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Hardcover. London, England, Oxford University Press, 1st, 1972, Book: Very Good, Dust Jacket: Fair, 574 pages. Hardcover. Previous owner's name on front flyleaf with small notations (pencil) throughout. Black cover boards (some light chipping), gilt title on spine. Spine slightly cocked, doesn't affect binding. Dust jacket unclipped, has agewear: chipping, fading, some small tears (see image). This book provides an intellectual biography of Hegel from the Gymnasium years until he went to his first academic post at Jena.

Softcover. New York, Christie's, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover catalog, 234 pages. Illustrated in full color and black & white. Clean, tight copy.

Softcover. NY, Andre Emmerich Gallery, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Includes 16 full page color illustrations printed on glossy card stock; black and white photograph of Frankenthaler on verso of title page. Catalog for exhibition held Nov. 30 - Dec. 31, 1983. Clean copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Color and black & white images throughout. Tight copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Color and black & white images throughout. Tight copy. Helena Rubinstein: Beauty Is Power traces the path of this remarkable early feminist and visionary art patron. In Rubinstein's world, art and commerce blended seamlessly. She ornamented her salons and homes with splendid artworks--Surrealist murals, modernist portraits, Art Deco furniture, Venetian mirrors, and one of the era's great collections of African and Oceanic art. Her understanding of beauty was similarly expansive and democratic: she saw the face as the site for self-expression and the exploration of identity. The Rubinstein beauty program thus included not only makeup and hairdressing, but also lessons in health, deportment, and culture. Such features, innovative at the time and wildly popular, today provide a fascinating glimpse into popular culture as it affected women in the 20th century.

Softcover. Berkeley CA, Black Lizard, reprint, 1984, Book: Very Good, Dust Jacket: None, Paperback, tight and square, clean and bright. Unread mass market reprint of the Thompson classic.

Hardcover. Boston, Little Brown, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated. Black & white illustrations by Leonard B. Lubin. Dust jacket is protected by a mylar cover.

Hardcover. London, Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: None, 256 pages. Oversize hardcover with no dust jacket. Very clean, like new copy still in publishers shrink wrap. Large black and white & color photographs throughout. Tight copy. Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself. In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the photos, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947.In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.

Softcover. NY, Museum Of Modern Art (MOMA), 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, hefty 480 page exhibition catalog illustrated in color. Published in conjunction with the exhibition "Henri Matisse A Retrospective" at The Museum of Modern Art, New York, September 24, 1992-January 12, 1993. Bookplate on inside front cover, otherwise clean. Lavishly produced in oversize format, here is the complete illustrated catalogue of a landmark new exhibition devoted to the artist--the largest ever assembled. Includes biographical notes, a chronology, and introductions to each major period of Matisse's career. 320 colorplates reproduce every painting and cutout in the exhibition; 92 black-and-white plates illustrate the sculptures, drawings, and prints. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abbeville Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 600 pages. Henry Frick, remembered by art lovers today for his splendid collection of old-master paintings by Rembrandt, Bellini, and others that make up New York's Frick Museum, was one of the 19th century's worst robber barons. Brutal with workers, he never hesitated to hire mercenary armies to kill railway and mine strikers. Frick's was such a bloody and vicious climb to a pot of gold that his descendents have been understandably reluctant to allow historians full access to his papers. Finally, his great-granddaughter, Martha Sanger, a noted steeplechase and hunting enthusiast, decided to write about the life of her ancestor, and was allowed full use of the archives.Sanger's publisher, Abbeville, has done her proud with a luxuriously produced volume in which Sanger offers many theories about why Frick bought certain works of art. And although art historians may dismiss her black-and-white analyses of a collector's motivations--based, as she admits, on her own years in psychoanalysis--they at least reflect how Frick's own family saw him. Among the reproductions are famous pictures by Goya, Greco, and Gainsborough, but also many others rarely reproduced, perhaps because they are typically bad-taste 19th-century art, showing that even Frick bought some duds. Whether or not he acquired paintings, as Sanger asserts, because they reminded him of a daughter who died in early childhood, Frick was still a major historical figure, and his life needs this kind of voluminous treatment in order to complement harsher portraits by professional historians like Samuel Schreiner, who subtitled his own 1995 book from St. Martins Press The Gospel of Greed.

Hardcover. New York, Watson-Guptill Publications, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Quarto Format. 208 pages, 150 black-and-white and 48 colored illustrations. Notes; Bibliography; Index. Collection of paintings of the American West, primarily Native Americans. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Dutton, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover. 243 pages. Black & white illustrations by Cole. Bookseller's label and previous owner's signature on front end paper. Light rubbing to corners, spine.

Hardcover. London, Sir Isaac Pitman & Sons, reprint, 1929, Book: Very Good, Dust Jacket: None, Hardcover, green boards with beige buckram spine, black lettering on spine and front cover. 425 pages with index. The Artistic Crafts Series of Technical Handbooks. Diagrams by the author and numerous illustrations, colored lithographs and collotype reproductions from ancient examples. Gutter cracked at half-title page, previous owner's name otherwise clean.

Softcover. Washington DC, United States Department of Agriculture, 1929, Book: Very Good, Dust Jacket: None, Softcover Original black and white stapled wrapper with black lettering and a black and white photograph on the front cover. 5 3/4 X 9 inches. 84 pages. Copy contains 65 black and white photographs. Contents in this issue, Hardy perennial plants, use of herbaceous perennials, arrangement, culture, propagation, kinds to use, regions with similar growing conditions, adaptability of different kinds of plants, index of common names.

Softcover. Toronto, Musson Book Company Limited, Revised Ed., 1931, Book: Very Good, Dust Jacket: None, Softcover, original cream paper cover with light green and black lettering and decoration, and color pastedown of a painting. Ad for Chateau Frontenac inside front cover, and one for McColl-Frontenac Oil Co. Limited inside back cover. Interior is clean and free of markings. The book describes historical places of interest in the Montreal area. 96 pages including Index. Size: 6 1/4 x 9 Inches. Mild edgewear to covers.

Hardcover. NY, Charles Scribner's Sons, 1st, 1948, Book: Good, Dust Jacket: None, Hardcover, tan cloth stamped in black, 154 pages. Numerous black & white photographs printed with the text; maps on endpapers. A survey of South African society, including much on traditional Zulu culture. The author was an Italian explorer, who wrote numerous books on sub-Saharan Africa and made documentary films of the region. Light envelope residue to rear paste-down indicating ex-lib, but no oher markings.

Hardcover. NY, Harper & Row, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 200 plus pages, photo illustrations throughout by Pratt. The story of life on "The Island" in the state of Maine. Although never named, it is thought to be Isle Au Haut, a small island seven miles off the coast of Maine, in Knox County. Rich with both black & white and color photographic illustrations of people, scenery, and town life. Clean copy.

Hardcover. NY, Harcourt Brace, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover. 149 pages. SIGNED BY YOLEN on title page. Black & white illustrations by David Wilgus. Some rubbing to dust jacket. Otherwise very good.

Hardcover. NY, Harper & Brothers, 2nd Ed., 1945, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with red and gilt stamping, 231 pages. Adolf Hitler was a great fan of Wagner's music and became very close to Winifred Wagner, Richard Wagner's granddaughter (there were even rumors that they would marry). Hitler also befriended her children and treated them as his own. In 1940, Verena Wagner (Winifred's youngest daughter) and Hitler were also rumored to be romantically linked. Rumors the author debunks in her book. Clean copy.

Hardcover. Brookfiled, VT, Ashgate, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, INSCRIBED BY AUTHOR. 159 pages. 24 color plates and 144 B&W illustrations. Black pictorial dust jacket. Black boards with silver gilt title to spine. Herkomer: A Victorian artist is a study of the life and work of the Victorian portraitist and social-realist painter, a self-made polymath whose boundless enthusiasm led him to take an early and important interest in photography, film-making, stagecraft and motoring. Biography of artist by publishing company laid-in. Overall, a clean, tight copy.

NY, Random House, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover.208 black & white and color photos. Introduction by John Updike. Dust jacket with light edgewear and rubbing. A collection of iconic portraits by various photographers working for Magnum. Clean, bright copy.

Softcover. New York, Pocket Books, First Edition, 2007, Book: Very Good, Dust Jacket: None, 413 pages. Softcover with black, white & red graphic illustrations throughout. Full color illustrations to covers. Clean, bright copy, unmarked.

Hardcover. Waseca MN, Herter's Inc, 7th Ed., Book: Very Good, Dust Jacket: None, Hardcover, light green cloth with black stamping. 446 pages, b&w illustrations throughout. Clean copy.

Hardcover. Boston, Houghton Mifflin , 1st illust. thus, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 8 color, 4 b&w plates by E. Boyd Smith. Brown cloth covers with gilt and black design. Front endpaper split at hinge, otherwise very good.