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Hardcover. New York, D. Appleton and Co., 1st, 1881, Book: Very Good, Dust Jacket: None, 231 pages plus ads in rear. Illustrated in b&w by Frederick S. Church and James H. Moser. Brown cloth decorated in gilt and black (bright gilt drawing of rabbit with pipe on front). First printing with no mention of this title among 8 pages of publisher's ads in back and the word presumptive in the last line on page 9. Endpapers feature a light gray butterfly pattern. Previous owner's bookplate on front pastedown. A bright, clean copy.

Hardcover. NY, Dial Books, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 686 pages. The Uncle Remus tales, originally written down by Joel Chandler Harris, were first published over a hundred years ago, and serve as the largest collection of African-American folklore. In this four-book series, Julius Lester masterfully retains the flavor of the tales, while dropping the heavy dialect of the Harris originals and adding contemporary language and references-- ensuring that the stories will be understood and enjoyed by new generations of readers. The stories are beautifully illuminated by the slyly humorous full-color and black-and-white art of Jerry Pinkney.

Hardcover. Boston, Benjamin B. Mussey and Company, 1st, 1853, Book: Good, Dust Jacket: None, 308 pages. Hardcover. Previous owners name on front endpaper. Black & white illustrations by Billings. Title in gilt on spine. Spine cocked. Clean, unmarked copy.

Hardcover. San Diego, Harcourt Brace Jovanovich, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 244 pages. Illustrated with over 100 archival photos of religion on the American frontier. Three quarter brown paper over boards with rust cloth around spine and gilt text on spine; no defects. Illustrated dust jacket with maroon and black text on upper and mint green and maroon text on spine; no chips, tears or edge wear; no price clipped. Interior pages clean, remainder line on top edge, otherwise clean. Binding is tight.

Hardcover. Oxford, Oxford University Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Some very light wear to cover but internally clean and nice with beautiful illustrations in color and black & white, by Ambrus. Hardbound, no dust jacket.

Hardcover. New York, John C. Winston, rep, 1934, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with color label on front cover, 282 pages. Color frontis and 11 black & white and illustrations by Eunice Stephenson. Blue line drawing of the Alcott home on the end papers by C. M. Burd. Yellow top edge. Rear cover has some spotting. discoloring to top. Otherwise a clean, bight copy.

Hardcover. Woodstock, NY, WoodstockArts, 2nd, 2012, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. NY, Alfred Knopf, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages. Introduction by Anne Rice. A collection of 154 black and white and color images from: Jacques-Henri Lartigue, Imogen Cunningham, Steven Meisel, Man Ray, Bettina Rheims, Helmut Newton, Sally Mann, Kurt Markus, Jerome Zerve, Ellen von Unwerth, Andre Kertesz, Arthur Elgort, Louise Dahl-Wolfe, Herbert List, Eve Arnold, Brassai and numerous others. Photographs of the nude (or rather semi-nude) male and female in underwear.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 232 pages. Hardcover with dust jacket. Very clean, unmarked copy still in shrink wrap. Black & white and color photographs throughout. City scenes have been chronicled in photographs since the early 1800s, but street photography as traditionally defined has captured a relatively narrow field of these images. Revolutionizing the history of street photography, Unfamiliar Streets explores the work of Richard Avedon (1923-2004), Charles Moore (1931-2010), Martha Rosler (b. 1943), and Philip-Lorca diCorcia (b. 1951), four American photographers whose careers in fashion, photojournalism, conceptual art, and contemporary art are not usually associated with the genre.Bussard's lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections among urban culture, social history, and the visual arts, constructing a new historical model for understanding street photography. Illustrated with more than one hundred images, this book provides an interpretation of a compelling genre that is as fresh as its consideration of the city streets themselves, sites of commerce, dispossession, desire, demonstration, power, and spectacle.

Hardcover. New York, Viking, 1st, 1957, Book: Very Good, Dust Jacket: Good, 223 pages. Hardcover with dust jacket. INSCRIBED BY WHITE on front fly leaf. Illustrations in black & white by Don Freeman. Dust jacket has light edgewear, chips.

Hardcover. New Haven, CT, Yale University Press, 1st thus Edition, 1948, Book: Very Good, Dust Jacket: Very Good, 211 pages. Hardcover. Dust jacket price clipped, in very good condition with some tanning from age. Dj wrapped in protective clear plastic brodart. Cover boards bound in tan cloth, black title on spine, boards very good, clean. Edges and pages clean, with a touch of tanning from age. Young Union officer and great American writer, De Forest wrote about what he saw with quiet precision and humor, without favor or prejudice or any concessions to the cherished beliefs of the orthodox in the North or the South.

Hardcover. Hartford, Canfield and Robins, 1st, 1836, Book: Fair, Dust Jacket: None, 610 pages. Hardcover with brown leather covers. Heavy soil and wear to the leather. Moderate foxing throughout. Black and white illustrations/engraved plates. Iceland to New Zealand, including the Americas, Europe, Asia, and Africa. Water stain to first 40 pages, about one sixth of page. Previous owner's signature on front fly leaf. Sound binding.

Hardcover. NY, G. P. Putnam's, 1st US, 1925, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in gilt, 246 pages. With Illustrations in color and black and white by Charles Simpson. Small ownership signature on front fly otherwise clean, bright copy.

Hardcover. Essex, VT, Battenkill River Press, 2nd printing, 2009, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. Black and white images throughout. SIGNED AND INSCRIBED BY AUTHORS ON TITLE PAGE.

Hardcover. Essex Junction VT, Battenkill River, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 278 pages, hardcover with dust jacket. An intimate look at the life of Norman Rockwell and his Arlington, Vermont neighbors, the Edgertons. Foreword by Dick Clark. Black-and-white photographs throughout. Bright and clean. A tight copy.

Hardcover. New York, G.P. Putnam's Sons, 1st, 1981, Book: Very Good, Dust Jacket: None, 293 pages. Hardcover in slip case, no dust jacket. NUMBERED 319 of 500 copies SIGNED BY AUTHOR. Black cloth covered slip case, and cover boards. Spine heavily faded with gilt lettering. Clean, tight copy.

Hardcover. Evanston IL, Northwestern University Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A portrait of Black America in the nineteenth century. Over the course of two decades, award-winning poet Patricia Smith has amassed a collection of rare nineteenth-century photographs of Black men, women, and children who, in these pages, regard us from the staggering distance of time. Unshuttered is a vessel for the voices of their incendiary and critical era. Smiths searing stanzas and revelatory language imbue the subjects of the photos with dynamism and revived urgency while she explores how her own past of triumphs and losses is linked inextricably to their long-ago lives. Clean copy.

Chelsea, VT, Chelsea Green, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustration. 188 pages. Slight cock to spine. Dust jacket price clipped. Previous owner's signature front fly leaf.

Softcover. Chicago, University of Chicago Press, 6th pr., 1970, Book: Very Good, Dust Jacket: None, Softcover, 231 pages, b&w illustrations. Charles Keil examines the expressive role of blues bands and performers and stresses the intense interaction between performer and audience. Profiling bluesmen Bobby Bland and B. B. King, Keil argues that they are symbols for the black community, embodying important attitudes and roles--success, strong egos, and close ties to the community. While writing Urban Blues in the mid-1960s, Keil optimistically saw this cultural expression as contributing to the rising tide of raised political consciousness in Afro-America. Name on front fly leaf, otherwise clean.

Softcover. Cambridge MA, Harvard University Press, 2nd pr., 1992, Book: Very Good, Dust Jacket: None, 387 pages. Softcover. Black & white illustrations throughout. Faded spine. Light shelf wear to cover. Pen marks to three pages. Otherwise clean copy.

Softcover. Paris, ACAER/GPC, 1st, 1994, Book: Very Good, Dust Jacket: None, 68 pages. Softcover. Exhibition catalog. French and English text. Black & white photographs. From the introduction: "This catalogue has been re-edited by advanced reading copy wraps en reve architecture centre with the Georges Pompidou Centre, for the presentation in France of the exhibition "Warchitecture-Sarajevo, a wounded city". The exhibition and the catalogue were prepared by the architects of the Sarajevo association, members of the associations of Architects of Bosnia-Herzegovina DAS-SABIH". Light rubbing to cover edges, minor creases at corners. Clean, unmarked text.

Softcover. NY, Artists and Writers Guild, 1st US, Book: Good, Dust Jacket: None, Softcover, color pictorial paper wrappers. 6 full-page three-color illustrations and several b&w illustrations by Aldin. Light worn at edges, some light wear to covers, else a clean, tight copy without dust jacket as issued. First US edition. A charming story of a young girl and her dog, a little black Scotch Terrier puppy named Smut, as they go about their lives, encountering other dogs, policemen, and even horses. Cecil Aldin was a British artist best known for his paintings and sketches of animals and rural life, all of which is magnificently captured in this delightful tale. Small worm hole to fore-edge, paper tanning, otherwise clean.

Softcover. Chicago, University of Chicago Press, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover, 370 pages. Democrat and Republican. Meat Eaters and Vegetarians. Black and White. As human beings we sort ourselves into groups. And once we identify ourselves as a member of a particular group--say, Red Sox fans--we tend to feel more comfortable with others of our own kind, rather than, say, Yankees fans. Yet we all belong to multiple groups at the same time--one might be a woman, a mother, an American, a violinist. How do we decide which identities matter and why they matter so much? And what makes us willing to die for, or to kill for, a religion, a nation, or a race? In this award-winning book, David Berreby describes how twenty-first-century science is addressing these age-old questions. Ably linking neuroscience, social psychology, anthropology, and other fields, Us and Them investigates humanity's "tribal mind" and how this alters our thoughts, affects our health, and is manipulated for good and ill. From the medical effects of stress to the rhetoric of politics, our perceptions of group identity affect every part of our lives. Science, Berreby argues, shows how this part of human nature is both unexpectedly important and surprisingly misunderstood. Clean copy.

Hardcover. London, Perpetua Books, 1st, 1959, Book: Very Good, Dust Jacket: Fair, Hardcover, Illustrated in black & white by the wonderful Ronald Searle. 111 pages. A humorous Grand Tour of America with some startling sidelights on the American character. Book is very good, the dust jacket with chipping, edgewear, fair only.