Hardcover. NY, The Literary Guild, 1928, Book: Very Good, Dust Jacket: None, Hardcover, Literary Guild edition, with the 1st Edition (stated) signatures from Harper. Bound in black cloth and pictorial boards. Illustrated in color and b&w by Mahlon Blaine.
Hardcover. Washington, DC, Associated Publishers, Revised Ed., 1944, Book: Very Good, Dust Jacket: None, Hardcover, 381 pages. Dark green cover with slight wear and white spotting to back. Slight soiling to edges. Binding cracked at page 45. Overall, a clean, tight copy.
Hardcover. New York, Paul S. Eriksson, Inc., 1st , 1969, Book: Very Good, Dust Jacket: Very Good, Unpaginated, b&w illustrations by Arouni. Light edge wear to dust jacket. Several pages slightly loose. Else a very nice, clean copy.
Hardcover. Boston, Little, Brown & Company, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, light mauve cloth with white lettering on spine, 311 pages with index. B&w illustrations, maps. Spine with light fading, book is clean, tight copy. Stated First Edition.
Softcover. Middletown CT, Wesleyan University Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 237 pages. From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a "hip hop theorist," takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it. Clean copy.
Hardcover. NY, D. Appleton & Co., 1st, 1918, Book: Very Good, Dust Jacket: None, Hardcover, mauve boards with yellow lettering, maroon cloth spine. 321 pages with a (2) on last page indicating second printing. Quite scarce. Top corner of cover bumped.
Hardcover. Washington DC, National Portrait Gallery/Princeton University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Accompanied exhibition at the National Portrait Gallery. Illustrated. First major publication to focus on the development of silhouettes, gathers leading experts to shed light on the surprisingly complex historical, political, and social underpinnings of this ostensibly simple art form. This richly illustrated volume explores likenesses of everyone from presidents and celebrities to everyday citizens and enslaved people. Ultimately, the book reveals how silhouettes registered the paradoxes of the unstable young nation, roiling with tensions over slavery and political independence. Primarily tracing the rise of the silhouette in the decades leading up to the Civil War, Black Out also considers the ubiquity of the genre today, particularly in contemporary art. Historical research and four contemporary artists: Kara Walker, Kristi Malakoff, Kumi Yamashita, and Camille Utterback. Still in publisher's shrinkwrap.
Softcover. New York, Avon Book, 1st, 1946, Book: Very Good, Dust Jacket: None, 198 pages. Paperback. Avon Book #106. Light wear to paper wrappers. Spine faded and has ink 'x" over "the" on spine.
Hardcover. NY, Atheneum, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a clear, straightforward style, Katz describes the settlement of the Ohio and Mississippi Valleys (covering Ohio, Indiana, Illinois, Michigan, Wisconsin, Minnesota, Iowa, Kansas, and Missouri) by African Americans seeking freedom, including biographical sketches of men and women who formed churches, started schools, or were politically active in their region. Some of these settlers were fugitive slaves; several set up stations on the Underground Railroad with the aid of the Quakers; others were farmers, poets, and soldiers. In several states, they helped form black regiments in the Civil War. Chronologically arranged, the book introduces many lesser-known personages not found in most collective biographies and places them in a broader context of U.S. history as a whole.
Hardcover. NY, Atheneum, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a clear, straightforward style, Katz describes the settlement of the Ohio and Mississippi Valleys (covering Ohio, Indiana, Illinois, Michigan, Wisconsin, Minnesota, Iowa, Kansas, and Missouri) by African Americans seeking freedom, including biographical sketches of men and women who formed churches, started schools, or were politically active in their region. Some of these settlers were fugitive slaves; several set up stations on the Underground Railroad with the aid of the Quakers; others were farmers, poets, and soldiers. In several states, they helped form black regiments in the Civil War. Chronologically arranged, the book introduces many lesser-known personages not found in most collective biographies and places them in a broader context of U.S. history as a whole.
Hardcover. NY, Farrar, Straus and Giroux, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 129 pages. Anthology of 20 stories gathered from 16th Century chronicles of missionaries. Illustrated by Bierhorst, Jane Byers. Clean copy. Dust jacket price-clipped.
Softcover. Kensington, MD, Published privately, 1st, 1997, Book: Very Good, Dust Jacket: None, 36 pages. Softcover with light wear to edges. Black and white pictures throughout. Clean, tight copy.
Hardcover. NY, Crown, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 339 pages. INSCRIBED BY CAUNITZ on the half-title page. A tale of high-level international art smuggling machinations which involve a copy of Homer's Iliad that belonged to Alexander the Great. A planned assassination outside Athens that turns into a massacre and the simultaneous murder of a shady Greek dealer send Major Andreas Vassos of the Greek police off to New York to pursue leads that involve a brutal Irish gang and some smooth operators with ties to the State Department and the wartime OSS. Throw in a tough New York police lieutenant, a beautiful art historian and a villainous collector, and you have the makings for a fast-moving thriller. Clean copy.
Hardcover. Boston, Houghton Mifflin, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth stamped with black lettering. 314 pages, frontis, plates from photos. A description of a stay of over a decade in Gaboon (French Congo), at various mail stations, with much on the missionary activities, schools, and the native peoples in the area including the Njem tribe in the Lomie district, about 400 miles inland from the coastal town of Kribi. This copy from a YMCA library with a stamp and an envelope on the front endpapers, otherwise clean.
Hardcover. London, Hamish Hamilton, 1st UK, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn , unclipped dust jacket. A biography of poet Harry Crosby, who inexplicably took the life of another man's bride of six months, and subsequently his own life, in 1929. INSCRIBED BY WOLFF on the blank prelim page: "To the yeoman of Chittenden, and to Steve, from the guy whose fat they pulled from the fire/Geoffrey Wolff/Repayment Day, 1977/Waitsfield, Vt".
Hardcover. Boston, MA, Little, Brown, and Comany, 3rd printing, 1935, Book: Very Good, Dust Jacket: Good, Hardcover, 159 pages, b&w photos. Previous owner's bookplate on front end paper. Light edgewear, sun-fade and rubbing tom dust jacket. Internally very good.
Softcover. Hanover NH, Hood Museum of Art, Dartmouth College , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 374 pages illustrated in b&w and color. Issued in connection with an exhibition held March 8 to September 7, 2008, Hood Museum of Art, Dartmouth College. Black Womanhood examines an especially charged icon - the black female body - and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies. This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Clean, like new. DOMESTIC SHIPPING ONLY.
Hardcover. Edinburgh, A & C Black, reprint, 1872, Book: Good, Dust Jacket: None, Hardcover. One of many popular travel guide books published by Adam and Charles Black from 1839 to the 1910s, this series was the leading competitor to Baedeker's iconic guide books. Illustrated with maps and tables throughout, including three folding maps. Includes 112 pages of publisher's advertisements to the rear. In the original dark green cloth binding with a gilt design on front cover. One map has been neatly repaired with paper and paste due to a small closed tear. Front hinge with mild crack, signature opposite half-title page.
Hardcover. Edinburgh, A & C Black, reprint, 1874, Book: Good, Dust Jacket: None, Hardcover. One of many popular travel guide books published by Adam and Charles Black from 1839 to the 1910s, this series was the leading competitor to Baedeker's iconic guide books. Illustrated with maps and tables throughout including a fold-out map. This guide suggests potential routes and excursions for exploring this picturesque county. 74-page publisher's catalogue to the rear. In the publisher's original dark green cloth binding with a gilt decoration on the front cover. Clean copy.
Hardcover. New York , Crown Pub., 1st, 1989, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Color illustrations by Hurd and SIGNED BY HURD on title-page. Library binding.
Hardcover. Chicago, Albert Whitman, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, 64 pages illustrated in color, black & white by Kurt Wiese. Two discreet library stamps to both endpapers, previous owner's ink name, light edgewear to covers, otherwise very good overall.
Hardcover. London, Blackie and Son Limited, Unknown, Unknown, Book: Fair, Dust Jacket: None, Hardcover, pictorial cardboard covers with a fed cloth spine.Unpaginated. Color plates and black-and-white illustrations throughout. Some soiling/staining, edge-wear, and shelf-wear to covers. Rear cover bumped along bottom edge. Foxing to top edge. Previous owner's signature to back of half-title page. Complete gutter crack after title page. A little soiling to some of pages. Otherwise, fair, unmarked copy.