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Hardcover. NY, Grosset & Dunlap, 1st, 1943, Book: Good, Dust Jacket: Fair, Hardcover in an edgeworn and chipped dust jacket. Tan brown cloth covers stamped in black. Illustrations for DJ and frontispiece by I. B. Hazelton. Wartime paper resulting in tanned pages. No markings.

Hardcover. NY, The Crime Club/ Doubleday, Doran & Co.,, 1st, 1937, Book: Very Good, Dust Jacket: Fair, Hardcover, black cloth covers stamped in red. Dust jacket cover panel tipped onto inside front cover with flap copy opposite on front fly leaf. Attractively done. A Hildegarde Withers mystery. Classic crime tale from the 1930s set south of the border in old Mexico. 293 pages.

Hardcover. County Meath IR, Gallery Books, 1st , 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 78 pages, black cloth covers. Bright, unclipped dust jacket.

Hardcover. NY, Harper & Row, reprint, Book: Good, Dust Jacket: None, Hardcover, pictorial boards with mild soil, black cloth spine. Color illustrations by Williams, 32 pages. Two rabbits decide they want to remain friends forever, so they marry each other in a forest wedding. Copyright page states 1958 but a reprint with ISBN number, so post 1970. Lacks dust jacket.

Hardcover. Peterborough NH, Noone House/Richard B. Smith , 1st thus, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 194 pages, bound in red cloth; black lettering; gold endpapers with pencil drawing of street scene. 12 full page pencil drawings by Tasha Tudor. Cream dust jacket printed in black & red, price of $3.95 on flap. Second state signified by reviews on back panel.

Hardcover. London, Pickering & Chatto, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, black cloth, spine with maroon title block and gilt lettering, 377 pages. Vol. 2 ONLY of a six volume set. Clean, bright copy, no markings.

Hardcover. London, Pickering & Chatto, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, black cloth, spine with maroon title block and gilt lettering, 384 pages. Vol. 3 ONLY of a six volume set. Name and date on front fly leaf, otherwise clean.

Hardcover. London, Pickering & Chatto, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, black cloth, spine with maroon title block and gilt lettering, 448 pages. Vol. 4 ONLY of a six volume set. Clean, bright copy, no markings.

Hardcover. New Haven CT, Yale University Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. No dust jacket. Profusely illustrated throughout in black & white and color. 433 pages. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Clean, bright copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Lincoln NE, Bison Books/University of Nebraska Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 247 pages, b&w illustrations. In the spring of 1968, the Omaha Central High School basketball team made history with its first all-black starting lineup. Their nickname, the Rhythm Boys, captured who they were and what they did on the court. Led by star center Dwaine Dillard, the Rhythm Boys were a shoo-in to win the state championship. But something happened on their way to glory. In early March, segregationist George Wallace, in a third-party presidential bid, made a campaign stop in Omaha. By the time he left town, Dillard was in jail, his coach was caught between angry political factions, and the city teetered on the edge of racial violence. So began the Nebraska state high school basketball tournament the next day, caught in the vise of history. The Rhythm Boys of Omaha Central tells a true story about high school basketball, black awakening and rebellion, and innocence lost in a watershed year. The drama of civil rights in 1968 plays out in this riveting social history of sports, politics, race, and popular culture in the American heartland.

Hardcover. NY, Doubleday, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 254 pages. The collected short stories and autobiographical writings of the last survivor of the Harlem Renaissance of the twenties and thirties describes growing up in Boston's black middle class, her relationship with Langston Hughes, and other subjects.

Softcover. London/NY, Verso, 1st, 1990, Softcover, 397 pages. In this acclaimed historical study, Alexander Saxton establishes the centrality of white racism to American politics and culture. Examining images of race at a popular level - from blackface minstrels to the construction of the Western hero, from grassroots political culture to dime novels - as well as the philosophical constructions of the political elite, it is a powerful and comprehensive account of the ideological forces at work in the formation of modern America. Clean copy.

Hardcover. London, Citadel Press, 1st illust thus, 1948, Book: Very Good, Hardcover in a lightly worn dust jacket. Green cloth boards with gilt lettering to spine. Cream jacket decorated in black and green. With 12 black and white woodcuts by Helen Munro.

Hardcover. NY, Grosset Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth covers stamped in black. In a dust jacket with light edgewear and chipping. A crime novel set in the Kentucky mountains involving lawless gangs and horse racing. A Hubin listed Mystery. Clean copy.

Hardcover. NY, New Directions, 1st, 1050, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in yellow. No dust jacket. Clean copy. Published in 1950, his first novel was acclaimed by Gore Vidal as "splendidly written, precise, short, complete, and fine." It is the story of a wealthy, fiftyish American widow recently a famous stage beauty, but now "drifting." With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo.

Hardcover. NY, Frederick A. Stokes, 1st illust thus, Book: Very Good, Dust Jacket: None, Hardcover, geen cloth with 4 color decoration on front and spine. Color frontispiece, numerous black and white illustrations by Gordon Browne, No date (circa 1910). Tight, clean copy.

New York, Viking Press, Book Club, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. Black & white illustrations by David Rook. Dust jacket spine slightly faded otherwise very good.

Hardcover. London, Chatto & Windus, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, purple and black boards with black lettering on the spine label. 162 pages, b&w frontispiece by Ray Garnett (his first wife, Rachel 'Ray' Garnett). Top edge gilt. Tells the fictional story of the racism and hostility experienced by an interracial couple in Victorian Dorset. Clean copy.

Hardcover. NY, Books of Wonder, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. With twelve glowing color plates and over one hundred black-and-white drawings by Oz artist John R. Neill, this is a beautiful reproduction of the rare 1915 first edition. Afterword by Peter Glassman.

Softcover. Padova Italy, Editrice Antenore, 1st, 1961, Book: Very Good, Dust Jacket: None, Softcover, cream color wrappers with black and blue type, 141 pages with index. Foreword by author. English text. Name on front fly leaf, light pencil marking to 10 pages.

Hardcover. NY, Doubleday, Doran & Company, 1st, 1931, Book: Very Good, Dust Jacket: None, Four hardcover volumes. Original blue cloth spines, title printed in black on paper label affixed to spines. Blue paper-covered boards with H.G. Wells's facsimile signature in gilt on covers. Top edges gilt. Solid text blocks, rubbed corners, sunning to spines, a very good set. Internally bright with numerous in-text illustrations and diagrams. The frontispiece of each volume contains a colorful illustration in a theme related to the subject matter of the work. A limited edition set, number 526 of 750 signed copies. Signed by H.G. Wells, Julian Huxley, and G.F. Wells on the limitation page. Many illustrations and diagrams. Iconic work from the thirties on all things biological from two of the greatest exponents of science in the 20th century, along with Well's' son and zoologist, George Wells. Clean set, minor shelf wear. DOMESTIC SHIPPING ONLY.

Hardcover. NY, William Sloane Associates, 2nd pr., 1964, Book: Very Good, Dust Jacket: Good, Hardcover, 256 pages. Bright, clean copy in a lightly soiled dust jacket. A man crossing a London street is killed. He is carrying four blackmail letters. Mostly set in France, the basis for the 1968 MGM film directed by Richard Thorpe.

Hardcover. London, Frederick Warne and Co., 1st, Book: Good, Hardcover, pictorial paper-covered boards; color frontis, some black and white illustrations by Gordon Browne. Short splits along spine edge, bookplate on inside front cover.

Hardcover. NY, Grosset & Dunlap , 1st thus, ND (1924), Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, blue cloth binding with black lettering. Black and white plate frontispiece, black and white plates throughout featuring scenes from the 1924 film starring Milton Sills, rear panel of dust jacket shows scenes from the photoplay of Scaramouche, starring Alice Terry and Roman Novarro. Inscription on front fly leaf, otherwise a clean copy.