term Black term

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. Tough, hard-boiled, and brilliantly suspenseful, The Last Good Kiss is an unforgettable detective story starring C. W. Sughrue, a Montana investigator who kills time by working at a topless bar. Hired to track down a derelict author, he ends up on the trail of a girl missing in Haight-Ashbury for a decade. The tense hunt becomes obsessive as Sughrue takes a haunting journey through the underbelly of America's sleaziest nightmares. aclean copy.

Hardcover. NY, Holiday House, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 152 pages. Black and white illustrations by Victor Ambrus. Events, including the massacre of his father, force young Eduardo to roam the countryside on the Gaviota. He survives for two months in the midst Spanish Civil War. Unlike his Nationalist relatives, he learns to understand many sides of the conflict. Clean copy.

Hardcover. Berkeley CA, University of California Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages, b&w illustrations. When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immortality--for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. INSCRIBED BY LOVING ("Jerry") on the half-title page. Clean copy.

Hardcover. NY, Appleton-Century-Crofts, 1st, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering on black title blocks, 650 pages. "This is the only complete history of the Latin American Republics that takes into account the important subject of inter-American relations in the present war {World War II}. It brings Latin American history down to the conferences in which Under-Secretary of State Sumner Welles helped to cement North and South solidarity." The book presents, in separate chapters, the history of each of the twenty Latin American nations since independence. Bookplate and name on front endpapers, otherwise a clean, tight copy.

Hardcover. NY, Columbia University Press, 1st, 1939, Book: Very Good, Dust Jacket: None, Six matching volumes, red cloth bindings with black/gilt titling on spines, gilt initials on front board. Covers Emerson's letters from 1813 to 1881. Ralph Waldo Emerson (1803-1882) was an influential American essayist, philosopher, and poet, known for leading the Transcendentalist movement. His works emphasized individualism, nature, and self-reliance, significantly impacting American literature and thought. NOT ex-lib, clean complete set. Due to weight DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, Chronicle Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 200 pages, large format. Profusley illustrated with color photographs of trees. Trees are vital- without them we simply wouldn't be here. Not only essential, they have been an inspiration throughout our history. In breathtaking photographs and stories we are taken on a journey from the boreal forest at the edge of the Arctic to the rainforests girdling the planet; from ancient bristlecones to fresh-leaved seedlings; from the charming and familiar to the scary and rare. An elegantly written and highly accessible text is complemented by an extraordinary collection of images created by some of the world's leading nature photographers.

Hardcover. Boston, Houghton Mifflin, reprint, 1923, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with cover illustration paste-down, 435 pages. Numerous illustrations by E. Boyd Smith, including 12 color plates. Clean copy. Gilt spine lettering faded.

Hardcover. GR, Steidl, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Sid Grossman (1913-55) and his work were largely forgotten after his untimely death in 1955. Labeled as a communist by the FBI after the war, his hard-earned reputation as a free-thinking photographer quickly fell into oblivion for the rest of the century and beyond. Grossman was one of the founders of the famous New York Photo League and a notoriously demanding and capricious teacher who always challenged his students. This monograph, the first comprehensive survey of Grossman's life and work, contains more than 150 photographs that demonstrate Grossman's enduring talent. The images range from his early social documentary of the late 1930s to the more personal, dynamic street photography of the late 1940s, as well as later experiments with abstraction in both black and white and color. It features an essay by renowned historian Keith F. Davis, and concludes with excerpted transcripts from recordings of a course Grossman taught in 1950.

Hardcover. NY, Oxford University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. The second volume in this masterful biography finds Hughes rooting himself in Harlem, receiving stimulation from his rich cultural surroundings. Here he rethought his view of art and radicalism, and cultivated relationships with younger, more militant writers such as Richard Wright, Ralph Ellison, James Baldwin, and Amiri Bakara. Illustrated with black & white photographs, a few by Roy DeCarava with whom Hughes published "The Sweet Flypaper of Life" and a portrait by Henri Cartier-Bresson. Clean copy.

Hardcover. NY, Harcourt, Brace & World, 1st, 1955, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 309 pages. A collection of essays from the famed literary critic. Clean copy.

Hardcover. NY, Platt & Munk, reprint, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth covers stamped in black. The kindness and determination of the Little Blue Engine have inspired millions of children around the world since the story was first published in 1930. Cherished by readers for over ninety years, The Little Engine That Could is a classic tale of the little engine that, despite her size, triumphantly pulls a train full of wonderful things to the children waiting on the other side of a mountain. Illustrated in color by George and Doris Hauman. Clean, no dust jacket.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 64 pages. Yarbrough weaves a beautiful story in picture-book format about the role of music in the lives of Africans and shows how it was transformed on American and Caribbean soil. The tale revolves around a "Roots of Rhythm and Blues" concert attended by a sister and brother and their parents, great grandmother, and elderly neighbor. At the park, the father tells his children about slavery and the "culture baggage" the slaves carried with them from Africa. With a compelling delivery that echoes the rhythmic chanting of the griot, the man speaks about concepts such as spirit power and the tree of life that at first are hard for his young son to grasp. The performance begins with a song of praise for the strength and endurance of a transplanted people. By the end, the youngsters understand more about their heritage and the role spirituals played and continue to play in it. Geter's pencil-and-charcoal illustrations are richly imaginative, evoking images of Africa, slavery, roots, and soaring trees. Clean copy.

Hardcover. New York, Harper & Row, 1st US, 1966, Book: Very Good, Dust Jacket: None, Cloth spine with pictorial boards. Black & white illustrations by Paul Flora. Light edgewear, chipping and soil to covers. No dust jacket.

Hardcover. NY, W. W. Norton & Company, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From the Pulitzer Prize-winning biographer John Matteson, an account of the "Susan Sontag" of nineteenth-century America.A brilliant writer and a fiery social critic, Margaret Fuller (1810-1850) was perhaps the most famous American woman of her generation. Outspoken and quick-witted, idealistic and adventurous, she became the leading female figure in the transcendentalist movement, wrote a celebrated column of literary and social commentary for Horace Greeley's newspaper, and served as the first foreign correspondent for an American newspaper. While living in Europe she fell in love with an Italian nobleman, with whom she became pregnant out of wedlock. In 1848 she joined the fight for Italian independence and, the following year, reported on the struggle while nursing the wounded within range of enemy cannons. Amid all these strivings and achievements, she authored the first great work of American feminism: Woman in the Nineteenth Century. Despite her brilliance, however, Fuller suffered from self-doubt and was plagued by ill health. John Matteson captures Fuller's longing to become ever better, reflected by the changing lives she led. 28 black-and-white illustrations. Smallbump to top corner otherwise like new.

Hardcover. Charlestown MA, Printed and Sold By Samuel Etheridge, Revised Ed., 1810, Book: Very Good, Hardcovers, two volumes complete, 432 and 448 pages. bound in 3/4 calf, with red leather spine labels intact, bindings tight. New corrected edition. A collection of biographical studies on the life of important poets in the cannon of English literature, including: Cowley, Milton, Blackmore, Granville, Somerville, Thomson, Mallet, and Lyttelton. Written by Samuel Johnson, an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. With the original advertisement to the first edition. originally published in 1779-81. Light edgewear to covers, mild water stain to first 4 pages of Vol. 2, otherwise clean, mild foxing, very good set overall.

Hardcover. NY, Grosset and Dunlap, reprint, Book: Very Good, Dust Jacket: None, Hardcover, brick red cloth stamped in black. 313 pages, an attractive reprint of this western title with 4 color plates by Frank Tenny Johnson. Originally published in 1914. Clean copy.

Hardcover. NY, Macmillan, 5th pr., 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a edgeworn, price-clipped dust jacket. 371 pages with index. A vivid, swiftly paced account of the dispossession of the Plains Indians during the half century after 1840. Epic in sweep, magnificent in detail - here is the tragedy of the Indians who once roamed and hunted on the Great Plains. Included in this great saga are the names one expects: Red Cloud of the Sioux, Black Kettle of the Cheyennes, Generals Sheridan, Sherman, and Custer, Colonel Miles, Crazy Horse, Sitting Bull, and Chief Joseph of the Nez Perces. No marking.

Hardcover. NY, Simon and Schuster, 2nd pr., 1959, Book: Very Good, Dust Jacket: None, Hardcover, dark gray boards with black cloth spine, gilt lettering on spine. 350 pages, b&w illustrations, color endpaper maps. INSCRIBED BY RYAN on half title page and dated Dec 59. In 1956 Ryan began to write The Longest Day,which tells the story of the D-Day Invasion of Normandy, later published in 1959. It was an instant success, and Ryan helped in the writing of the screenplay for the 1962 hit film of the same name. Darryl F. Zanuck paid the author US $175,000 for the screen rights to the book. Lacks dust jacket, a clean, bright copy.

Hardcover. NY, Doubleday, Doran & Co, 1st, 1934, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards with a red cloth spine. Original unclipped color and gilt pictorial dust jacket ($1.75). Illustrated in color, gilt, and black-and-white throughout by the D'Aulaires, with color pictorial endpapers and color and gilt pictorial title page. 32 pages. The Protestant Edition. Name on inside front cover, otherwise clean.

Hardcover. Roslyn NY, Walter J. Black, Book Club Ed., 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Three mystery novels in one volume. Detective Book Club Series. Clean, bright copy. No markings.

Hardcover. NY, Books of Wonder, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. In this 1917 addition to the Oz series, L. Frank Baum delights readers of all ages with a spellbinding mystery that involves nearly every one of the amazing cast of characters that populate America's favorite fairyland. This handsome new edition--featuring all twelve of Oz artist John R. Neill's beautiful color plates and nearly one hundred black-and-white drawings--is the perfect way to join Dorothy and her friends on this exciting journey through the endlessly intriguing Land of Oz. Afterword by Peter Glassman.

Hardcover. Racine WI, Whitman Publishing, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 282 pages. "Horses, horses, horses! Would you like to belong to a riding club? Would you like to solve mysteries and have exciting adventures? Then come along and join Sunny, Dave, Peggy, Mike and all the other members of the Timber Trail Riders Club. Horse shows, rodeos, and trail rides. these are just a few of the wonderful activities that await boys and girls at Timber Trail Farm." Illustrated by Olindo Giacomini and Arnie Kohn. Clean, bright copy.

Hardcover. London, Frederick Warne & Co., reprint, Book: Fair, Dust Jacket: None, Hardcover, oblong format. Unpaginated. Illustrated boards, green cloth spine. Extensively illustrated in color and black and white by F. D. Bedford. Covers worn with mild soiling, tan stain to rear cover, edgewear. Reprint of a story which first appeared in "Holiday Romance" in 1868. This is the extraordinary story of a very nearly ordinary princess named Alicia. Given a magic fish-bone by a good fairy, Alicia can have whatever she wishes--provided she wishes for it at the right time. But it's never clear when the right time is, and sometimes the best magic is no magic at all.

Hardcover. NY, Whittlesey House, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black and red, 50 pages illustrated in 2-colors and b&w by Plato Chan. Adapted from an Old Chinese Legend by Plato and Christina Chan. The Text by Christina Chan. The Illustrations by Plato Chan. Clean copy, no dust jacket.