Photography

Hardcover. NY, Thames and Hudson, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 plates in color and duotone. 144 pages. A posthumous retrospective of his pioneering and experimentally dazzling female nudes (with a few male nudes thrown in for good measure, including a full-frontal self-portrait of the photographer). Features never-before-published photographs as well as celebrated images such as "Nude Under Wet Silk". One of the greatest fashion and lifestyle photographers of our time, Blumenfeld is also recognized as one of the most innately and profoundly erotic portrayers of the nude.

Hardcover. NY, Walker Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Thomas Pakenham, no stranger to Africa with his award-winning books The Boer War and The Scramble for Africa, nor to remarkable trees with his bestselling Remarkable Trees of the World, combines his two interests on safari in Southern Africa. His particular quarry is the rare, the giant, the very old, the extraordinary, or the simply beautiful-from a giant baobab and a prickly quiver tree in Namibia to a glorious jacaranda in South Africa and sesame bushes attacked by elephants in Botswana. He uncovers trees written about by the great explorers of the past, or associated with magic, folklore, or ritual. The narrative accompanying each image interweaves the stories of Pakenham's own journey-at some moments scaling trees to escape from enraged wildlife, while at others standing in awe before a particular tree, connected by some primitive, atavistic bond-with those of the trees themselves, imbuing each with personality and presence. The result is a beautifully crafted blend of botany and social history, the product of a brilliant photographer, an original mind, and a superlative writer. 208 pages in color. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Quantuck Lane Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 264 pages. Philip Perkis is one of the most widely respected American photographers, yet his work is little known outside of professional circles. In this fifty-year retrospective, and first published collection, his inimitable vision is brought to the public. With a gift for capturing moments of heartbreaking honesty and unparalleled beauty, he presents a world on the brink of transcendence. Taken in the most humble circumstances-snapped from the driver's seat or taken at home-these images are so much more than the sum of their parts. The electric fury of barking dogs in the streets of Mexico, the white stillness of Israel, and the silence of a sleeping mother, carry within them complexities of gray, of raw emotion and metaphor. These images are the gift of a master observer with an eye tuned to the almost imperceptible miracles of everyday life. They are not one-line gags or jaded images of the poor or suffering, rather they are evocative explorations of the lovely sadness of life and the wild, sweet rhythms of the world. 125 duotone photographs.

Hardcover. New Haven CT, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. In a career that spans more than fifty years, photographer Irving Penn has created some of the most arresting portraits, influential fashion studies, and provocative still lifes of the twentieth century. Although much of his work was undertaken for reproduction in magazines, since the early 1960s he has also made a limited number of platinum/palladium prints of his most celebrated photographs. A meticulous craftsman, Penn has experimented extensively with this process in order to make prints with remarkably subtle, rich tonal ranges and luxurious textures; prints that are, in fact, the exact opposite of the more neutral reproductions of his photographs that appear in the popular press. Included in this handsomely designed and beautifully produced book are platinum/palladium prints of some of Penn??s most important photographs: portraits of Pablo Picasso, David Smith, Saul Steinberg, and Marcel Duchamp; studies of indigenous peoples in New Guinea and Peru; innovative

Softcover. NY, Aperture Foundation, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. The work presented in Aperture's third "On Location" issues reveals that we live in a constant state of transformation, that the naming of things does not make them any more tangible, that the "decisive moment" is over before it begins, and that the "fixative" nature of photography makes it marvelously complicit in its paradoxical relationship with the world.

New York, Van Nostrand Reinhold, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 196 pages. Black & white photography. Reveals the war with Russia, the first war to be extensively recorded by photography. Here are 85 photos and commentary. Many of the photos were taken by two Englishmen, Roger Fenton and William Robertson.

Hardcover. NY, Aperture, reprint, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Originally published in French by La Guilde du Livre (Lausanne, Switzerland, 1952) and here reissued by the Aperture Foundation in a first English-language edition, this a profile of life in mid-century rural France by the great American photographer Strand (1890-1976). Following World War II, Strand moved to France and documented its rural areas in photographs. These close-up, seemingly candid images of the people, the countryside, and the architectural structures contain Strand's characteristic style of realism, depth of detail, and innate sensitivity to the environment. To supplement these exquisite pictures, French poet Roy, who knew Strand personally, provides a delightfully lyrical potpourri of poems, commentary, and collages assembled from bits of small-town newspapers. The timeless spirit of the Gallic legacy captured in the photos and words will be savored by Francophiles. Strand's importance in 20th-century photography makes this a highly recommended addition for public libraries and special photography collections.

Softcover. Washington, Smithsonian Institution Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover with light wear to paper wrappers. Clean, tight copy. Landscape images made with a large format panorama camera. Photographs by Lois Conner, with an interview; afterword by Richard Woodward. 61 pages; 31 duo-toned b&w plates; 10 x 8.5 inches. Technical information. From the Smithsonian's Photographers at Work series, edited by Constance Sullivan.

Hardcover. New York, Clarkson N Potter, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 203 pages. Hardcover with clipped dust jacket. Clean, tight copy with black and white photographs throughout. Collects vivid photographic portraits of a wide variety of authors, artists, movie stars, politicians, dancers, and other celebrities.

Hardcover. NY, Bloomsbury, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages with gray paper boards in a black slipcase, unpaginated. Illustrated with full page color plates. A gorgeous collection from one of the world's legendary photographers- capturing human hands in all their vitality. At the end of a session, photographer Eve Arnold always took a parting shot of the hands -and sometimes the feet- of her sitters, for luck and for her personal records. "Handbook with Footnotes brings together two hundred of these superb pictures. A photojournalist who traveled around the world, Eve Arnold also worked on the sets of more than 40 Hollywood movies. These photographs, therefore, which span her career, include such luminaries as Isabella Rossellini, Orson Welles, Marilyn Monroe, and Jimmy Stewart.

Hardcover. NY, St. Martins Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages. From the front dust jacket flap "Louise Dahl-Wolfe, one of the most celebrated photographers of the thirties, forties and fifties, was a uniquely American artist whose work had enormous ramifications for Horst, Avedon, Penn, and other great photographers who followed her. Working in the heydey of Harper's Bazaar with editor-in-chief Carmel Snow and renowned fashion editor Diana Vreeland, she came to fashion photography at a time when formal, sometimes stilted, European elegance was the norm and infused it with her fresh new vision - informal, intimate, and undeniably American". Preface by Frances McFadden.

Hardcover. Sweden, Scalo Publishers, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 87 pages. Very slight dust jacket edge wear, otherwise, very clean and tight copy. Foreword by Gunilla Knape. Essay by Boris Groys. Illustrated with black-and-white and color photographs by Boris Mikhailov.

Hardcover. New York, Ballantine Books, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 287 pages. Hardcover with dust jacket. Black and white and color pictures throughout. Clean, tight copy. This beautifully printed volume belongs on your Hollywood shelf beside the works of Kobal, Trent & Lawton, Vieira, and anything else on or by George Hurrell. A brief 30-page recap of the history of still photography in the movie industry is followed by 255 pages showing examples of the work of 43 of the most notable stills men (including two women) who snapped the stars, scenes, and environment of the movies during their first 60 years. A brief chronology of the career (as far as it is known) of each photog is included.

Softcover. Aperture, 1st, 1998, Book: Very Good, Dust Jacket: None, 79 pages, b&w and color photographs throughout. Very good.

Hardcover. Univ of Louisiana at Lafayette, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 80 pages. Over the past eight years, Tina Freeman has photographed the Louisiana wetlands and Arctic and Antarctic glaciers. In Lamentations, Freeman pairs images from each place in a series of diptychs that address climate change, ecological balance, and the connectedness of things across time and space. Lamentations demonstrates how the rising waters along the coast of Louisiana are both visually and physically connected to the melting glaciers at the poles, despite the separation of vast distances. Freeman's work makes plain the crucial, threatening, and global dialogue between water in two physical states. Lamentations is published to accompany an exhibition of the same name, organized by and presented at the New Orleans Museum of Art, September 11, 2019 to February 22, 2020. Text was provided by Tina Freeman, Russell Lord, Brent Goehring, and Jady Surrounding along with a forward by Susan M. Taylor.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. New York, Glitterati, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages in a bright, unclipped dust jacket. In 1962, world-class photographer Douglas Kirkland spent three weeks with the most important fashion icon of all time, Coco Chanel. Over the course of this stay, Kirkland photographed Coco with her friends, on the runway, and in the privacy of her homes. Kirkland reveals these never-before-seen b&w photographs in all their vibrancy, shedding new light on one of the world"s most enduring, multi-faceted, and bestselling fashion legends of all time. INSCRIBED BY KIRKLAND on the title page.

Hardcover. US, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Hardcover. 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages. Born in 1902, Manuel Alvarez Bravo is Mexico's most celebrated photographer. His far-reaching body of work includes many of the 20th century's most recognizable and iconic images. Collected here is a seductive, timeless, and entrancing sampling of the maestro's nudes, images taken in 1939 and as recently as the 1990s. Sensitively edited and sequenced by Ariadne Kimberly Huque, and with an impassioned and poetic introduction by Carlos Fuentes, this delicate, elegant volume beautifully reproduces some of Bravo's most favorite work, and provides an intimate window through which to view the career of one of the camera's true masters.

Hardcover. NY, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Michael von Graffenried, an award-winning Swiss photographer, covertly photographed civil strife in Algeria from the early 1990s through 1998. In a land where Islamic terrorists have executed over sixty journalists and photographers in the last seven years, Graffenried's very survival is remarkable. His extraordinary accomplishment, however, is these photographs, which form a composite of Algeria that is more whole than the nation itself, fractured by one segment of the population in favor of democracy and another in favor of an Islamic state.Graffenried makes his pictures secretly, using an antique Widelux panoramic camera with a hidden lens. He would risk his picture and his life were he to raise a camera to his eyes. Instead, he shoots from the hip, with his hands clasped over what looks like a pair of binoculars. In learning to frame his photographs without a viewfinder, he opens himself to a rich array of surprise and irony in his pictures, and reveals a society that has been concealed from the international community for nearly seven years.

Hardcover. Daylight Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. 144 pages. 55 black and white photographs. The world of Bruce Haley is not for the faint-hearted. Bruce has traveled the globe photographing some of the darkest moments that only the intrepid want to face and visiting his website is a nail biting experience.SUNDER is a stunning exploration of the former USSR and other Iron Curtain countries, but equally as interesting are the accompanying essays, in particular, the wonderful piece by Andrei Codrescu (you may be famliar with his essays read on NPR), and by Kirsten Rian. He is a master photographer showing us the pathos and beauty of a culture that has been ravaged by war and turmoil. His eight year photographic investigation is a stark perspective of the collapse of the communist empire, but Bruce shares it on a human scale.

Hardcover. NY/London, Faber & Faber, 1st, 2011, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 304 pages. This is the first of two titles by the Manic Street Preachers' bassist and lyricist, Nicky Wire. For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from "Generation Terrorists" through "Holy Bible" and right up to last year's remarkable album, "Postcards from a Young Man". Edited down from over 1,000 of Wire's personal polaroid's and with accompanying text by the man himself, "Death of The Polaroid" promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.

Softcover. Alexandria VA, self-published, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 250 pages, blue wrappers with white title and sketch of lighthouse. A collection of historical facts and b&w photographs of the Lake Champlain ares, mostly New York. Covers with light edgewear. SIGNED BY GLENN on the title page. Otherwise clean. Scarce.

Hardcover. NY, Quadrangle Books, 1st US, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 288 pages, over 300 photos in b&w of the performer. Clean copy.

Hardcover. New York, Skira Rizzoli, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, color and b&w images. Like new in publisher's shrink-wrap. This book is the definitive celebration of the extraordinary photographic career of Horst P. Horst (1906 - 99). One of Vogue's most prolific and creative contributors, Horst worked in Paris and New York, photographing fashions by leading designers and making portraits of the century's stars. His important work made outside the realms of fashion photography is also included here. Horst excelled at nude studies and still-life photography, fusing Hellenic and Surrealist motifs and drawing inspiration from artists such as Salvador Dali.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. The impact of the humble American snapshot has been anything but humble. Any American who takes a snapshot contributes to a compelling and influential genre. Since 1888, when George Eastman introduced the Kodak camera and roll film, the snapshot has not only changed everyday American life and memory; it has also changed the history of fine art photography. The distinctive subject matter and visual vocabulary of the American snapshot--its poses, facial expressions, viewpoints, framing, and themes--influenced modernist photographers as they explored spontaneity, objectivity, and new topics and perspectives. A richly illustrated chronicle of the first century of snapshot photography in America, The Art of the American Snapshot is the first book to examine the evolution of this most common form of American photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.The catalogue of a fall 2007 exhibition at the National Gallery of Art in Washington, DC, The Art of the American Snapshot reproduces some 250 snapshots drawn from Robert Jackson's outstanding collection and from a recent gift Jackson made to the museum. Organized decade by decade, the book traces the evolution of American snapshot imagery and describes how technical, social, and cultural factors affected the look of snapshots at different periods.

Hardcover. Washington DC, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages, color and b&w photos. The famous, the infamous, and the never-before-seen are here in a remarkable 'democracy of images' Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. In a bright dust jacket.

Hardcover. NY, Harper Collins, 1st , 1999 , Book: Very Good, Dust Jacket: Very Good, Hardcover, A collection of color photos by Leifer who specialized in sports figures & action pictures. Super condition in publisher's shrinkwrap.

Hardcover. Cleveland, Ohio, Geranium Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages, b&w photographs throughout. Minor wear to dust jacket. Else a very clean, tight copy.

Hardcover. New York, Harper Design, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Illustrated with 75 gorgeous b&w photographs of John F. Kennedy, Jacqueline and their children by Richard Avedon. Foreword by Robert Dallek. Text by Shannon Thomas Perich.

Hardcover. Boston, Joseph Knight Company, 1st, 1894, Book: Good, Dust Jacket: None, Non-Paginated. Hardcover. Green cloth with title and decoration in gilt, some spotting/soiling to covers. Front cover Pastedown photograph with light rubbing. Moderate/light foxing to pages throughout. Photographic illustrations by Mrs. N. Gray Bartlett. Scarce.

Softcover. New York , Quill/Morrow, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Softcover, Hundreds of B&W photos of Hollywood personalities, mostly from the 1940's and 1950's. "A Most Remarkable Collection of Candid Photographs of the Greatest Hollywood Stars from the 1930's to the 1960's" (plus a few politicians hanging out with them).

Hardcover. New York, Umbrage Editions, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Illustrated throughout in b&w. Clean, unmarked copy with only minor wear to covers. Having worked as a photojournalist in the 1990s in Zaire, Sierra Leone and Angola, van Lohuizen had seen the effects of the diamond trade first hand, and in 2005, he went back to Africa to assess the situation under new peace agreements. His haunting black and white images follow diamonds from the mines in Africa to retail spaces in New York and parties in London.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. Bologna IT, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publishers shrink-wrap. Spanning 50 years and three generations, Joe's Junk Yard is a personal narrative that explores the history of the family's scrap metal business. Kereszi's disquieting, tender photographs of the last decade of the junkyard, accompanied by business ephemera and family scrapbook photographs, tell the story of this family and its struggles with a changing economy.

Hardcover. Santa Fe, Twin Palms Pub, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, llustrated throughout in b&w. Light shelf-wear to dust jacket, else a clean, tight copy. For several years Nancy Burson has photographed children with craniofacial disorders. She uses a plastic Diana camera which imparts an "ethereal and almost spiritual quality" to her subjects. These camera-shy children and the artist have begun to see themselves and each other differently through this ongoing photographic experience, and in the process have perhaps understood better than most of us what beauty must be in order that our dreams and dignity may survive.

Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages with color plates. Like new in publishers shrink-wrap. This book is the first comprehensive selection of Jeff Burton's work in pornography which began in the 1980s with his portraits and stills for pornographic video boxes. This oversize volume captures the lush atmosphere and isolation of the men and women working in the California pornographic industry through the eyes of one of its most brilliant observers.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages. Like new in publishers shrink-wrap. Whatever his subject matter, rubbish bins or the human body, Edmund Teske (1911 - 1996) used the medium of photography: its film, chemistry, optics and mechanics to create serious, reflective and often composite works of art. This volume accompanied an exhibition of his photographs at the J Paul Getty Museum in 2004. As well as over 110 illustrations, the book contains Julian Cox;s biographical and critical essay and an interview with Teske's close friend of 30 years, the artist George Herms.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. Like new in publishers shrink-wrap. A Siamese cat beneath a clothes line, three women with linked arms standing on the front lawn, a man drying his hands on a dish towel in front of the kitchen stove. These scenes are part of Close to Home and the accompanying the Getty Museum exhibition held from October 12, 2004 to January 16, 2005, which celebrate snapshots--"found" photographs by anonymous photographers--that capture everyday life in all of its joy, banality, and mystery. Taken between 1930 and the mid-1960s, these photographs, most of them in black-and-white, create an unpretentious portrait of suburban American life by untrained photographers whose images can be unexpectedly lyrical and moving.

Hardcover. New York, Glitterati, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The book is the first to document the American punk scene to the public at large and now represents the epitome of the scene at the timeFeatures photographs of artistic and performance luminaries such as Man Ray, Tennessee Williams, Mick Jagger, Patti Smith, Richard Hell, Alice Cooper, Iggy Pop, David Bowie, Zandra Rhodes, Divine, Lance Loud, and Marilyn Chambers, among others.

Hardcover. New York , PowerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Every city-dweller has seen them, and ever city-dweller could list the telltale signs: the fur, the gold, the hats, the cars. They are the original macks, the original players. They are Big City pimps--the heroes of gangsta rap. Bob Adelman and Susan Hall dive headlong into their world in the classic investigative docudrama Gentleman of Leisure: A Year in the Life of a Pimp, an in-depth exploration of the underworld figures that populate our streets at night. The first book of its kind, Gentleman of Leisure, originally published in 1972 and now reproduced in a facsimile edition, is a collection of photographs and interviews dramatically documenting the private life of a pimp and his prostitutes. The people who appear in this book are not models: they are real people with real lives. Only their names have been changed to protect the guilty, their stories are real. Armed only with a camera and a tape recorder, Adelman and Hall entered the lives of the pimp Silky and his women. What they found flew in the face of prevailing prejudices: stripped of stereotype and myth, the pimps and whores that shared their tales were complex people embroiled in romantic dramas, with a code of behavior as intricate as the Mafia's, and a defined sense of self.

Softcover. New York, Dover Publications Inc., 1st, 1982, Book: Very Good, Dust Jacket: None, 121 pages. Softcover. Light edgewear to wrappers. Black and white pictures throughout. Rothstein was a photojournalist for more than 45 years and the photographs in this volume are from his years as photographer for the Farm Security Administdration. His job was to photographs small towns, rural areas and general agricultural conditions throughout the country.

Hardcover. US, Palgrave Macmillan, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 320 pages, Hardcover. b&w photos. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, PowerHouse, 1st, 2004, Book: Very Good, Dust Jacket: None, Non-paginated. Illustrated with full color photographs. Clean, bright copy. Rocking on tour with America"s heavy metal superstars--Kiss, Poison, Iron Maiden, Slaughter, Ted Nugent, Dokken, and Cinderella--photographer David Yellen tailgated among the headbangers, metalheads, burnouts, and self-styled fanatics waiting for the show or hanging around backstage hoping to meet their idols. The results are a captivating record of Yellen"s trip to metal"s Shangri-la.

Hardcover. Boston, New Graphic Society, 1st , 1979, Book: Very Good, Dust Jacket: Very Good, 126 pages plus index of photographs. Hardcover with dust jacket. Interviews by Dater with people who knew Cunningham. 60 black & white plates by Cunningham. Clean.

Softcover. Zurich, Shedhalle Zurich, 1st, 1992, Book: Good, Dust Jacket: None, 112 pages. Softcover. Exhibition catalog. Text in German and English. Black & white photographs by Francesca Woodman. 3 pages with brief underlining in ink. Light wear to covers. Introductory essays by Harm Lux and Kathryn Hixson. Chronology, bibliography, list of exhibitions. Francesca Woodman "was an American photographer best known for her black and white pictures featuring either herself or female models. Many of her photographs show young women who are nude, blurred (due to movement and long exposure times), merging with their surroundings, or whose faces are obscured. Her work continues to be the subject of much critical acclaim and attention, years after she died by suicide at the age of 22, in 1981."

Softcover. Santa Fe, NM, Museum of New Mexico Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 166 pages. Toba Tucker's expressive portraits honoring Pueblo artists were made over a two-and-a-half year sojourn in the Southwest. These photographs form a record for history and art at the end of the twentieth century and portray Tucker's interest in the individuals and families who pass their artistic traditions from one generation to the next. Remainder stamp on bottom edge otherwise clean.

Hardcover. US, VIRGIN BOOKS, 1st, 1987, Book: Very Good, Dust Jacket: Good, 143 pages, b&w photos. Faint foxing to edges and dust jacket. Light sunning to spine.

Hardcover. New York, Other Press LLC, 1st Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 372 pages. Hardcover. Nearly 500 full color and black & white photographs throughout. Dust jacket with light fading & small tear to spine edge. Clean, unmarked and bright copy.