Photography

Softcover. Australia, National Gallery of Australia, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Extensive b&w photography throughout. Includes extensive notes and documentation accompanying photographs. Clean, unmarked copy with only minor wear to wrappers.

Softcover. NY, Swann Auction Galleries, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover. with pictorial covers, unpaginated, Sale 2045, Lots 292-609. Fully illustrated with b/w halftones, some color. Clean copy.

Hardcover. New York, Knopf, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages, 70 b&w and color photos of Marilyn Monroe. Over a ten-year period from the early 1950's until shortly before Marilyn Monroe's death - the years in which she went from virtual anonymity to super-stardom,photographer Eve Arnold had six photo sessions with her. And here she has chosen the best images. Bright, clean copy in an unclipped dust jacket.

Hardcover. Scalo, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. 89 color illustrations. "Postcard collages and texts by Rebecca Horn sent to Timothy Baum and friends," is the only explanation internationally known artist Rebecca Horn wanted to include in her latest book, probably her most accessible to a larger public. We do not know who Timothy Baum is. We have no idea who her friends are, nor when they received mail from this German artist, living in Berlin and Paris. We do not need to know: what Horn offers us is a revealing and, at the same time, enigmatic collection of her beautiful, often erotic, and most of all poetic, postcards. Horn presents to us a fragmented love story, told in painfully precise snapshots of lust and desire, intimate and precise, yet vague enough to be everyone's love story. By altering existing postcards, painting over them or gluing parts of different images on them, Horn creates collages that mirror life's beautiful and troubling contingencies. In what might be the artist's most personal book, Rebecca Horn presents life as a journey; we look at postcards from this journey from heaven. Or is it hell? In sharing her most intimate, most common emotional states in images and texts, Rebecca Horn creates an almost baroque dialogue between reality and the world of longing.

Hardcover. Boston, David R. Godine, 1st US, 1976, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. Black and white photographs throughout. Clean, tight copy.

Hardcover. India, Mapin Publishing Gp Pty Ltd, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. Indian Heritage in the Photographs of Jean Philippe Vogel, 1901-1913. 191 pages, b&w photographs. Frontis, 1 color map, profuse b/w photos. The early twentieth century proved to be a highly innovate period for Indian historical archaeology and heritage care. This highlights Vogel's contribution to early twentieth-century archaeology, documenting his explorations and excavations.

Hardcover. New York, Phaidon Press, 1st, 2005-07-06, Book: Near Fine, Dust Jacket: Near Fine, Like new in publishers shrink-wrap. Hardcover. Portraits of life in Benin from the 1960's and 70's. A collection of never-before-seen photographs made in West Africa whose discovery opens a new chapter in the history of African and world photography. 136 pages.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages, illustrated throughout in color and b&w. Text in German and English. Clean, unmarked copy with only minor wear to dust jacket. Oliver Mark (born 1963) has photographed countless artists, actors, politicians and other celebrities. Subjects included here are Tom Hanks, Anthony Hopkins, George Lucas, Sir Ridley Scott, Jenny Holzer, Mia Farrow, Norbert Tadeusz, Kenny Scharf, Georg Baselitz, David Chipperfield, Luc Tuymans, Cate Blanchett, Balthus and Sir Peter Ustinov. Besides Mark's most successful portraits, this volume also contains some of his most beautiful fashion photographs and other stills, many of which have appeared in several well-known magazines.

Hardcover. Austin TX, Texas Monthly Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 149 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Glitterati Incorporated, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hard cover, 128 pages. Clean, unmarked copy with only minor wear to dust jacket. Relatively unknown peer of innovative photographers Slim Aarons and Richard Avedon, Ronny Jaques' photographs captured the fashion, travel, food and lifestyle scenes for magazines like Town & Country, Harper's Bazaar, and Gourmet, where he established himself as the first true innovator of food photography. His work is chronicled and explained for the first time in book form by fashion luminary and friend, Pamela Fiori, editor for the past fifteen years of Town & Country magazine.

Hardcover. New York, Umbrage Editions, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. Like new in publishers shrink-wrap. Clayton Burkhart adopts the view of an anonymous wanderer in this mythic city and speaks of absence and loss against a backdrop of steel, stone, concrete, and neon. It is a story of love and redemption after the rain falls, when the damp sidewalks take on the saturated colors of the night.

Hardcover. Boston, Pond Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 78 pages, color photographs by Graham. Like new in a bright dust jacket. Graham's delightful look at the curious and the oddly juxtaposed in 68 color photographs made along the American roadside. Introduction by Robert Venturi.

Hardcover. US, The MIT Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Summer 2009. Photography journal. Articles: Not-so-fashion photography, Edward Hopper's legacy and dialogue with Don McCullin A clean, tight issue.

Hardcover. New York, Museum of Modern Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover still in publisher's shrinkwrap. Dust jacket unmarked. Binding is strong. Clean tight copy.

Hardcover. NY, McGraw-Hill, 1st , 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 236 pages. 136 beautifully reproduced color plates by Beny (tipped-in). Large format. A detailed portrait of India based on Roloff Beny's 20,000 mile travels through the various terrain. His photographs include monuments and temples, diverse population, various cultures, religious sites and statues, palaces and fortresses, landscape, etc.

Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Portfolios and Essays from Vince Aletti, Madonna, Wayne Koestenbaum, Michael L. Sand, Jonathan Williams, and Max Kozloff.Photographs by: Maarten Vanden Abeele, Juan Carlos Alom, Alexander Apostol, David Armstrong, Eve Arnold, Richard Avedon, Tina Barney, Letizia Battaglia, Cecil Beaton, Claude Cahun, Elinor Carucci, Helen Chadwick, Marianne Courville, Gregory Crewdson, Imogen Cunningham, Bruce Davidson, Jesse DeMartino, Baron Adolf de Meyer, Philip-Lorca diCorcia, Elliot Erwitt, Paul Fusco, Anna Gaskell, Robert Gligorov, Burt Glinn, Nan Goldin, Janine Gordon, Peter Hujar, Mimmo Jodice, Seydou Keita, Gyorgy Kepes, Barbara Kruger, Jacques-Henri Lartigue, Clarence John Laughlin, Annie Leibovitz, Man Ray, Robert Mapplethorpe, Mary Ellen Mark, Will McBride, Ana Mendieta, Tracey Moffat, Mariko Mori, Yasumasa Morimura, Shirin Neshat, Nic Nicosia, Nicholas Nixon, John O'Reily, Luigi Ontani, Jaime Palacios, Adrian Piper, Sylvia Plachy, Richard Prince, Miguel Rio Branco, Herb Ritts, Walter Rosenblum, Paolo Roversi, David Salle, Lucas Samaras, Gary Schneider, David Seymour, Cindy Sherman, Laurie Simmons, Lorna Simpson, Sandy Skoglund, Paul Strand, Dennis Stock, Laureana Toldeo, Ronald Treager, David Wanderman, Andy Warhol, Carrie Mae Weems, and Garry Winogrand.

Hardcover. US, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, 72 pages, illustrated throughout in color and b&w. SIGNED BY AUTHOR on half title page. Light shelf-wear to boards, faint foxing to edges.

Hardcover. New Haver CT, Yale University , 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, 59 plates in duotone, large format. Friedlander ventures into new territory, turning his eye to the rarefied world of fashion and revealing precisely what is commonplace about it: behind the glamorous spectacle of the runway are many people hard at work. The photographs, commissioned by the 'New York Times Magazine,' were taken in 2006 during New York Fashion Week, when the artist spent time backstage at the Marc Jacobs, Donna Karan, Calvin Klein, Zac Posen, Oscar de la Renta, and Proenza Schouler shows. The resulting images, many of which are published here for the first time, depict a flurry of toiling stylists, dressers, makeup artists, photographers, and models--all of them preparing, but not quite prepared, for an image to be taken.

Hardcover. New York, Silverstein Photography, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, 89 b&w images. Like new in publisher's shrink-wrap. Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City.

Hardcover. Johannesburg SA, Penguin Books, 1st, 1987, Book: Very Good, Dust Jacket: None, 130 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Some fading to spine. and laminate is bubbled in some spots. A fascinating book of photographs of mainly Black life during the 1950s in South Africa.

Boston, N.Y. Graphic Society, BC Ed., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos. 400 pages. Flap has price, (C) page with First Edition statement but actually Book Club edition. Edited by Mary Street Alinder & Andrea Gray Stillman. In his early years in Yosemite, Adams formed the habit of writing letters at every opportunity. His correspondence, therefore, virtually provides the full record of his life. Through the years, wherever he went, from the Southwest to Maine to Alaska, he wrote literally thousands of letters and postcards. Among the family, friends, fellow photographers, environmentalists, and politicians with whom he corresponded rank such eminent names as Alfred Stieglitz, Dorothea Lange, Paul Strand, jimmy Carter, Beaumont and Nancy Newhall, Garry Trudeau, and Edward Weston. Including both sides of continuing dialogues with these people and others, this book revels the growth of the artist and the whole man, as well as the development of the art of photography through the voices of the masters. A companion volume to his best-selling autobiography, ANSEL ADAMS: LETTERS AND IMAGES is illustrated with over 100 of his photographs from monumental landscapes to family snapshots. This combination of images with the highlights of a lifetime of letter writing creates a compelling portrait of one of the 20th century's greatest artists and conservationists and one of the most personable and memorable of men.

Hardcover. London, Arcperiplus Publishing, 1st, 2002, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 177 pages, color photographs of Buddhist pilgrims by Lena Herzog. Brief essay by Werner.

Hardcover. New York, Filipacchi Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages. Candid photographs of movie stars in between shots, relaxing on movie sets. Mostly black and white, some color. Still in publisher's shrinkwrap.

Hardcover. Center for American Places, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. The Mississippi River flows through American history and culture as a mythic waterway brimming with tragedy and hope, and awash in passionate ambitions and harsh realities. In 1953, a young Charles Dee Sharp traveled twice down the Mississippi (first by towboat and then by car along the renowned river road Highway 61) to make a documentary film of it, taking black-and-white photographs of the river, its communities, and its people.While Sharp's documentary never came to fruition, the striking images he captured survived as moving and evocative historical testaments to a lost era, now collected in his new book The Mississippi in 1953. These images create a vivid portrait of America's heartland a half century ago, and they are enriched with excerpts from Sharp's original trip journal, intriguing anecdotes from the people he encountered along his journey, and an engaging environmental history of the river by historian John O. Anfinson. The Mississippi in 1953 offers an original and poignant look at the living artery of the American landscape and how it molded the United States into the nation it is today.

Softcover. New York , Aperture Book, 1st, 1988, Book: Very Good, Dust Jacket: None, Spring 1988. Contains photographs from: John Baldessari, Bill Burke. David Levinthal, Barbara Kruger, Annette Lemieux. There is also an article on the Starn Twins written by Bruce Chatwin. A clean, tight copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Extraordinary photographs, along with extensive captions, document the transition from a barely explored paradise to a modern nation.This stunning collection of 720 photographs, many of them drawn from family archives and scrapbooks and all carefully restored, is one of the most important visual records of Africa in the late nineteenth and early twentieth centuries ever to have been published. The early photographers captured the beauty and dangerous allure of life on this spectacular frontier: the ceremonies and traditional attire of the native people, the fantastic machinery used in construction of the Uganda Railway, the gradual development of trade on the coast and in the country's interior, the hardships of the East African Campaign during World War I, and the pioneering spirit of early European settlers and farmers. Many of the most famous names and places connected with Africa appear in these pages, including Karen Blixen's farm and Ernest Hemingway and Theodore Roosevelt on safari.

Hardcover. London, Pavilion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Genius innovators in haute couture, AP have commissioned Mike Figgis to portray Kate Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist and "Narcissus" - "The 4 Dreams of Miss X". Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences. Two films have been released online in 2006, with the final two released in January and March 2007. Brought together for the first time on DVD, you can now enjoy Kate Moss' first ever speaking role at home and full screen.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, in a bright dust jacket. Photographs taken by Alfred Eisenstaedt in Germany in the 1920s and 1930s and on a return trip to Germany in 1979.

Hardcover. Munchen, Schirmer/Mosel., 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 269 pages. "Here is a breathtaking visual celebration of this all-time movie goddess, with the world's greatest photographers contributing their most famous landmark portraits collected from the thirty-five years during which Marlene Dietrich reigned supreme in the history of motion pictures."

Hardcover. Kampen GR, teNeues, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 448 pages, cloth over boards, stamped spine and cover. Foreward by Sean Callahan, this is the English/German/French/Italian/Spanish edition. Color photos have been culled from over almost half a million slides and cover a vast subject area--marketplaces, Vegas to Venice, public pageantry and carefully observed private interactions. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Softcover. Munich , Prestel, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Chronologically arranged, each chapter focuses on a particular work or idea that changed the course of photography. Presented in beautiful spreads and with informative text, the book opens with photography's genesis in the form of the camera obscura. Centuries later, Daguerre, Niepce, and Talbot invented their own means of capturing light on paper. The book covers groundbreaking genres such as still life, landscape, portraiture, and nudes. Sections on the role of photography in journalism illustrate how the camera's presence on battlefields, on city streets, and in factories helped inform and reform the modern world. Fashion, animals, Surrealism, and staged portraits are also explored. Perfect for perusing or reading from cover to cover, this book illustrates how photography developed from a concept to a world-changing force--one that attempted to shed light on truth yet can also obscure and alter reality in dazzling ways. Clean copy.

Softcover. Durham NC, Duke University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 494 pages. Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship--one that included Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin. Clean copy.

Hardcover. New York , Harry N. Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages with 250 b&w illustrations. A wealth of film stills, production photographs, and portraits, many previously unpublished, all beautifully reproduced from pristine print. Still in publisher's shrinkwrap.

Hardcover. London, Thames and Hudson, 1st UK, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages, 128 duotone plates. Introduction by Ann Beattie. John Loengard, one of the great LIFE magazine photographers, sums up his fifty-year career in this handsome volume.

Softcover. NY, Aperture Foundation, 1995, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Special Monograph Issue: Edward Weston Portraits. Foreword by Cole Weston Biographical Essay by Susan Morgan.

Hardcover. NY, PowerHouse, 1st, 2004, Book: Very Good, Dust Jacket: None, Women's liberation in Shanghai, China as captured through the lens of Bettina Rheims, with beautiful full-page photographs throughout. Textual insight (in English) by Serge Bramly. 11-1/4 x 13"; 252 pages. Rheims beautifully stages photographs of real women from all walks of life.

Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2004, Book: Very Good, Dust Jacket: None, Photographically illustrated paper-covered boards, no dust jacket as issued. 48 pages with 23 four-color plates (printed one to a sheet), beautifully printed on heavy-stock uncoated paper. 13-5/8 x 17-3/4 inches. Photographs by Phillip Toledano. Includes several reproduced "anonymous" brief corporate memos. Designed by Jack Woody. This edition was limited to 1000 hardbound copies.

Softcover. Corte Madera, CA, Gingko Press, 1st Wraps, 1998, Book: Very Good, Dust Jacket: None, Softcover, black & white photograph, 96 pages. "This book is a remarkable collection of photographs that will take you on a fascinating journey back to Berlin of the 1920s and early 1930s". A bright, clean copy.

Hardcover. London, Phaidon Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. An intimate collection of family photographs by over 50 photographers.

Hardcover. Taschen, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w photography.

Softcover. New York , Aperture Foundation, 1st, 2008, Book: Very Good, Dust Jacket: None, Soft cover. 96 pages. FEATURES: THE SHADOW OF THE WORLD; JAMES WELLINGS CAMERLESS AND ABSTRACT PHOTOGRAPHY, FROM ECASTASY TO AGONY; THE FASHION SHOOT IN CINEMA, JH ENGSTEROM; LOOKING FOR PRESENCE, PRESENCE OF MIND; THE PHOTOGRAPHS OF PHILIP JONES GRIFFITHS, MUZI QUAWSON; PULL BACK THE SHADE, OF OTHER TIMES AND PLACES, IN A LONEY PLACE; PHILIP CREWDSON.

Hardcover. New York , Knopf, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 98 pages, illustrated throughout in color. Light soil to dust jacket front cover, else a clean, tight copy. Most of the eighty-one excellent color photos show some quirky aspect of the American scene including some old favorites that pop up regularly in similar books, these three are in California, the Cabazon dinosaurs, the bulldozer shaped building in Turlock and Randy's Donuts in Inglewood. All the photos have captions which mostly explain the location and circumstance though the intriguing house (page fifty-two) on stilts with a half-track vehicle in front only gets 'Vienna, Virginia, 1986.

Hardcover. NY, Scalo, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photographs of glamorous movie stars, 335 pages. Mostly shot in Monte Carlo. This is one of the most gorgeous collections of classic B&W Hollywood pictures published in a long time. Actually, "Hollywood" isn't exactly accurate, as the late Edward Quinn did most of his work in Europe; most of the photos were taken at Cannes (including, of course, the Cannes Film Festival) or on the Riviera in the 1950's and early 1960's. The book is a huge hardbound with most of the photos in full-page format, and the publishers cleverly printed the captions on a separate pullout (in multiple languages, withal!) so as not to take space away from the pictures.

Hardcover. NY, Knopf, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 60 b&w photos of literary figures taken by Knopf. Published on the 60th anniverary of the publishing house. Like new in a bright dust jacket.

Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.

Hardcover. US, Prestel, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Like new still in publisher's shrink wrap.

Softcover. Koln GR, Taschen, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, color photos. Uniting the five leading lights of the Boston School of American photography, this is a showcase for some of the most striking and compelling imagery on the contemporary scene. Drawing on a similar range of influences -- fashion's studied glamour, Larry Clark's haunting lowlife, and the casual beauty of the snapshot -- all five contributors realise their visions in contrasting and highly idiosyncratic ways.

Hardcover. NY, Thames & Hudson, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. This groundbreaking publication announces the death of the conventional portrait. In an age when we are bombarded with flawless images of youthful beauty, when rejuvenation is available through a jar of cream or a scalpel, artists and photographers seek to portray the face in new ways.Through a variety of techniques, including computer manipulation, photomontage, and retouching, the artists present their new portraits. They replace clarity with blur, the split-second with the elastic moment, questioning the notion of a fixed identity, of universality of expression, of what constitutes beauty.Whether Cindy Sherman's disquieting disguises, Gillian Wearing's masked self-portrait, LawickMuller's composite portraits of couples, or Orlan's disturbing experiments with cosmetic surgery, these faces demand attention. 260 illustrations, 165 in color.

Hardcover. New Bedford MA, Old Dartmouth Historical Society, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine. 221 pages, b&w photographs. The photographs and descriptive captions provide a wealth of information on the whaling vessel, its gear, shipboard routine, whaleboats, and the cutting in and processing of whales. The photographs the artist Ashley took for his own reference and constitute the most complete known pictorial record of a sperm whaling voyage. ... The photographs and descriptive captions provide a wealth of information on the whaling vessel, its gear, shipboard routine, whaleboats, and the cutting of whales. No dust jacket. Clean copy.