Hardcover. Cambridge MA, Harvard University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Dr. Piotr (Peter) Naskrecki is a Polish-born entomologist, photographer and author, currently at the Museum of Comparative Zoology, Harvard University (Cambridge, MA, USA.) His research focuses on the evolution of sound-producing insects, and the theory and practice of nature conservation. As a writer, Piotr strives to promote appreciation and conservation of invertebrate animals - insects, arachnids, and their kin - by capturing both their beauty and roles as vital, often critically important members of the Earth's ecosystems. Piotr Naskrecki is a master photographer and an enormously knowledgeable biologist and ecologist. In this beautifully printed book, he captures the finer details of the some of the unusual animal life and adaptations that you find in tropical rain forests, savannas, and deserts. He also provides well written, informative supporting text.
Bologna, Damiani, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 280 pages. American fashion photographer James Moore (1936-2006) was an influential voice in mid-20th-century fashion photography, working for Harper's Bazaar during its 1960s heyday under the leadership of legendary editor Carmel Snow. Shooting languid mod gamines and luxe bohemians in arresting, often surreal or cinematic compositions, Moore helped shape the visual vocabulary of '60s fashion alongside better-known colleagues such as art director Alexey Brodovitch (under whom Moore studied). Moore also directed television commercials and contributed photographs to European magazines in the 1980s and 1990s, and taught photography at the School of Visual Arts, New York, and the Rochester Institute of Technology.Every Moore photograph is an intricate exploration of space and beauty, with an attention to detail that betrays the photographer's peerless eye. Something of a "photographer's photographer," Moore influenced the next generation of great fashion photographers but has been somewhat neglected in histories of 1960s fashion and culture--until now. James Moore: Photographs 1962-2006 collects a half century of extraordinary photographs by Moore, the first time his work has been collected in a single monograph. Including texts from the leading editors, models, photographers and designers of the day, this volume takes stock of James Moore's astounding career and an extraordinary cultural moment.
Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.
Hardcover. NY, Hastings House, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, gray cloth stamped with dark blue design, 124 pages, sepia tone photos throughout. This work is Gilpin's photographic love letter to the Pueblos of the southwest. Laura Gilpin (1891-1979) attained international recognition as photographer and her images of the Navajo and Pueblo peoples of the four corners area offer an important record of these cultures. She excelled in a field that up to the point, had largely been the purview of men. Cloth covers with edgewear, light soil. Inscription on inside front cover. Covers fair, interior good+.
Hardcover. Greenwich CT, New York Graphic Society, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, b&w illustrations throughout. Clean, in a bright, price clipped dust jacket."Reality Recorded takes a look at early documentary photography and the extraordinary individuals who recorded with calotype and wetplate camera those things they felt to be important. Great changes took place in the world while the camera was in its infancy. The early photographers had open eyes and few prejudices; they were involved with the problems, advancements, and events of their times."
Hardcover. New York, W W. Norton :& Co., 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover. 368 pages. Like new. 127 pages with 28 pages of text, 98 pages of duotone photographs. The story of a man who left an archive of sixty thousand images to the Library of Congress: Angelo Rizzuto, who lived in a single, run-down room in a crummy hotel; who every day left at 2:00 p.m. to photograph New York City obsessively. Clean, very good in an unclipped dust jacket.
Softcover. London, Random House UK, 1st, 1995, Book: Very Good, Dust Jacket: None, 160 pages, illustrated throughout with b&w photos of England's coastline. Light wear to wrappers, else a very neat, tight copy.
Hardcover. New York , Random House, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Remainder mark to bottom edge, else like new in publishers shrink-wrap. White cloth hardcover in the dust jacket and name band , 244 page book . With color and black & white photo illustrations by Annie Leibovitz .
Hardcover. New York, Phaidon Press, 1st, 2005-07-06, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover. Portraits of life in Benin from the 1960's and 70's. A collection of never-before-seen photographs made in West Africa whose discovery opens a new chapter in the history of African and world photography. 136 pages.
Hardcover. Paris, Editions Place de Victoires, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 599 pages. Like new in publishers shrink-wrap. This vivid photo-essay on the great adventure of discovery and exploration 1860-1930 is drawn from the collection of The Royal Geographical Society in London. It begins with Stanley and Livingstone in Africa and proceeds through Asia and Oceania, the Americas, and the Middle East. The work of twenty-three intrepid photographers are included.
Hardcover. Spain, La Fabrica, 1st, 2011, Book: Near Fine, Dust Jacket: None, Hardcover, 63 pages. Like new in publishers shrink-wrap. Reveals the Mexican photographer`s extended explorations in (mostly) cities in the north of India--Varanasi, Delhi and Calcutta, as well as Bombay--over the past 13 years. Iturbide`s black-and-white images are strikingly at ease with their subject matter, able to locate arrangements of objects, architectural outline and urban signage without ever lapsing into visual tourism. Text in English and Spanish.
Hardcover. Berkeley, Calif., Ten Speed Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. B&W photos of Hollywood celebrities of the 1970s and 1980s. Rose was a staff photographer for the Los Angeles Times.
Hardcover. New York, Umbrage Editions, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. Like new in publishers shrink-wrap. Clayton Burkhart adopts the view of an anonymous wanderer in this mythic city and speaks of absence and loss against a backdrop of steel, stone, concrete, and neon. It is a story of love and redemption after the rain falls, when the damp sidewalks take on the saturated colors of the night.
Softcover. New York, Alfred A. Knopf, 1st, 1976, Book: Very Good, Dust Jacket: None, 101 pages. Softcover with moderate rubbing on paper wrappers. Slight musty odor. Black and white photographs throughout. Tight copy.
Softcover. New York , Princeton Architectural Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 144 pages, color photography. Portraits of survivalists and their bomb shelters. Clean, bright copy. Ross has documented not only the bomb shelters of the United States, but also examples from Russia; England; China; Vietnam; and Switzerland, where every citizen is required by law to have a shelter.
Softcover. New York , Aperture, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Summer 2007. Features photographers: Mary Ellen Mark, Barry Frydlender, Florian Maier-Aichen. Also includes articles by Gerry Badger and Vince Aletti. A clean, tight issue.
Softcover. New York, Thunder's Mouth Press, 1st Thus, 1996, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Full color and black & white photographs by Boris Vallejo. Moderate wear. Clean, unmarked copy.
Hardcover. New York, Sterling Innovation, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. Color illustrations throughout. Decorated endpapers. Dust jacket sleeve present. Clean inside and out. In good shape. From the back cover: Achieving great artisitc succes and recognition, Edward Steichen brought enthusiasm, curiosity, and passion to the world of photography. This remarkable book offers a fresh take on Steichen by focusing exclusively on his color images from the collections of George Eastman House."
Hardcover. Koln GR, Konemann, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 459 pages photographs throughout. Minor dust jacket edge wear, otherwise, very clean and tight copy. Globe Photos took photos of Hollywood's stars between 1942 & 2000 for Life, Look, Photoplay, Modern Screen & Parade magazines. The section headings are: Hollywood at home; Hollywood at work: Hollywood at play.
Softcover. Heidelberg, Kehrer Verlag, 1st, 2003, Book: Very Good, Dust Jacket: None, Flexi-softcover. Illustrated with full color photographs by Sandra Mann. Clean, bright copy.
Hardcover. NY, Pantheon, 1st , 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. 110 color photos by Kashi. 140 pages. Introduction by Christopher Hitchens.
Hardcover. New York, Silverstein Photography, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, 89 b&w images. Like new in publisher's shrink-wrap. Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City.
Hardcover. Johannesburg SA, Penguin Books, 1st, 1987, Book: Very Good, Dust Jacket: None, 130 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Some fading to spine. and laminate is bubbled in some spots. A fascinating book of photographs of mainly Black life during the 1950s in South Africa.
Boston, N.Y. Graphic Society, BC Ed., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos. 400 pages. Flap has price, (C) page with First Edition statement but actually Book Club edition. Edited by Mary Street Alinder & Andrea Gray Stillman. In his early years in Yosemite, Adams formed the habit of writing letters at every opportunity. His correspondence, therefore, virtually provides the full record of his life. Through the years, wherever he went, from the Southwest to Maine to Alaska, he wrote literally thousands of letters and postcards. Among the family, friends, fellow photographers, environmentalists, and politicians with whom he corresponded rank such eminent names as Alfred Stieglitz, Dorothea Lange, Paul Strand, jimmy Carter, Beaumont and Nancy Newhall, Garry Trudeau, and Edward Weston. Including both sides of continuing dialogues with these people and others, this book revels the growth of the artist and the whole man, as well as the development of the art of photography through the voices of the masters. A companion volume to his best-selling autobiography, ANSEL ADAMS: LETTERS AND IMAGES is illustrated with over 100 of his photographs from monumental landscapes to family snapshots. This combination of images with the highlights of a lifetime of letter writing creates a compelling portrait of one of the 20th century's greatest artists and conservationists and one of the most personable and memorable of men.
Hardcover. London, Arcperiplus Publishing, 1st, 2002, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 177 pages, color photographs of Buddhist pilgrims by Lena Herzog. Brief essay by Werner.
Hardcover. New York, Filipacchi Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages. Candid photographs of movie stars in between shots, relaxing on movie sets. Mostly black and white, some color. Still in publisher's shrinkwrap.
Hardcover. Center for American Places, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. The Mississippi River flows through American history and culture as a mythic waterway brimming with tragedy and hope, and awash in passionate ambitions and harsh realities. In 1953, a young Charles Dee Sharp traveled twice down the Mississippi (first by towboat and then by car along the renowned river road Highway 61) to make a documentary film of it, taking black-and-white photographs of the river, its communities, and its people.While Sharp's documentary never came to fruition, the striking images he captured survived as moving and evocative historical testaments to a lost era, now collected in his new book The Mississippi in 1953. These images create a vivid portrait of America's heartland a half century ago, and they are enriched with excerpts from Sharp's original trip journal, intriguing anecdotes from the people he encountered along his journey, and an engaging environmental history of the river by historian John O. Anfinson. The Mississippi in 1953 offers an original and poignant look at the living artery of the American landscape and how it molded the United States into the nation it is today.
Softcover. New York , Aperture Book, 1st, 1988, Book: Very Good, Dust Jacket: None, Spring 1988. Contains photographs from: John Baldessari, Bill Burke. David Levinthal, Barbara Kruger, Annette Lemieux. There is also an article on the Starn Twins written by Bruce Chatwin. A clean, tight copy.
Hardcover. NY, W. W. Norton & Company, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Extraordinary photographs, along with extensive captions, document the transition from a barely explored paradise to a modern nation.This stunning collection of 720 photographs, many of them drawn from family archives and scrapbooks and all carefully restored, is one of the most important visual records of Africa in the late nineteenth and early twentieth centuries ever to have been published. The early photographers captured the beauty and dangerous allure of life on this spectacular frontier: the ceremonies and traditional attire of the native people, the fantastic machinery used in construction of the Uganda Railway, the gradual development of trade on the coast and in the country's interior, the hardships of the East African Campaign during World War I, and the pioneering spirit of early European settlers and farmers. Many of the most famous names and places connected with Africa appear in these pages, including Karen Blixen's farm and Ernest Hemingway and Theodore Roosevelt on safari.
Hardcover. London, Pavilion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Genius innovators in haute couture, AP have commissioned Mike Figgis to portray Kate Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist and "Narcissus" - "The 4 Dreams of Miss X". Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences. Two films have been released online in 2006, with the final two released in January and March 2007. Brought together for the first time on DVD, you can now enjoy Kate Moss' first ever speaking role at home and full screen.
Hardcover. New York, MoMA, 1st, 1978, Book: Very Good, Dust Jacket: Fair, 180 pages. Hardcover with price clipped dust jacket. Dust jacket has rips and tears to edges. Inch chunk missing from top front. Chipping and fraying to spine dust jacket. Black and white photographs throughout.
Hardcover. Munchen, Schirmer/Mosel., 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 269 pages. "Here is a breathtaking visual celebration of this all-time movie goddess, with the world's greatest photographers contributing their most famous landmark portraits collected from the thirty-five years during which Marlene Dietrich reigned supreme in the history of motion pictures."
Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 164 pages. Like new in publisher's shrink-wrap. The high school prom is an American tradition, a rite of passage, and one of the most important rituals of youth in this country. The internationally recognized documentary photographer Mary Ellen Mark took on the extraordinary challenge of working with the Polaroid 20x24 Land camera to produce this fascinating look at dozens of young people from a diverse range of backgrounds on this memorable night in their lives.Traveling across the United States to complete the project from 2006 to 2009, Mark photographed prom-goers at thirteen schools from New York City to Charlottesville, Virginia, to Houston to Los Angeles. Mark's husband, the filmmaker Martin Bell, collaborated with her on the project to produce and direct a film, also called Prom, featuring interviews with the students about their lives, dreams, and hopes for the future. A DVD of the film is packaged with the book. The 127 large-format photographs are reproduced in rich detail, and quotations from the student interviews punctuate the book. Some of the students' statements are comical, while others are deeply touching. The result is a captivating and revealing document of American youth at the beginning of the twenty-first century.
Softcover. Munich , Prestel, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Chronologically arranged, each chapter focuses on a particular work or idea that changed the course of photography. Presented in beautiful spreads and with informative text, the book opens with photography's genesis in the form of the camera obscura. Centuries later, Daguerre, Niepce, and Talbot invented their own means of capturing light on paper. The book covers groundbreaking genres such as still life, landscape, portraiture, and nudes. Sections on the role of photography in journalism illustrate how the camera's presence on battlefields, on city streets, and in factories helped inform and reform the modern world. Fashion, animals, Surrealism, and staged portraits are also explored. Perfect for perusing or reading from cover to cover, this book illustrates how photography developed from a concept to a world-changing force--one that attempted to shed light on truth yet can also obscure and alter reality in dazzling ways. Clean copy.
Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small closed tear to front panel. INSCRIBED BY HUDDLESTON on the dedication page. Huddleston has paired archival images of the first modern war with his own, contemporary color shots of the same locations, at the same time of year, at the same time of day. Some sites of suicidal charges have become Kmarts, mini-malls or swamps strewn with metal and plastic trash. The juxtapositions possess surprising power. In an overexposed and damaged archival shot of the Confederate prisoner of war camp at Andersonville, Ga., a filthy crowd of anonymous men packs the frame, while on the facing page Huddleston presents his own fine-tuned image of a muted, borderless sky. Office buildings, grocery stores and fast food franchises have sprouted where Union Major General George H. Thomas and Confederate General John Bell Hood slugged it out for December days in Nashville 141 years ago. Near the site of some of the heaviest fighting between blue and gray, a KFC sign now advertises discounts on the colonel's secret recipe. Clean copy.
Hardcover. New York , Harry N. Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages with 250 b&w illustrations. A wealth of film stills, production photographs, and portraits, many previously unpublished, all beautifully reproduced from pristine print. Still in publisher's shrinkwrap.
Hardcover. Paris, Arthaud, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages of French text followed by full color photographs of the people and culture of the Rajasthan region of India. Light edge wear to dust jacket. Clean, tight copy.
Softcover. NY, Aperture Foundation, 1995, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Special Monograph Issue: Edward Weston Portraits. Foreword by Cole Weston Biographical Essay by Susan Morgan.
Hardcover. Reading, Garnet, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, 118 pages. Illustrated with black & white photographs by Freya Stark. 1/2" deep closed tear at top right corner of first 4 pages - appears to be publishers error. Clean, bright copy.
Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2004, Book: Very Good, Dust Jacket: None, Photographically illustrated paper-covered boards, no dust jacket as issued. 48 pages with 23 four-color plates (printed one to a sheet), beautifully printed on heavy-stock uncoated paper. 13-5/8 x 17-3/4 inches. Photographs by Phillip Toledano. Includes several reproduced "anonymous" brief corporate memos. Designed by Jack Woody. This edition was limited to 1000 hardbound copies.
Hardcover. US, teNeues, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. 240 pages. Clean, tight copy. Like new in pubisher's shrinkwrap. In an increasingly mobile society, it's common to cross the globe many times in a single month. Journeys that might once have taken weeks, now take hours. All of this travel is a suitable metaphor for Andrew Macpherson's rise to the pinnacle of celebrity photography. He has literally traveled the world to profile the best-known people of our age; Charlize Theron, Reese Witherspoon, and George Clooney to name a few. As he's done so, he's also embarked on an artistic journey to bring something fresh and inviting to each of his images. In this quest, he employs a multitude of varied techniques, playing with form, context and color. A note of poignancy overshadows this work. Many of the original negatives were lost in a warehouse fire. It is a testament to the strength of Macpherson's work that even scanned from magazine pages - as some of these images are - the results still radiate vitality and power.
Hardcover. London, Phaidon Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. An intimate collection of family photographs by over 50 photographers.
Softcover. New York , Aperture Foundation, 1st, 2008, Book: Very Good, Dust Jacket: None, Soft cover. 96 pages. FEATURES: THE SHADOW OF THE WORLD; JAMES WELLINGS CAMERLESS AND ABSTRACT PHOTOGRAPHY, FROM ECASTASY TO AGONY; THE FASHION SHOOT IN CINEMA, JH ENGSTEROM; LOOKING FOR PRESENCE, PRESENCE OF MIND; THE PHOTOGRAPHS OF PHILIP JONES GRIFFITHS, MUZI QUAWSON; PULL BACK THE SHADE, OF OTHER TIMES AND PLACES, IN A LONEY PLACE; PHILIP CREWDSON.
Hardcover. New York , Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.
Hardcover. London, Thames and Hudson, 1st UK, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages, 50 color photos by Boyd Norton. Forward by Yevgeny Yevtushenko. The 1990 journey of Matthiessen, Paul Winter and a group of Russian environmentalists who traveled around Siberia's Lake Baikal, the world's oldest and deepest lake, containing one-fifth of the planet's fresh water, is chronicled in diary form. Norton's 50 color photos enhance the text. Map.
Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.
Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.
Hardcover. Flammarion, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 448 pages. This elegant, large-format volume presents twenty masters of photography via 300 extraordinary authorial photographs, providing a broad yet accessible overview of twentieth-century photography. From Man Ray's pioneering experimentations to the elegant and provocative fashion shots of Helmut Newton and Herb Ritts, the twenty master photographers featured in this handsome tome are masters of their craft across different photographic genres, from reportage and documentary to art and portraiture to fashion and glamour photography. A portfolio for each photographer features a selection of their legendary images, an introduction to the photographer's oeuvre, a brief biography, and commentary on each of the featured photographs. The volume features a striking, elegant design and large format, bringing these iconic photographs into sharp focus.Master Photographers features the work of Araki Nobuyoshi, Gabriele Basilico, Margaret Bourke-White, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Elliott Erwitt, Walker Evans, Mario Giacomelli, Mimmo Jodice, William Klein, Peter Lindbergh, Man Ray, Robert Mapplethorpe, James Nachtwey, Helmut Newton, Martin Parr, Herb Ritts, Sebastiao Salgado, and August Sander.
Hardcover. NY, Norton, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages, 410 b&w duotone plates seected from the 145,000 photographs made between 1935 and 1943 by a team of now-famous photographers employed by the Farm Security Administration, whose ranks included Arthur Rothstein, Ben Shahn, Dorothea Lange, and Walker Evans. The agency's mission went well beyond photographing dispossessed rural people, and this book is proof. It includes 410 remarkable images made in large citiesas well as dozens of small towns and villages throughout the U.S. and Puerto Rico. Large format in a bright, unclipped dust jacket.