Hardcover. New York, Charles Scribner's Sons, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, mustard cloth stamped with red, black and gilt decoration, 258 pages, illustrated throughout in b&w line by Howard Pyle. Front hinge cracked, previous owner's bookplate on blank prelim page, otherwise clean, very good.

Hardcover. New York, Frederick A. Stokes, 1st US, 1899, Book: Very Good, Dust Jacket: None, Hardcover, 296 pages. Black & white illustrations by Gordon Browne and Lewis Baumer. Previous owners inscription on front endpaper. Green cloth covers with gilt titles on cover and spine. Illustration in white of children along a bannister on front cover. Copyright 1899, with no previous printings listed. Light foxing to some pages. Clean, tight copy.

Hardcover. Huntington, NY, Black Oak Publishers, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 117 pages. b&w illustrations throughout. Completes the cataloguing of Wengenroth's prints which began with "The Lithographs of Stow Wengenroth, 1931-1972", also by the Stuckeys. Cream cloth, light staining to upper edge. Pictorial endpapers. Dust jacket with light edge wear to back cover, otherwise a very nice, tight and well preserved copy.

Hardcover. NY, The Lyons Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 112 pages. A book of ninety exquisite and moving black & white photographs about the deep interior of the American West, stretching from the Mexican border to Montana. The world which photographer Lindy Smith has captured is a landscape of ranch-work, self-reliance and hard-won trust, a place as much defined by dogs, sheep, cattle and horses as by humans.

Hardcover. NY, Coward, McCann & Geoghegan, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Nice black & white illustrations by Thomas B. Allen. Excellent condition. Hardbound, dust jacket.

Softcover. Chicago, Dickery Company, 1st, 1936, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, pictorial orange & black wrappers. Includes 3-D glasses in pocket inside front cover. Six photographic images printed so that when viewed through supplied glasses they appear to have depth. Other illustrations in silhouette. Inscription on title page, otherwise clean.

Softcover. Seattle, WA, Fantagraphics Books, 2nd pr., 2002, Book: Very Good, Dust Jacket: None, 68 pages. Softcover with light wear to paper wrappers. Black and white illustrations by Gorey. Tight, clean copy.

Hardcover. Urbana IL, University of Illinois Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 162 pages, b&w illustrations. In the wake of Kristallnacht, November 9, 1938, Sigmund Tobias and his parents fled their home in Germany and relocated to one of the few cities in the world that offered shelter without requiring a visa: the notorious pleasure capital, Shanghai. Seventeen thousand Jewish refugees flocked to Hongkew, a section of Shanghai ruled by the Japanese, and they created an active community that continued to exist through the end of the war. Tobias's coming-of-age story unfolds within his descriptions of Jewish life in the exotic sanctuary of Shanghai. Depleted by disease and hunger, constantly struggling with primitive and crowded conditions, the refugees faced shortages of food, clothing, and medicine. Tobias also observes the underlife of Shanghai: the prostitution and black market profiteering, the brutal lives of the Chinese workers, the tensions between Chinese and Japanese during the war, and the paralyzing inflation and the approach of the communist "liberators" afterward.Richly detailed, Strange Haven opens a little-documented chapter of the Holocaust and provides a fascinating glimpse of life for these foreigners in a foreign land. An epilogue describes the changes Tobias observed when he returned to Shanghai forty years later as a visiting professor.

Hardcover. New York, Young Scott Books, 1st, 1964, Book: Very Good, Dust Jacket: Good, 72 pages. Hardcover. INSCRIBED BY AUTHOR on front end paper. Black & white illustrations by Julio de Diego. Edgewear. Dust jacket with fade to spine, small chunk missing from top of spine. Clear plastic protective cover.

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 265 pages, b&w illustrations. This first broad study of the relation between Vincent van Gogh's psychological development and his art stresses the creative rather than the pathological. chronology, section of black & white photographs, notes, selected references, index. Clean copy.

Hardcover. New York, Farrar, Straus, Giroux, Book Club Ed., 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket.158 pages. Black & white illustrations by Jamie Wyeth. Clean, tight copy.

Softcover. London/NY, Verso, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 403 pages, b&w illustrations. In this new edition of his memoirs, Tariq Ali revisits his formative years as a young radical. It is a story that takes us from Paris and Prague to Hanoi and Bolivia, encountering along the way Malcolm X, Bertrand Russell, Marlon Brando, Henry Kissinger, and Mick Jagger. Ali captures the mood and energy of those years as he tracks the growing significance of the nascent protest movement. This edition includes a new introduction, as well as the famous interview conducted by Tariq Ali and Robin Blackburn with John Lennon and Yoko Ono in 1971. Clean.

Softcover. Berkeley, Black Lizard, reprint, 1987, Book: Very Good, Dust Jacket: None, Paperback, tight and square, clean and bright. Unread mass market reprint of the 1954 Goodis classic. A nice copy of this Black Lizard reprint.

Hardcover. New York , Harper and Brothers, 1st, 1934, Book: Good, Dust Jacket: None, 276 pages, hardcover. Black cloth covers with red decoration. Small library stamp on title page, otherwise clean.

Hardcover. Harrisburg, Stackpole Company, 1st, 1961, Book: Good, Dust Jacket: None, 322 pages. Hardcover. Features 16 pages of black & white photographs. Notations in red pencil on 2 maps - pages 92 and 97. Light wear to yellow cloth covers. No dust jacket.

Hardcover. NY, powerHouse Books, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, oblong gray cloth covers with photographic label on front. gilt and black lettering. 120 pages with 110 black and white photographic images throughout featuring the NYC street photography of Boretz over the course of 30 years. First Edition (stated), second printing (with full number line ending in 2). No dust jacket issued. Clean copy.

Softcover. Atglen, PA, Schiffer Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 160 pages. Softcover with light edgewear to paper wrappers. Clean, tight copy with black and white photographs throughout.

Hardcover. Cambridge, The MIT Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Black & white illustrations throughout.Light foxing to edges, pen markings on a couple pages. Dust jacket with shelf wear, small tears to edges. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.

Hardcover. NY, Rizzoli International, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, folio, 394 pages, 250 color and black and white Illustrations. Black cloth stamped in silver and gold gilt. There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. Now, in the first official book on the legendary club, co-owner Ian Schrager presents a spectacular volume brimming with star-studded photographs and personal stories from the greatest party of all time. From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous and creative people in the world. It quickly became known for its celebrity guest list and uniquely chic clientele. From the cutting-edge lighting displays to its elaborate sets, it was the beginning of nightclub as performance art. Now, Studio 54 explores this cultural zeitgeist and gives us Schrager's personal firsthand account of what it was like to create and run the most famous nightclub of our age. With hundreds of photographs, many of which have never been seen before, of the celebrities and beautiful people and engaging stories and quotes from such cultural luminaries as Liza Minelli, David Geffen, Brooke Shields, Pat Cleveland, and Diane von Furstenberg, this exciting volume depicts the wild energy and glittering creativity of the era. One of the most important cultural landmarks of the twentieth century, Studio 54 continues to inspire with its legendary glamour. This exhilarating volume is a must-have for style and fashion aficionados today. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Rizzoli International, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, folio, 394 pages, 250 color and black and white Illustrations. Black cloth stamped in silver and gold gilt. There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. Now, in the first official book on the legendary club, co-owner Ian Schrager presents a spectacular volume brimming with star-studded photographs and personal stories from the greatest party of all time. From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous and creative people in the world. It quickly became known for its celebrity guest list and uniquely chic clientele. From the cutting-edge lighting displays to its elaborate sets, it was the beginning of nightclub as performance art. Now, Studio 54 explores this cultural zeitgeist and gives us Schrager's personal firsthand account of what it was like to create and run the most famous nightclub of our age. With hundreds of photographs, many of which have never been seen before, of the celebrities and beautiful people and engaging stories and quotes from such cultural luminaries as Liza Minnelli, David Geffen, Brooke Shields, Pat Cleveland, and Diane von Furstenberg, this exciting volume depicts the wild energy and glittering creativity of the era. One of the most important cultural landmarks of the twentieth century, Studio 54 continues to inspire with its legendary glamour. This exhilarating volume is a must-have for style and fashion aficionados today. DOMESTIC SHIPPING ONLY.

Hardcover. London, Argus Books, 1st, 1930, Book: Very Good, Dust Jacket: Good, 391 pages. Hardcover with dust jacket. B&w illustrations by Frank Pape. Dust jacket faded on spine, chipped. Cover boards have minor wear to black covers. Gilt lettering. Numbered 1490/1500 American copies. Internally good, and over all clean tight copy.

Hardcover. Toronto CA, McClelland & Stewart, 1st Canadian, 1938, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering, 312 pages. "An Englishman's home may be his castle, but to Sir Buckstone Abbott, Walsinford Hall was nothing but a blot on the landscape. With its glazed red bricks, its dome and minarets, it so jarred upon his sensitive soul that it was his avowed intention to unload the unsightly pile on the first prospective buyer. His chance came when the Princess von und zu Dwornitzchek expressed the opinion that the Hall was 'cute' and began toying with the idea of purchasing it." Clean, tight copy.

Softcover. NY, Hans P. Kraus, Jr., 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 115 pages. Black and white reproductions of photos throughout. A catalog of early photographs offered for sale by Hans P. Kraus, Jr., focusing on the work of photographer William Henry Fox Talbot. This includes scholarship on his life, work and associates. Clean copy.

Hardcover. Berkeley, University of California Press, 2nd pr., 1970, Book: Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 412 pages with index. Frontis. map. Ex-lib with stamping to edges and endpapers, name on front fly leaf.