Photography

Softcover. San Francisco, Chronicle Books, 2nd pr., 1987, Book: Very Good, Dust Jacket: None, 143 pages. Softcover. Light edgewear to wrappers, light fading to top edge. Black and white pictures throughout.

Softcover. San Francisco, CA, Chronicle Books, reprint, 1996, Book: Very Good, Dust Jacket: None, 124 pages, softcover with French flaps. Bright b&w photos of Jazz legends. Light rubbing to wraps. Unmarked. Bright and clean; a tight copy.

Hardcover. Charta, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Black and white photos, 72 pages. New Zealand-born, New York-based photographer Brian Sweeney moves between long-distance reverie and the documentation of pattern and motif in landscape. Of this work, essayist Stuart McKenzie writes that "you can't look at Sweeney's photographs in Paradise Road and find paradise in and of itself. Instead, they carefully send you on your way, deflecting any pretense of essentiality."

Hardcover. New York , powerHouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated, illustrated throughout with photos in color. Minor shelf-wear to laminated boards, remainder mark to bottom edge. Clean, tight copy. A series of photographs capturing a gritty, glamorous, and authentic old- school New York, well before Mickey Mouse took over Times Square and scrubbed it clean. Curators and editors Beatriz and Hilton Arial Ruiz have collected and preserved the work of local street photographer Bill Butterworth, and have drawn from his work to create a revealing portrait of the Forty-Deuce, inside and out-- capturing the unique street life and street style of the era.

Hardcover. Amsterdam, Waanders Publishers/Van Gogh Museum , 1st, 2000, Book: Very Good, Dust Jacket: None, Gray cloth hardcover, photo label on cover, interior unread, no d/j as issued, 144 pages, illustrated w/ 52 photos and 50+ plates, articles by Pam Roberts, Anne E. Having, Verna Posever Curtis, Edwin Becker, catalogue of 95 prints, notes, bibliography, index. Clean copy.

Hardcover. Lubbock TX, Texas Tech University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, 132 b&w photos by J. Marcus Weekley. Documents the dance hall culture across the state.

Hardcover. East Sussex, UK, Ammonite Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Over 180 black & white photographs. Isabella Bird was one of the 19th century's most remarkable women explorers. Her global travels and subsequent books made her famous, and led to her becoming one of the first female members of the Royal Geographical Society in 1891. This book celebrates her achievements of Isabella Bird with a beautiful pictorial record of her last great journey through China in the closing years of the 19th century, with supporting text by travel photography expert Debbie Ireland. The highlight of her visit was journeying by boat and sedan chair to make a major tour of the valley of the Yangtze River and much beyond, right up to the border with Tibet.

Hardcover. Seattle, WA, University of Washington Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Like new in publishers shrink-wrap.

Hardcover. Waterbury VT, Silver Print Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. !00 beautiful b&w portraits of farm women in Vermont. Autograph copy emblem to cover. SIGNED by the photographer and author Peter Miller on the half title page.

Softcover. Germany, Schirmer/Mosel, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover. 128 pages, b&w photos. Portraits include Alfred Hitchcock, Grace Jones, Marilyn Manson, Radiohead, Tubac, Andy Warhol, Mike Tyson , Frank Stella, Louise Bourgeois, Jeff Koons, Cindy Sherman. Bright, clean copy.

Hardcover. NY, Abrams, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, color and b&w photographs.You know them by their first names: Christy. Naomi. Linda. Kate. Gisele. Their faces are unforgettable. They are supermodels, and the pages of Harper's Bazaar are their stage-and the stage for fashion's biggest names. Harper's Bazaar: Models gives an exclusive look at the top models that have graced the magazine for the last sixty years. Harper's Bazaar editor at large Derek Blasberg has selected twenty-eight women for this book from the publication's rich and diverse history: iconic beauties from Suzy Parker, Dovima, and China Machado to Iman, Patti Hansen, and Cindy Crawford. Alongside essays written by Blasberg, who is a friend and confidant to many of the models, are more than 200 stunning photographs shot by leading photographers including Richard Avedon, Francesco Scavullo, Patrick Demarchelier, Peter Lindbergh, and more. Filled with revealing anecdotes and images from the archives, Harper's Bazaar: Models is a celebration of the gorgeous women who have lent so much inspiration and beauty to the pages of this visionary magazine. Clean in a bright dust jacket.

Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, More than a century ago, when Abbot Kinney built his Venice-of-America with its network of canals and fanciful buildings, cultural aspirations were high. Over the years, this aura of fantasy and imaginative possibility endured as integral to the zeitgeist of the place. Today, this spirit of innovation and creativity is richly expressed in the vintage bungalows and cottages that have been embraced and brought back to life by homeowners more in love with place than size. Stalwart survivors of the ebb and flow of the area's fortunes over a century, these small homes channel the creative spirit of the place and provide a welcome counterpoint to oversize houses. Color, landscape, treasured collections, personal narrative, contemporary overlays and additions, art and craft, and inventive design--all combine in various ways to produce domestic environments with unique and deeply personal points of view.

Hardcover. Boston, Bulfinch Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages, large format with 260 b&w plates. Like new in publisher's shrink wrap. Brings together definitive works by the noted documentary photojournalist who created "Migrant Mother," in a photographic collection that is culled from her archives at the Oakland Museum and highlights such subjects as the Great Depression, migrant workers, and sharecroppers. 10,000 first printing.

Hardcover. Milano, Gruppo Editoriale Fabbri, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, 62 pages. Text in Italian with an essay by Mark Haworth-Booth. Includes numerous black and white images by British photographer McCullin. A clean near fine copy in photo-illustrated boards. No dust jacket as issued.

Hardcover. Washington DC, Smithsonian, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. "Some people find a certain cruelty in parts of our work," say the rising conceptualist-collaborators Michael Elmgreen and Ingar Dragset, "but they are definitely not more vicious than any real life experiences." Since 1995, Elmgreen and Dragset have tackled issues of privatization, gentrification, social alienation and the dismantling of social welfare. For their first show at Tanya Bonakdar Gallery in 2001 they papered over the windows with the announcement "Opening Soon Prada." Pursuing and inverting this theme, in 2005 they installed a mocked-up Prada store on a deserted road near Marfa, Texas. They have recreated hospitals and prison cells, and have reconfigured gallery spaces to spatially deter their would-be audience. "Our aim is to investigate some of the power structures that these spaces derive from, and by exchanging and replacing some of these structures, show how fragile they actually are." This monograph is the first extensive survey of their work to date.

Softcover. NY, Aperture Foundation, 1995, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Many contributors. On Location With: Henri Cartier-Bresson, Graciela Iturbide, Barbara Kruger, Sally Mann, Andres Serrano, Clarissa Sligh.

Softcover. NY, Aperture Foundation, 2000, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. 

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages. Gathers Harold Lloyd's 3-D photographs of Hollywood actors, actresses, and celebrities. 3-D glasses included in back pocket.

Softcover. Nordlingen, Greno, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 82 pages, b&w portraits. GERMAN TEXT. Contemporary (1980s) photographic portraits of people from the St.Pauli district of Hamburg.

Hardcover. NY, Grossman Publishers, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Frontispiece of Vishniac. Illustrated with color and b/w reproductions of photographs by Vishniac of microscopic life and Eastern European Jewry prior to World War II. Clean copy in a bright dust jacket.

Hardcover. Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 84 pages. When David Goldblatt received the world-renowned Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Born in 1930 in a gold-mining town near Johannesburg, his parents were Jewish refugees from Lithuania, and they raised him with an emphasis on tolerance and antiracism. In 1975, at the height of apartheid, Goldblatt explored white nationalist culture in Some Afrikaners Photographed, and in the 80s he observed workers on the Kwandebele-Pretoria bus, many of whom traveled eight hours every day to work and back. His late-90s solo show at New York's Museum of Modern Art focused on architectural work, and showed off Goldblatt's uncanny ability to discover a society through its buildings and landscapes. His photographs of architectural structures revealed the ways that ideology had defined his home country's landscape. No dj issued.

Hardcover. NY, D.A.P./Distributed Art Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 89 pages, large format. Tipped-on front board. Slight bump to bottom right corner. In publisher shrink wrap. A natural chronicler of all things uniquely American, photographer Lee Friedlander here puts his lens to the work of Frederick Law Olmsted (1822-1903), designer of many of this country's most iconic public landscapes and the father of North American landscape architecture. Olmsted was responsible for a staggering number of America's greatest parks, including the Niagara reservation (North America's oldest state park), Washington Park, the Biltmore Estate, the U.S. Capitol building landscape and entire parkway systems in Buffalo and Louisville. His most famous work remains New York City's Central Park, a pioneering egalitarian gesture that, at the time, was very unusual for its ready accessibility. No dust jacket issued. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Skira, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. A collection of portraits of famous personalities by one of Italy's finest photographers.

Hardcover. Damiani, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Traveling extensively in Cuba between 2007 and 2009, photographer Helena de Braganca (born 1978) sought to capture the nation's undocumented lives, from prostitutes and transvestites to punk rockers and swingers. De Braganca's lens temporarily transforms the alleyways, bedrooms and rooftops before her camera into both safe havens and stages.

Hardcover. New Brunswick NJ, Rutgers University, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 114 pages, color and b&w photos by Pietropaolo.

Hardcover. NY, Norton, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair. Over the next fifteen years, Steichen would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers in politics, literature, film, sport, dance, theater, opera, and the world of high fashion. Here are iconic images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charlie Chaplin as well as numerous other celebrities drawn from an archive of more than two thousand original prints. Until now, no more than a handful have been exhibited or published in book form. The photographs of the 1920s and 1930s represent the high point in Steichen's career and are among the most striking creations of twentieth-century photography. 242 illustrations.

Hardcover. NY, Sports Illustrated, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Presents a compilation of photographic slides depicting memorable moments in sports taken by the photographers of Sports Illustrated magazine over a fifty-year period, with details on the circumstances surrounding the creation of each picture.

Hardcover. NY, powerHouse Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. An insightful and unbiased account of a much-maligned and rapidly growing culture around the world, taken in perhaps the one place in the world where all manifestations of religious adherents live and work: New York City. The book features photographs, essays, and interviews documenting the mosques that New York's Muslim communities have built at their center, revealing the ways these buildings reflect and create identities for Muslims within a dense and diverse urban fabric. "... Mr. Grazda's penetrating black-and-white photographs and Ms. Dodd's insightful commentaries reveal the range of the city's Islamic houses of worship and their ethnic congregations...."--The New York Times

Softcover. NY, Fotofolio, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Selected portrait studies of infants of both sexes, and in various attitudes, taken between 1994 and 1999; with the photographer's short introduction and acknowledgments.

Softcover. New York , Aperture Foundation, 1st, 2002, Book: Very Good, Dust Jacket: None, Two softcover issues, 160 pages total. 50th Anniversary, Part 1&2, Issues 168 and 169 of Aperture feature excerpts and page spreads from fifty years of issues and books, which reveal how Aperture, in all of its projects, has continuously rethought and reinterpreted the varied aesthetic and social paths set forth by the Founders. Featured artists in Part 1 include: Ansel Adams, Henri Cartier-Bresson, Bruce Davidson, Mitch Epstein, Nan Goldin, Philip Jones Griffiths, Eikoh Hosoe, Dorothea Lange, Robert Mapplethorpe, Sally Mann, Mary Ellen Mark, Ralph Eugene Meatyard, Duane Michals, Tina Modotti, Pierre et Gilles, Sebasti

Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.

Hardcover. Daylight Books, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 104 pages. Barmaid presents images by American photographer John Arsenault, who worked at the Eagle LA as a barback, or "barmaid," as Arsenault liked to refer to the position. The series consists of customer and employee portraits, interior landscapes from the bar, and self-portraits. These photographs reflect an insider view of the iconic bar.John Arsenault is a Los Angeles based photographer. His photography is internationally exhibited and is included in the Nerman Museum & Museum of Fine Arts, Houston.The Massachusetts native attended the School of Visual Arts, and since then has been lending his unscripted, unusual and totally authentic work to clients ranging from The New Yorker and Volkswagen to Goldman Sachs and Out Magazine

Hardcover. New York, Clarkson Potter Publishers, 3rd printing, 2019, Book: Very Good, Dust Jacket: None, 381 pages. Hardcover with no dust jacket. Color photographs throughout. Clean, Tight copy.

Softcover. New York, Rizzoli, 1st, 1991, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light wear to paper wrappers. Color pictures throughout. Clean, tight copy.

Hardcover. New York, Farrar, Straus and Giroux, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 207 pages. Hardcover. Cover boards bound in dark gray cloth, gilt title on spine. Some light fading to covers at top and bottom of spine (shelfwear). Gray endpapers. Dust jacket price-clipped, some light tanning and chipping to edges of dj (see image). Pages clean and unmarked. Foreedge has some light spots of soil and a touch of tanning (see image). Binding tight. Spine straight. Sontag examines a wide range of problems, both aesthetic and moral, raised by the presence and authority of the photographed image in the lives of everyone today. Appendix "A Brief Anthology of Quotations" included.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool.Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images.

Softcover. NY, Simon and Schuster, 1st, 1964, Softcover, 96 pages, illustrated wraps. A documentation and moving tribute to the Civil Rights activists of the 1960s, many b&w photographs by Danny Lyons. Stated First Printing. Wrappers have creases, rubbing. Previous owner's name on front fly leaf. Otherwise clean. Light tanning to pages.

Hardcover. London, V & A Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 240 pages. From the emergence of Bill Haley and his Comets to the meteoric rise of the Beatles and the Rolling Stones, Halfway to Paradise is an extraord Wer'e allowed see near legendary performers still at the height of their powers like Gene Vincent, Eddie Cochran, Little Richard from the State, and Lonnie Donnegan, Marty Wilde, Billy Fury, and Petula Clark of England. This pictures, posed or candid, are well done and open us to a world of music from the golden age of British rock. 

Hardcover. Univ of Louisiana at Lafayette, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 80 pages. Over the past eight years, Tina Freeman has photographed the Louisiana wetlands and Arctic and Antarctic glaciers. In Lamentations, Freeman pairs images from each place in a series of diptychs that address climate change, ecological balance, and the connectedness of things across time and space. Lamentations demonstrates how the rising waters along the coast of Louisiana are both visually and physically connected to the melting glaciers at the poles, despite the separation of vast distances. Freeman's work makes plain the crucial, threatening, and global dialogue between water in two physical states. Lamentations is published to accompany an exhibition of the same name, organized by and presented at the New Orleans Museum of Art, September 11, 2019 to February 22, 2020. Text was provided by Tina Freeman, Russell Lord, Brent Goehring, and Jady Surrounding along with a forward by Susan M. Taylor.

Hardcover. GR, Steidl , 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "James Karales (1930-2002) was big-time in the best time but is not as well-known as he should be," argues photographic historian Vicki Goldberg. This book will change that. Early in his career, Karales began a photo-essay documenting Rendville, Ohio, an important stop on the Underground Railroad during the Civil War and one of the few racially integrated communities in America in the late 1950s. These pictures demonstrate his striking ability to capture the essential qualities of a community, are reminiscent of images made for the Farm Security Administration in the 1930s, and reflect Karales' state of mind as he grappled with the racial issues that were to preoccupy him and America for many years to come. Karales worked for Look from 1960 until it ceased publication in 1971. Among many important assignments for the magazine, Karales documented Martin Luther King and the fifty-mile, five-day Selma (Alabama) march in 1965. Fifteen minutes before the end of the march, the sky darkened and Karales' wide-angle shot of the protesters silhouetted against the horizon has since become an emblem of the march and has insured the photographer's place in this tumultuous period of American history. In this new publication we discover that Karales' stature as a photojournalist and social documentary photographer par excellence is based on much more than one iconic image.

Hardcover. teNeues, 1st, 2012, Book: Very Good, Hardcover in a bright dust jacket, 216 pages. Eve Arnold didn't even consider photography until a boyfriend gave her a Rolleicord when she was 34. But her talent and daring brought her immediate recognition and she was picked up by Magnum Photos only 5 years later. Arnold may be best known for her black and white images of Marilyn Monroe, but she has chronicled figures as diverse as migrant potato workers and heads of state in addition to screen icons during her assignments, which involved everything from politics, social issues, travel, to current events and a little glamour. Guided by her own words, this volume features Arnold's now iconic photographs as well as many never-before published images. teNeues Press has published this magnificent monograph, with a superb introduction by Liz Jobey who details the important steps in Eve Arnold's life, career and artistic impact.

Hardcover. Chicago, Quadrangle Books, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. 180 pages, b&w photo by Feldman. Mild soil to rear panel of dust jacket, otherwise clean.

Softcover. NY, Simon and Schuster, 1st, 1964, Book: Fair, Dust Jacket: None, Softcover, 96 pages, illustrated wraps. A documentation and moving tribute to the Civil Rights activists of the 1960s, many b&w photographs by Danny Lyons. Stated First Printing. Wrappers have chipping, rubbing. Lorraine Hansberry, best known for her award-winning play A Raisin in the Sun, contributed the text.

Softcover. San Francisco, Chronicle Books, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. In the tradition of the great photographic populists Alfred Eisenstaedt and Dorothea Lange, Horace Bristol used his camera to record the human, intimate moments in the grand sweep of history. Bristol's American view included the best and the worst of this century, from poignant images of the urban poor and migrant farm workers during the Depression to the battle scenes of World War II and compelling portraits of post-war Japan and Southeast Asia. This volume presents over one hundred twenty exquisitely reproduced duotone images by Bristol, ranging from his early San Francisco photographs to his last work, taken in Southeast Asia. Combining aesthetic purity with human interest, Horace Bristol's pioneering photography is imbued with an accuracy, strength of composition, and humility that is as striking today as it was groundbreaking in its time.

NY, Abrams Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 380 pqges, color and b&w photos. An action-packed memoir that takes readers on the road with rock and roll's hardest-working photographer. Bob Gruen is one of the most well-known and connected photographers in rock and roll. For almost 50 years, he has documented the music scene in pictures that have captured the world's attention. Right Place, Right Time is Gruen's first written account of his winding, adventure-filled journey. He takes us on visits to John and Yoko's apartment, on a cross-country road trip with the Ike and Tina Turner band, to Glasgow with Debbie Harry, backstage with KISS, inside CBGB, and on the bus as he swaps steel-toed boots with Sid Vicious. In wildly entertaining stories and iconic images, Gruen gives the reader a unique window into the evolution of American music culture over the last five decades.

Hardcover. Wake Forest University Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Introduction by Ciaran Carson. A collection of 70 duotone photographs that transforms the visually dramatic landscape of Donegal into a dramatic visual narrative of its places & people. Clean copy.

Hardcover. New Bedford MA, Old Dartmouth Historical Society, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine. 221 pages, b&w photographs. The photographs and descriptive captions provide a wealth of information on the whaling vessel, its gear, shipboard routine, whaleboats, and the cutting in and processing of whales. The photographs the artist Ashley took for his own reference and constitute the most complete known pictorial record of a sperm whaling voyage. ... The photographs and descriptive captions provide a wealth of information on the whaling vessel, its gear, shipboard routine, whaleboats, and the cutting of whales. No dust jacket. Clean copy.

Hardcover. NY, Voracious/Little Brown, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An invitation to the private world of Joanne Woodward and Paul Newman, one of America's most iconic couples, in a lavishly illustrated oversize photo book affectionately curated by their daughter Melissa Newman. Their love story is the stuff of Hollywood legend. Joanne Woodward and Paul Newman became not only movie stars and stage actors, but also artistic collaborators, political activists, and philanthropists whose legacies are expansive and enduringly modern. Photographers include Sid Avery, Bruce Davidson, Sam Shaw, Richard Avedon, many others. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY.

Softcover. Motorbooks , 1st, Book: Very Good, Dust Jacket: None, Softcover, 156 pages illustrated in color and b&w. Ever since the automobile was made accessible to the masses, car dealerships have been special places where desires, sweaty palms, and that new-car smell are distilled into an intoxicating elixir of freedom and ownership. From Art Deco showrooms of the '30s to modern glass-walled superstores, this nostalgic road trip revisits the architecture, marketing, and business practices that have become inextricably associated with auto retailers. A fascinating text accompanies an equally compelling collection of archival photography recalling past and present car dealer phenomena like new model previews and grand openings (i.e., soaped showroom windows, veiled cars, search lights), promotions and giveaways (banners, literature, buttons, pens, pedal cars, ashtrays, and anything else dealers could use to help make a sale), business practices from early-century animal trade-ins to today's refreshing Saturn-style service, customer relations and service centers, and nontraditional automotive outlets like Sears-Roebuck and hardware stores. Sidebars highlight innovative dealerships and those that have been in business for decades. Bumpto bottom corner otherwise clean, very good.