. It shows how the illusion of fashion photographs is created--shows the people, planning, and hard work behind these striking and sensual images. A combination of finished fashion photos, background shots, and interviews with top people in fashion, Moves step-by-step through the intricate process of producing a fashion photograph for a major magazine, newspaper, or catalog. Minor wear to dust jacket, clean copy.

Hardcover. New York , Phaidon, 1st , 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Unpaginated (432 pages ), with 278 black-and-white plates. 11-3/4 x 8-3/4 inches. An epic collection of poignant and often controversial stories photographed and written by acclaimed social documentary photographer Eugene Richards.

Hardcover. NY, Robert M. McBride, 2nd pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, floral decorated boards, black cloth spine, paper title labels, lacking dust jacket. American playwright, Green won the Pulitzer in 1927 for In Abraham's Bosom. 317 pages, top edge stained red. A clean, bright copy.

Hardcover. NY, Charles Scribner's Sons, reprint, 1939, Book: Very Good, Dust Jacket: None, Hardcover, 597 pages, no dust jacket. Title page dated 1939, An early reprint without the 'A'. Bound in red cloth with black signature on top board and gold titles against black labels of spine. Light wear to top of cloth spine, mild darkening to spine. Clean copy.