Photography

Hardcover. New York , Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.

Hardcover. NY, E. P. Dutton, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, green cloth with gilt decoration, in a bright dust jacket with light edgewear, chipping, short closed tears. A collection of 74 color and black and white photographs by Bischof taken all over the world. Part biography, part celebration of the work of the great Swiss photographer and member of Magnum, who had been killed in a road accident five years before. Clean copy.

Hardcover. Bath, UK, Parragon , reprint, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Extensive color photography throughout. This collection of stunning photographs from the archives of the Daily Mail, along with the detailed commentary, provide a wealth of information on the stars' public and private faces.

Softcover. Washington DC, National Portrait Gallery/ Smithsonian Institution Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 378 pages, illustrated with numerous b&w plates. Exhibition catalog for a show at the National Portrait Gallery in 1978. Tight, clean copy.

Hardcover. New York, Random House, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, 240 pages, illustrated in color and b&w. Wraparound present. In publisher's shrinkwrap. Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

Softcover. Berkeley CA, Heyday Books, 1st, 1995, Book: Very Good, Dust Jacket: None, 86 pages, softcover with 60 b&w photographs by Lange, most of the published here for the first time. Front fly leaf with small smudge, previous owner's inscription, otherwise clean.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages with 164 tritone photographs. beautiful copy still in shrinkwrap. Like new. Turning Back: A photographic journal of Re-exploration is published to coincide with the bicentennial of the Lewis and Clark Expedition.

Hardcover. New York, Flammarion, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 560 b&w photographs of Doisneau's beloved Paris, many published for the first time, accompanied by anecdotes from Doisneau's personal notebooks. Sections include Paris by Surprise: Parks and Gardens, Pedestrian Ballet, Urban Flirtation, Bistros; Paris for Parisians: Les Halles, Everyday Parisians, A Home for Tenants, A few Tenants More, Paris-by-the-Seine; Paris at Play: Fairs, Cabarets and Nightclubs; Society, Fashion; and Paris in Concrete. As the photographer said, "There are days when the technique of an aimless stroll - without timetable or destination - works like a charm, flushing out pictures from the non-stop urban spectacle."

Softcover. NY, Aperture, 1st, 1990, Book: Good, Dust Jacket: None, Softcover. 83 pages, issue devoted to Sudek. Edge wear, rubbing to wrappers. Smudges to inside front cover and first page. Else clean and tight.

Softcover. New York, Holt, Rinehart & Winston, 1st pbk, 1981, Book: Very Good, Dust Jacket: None, Softcover, 154 pages. Michael Harrington was a political scientist and activist best known for The Other America, an examination of poverty in the midst of affluence in the U.S. Here, he reexamines the state of the U.S. twenty years after his landmark book. Bob Adelman is a respected photojournalist, b&w photos throughout; 11 x 8.5 inches. SIGNED BY ADELMAN. "Adelman has moved beyond the familiar cliches of most documentary photography into that rare sphere wherein technical ability and social vision combine to create a great work of art." Quote by Ralph Ellison.

Hardcover. Albuquerque, University of New Mexico Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages,97 b&w photographs taken by Collier between 1948 and 1953, with map, and text by Benally. Never opened, still in original shrink wrap.

Softcover. New York , Aperture, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Essays by Tillie Olsen, Julie Olsen Edwards, and Estelle Jussim. This issue features the work of Larry Fink, Paul Fusco, Joseph Szabo, Bruce Davidson, Linda Brooks, Barbara Crane, Jill Freedman, Danny Lyon, Harry Callahan, Eve Arnold, Dorothea Lange, Starr Ockenga, and many more. A clean, very good copy.

Hardcover. New York, Random House, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 205 pages, large color photographs throughout. Minor dust jacket edge wear, small remainder dot on top edge, otherwise, clean, bright and tight copy. The Campidoglio, the Roman Capitol, stands on the peak of the smallest of Rome's seven hills. The epicenter of the Roman Empire, it was transformed by Michelangelo into one of the most imposing architectural compositions of all time, grand environment for the political life of a great city. Michelangelo's design for the Piazza del Campidoglio was one of the first efforts to make a public space in which all the elements function as a whole. At the center of a trapezoidal area, flanked by three palaces, was the ancient Roman equestrian statue of Marcus Aurelius, the second-century ruler who presided over the waning clays of the empire. Alexander Liberman has photographed the statue and its environs in all kinds of light and from all angles over a period of years. The result is a stunning photographic essay on one of the most dramatic monuments ever constructed.

Hardcover. Daab Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. David Bradford is a photographer and New York City taxi driver, who epitomizes the concept of carrying a camera during regular day-to-day activities. Bradford mainly shoots while he's working, capturing the essence of New York City in all its human, architectural and climatic diversity. In his second book, he presents a selection of his passengers, which sat down at his backseat. The result is a collection that captures the breadth of humanity - the whole world of people - that can pass through the back seat of a New York City taxi.

Hardcover. New York, Pantheon, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, color photographs throughout. Showcases work by American photographer Robert Bergman (b. 1944), who took these photographs with "a simple 35mm camera, amateur film, no tripod, and no special lighting." The pictures are a result of months of car travel throughout the Rust Belt (Chicago, Detroit, Pittsburgh, Gary) and the East Coast, presenting "everyday people who moved him profoundly." With an introduction by Toni Morrison and an afterword by Meyer Schapiro.

Hardcover. Black Dog & Leventhal Publishers, Inc., 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. 204 pages, b&w photographs. Arrested collects hundreds of celebrity mugshots from the last 150 years including: James Brown Lenny Bruce, Al Capone, Jeffrey Dahmer, Eminem, Bill Gates, Saddam Hussein, Mick Jagger, Malcolm X, Al Pacino, Elvis Presley, Bugsy Siegel, Joseph Stalin ,Sid Vicious and more!

Hardcover. US, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, 72 pages, illustrated throughout in color and b&w. SIGNED BY AUTHOR on half title page. Light shelf-wear to boards, faint foxing to edges.

Softcover. Surrey UK, FAB Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 165 pages The Satanic Sluts are 666 of the world's most attitudinal, creative and original women, linked by a shared interest in all things dark, sexual and Satanic. Here, in a series of unique photographic portraits and personal statements, 50 elite members of the official Satanic Sluts open up their souls and their bodies to display their sexual fantasies, lusts and twisted ideologies for the first time.

Hardcover. Boston, Houghton Mifflin , 1st US, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. Cloth boards. Illustrated with color and black & white photographs by David Douglas Duncan. Clean, tight copy.

Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2007, Book: Very Good, Dust Jacket: None, Folio, 60 pages, VG+ in pictorial boards, as issued, without dust jacket. Lavishly illustrated in b&w. Bill Burke's seminal book originally published by Nexus Press in 1987. In the early 1980's Burke traveled to Thailand and Viet Nam, as well as Cambodia where he documented the aftermath of the Khmer Rouge regime. The book was produced using the original plates, and features the same layout and scale as the first edition.

Hardcover. London, Melcher/Virgin, 1st, 1999, Book: Very Good, Dust Jacket: None, Non-Paginated. Illustrated with black & white photographs. Features photographs by Atget, Larry Clark, Walker Evans, Larry Fink, Weegee, Susan Meiselas, and more. Essay by Luc Sante. Slip case and covers show light wear. Clean, tight copy.

Hardcover. Stockholm, Journal, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 304 pages, 85 color, 210 b&w plates. Hardcover with dust jacket. Like new in publisher's shrink-wrap.

Hardcover. New York, National Gallery of Art/Callaway Editions, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 247 pages. Illustrated with black & white photographs. Dust jacket with 2 tape repaired tears at bottom edge of front cover. Clean, tight copy. Alfred Stieglitz was a seminal figure in 20th century art. One of the foremost photographers in the century, he also helped other photographers define what the aesthetic means in photography. He also was a champion for many of the best known photographers, and seriously boosted their careers. In painting, he was an early advocate of important 20th century artists like Arthur Dove and Georgia O'Keeffe. In addition, he published two influential journals about photography, and exhibited art in his famous gallery in New York. Clearly, though, photography was his first love. "I have all but killed myself for Photography." This book focuses on his central vision of photography ("search for objective truth and pure form") which increasingly was about "antiphotographs" or images that move beyond simple representation. This concept is examined both in 73 of his best images and through numerous excerpts from his voluminous writings on the subject (over 200 essays).

Softcover. New York , Aperture Foundation, 1st, 1985, Book: Very Good, Dust Jacket: None, Soft cover. 80 pages. Terrific issue that features articles on Allen Ginsberg snapshots, images from Richard Avedon, Robert Mapplethorpe, Eric Fischl, Eugene Atget, Robert Walker and others. Also includes text by William S. Burroughs.

Hardcover. Paris, Arthaud, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages of French text followed by full color photographs of the people and culture of the Rajasthan region of India. Light edge wear to dust jacket. Clean, tight copy.

Hardcover. Bologna, Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover. Includes decorative slip case. Like new in publisher's shrink-wrap. Shoebox Studio records a moment in a fashion model's career that is rarely seen by a wider public: the model's first "getting-acquainted" photoshoot, in which no attempt is made to beautify or exaggerate her face, pose or expression. Having produced photo campaigns for some of the world's premier beauty clients (Lancome, L'Oreal, Revlon), French photographer and painter Stephane Coutelle is ideally placed to make these portraits of vulnerability and aspiration: his Shoebox Studio sees an unending parade of young women, newly arrived from all over the world and pursuing their first career. His first meeting with a model aims to establish their character and psychology, before professional reflexes take hold, and before complicity is established between photographer and model. Shoebox Studio gathers portraits of aspiring models taken between 2006 and 2010.

Softcover. New York , Abbeville Press Publishers, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 166 pages, illustrated throughout in b&w. Light edge wear to pictorial stiff wrappers. Clean, tight copy.

Hardcover. San Francisco, Pomegranate Communications, 1st, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. New York, Harper & Row, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 170 pages, hardcover with price-clipped dust jacket. A photographic document of the Rocky Mountain West. Foxing to top copy edge. Light edgewear to dust jacket, boards lightly rubbed. Price-clipped. Unmarked. Bright and clean; a tight copy.

Softcover. New York , Aperture, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Summer 2006. Features work by William Christenberry (in Memphis), Jessie Mann, Bruce Conner (his "Punk" photographs), and more. A clean, tight issue.

Hardcover. NY, Quantuck Lane Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 264 pages. Philip Perkis is one of the most widely respected American photographers, yet his work is little known outside of professional circles. In this fifty-year retrospective, and first published collection, his inimitable vision is brought to the public. With a gift for capturing moments of heartbreaking honesty and unparalleled beauty, he presents a world on the brink of transcendence. Taken in the most humble circumstances-snapped from the driver's seat or taken at home-these images are so much more than the sum of their parts. The electric fury of barking dogs in the streets of Mexico, the white stillness of Israel, and the silence of a sleeping mother, carry within them complexities of gray, of raw emotion and metaphor. These images are the gift of a master observer with an eye tuned to the almost imperceptible miracles of everyday life. They are not one-line gags or jaded images of the poor or suffering, rather they are evocative explorations of the lovely sadness of life and the wild, sweet rhythms of the world. 125 duotone photographs.

Hardcover. US, D.A.P./Schirmer/Mosel, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. Like new in publisher's shrink-wrap. Offers a look at selected photographs of American artist Robert Rauschenberg (1925-2008). "Gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process.

Softcover. n/a, self-published, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover booklet, 48 pages. Black and white pictures throughout. Scarce self-published book.

Softcover. Plainfield, NH, Alma Gilbert, Inc., 1st, 1998, Book: Very Good, Dust Jacket: None, 81 pages. Softcover. Light edgewear to wrappers. Color and Black and white pictures throughout.

Hardcover. Bunker Hill Publishing Inc, Piermont, NH, 2009, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout. Neon Mesa: Wonders of the Southwest is a stunning photographic record of the vernacular landscape of the American Southwest - the roadside landscape littered with the signs, relics, sights and debris of countless anonymous road trips. The Four Corners is a unique region where Colorado, New Mexico, Arizona and Utah meet. Rob Atkins' photos capture the irony and pathos of the place in icons of the American Dreams, be they those of the Nuclear Age, the Frontier, the Cowboy, or the Native American, all caught in the stark majestic images of a present already passing, in rusting road-signs, flickering neon light, and derelict motels, set against some of America's most awe-inspiring natural scenery. The dazzling light of the Southwest, the enormous skies and stark desert imagery form the back drop to Rob Atkins stunning exploration of a quintessential American landscape. He captures visual gems with his camera from the ghostly quarries of old motels and roadside wrecks, of decaying signs and faded walls, and writes about the minutiae of lost Americana with affection and great style.

Hardcover. New York, Aperture Foundation and Fundacion Televisa, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover issued without a dust jacket. This publication tells the story of the photographer's journeys through Mexico in the early 1930s. In search of a fresh start, Strand traveled to Mexico City in late 1932 at the invitation of Carlos Chavez, the eminent Mexican composer and conductor. The culmination of Strand's time in Mexico was his collaboration with Emilio Gomez Muriel and Academy Award-winning director Fred Zinnemann on the groundbreaking film, Redes (The Wave) (1936). A remastered DVD version of the film is included in this volume. Illus., 100 color/89 tritone/240 b&w. 356 pages.

Hardcover. New York, Princeton Architectural Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. A collection of highlights from the Maresca collection of snapshot photographs housed at the Newark Musuem, featuring images from the 1920s through the 1960s. Essays by Marvin Heiferman, Geoffrey Batchen, and Nancy Martha West; interview with Frank Maresca conducted by Heiferman; foreword by Mary Sue Sweeney Price. 192 pages; profusely illustrated in duo-toned b&w and color.

Hardcover. New York, Harper Design, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Illustrated with 75 gorgeous b&w photographs of John F. Kennedy, Jacqueline and their children by Richard Avedon. Foreword by Robert Dallek. Text by Shannon Thomas Perich.

Hardcover. New York, Norton, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, A monograph focusing for the first time exclusively on Kertesz's early Hungarian prints; selected from more than 1,000 contact prints in the artist's estate and reproduced actual size. Photographs by Andre Kertesz; introduction by Bruce Silverstein; essay by Robert Gurbo. 160 pages; 66 duo-toned b&w plates + 11 text illustrations; 5.25 x 5.25 inches.

Rome, Contrasto, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages, 53 b&w plates. A collection of 53 photographs of Pompeii, never published before, shot by the master photographer Mimmo Jodice. Unique images, visions conjuring up a long-lost past tradition, coupled with texts by Ethan Canin, Jim Nisbet and Jay Parini. No dj issued.

Hardcover. NY, Aperture, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, first edition, first printing. 9.5 x 13 inches. 192 pages with 113 duo-toned b&w photographic images offering a 40-year retrospective of the Magnum photographer's front line work. Compelling war pictures.

Hardcover. Gottingen GR, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w plates throughout. Hoppe traveled throughout Germany between 1925 and 1938, photographing movie stars, workers and peasants, the birth of the Autobahn, and the explosion of industrial building. This collection includes parts of his 1930 book "Deutsche Arbeit" and many photos never previously seen. Clean copy in a dust jacket.

Hardcover. New Haven CT, Yale /Houston Museum of Fine Arts, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Chen Changfen (b. 1941) began to photograph the Great Wall twenty years before the Chinese government officially adopted it as the national symbol in 1984. This fascinating book presents a small fraction of his decades-long study of the monumental form and conveys the fertile range of themes and ideas that Chen has investigated, each informed by traditional Chinese art, history, and philosophy. Combining a unique blend of traditional and contemporary technical processes, Chen's richly evocative photographs at once celebrate the remarkable series of building campaigns that produced the Wall and memorialize the thousands of conscripted laborers whose lives were sacrificed to its construction.One of the most striking features of Chen's photographs is their unexpected variety of perspectives and moods, capturing the vicissitudes of weather, time, and human history that have acted upon it. By excluding the people, highways, factories, and modern buildings that encroach on and daily destroy sections of the Wall, however, Chen eliminates major aspects of the Wall's present reality from his pictures. In a thoughtful essay and interview with the artist, Anne Wilkes Tucker probes the meanings of such omissions and guides the reader through Chen's extraordinary images. The Great Wall of China is essential reading for photographers, historians, and travelers.

Hardcover. Berlin, Museum fur Verkehr und Technik, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, tan boards with paste-down label, 40 pages. Wonderful duotone photos, mostly portraits of Berliners in 1948. GERMAN TEXT. Introduction by Alfred Gottwaldt. Clean copy.

Hardcover. Bologna IT, Damiani, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 100 pages. Original publisher's illustrated laminated boards. Issued without dust jacket. Copiously illustrated in color and black and white throughout. Beatrice Haverich believes that "trees embody life. They show us the seasons in a city landscape, and they provide us with wood, food and shelter. Their silence demands our respect." Her subjects, for whom she has the utmost sympathy, are survivors, stalwarts: for example, the Yew trees in Kingsley Vale, UK, are 4,000 years old. Among these portraits, she observes branches molded by the wind into lopsided hairstyles, and roots exposed by the rain. Some trees survive in cement planters or remain in the bounds of their sidewalk squares, but others reclaim their habitat, taking over old greenhouses and popping the glass panes one by one as they grow. Up from sand and boulders and cliffs and pavement, Haverich's trees are shaped by their landscape, but they persist in shaping it as well.

Hardcover. NY, Thames & Hudson, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. This groundbreaking publication announces the death of the conventional portrait. In an age when we are bombarded with flawless images of youthful beauty, when rejuvenation is available through a jar of cream or a scalpel, artists and photographers seek to portray the face in new ways.Through a variety of techniques, including computer manipulation, photomontage, and retouching, the artists present their new portraits. They replace clarity with blur, the split-second with the elastic moment, questioning the notion of a fixed identity, of universality of expression, of what constitutes beauty.Whether Cindy Sherman's disquieting disguises, Gillian Wearing's masked self-portrait, LawickMuller's composite portraits of couples, or Orlan's disturbing experiments with cosmetic surgery, these faces demand attention. 260 illustrations, 165 in color.

Hardcover. Damiani, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages. Italian photographer Maurizio Galimberti works exclusively in Polariod. His mosaics of square, white-bordered frames have captured personalities including Andres Serrano, Wim Wenders, Monica Bellucci and Sting, among many others, piece by piece. When he doesn't scratch designs onto the developing pictures with a stick or even a toothbrush, preemptively disrupting any sense that his work directly reflects the real, he takes hundreds of shots of the same subject and eventually assembles up to 140 in a single finished grid. His patrons have included Conde Nast, Rizzoli and Time, and, in advertising, Cartier, Rolex, Nokia, Fiat and Veuve Cliquot. This personal portfolio of the city of New York is full of clean-edged skyscrapers and bridges, limitless streets, multicolored signs, vivid people and limpid skies. Galimberti's Big Apple is thoroughly deconstructed and reconstructed, and the resulting unreal city corresponds perfectly with the soul of New York.

Softcover. NY, Aperture Foundation, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Guest edited by W.M. Hunt, this issue of Aperture features work by photographers and scientists in their efforts to capture delirium on paper. Images ranging from contemporary through 19th Century show how delirium, clinical or colloquial, has been documented, analyzed, codified, worked over, and wondered about for the last 150 years, together creating a psychic agitation that can be as dark as it is witty. Artists included Nancy Burson, Debbie Fleming Caffrey, Ellen Carey, Henri Cartier-Bresson, Sally Mann, Robert Mapplethorpe, Eugene Richards, Weegee and many others .

Softcover. NY, Aperture Foundation, 2001, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Includes numerous images by Paul Caponigro, Dr. Howard Eugene Edgerton, Jacques-Henri Lartigue, Eadweard Muybridge, Rineke Dijkstra, Hiroshi Sugimoto, Nicholas Nixon and many more.