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Hardcover. NY, Jewish Publication Society, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover in black cloth, lacks dust jacket, 256 pages. A major treatise of Levi ben Gershom of Provence (1288-1344), one of the most creative and daring minds of the medieval world. It is devoted to a demonstration that the Torah, properly understood, is identical to true philosophy. Volume 1 ONLY. Clean copy.

Hardcover. NY, Doubleday Page & Co., 1st, 1924, Book: Good, Dust Jacket: None, Hardcover, black cloth, title on spine faded, 306 pages. Stated first edition. Signs of former library book but clean internally. Previous owner's name on front fly leaf.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 245 pages. In a rundown house in Santa Monica, Mrs. Samuel Lawrence presses fifty crumpled bills into Lew Archer's hand and asks him to find her wandering daughter, Galatea. Described as 'crazy for men' and without discrimination, she was last seen driving off with small-time gangster Joe Tarantine, a hophead hood with a rep for violence. Archer traces the hidden trail from San Francisco slum alleys to the luxury of Palm Springs, traveling through an urban wilderness of drugs and viciousness. As the bodies begin to pile up, he finds that even angel faces can mask the blackest of hearts.Filled with dope, delinquents and murder, this is classic Macdonald and one of his very best in the Lew Archer series. Clean copy.

Hardcover. Bologna IT, Damiani, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 100 pages. Original publisher's illustrated laminated boards. Issued without dust jacket. Copiously illustrated in color and black and white throughout. Beatrice Haverich believes that "trees embody life. They show us the seasons in a city landscape, and they provide us with wood, food and shelter. Their silence demands our respect." Her subjects, for whom she has the utmost sympathy, are survivors, stalwarts: for example, the Yew trees in Kingsley Vale, UK, are 4,000 years old. Among these portraits, she observes branches molded by the wind into lopsided hairstyles, and roots exposed by the rain. Some trees survive in cement planters or remain in the bounds of their sidewalk squares, but others reclaim their habitat, taking over old greenhouses and popping the glass panes one by one as they grow. Up from sand and boulders and cliffs and pavement, Haverich's trees are shaped by their landscape, but they persist in shaping it as well.

Hardcover. NY, Harcourt Brace Janovich, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages. Blue cloth lettered in silver and copper on the spine; endpaper maps; illustrated with black and white drawings by the author. In 1896, three survivors from a whaling misadventure are nursed back to health by Eskimo villagers who share their food, women, and way of life with the strangers. In return, the foreigners introduce to the villagers the spirit of competitiveness that rules the white man's world. Clean copy.

Softcover. NY, Prentice Hall, 1st pbk, 1970, Book: Very Good, Dust Jacket: None, Softcover, 184 pages. Revealing and disturbing study of the racist ideas and fantasies of southern whites after the Civil War and examines their racial fantasies and the social and psychological roots of those fantasies. He reveals how a complex set of anxieties and repressions in Southern life led whites to need "Negro" Inferiority." Name on title page otherwise clean.

Hardcover. NY, Bloomsbury Publishing, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages, b&w illustration. INSCRIBED BY STRATTON on the title page. For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Clean copy.

Hardcover. San Francisco, McSweeneys Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with black cloth spine. SIGNED BY AUTHOR on the half-title and additionally INSCRIBED on the title page. Dave Eggers retelling of the Maurice Sendak picture book, follows Max on his journey through a world that he cannot control. His awkwardness & frustrating discomforts reflect his growing pains. Clean.

Hardcover. NY, Dodd Mead, 3rd pr., 1943, Book: Very Good, Dust Jacket: None, Hardcover, bright red cloth stamped in black. Endpapers map, b&w photographs. 410 pages. The widow of Carl Akeley, naturalist, tells the story back of the exhibits for which he was responsible in the Natural History Museum in New York. This is virtually a biography, with that as a focus; it is a record of the uphill struggle to get the chance to do the thing for which he was gifted and trained; the experiences securing his speciments, adventures in the wilderness, African jungles, the Belgian Congo, the Uganda frontier -- and the immense concentration on details to get the exhibits together and to present them with complete fidelity. Clean copy.

Hardcover. NY, Macmillan, 1st , 1931, Book: Good, Dust Jacket: None, Hardcover in yellow cloth stamped in dark green.Color frontis, black & white illustrations by E. Boyd Smith. Light edgewear to yellow cloth, fraying to top of spine. Youth classic set in the American prairie; era of roaming buffalo, log cabins, Sioux. Mary Anne's mother does not allow her outside their gate at their log cabin; she is afraid of the wild. Mary Anne's father has a trading post, and the Sioux are among his customers. One day a young boy is comes to visit, and carves a willow whistle for Mary Anne. Her world is widening.

Hardcover. NY, New Directions Books, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, red cloth with black title on spine. Collected stories and essays "not for readers who hate to think," Mild shelf wear, clean.

Hardcover. Boston, Houghton Mifflin, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, blue cloth covers with black decoration. Illustrated in 3-colors by Ward. Dust jacket with light soil, price-clipped. Previous owner's inscription on front fly leaf.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1929, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, faded on spine, 315 pages. Science fantasy adventure involving the resurrection of a Viking woman, who has been frozen for a thousand years, by a lost community of Vikings in the far north.

Hardcover. NY, Harper & Brothers, reprint, 1915, Book: Good, Dust Jacket: None, Hardcover, tan cloth with boards illustrated in red and black. 318 pages profusley illustrated with b&w drawings by Pyle. Previous owner's inscription on inside front cover.

Hardcover. NY, Harper & Brothers, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, rose-colored cloth with black and red design on front cover. 24 short tales illustrated in b&w by Pyle. Verses by Katherine Pyle. Originally published in 1887, appears to be a 1940s reprint. Mild soil, inscription on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth, cover label with blackberry and fern design, 126 pages. B&w illustrations by Helen Sewell. The fifth book of Sally's story, in which, released by the sultan from service to the White Lalla, she returns home to Maine. How Five Bushel Farm is saved and how Sally, and Andrew, and Pierre grow up. Bookplate on front fly leaf, otherwise clean. No dust jacket.

Hardcover. NY, Simon and Schuster, 1st, 1957, Book: Good, Dust Jacket: Good, Hardcover, illustrated throughout by Marc Simont in blue & black. Stated First Printing. In a lightly soiled dust jacket that's price-clipped. Small scar to front endpaper otherwise clean

Hardcover. NY, Museum of Modern Art , 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Two Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. Appendixes include Berenice Abbott's typewritten copy of Andre Calmette's handwritten letter to her (late 1928). Maroon cloth with debossed title blind-stamped on cover and in gilt on spine, with dust jacket. 192 pp. with 116 plates and 84 black and white reference illustrations. Printed by The Meriden Gravure Company from halftone negatives made by Richard Benson. Clean, tight copy.

With variorum notes, and numerous illustrations by Gustave Doré. Hardcover. Privately Printed, circa 1920, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with faded gilt lettering, 640 pages. Circa 1920's (there is no date of publication stated). Many pages toward second half are unopened. Solid binding, paper tanning slightly. Name on front fly leaf otherwise clean. Doré's beautiful b&w drawings throughout.

Hardcover. NY, Horizon Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 black and white plates with Subject Guide at rear. Illustrated with black and white plates. First Edition/First Printing. DJ has light shelfwear present with chipping present to the DJ extremities. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Eugene Atget (1857-1927) was a French flaneur and a pioneer of documentary photography, noted for his determination to document all of the architecture and street scenes of Paris before their disappearance to modernization. Most of his photographs were first published by Berenice Abbott after his death. An inspiration for the surrealists and other artists, his genius was only recognized by a handful of young artists in the last two years of his life, and he did not live to see the wide acclaim his work would eventually receive.

Hardcover. London, Sampson, Low, Marston, Searle & Rivington, 1st, 1885, Book: Good, Dust Jacket: None, Hardcover, 300 pages + 32 ads in rear. Original brown endpapers, in the original binding of blue cloth decorated in red, black and gilt, spine titled in gilt. Also published under title: The Society of London. Originally attributed to Mme. Juliette Adam; more recently this and other similar works have been accredited with strong probability to Elie de Cyon." (Trove) Catherine Radziwill was the first to use the pseudonym Count Paul Vasili with a gossipy book called Berlin Society, a pen-name that was then taken up by other anonymous writers. Previous owner's name in ink on title page, otherwise clean, tight copy.

Hardcover. NY, E. P. Dutton, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, green cloth with gilt decoration, in a bright dust jacket with light edgewear, chipping, short closed tears. A collection of 74 color and black and white photographs by Bischof taken all over the world. Part biography, part celebration of the work of the great Swiss photographer and member of Magnum, who had been killed in a road accident five years before. Clean copy.

Hardcover. NY, E. P. Dutton, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, green cloth with gilt decoration, in a bright dust jacket with light edgewear, chipping, short closed tears. A collection of 74 color and black and white photographs by Bischof taken all over the world. Part biography, part celebration of the work of the great Swiss photographer and member of Magnum, who had been killed in a road accident five years before. Clean copy.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.