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Hardcover. NY, Grosset & Dunlap, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, lavender cloth with black lettering and design. End papers show the Dana girls reading a letter printed in dark green. Nancy Drew titles listed to The Mystery of the Brass Bound Trunk. Clean, bright copy.

Hardcover. London, Ward, Lock & Co, reprint, 1959, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with silver pattern and lettering. Novel about three young merchant navy officers on a ship captured by pirates in the 1930s their imprisonment on a fortified island and their escape by sea. Has black and white frontis and plates. Clean copy.

Hardcover. NY, Pellegrini & Cudahy, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with silver stamping, 241 pages, b&w illustrations. Limited to 1500 copies. John Marin was one of the most important American artists of the 20th century, known for his luminous watercolors and bold, expressive style. In this beautifully curated collection, Dorothy Norman presents a selection of Marin's most important writings, offering insights into his creative process and philosophy. Clean copy.

Hardcover. NY, Seabury, 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 154 pages. Black & white illustrations by Anne Dalton. Clean copy.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 263 pages. Larry Dolman is a rather literal minded ex-cop who now works private security. Eddie Miller is an airline pilot who's studying to get his real estate license. Don Luchessi is a silver salesman who's separated from his wife but too Catholic to get a divorce. Hank Norton is a drug company rep who gets four times as many dames as any of the other guys. They are all regular guys who like to drink, play cards, meet broads, and shoot a little pool. But when a friendly bet goes horribly awry, they find themselves with two dead bodies on their hands and a homicidal husband in the wings--and acting more like hardened criminals than upstanding citizens. Mild shelf wear, clean copy.

Hardcover. NY, New Directions, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, putty color cloth with spine stamped in black and blue. 1st printing with no additional printings on copyright page. Light tanning to endpapers, mild shelf wear, clean copy. Bowles first novel.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with black lettering in a bright dust jacket with edgewear and chipping, 335 pages. Rear dj lists to Wild Horse Mesa. Name on front fly leaf, otherwise clean.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, 326 pages. Bound in original dark red cloth with lettering in black.

Softcover. NY, Oxford University Press, repriny, 1989, Book: Very Good, Dust Jacket: None, Softcover, 290 pages. Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself.Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system forinterpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. Clean copy.

Hardcover. London, Methuen & Co. Ltd, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, pale yellow boards with black stamping, 196 pages. One of the wonderful series of Chiang Yee's city books where here he describes and depicts aspects of Edinburgh. Illustrated throughout with drawings and 20 full-page color plates. Bookplate on inside front cover, otherwise clean.

Hardcover. NY, W W Norton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. Author, artist, and poet Chiang Lee found in San Francisco the poetic beauty similar to his much-loved Chinese landscape. His view is keen and original as he wanders with his notepad and records his quizzical, quiet observations. Illustrated with 16 of the author's full color paintings, and over 50 of his black and white drawings, Clean copy.

Hardcover. NY, Farrar & Rinehart, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with red lettering. The acclaimed crime writer's last book (he died in 1930), a collection of courtroom stories featuring Colonel Braxton, "great lawyer, great detective, and gallant gentleman ", and set in Virginia in the 1850's. Both Howard Haycraft and Ellery Queen considered Post second only to Poe as an American writer of detective fiction. Clean, square copy.

Hardcover. NY, Julian Messner, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. A German story retold by Erich Kastner and translated by Richard & Clara Winston. Illustrated in color and b&w throughout by Horst Lemke. Story of a little town called Schilda and the people who lived there- who did everything wrong. They built a three cornered town hall, burned down a house to catch a mouse, etc. They are the SIMPLETONS!! No dust jacket, clean copy.

Hardcover. NY, Doubleday, BC Edition, 1991, Hardcover in a bright dust jacket, 358 pages. A race of turtle-like creatures conquers Earth, imposing a gentler set of values on humankind, outlawing destructive technology, and denying the validity of human scientific theories. When their home planet disappears into a black hole, however, the aliens' only hope for the future hinges on the possibility that humanity's flawed sciences might contain a glimmer of truth. Two veteran sf authors combine their strengths to produce a novel that both explains and explores the ''mysteries'' of modern science. Clean copy.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. NY, Random House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images.

Hardcover. NY, Random House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images.

Hardcover. Boston, Houghton Mifflin, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 386 pages. The first narrative history of the Civil War told by the very people it freed. Groundbreaking, compelling, and poignant, The Slaves' War delivers an unprecedented vision of the nation's bloodiest conflict. An acclaimed historian of nineteenth-century and African-American history, Andrew Ward gives us the first narrative of the Civil War told from the perspective of those whose destiny it decided. Woven together from hundreds of interviews, diaries, letters, and memoirs, here is the Civil War as seen from not only battlefields, capitals, and camps, but also slave quarters, kitchens, roadsides, farms, towns, and swamps. Speaking in a quintessentially American language of wit, candor, and biblical power, army cooks and launderers, runaways, teamsters, and gravediggers bring the war to vivid life. From slaves' theories about the causes of the war to their frank assessments of such major figures as Lincoln, Davis, Lee, and Grant; from their searing memories of the carnage of battle to their often startling attitudes toward masters and liberators alike; and from their initial jubilation at the Yankee invasion of the slave South to the crushing disappointment of freedom's promise unfulfilled, The Slaves' War is a transformative and engrossing vision of America's Second Revolution. Clean copy.

Hardcover. NY, Ballantine/Del Rey, BC Ed., 1987, Hardcover in a bright dust jacket, 237 pages. A science fiction novel by Larry Niven. Like much of Niven's work, the story is heavily influenced by the setting: a gas torus, a ring of air around a neutron star. There is no "ground" in the Smoke Ring; it is a world consisting entirely of sky. Thus, most animals can fly, even the fish. It is a sequel to The Integral Trees. Blacked out price on front fly leaf, otherwise clean, tight copy.

Hardcover. NY, Pantheon Books, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, light tan boards with pictorial cover in red and black. Sequence of events in Carroll's life and bibliography in back of book. B&w drawings by David Levine. Bright, clean copy, lacks dust jacket.

Softcover. NY, Charter Books, reprint, 1962, Book: Very Good, Dust Jacket: None, Softcover, 350 pages. With a new introduction by the author. Presents the story about coming of age in America by way of the baseball diamond. Lefthander Henry Wiggen, six feet three, a hundred ninety-five pounds, and the greatest pitcher going, grows to manhood in a right-handed world. Written in Henry's own words, this funny novel follows his eccentric course from bush league to the World Series. First published in 1953. Price blacked out on front fly leaf, otherwise a tight, clean copy.

Hardcover. NY, Doubleday, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages. Black cloth, pictorial dust jacket. Lovely copy. Like new. The Speed Queen is the gripping story of a twisted love triangle's drug-fueled killing spree across the desert plains, told in the voice of Oklahoma death-row inmate Marjorie Standiford, who is recounting her experiences for a best-selling horror writer researching the murders. It's a chilling, unputdownable crime novel in the tradition of James M. Cain -- a voyage into the dark soul of the American West.

Hardcover. Birmingham AL, The Legal Classics Library , reprint, 1985, Book: Very Good, Dust Jacket: None, Hardcover, handsomely bound in black leather lettered and decorated in gilt, blind stamping, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A compilation Pound's most influential works: The Spirit of the Common Law (1921), Law and Morals (1924), Interpretations of Legal History (1923) and "The Call For a Realist Jurisprudence" (1931). Clean, bright copy.

Softcover. Toronto CA, McClelland and Stewart, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 264 pages, 125 color, 135 black & white. Published in conjunction with an exhibition. "A major study of the artistic traditions of Canada's Native peoples and of their place in the cultures and belief systems in which they originated. Here, for the first time, is Native Canadian work from museums and private collections around the world. The works, and the essays that describe their contexts, bring to life the spiritual and aesthetic identity of the craftspeople and their societies. From richly ornamented costumes displaying the wealth of their owners to practical techologies that enabled the peoples to thrive in their environments, these treasures reflect Native life at the time of contact with Europeans." Clean copy.