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Hardcover. Harrisburg PA, The Stackpole Company, 1st, 1952, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages. Pictorial endpapers. Maroon cover with gilt lettering and affixed picture of a fisherman in bright color. Black-and-white illustrations throughout by Fred Everett and three color illustrations in addition to the frontispiece. Clean copy.

Hardcover. NY, New York Review Comics, 1st US, 2017, Book: Very Good, Dust Jacket: None, Harcover, pictorial boards, 149 pages. The first book to appear in English by the acclaimed Belgian artist Dominique Goblet, Pretending is Lying is a memoir unlike any other. In a series of dazzling fragments--skipping through time, and from raw, slashing color to delicate black and white--Goblet examines the most important relationships in her life: with her partner, Guy Marc; with her daughter, Nikita; and with her parents.The result is an unnerving comedy of paternal dysfunction, an achingly ambivalent love story (with asides on Thomas Pynchon and the Beach Boys), and a searing account of childhood trauma--a dizzying, unforgettable view of a life in progress and a tour de force of the art of comics. This NYRC edition is a hardcover with extra-thick paper, full color throughout, and features new English hand-lettering by the artist.

Softcover. Greensboro NC, Weatherspoon Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Text by Nancy Doll, George Dimock, Tom Beck, Verna Posever Curtis and Patricia J. Fanning. Includes photographs by Lewis Hind, F. Holland Day, Gertrude Dasebier, Clarence H. White, Alfred Stieglitz, Edward Steichen and Edward Weston. 64 pages, paper with stiff cover. Black and white reproductions. 12" x 9 ". Clean, very good.

Hardcover. New York , HarperCollins, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 70 pages illustrated in color by Ransom. Bright, unclipped dust jacket with mild wear. Corners bumped.

Hardcover. New York, Harper & Row , 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 115 pages. Cloth boards. Illustrated with black & white photographs by Haas. Clean, tight copy.

Hardcover. New York, American Book Company, Reprint, 1899, Book: Very Good, Dust Jacket: None, 252 pages. Hardcover. Color (maps) and b/w illustrations throughout. Brown leather boards, black designs and gilt on spine and front cover board. Decorated edges.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, in a lightly worn dust jacket. Non-paginated. Black & white cartoons by W. Miller, mostly from The New Yorker. Clean, tight copy.

Hardcover. NY, Macmillan , 1st thus, 1925, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped in black. Illustrations with color frontis, 10 black & white plates and endpapers drawing by Marguerite De Angeli. Clean, bright copy.

Hardcover. Boston, James R. Osgood, 1st, 1882, Book: Good, Dust Jacket: None, Hardcover, 411 pages, illustrated with 192 line drawings. Original green cloth stamped in black and gilt. Cover design is bright, spine a little less so, with a touch of cardboard showing through cloth at bottom edge and corner. Front hinge partially cracked. Back cover with several small white spots. "Ladies Library Association #246" in ink on front fly leaf, contents page a little frayed on fore-edge. Interior pages clean, very good. This is the First Edition, second state. Copyright page states Franklin Press, corrected text on pages 124, 263 and 362.

Hardcover. Philadelphia, Edward Stern, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Illustrated cover boards. Author wrote "The Roosevelt Bears", 7 color plates by C. Twelvetrees. An adventure told in verse about a little boy, Prince Domino. He and his siamese cat, who is very smart indeed, travel to far-off lands where they are helped by a little black and a little Japanese boy (the depictions of whom are slightly stereotypical). Moderate wear to front and rear cover. Loose binding. Light soil. Rear hinge torn half way up from bottom.

Hardcover. Boston, Little Brown , 1st, 1942, Book: Good, Dust Jacket: None, Hardbound, 110 pages. Black & white illustrations by Robert Lawson. Previous owner's signature front fly leaf. Soiling to covers, especially spine.

Hardcover. Boston, Little Brown, 1st illust thus, 1942, Book: Good, Dust Jacket: None, Hardcover, green cloth covers stamped in blue with prince on flying carpet on front, Black & white illustrations by Robert Lawson, 110 pages. Some wear and soiling to cover, but internally mostly clean. No dust jacket.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 120 pages in color. You might think that birth of Prince Valiant's son Arn at the end of the previous volume would have slowed down Val's adventuring, but you would be wrong. In Prince Valiant Vol. 7, after the baby has been christened, Valiant and Gawain are dispatched to investigate reports of black magic in Wales, ending up in pitched battle at the aptly named Castle Illwynde. Then it's off to Scotland to battle the Picts, and then home yet again for Val to visit his growing boy. Valiant now enters the 1950s: The Thule winter is hard and bleak, and a prince who has designs on Aleta must be dealt with. Then it's another epic-length story, "The Missionaries," in which Val and several of his fellow knights and crew travel to Rome on a quest for teachers who might bring Christianity to Thule. The story also features an escape through the Alps, far too many red-headed girls, and a tragic, life-changing event for the young squire Geoffrey (a.k.a. "Arf "). And Foster charmingly ends the book with "The Prince Arn Story," a three-week sequence narrated by the toddler.

Hardcover. London, Hodder & Stoughton, 1st, N.D., Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. White lightly soiled covers with blue and silver lettering. Light foxing on piliminary pages. Featuring stories and poems by the likes of J.M. Barrie, Algernon Blackwood, and Rudyard Kipling, & illustrations by Walt Disney Studio, Paul Bloomfield, A.P. Payne, Sylvia Salisbury, A.H. Watson, H.S. Foxwell, etc, this book was printed as part of a charitable drive for the Princess Elizabeth (now Queen Elizabeth II) of York Hospital For Children

Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.

Hardcover. Boston, J.E.Tilton & Co., Rep., 1863, Book: Very Good, Dust Jacket: None, Hardcover. Black & white illustrations. (C) page states 1869. 261 pages. Red cloth with gilt illustration on spine. NIce copy.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, slate blue boards with black cloth spine with gilt lettering, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Front hinge cracked, small stamped name to endpapers, otherwise clean.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. New York, Clarkson N. Potter, Inc., 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Comprehensive catalogue of Reginald Marsh's prints. Illustrated with black/white reproductions of all known prints by Marsh. Also includes biographical text on the artist. Cloth bound book is in near fine condition, dust jacket is in very good condition with small closed tear on the back. Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.

Hardcover. Garden City, Doubleday & Co., 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, 570 pages, b&w illustrations and frontispiece. Black cloth covers w/ edgewear, chipping. Previous owner's signature inside front cover. Else clean and tight.

Softcover. New York, Viking Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light wear to wrappers. Black and white pictures throughout of celebrities and famous people. Clean copy. Light spine cracking.

Hardcover. San Rafael, CA, Neff-Kane, 1st Edition, 1979, Book: Very Good, Dust Jacket: Very Good, 196 pages. Hardcover. B/w illustrations and color photographs throughout. Binding tight. Spine straight. Dust jacket unclipped, has some agewear at top and bottom of spine and small tear at top of back cover (see image). Pages and edges clean and unmarked. Black endpapers. Cover boards bound in silver cloth, red gilt title on spine. Conrad's special genius--his ability to convey a powerful message in the black and white of line and mass--has delighted readers for years. Also included are pictures of some his most famous bronze sculptures.

Hardcover. Ithaca NY, Cornell University Press, 2nd pr., 1975, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, rubbed dust jacket, 576 pages. Name on front fly leaf, otherwise clean.

Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.