Photography

Softcover. London, Tauris Parke Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. 107 b&w plates. A retrospective for exhibition at Museum of Modern Art, Oxford. Clean, bright copy.

Hardcover. Santa Barbara CA, T. Adler Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 128 pages, Like new in publishers shrink-wrap. 127 b&w and 100 duotone illustrations. Designed by Tom Adler. Ron Church"s images of surfing's first organized contests-at once mundane and heroic-caught the sport in a time of change.

Hardcover. Carmel CA, Ventana Editions, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 140 pages, 55 b&w plates. John Sexton's highly anticipated fourth book. invites the viewer into the contemplative landscapes and human-made environments, filled with viant luminosity. Seen through Sexton's eyes. his subjects are transformed into images of tranquility. wonder. and mystery. From the purity of a fresh snowfall in Yosemite Valley to the enigmatic rock forms of the Colorado Plateau. Sexton explores the subtle nuances of details rather than grand vistas. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Houghton Mifflin, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 358 pages, b&w photos. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. NY, Random House, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 2018, without any plan or agenda for what might happen next, Patti Smith posted her first Instagram photo: her hand with the simple message "Hello Everybody!" Known for shooting with her beloved Land Camera 250, Smith started posting images from her phone including portraits of her kids, her radiator, her boots, and her Abyssinian cat, Cairo. Followers felt an immediate affinity with these miniature windows into Smith's world, photographs of her daily coffee, the books she's reading, the graves of beloved heroes--William Blake, Dylan Thomas, Sylvia Plath, Simone Weil, Albert Camus. Over time, a coherent story of a life devoted to art took shape, and more than a million followers responded to Smith's unique aesthetic in images that chart her passions, devotions, obsessions, and whims. Original to this book are vintage photographs: anniversary pearls, a mother's keychain, and a husband's Mosrite guitar. Here, too, are photos from Smith's archives of life on and off the road, train stations, obscure cafes, a notebook always nearby. In wide-ranging yet intimate daily notations, Smith shares dispatches from her travels around the world. With over 365 photographs taking you through a single year, A Book of Days is a new way to experience the expansive mind of the visionary poet, writer, and performer.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. NY, Universe, 5th pr., 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Despite Prohibition, the '20s was the decade of jazz, flappers and hip flasks. While some took their vote and joined the Woman's Christian Temperance Movement, others, well, took liberties. Compiled here for the first time are more than 200 publicity stills and photos of some of America's first "It" girls--the silent film-era starlets who paved the way for the cacophony of Monroes and Madonnas to follow. Accompanying these iconic images are the stories behind them, including accounts from surviving Ziegfeld Girls, as well as ads featuring them that helped perpetuate the allure of It girl glamour. When rare and striking portraits of these women surfaced on the internet in 1995, author Robert Hudovernik began researching their source. What he discovered was the work of one of the first "star makers" identified most with the Ziegfeld Follies, Alfred Cheney Johnston. Johnston, a member of New York's famous Algonquin Round Table who photographed such celebrities as Mary Pickford, Fanny Brice, the Gish Sisters, and Louise Brooks, fell out of the spotlight with the demise of the revue. A sumptuous snapshot of an era, this book is also a look at the work of this "lost" photographer. Clean copy.

Hardcover. Bologna IT, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publishers shrink-wrap. Spanning 50 years and three generations, Joe's Junk Yard is a personal narrative that explores the history of the family's scrap metal business. Kereszi's disquieting, tender photographs of the last decade of the junkyard, accompanied by business ephemera and family scrapbook photographs, tell the story of this family and its struggles with a changing economy.

Softcover. Washington CT, Craftsbury Common, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Illustrated with b&w photographs by Hubbard, taken while traveling throughout America, reminiscent of the Farm Security Administration photographers of the 1930s. INSCRIBED BY PHOTOGRAPHER on the inside front cover. Clean copy.

Hardcover. Santa Fe, Twin Palms Pub, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, llustrated throughout in b&w. Light shelf-wear to dust jacket, else a clean, tight copy. For several years Nancy Burson has photographed children with craniofacial disorders. She uses a plastic Diana camera which imparts an "ethereal and almost spiritual quality" to her subjects. These camera-shy children and the artist have begun to see themselves and each other differently through this ongoing photographic experience, and in the process have perhaps understood better than most of us what beauty must be in order that our dreams and dignity may survive.

Softcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Full page color photographs. William Wegman is an American artist best known for creating series of compositions involving dogs, primarily his own Weimaraners in various costumes and poses. See Fay in all the big shot designer clothes of the day in color. Folio sized. Clean.

Hardcover. New York, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages, color plates. Like new in publishers shrink-wrap. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Softcover. Austin TX, University of Texas Press, 3rd Pr., 1994, Book: Very Good, Dust Jacket: None, Softcover, 264 pages including appendices, bibliography and index. Profusely illustrated with b&w and color photographs. Superb images, portraits of individuals and family groups, and their arts, convey a quality of intimacy and serenity. Scenes of daily activity show many details of the way the Navajos life has been lived. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Los Angeles, St. Ann's Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. American-born photographer Levinthal has earned national recognition by creating potent, ironic, and sometimes controversial visions using miniature figures and toys as characters in staged tableaux. He executed his series Modern Romance in the mid-1980s. Echoing the paintings of Edward Hopper and film noir, these are scenes of urban life in dreamy neon-lit color and television blues. Levinthal shows us figures lingering on street corners, entering movie theaters, passing through alleys, conversing in diners, and interacting in confined spaces.

Hardcover. University Press of Mississippi, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, text by Morris, color photos by David Rae Morris. The author's last book, written in his characteristically limpid, lyrical prose, offers a heartfelt appreciation of his home state, a place often dismissed as poor and backward by "outlanders," Morris' term for non-Mississippians. This is not a defensive recitation of Mississippi's virtues nor is it a whitewash of its less-than-attractive features. First, Morris wants the reader to understand the state's beauty--"physically beautiful in the most fundamental and indwelling way, [in that] it never leaves you." Then, with both pride and understanding, he brings into sharp focus Mississippi's peculiar tensions and ambivalence and also its passions--"we are a singular people," he says of his native folk. The second half of the book is an album of full-color photographs taken by Morris' son, a professional photojournalist. These shots informally capture ordinary moments in the lives of Mississippians, from a young couple standing next to their truck with their new baby in their arms to a group of local citizens hanging out in front of the main store in a small town. Together, the text and the photographs showcase Mississippians doing what they do best--being themselves completely without artifice. Clean copy.

Hardcover. New York, Umbrage Editions, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Illustrated throughout in b&w. Clean, unmarked copy with only minor wear to covers. Having worked as a photojournalist in the 1990s in Zaire, Sierra Leone and Angola, van Lohuizen had seen the effects of the diamond trade first hand, and in 2005, he went back to Africa to assess the situation under new peace agreements. His haunting black and white images follow diamonds from the mines in Africa to retail spaces in New York and parties in London.

Hardcover. NY, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 336 pages. Illustrated with black and white photos from the war in Vietnam and Indochina from the 1950s to 1975. Listing 135 photographers ( men & women ) from all sides of this conflict are recorded as missing or having been killed. A very emotional book and one of the better memorials to the war correspondents who died and who are still missing.

Softcover. US, ILR Press, 1st, 2009-08-06, Book: Very Good, Dust Jacket: None, Softcover, 142 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Since 2001, Candacy A. Taylor (a former waitress herself) has traveled more than 26,000 miles throughout the United States collecting stories of these "lifers," as many waitresses aged fifty or over playfully call themselves. She interviewed fifty-seven waitresses in thirty-eight towns and cities. Their compelling stories are complemented and enhanced by Taylor's striking color photographs of the waitresses at work.Taylor expected that the waitresses she'd meet would feel overworked and underappreciated, but was surprised and delighted to find that the opposite was true. The proud, capable waitresses Taylor interviewed loved their jobs and, even if given the opportunity, "wouldn't do anything else." Nearly all the waitresses said that the physical labor of waitressing helped them to age more gracefully and that the daily contact with customers and coworkers kept them socially engaged. Lifers generally make more money from serving regular customers with whom they forge bonds over decades and their seniority earns them respect from their coworkers and managers. Taylor's sensitive and respectful portrayal of career waitresses who have turned their jobs into a rewarding lifetime pursuit turns Counter Culture into an invaluable portrait of the continued importance of community in our changing society.

Hardcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with mild fade to spine. Mary Ellen Mark fell in love with the Indian circus in 1969, during her first trip to India. As she watched a huge hippopotamus walk around the ring with its mouth wide open, wearing a pink tutu, she was struck by the beauty and innocence of the show. She returned to India many times, and in 1989 and 1990 she devoted six months to photographing eighteen circuses, following them around the continent by train, plane, van, and auto-rickshaw. Secretive, highly competitive, and each a closed, self-sufficient society, the circuses embody what Mark calls "a poetry and a craziness that are still uncorrupted, and honest, and pure." Beautifully printed in tri-tone, this remarkable collection of photographs captures the texture of circus life outside of the ring - exhausting, humorous, poignant, and often bizarre - as well as the affection and devotion that the performers have for each other and their animals. Clean copy.

Hardcover. Gottingen GR, Steidl, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Biography mostly comprised of color and B&W photos of the famed blues musician, and ephemera related to him. Introduction by Tom Waits, foreword by Glenn O'Brien, and poems by Tyehimba Gess. 256 pages.

Softcover. Jackson MS, University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, illustrated with b/w photography throughout. 83 pages. Maggie Lee Sayre was born deaf near Paducah, Kentucky, in 1920. She lived 51 years of her life on a river houseboat as her family made a living fishing throughout Kentucky and Tennessee. This collection of her photos, accompanied by descriptive captions from Sayre, reveals a traditional river culture that is rooted in subsistence living. Clean copy.

Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages, Like new in publisher's shrink-wrap. In a series of intimate portraits infused with purpose, determination, and the physical and emotional struggles of intense training, Markus gives a more human face to a sport that rewards only those from its highest ranks. Far from the bright lights and stereotyped fame, these young fighters possess unrivaled dignity and grace.

Hardcover. NY, Harry N. Abrams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 352 pages. The ultimate comprehensive survey of Smith's brilliant work. DOMESTIC SHIPPING ONLY.

Hardcover. New York , Viking Adult, 1st US, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages, illustrated throughout in color. Remainder mark to bottom edge, light shelf-wear to dust jacket, else a clean, tight copy.

Softcover. NY, Pantheon, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover. With an introduction by Jack Kerouac. Robert Frank's The Americans changed the course of twentieth-century photography. In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just Frank's subject matter--cars, jukeboxes and even the road itself that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was 75 years ago. This edition was printed in Switzerland by Jean Genoud under the direst supervision of Robert Frank. Clean, bright copy.

Hardcover. US, Skarstedt Fine Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 76 pages. Money Talks is the first publication to bring together a thematic grouping of Kruger's work. The subject chosen could not be more apt--not only because of current politics and economic realities, but also because this is the subject Kruger has repeatedly returned to throughout her career.

Hardcover. Berkeley CA, University of California Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 112 pages. Schell, Orville [Foreword]; Parks, Gordon [Commentary]; Stepto, Robert B. [Commentary]. Shortly before the end of the Second World War, Wayne Miller was awarded a grant from the Guggenheim Foundation to photograph 'The Way of Life of the Northern Negro'." This project documented the wartime migration of African Americans northward, specifically looking at the black community on the south side of Chicago, covering all the emotions in daily life. The people depicted are mostly ordinary people, but some celebrities appear, such as Lena Horne, Ella Fitzgerald, Duke Ellington and Paul Robeson. He was a contributor to Magnum Photos beginning in 1958. Stamped name on front fly leaf, otherwise clean copy.

Hardcover. New York , Thames & Hudson, 1st, 1995, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Faint foxing to top edge, otherwise a clean, tight copy. From the legendary David Bailey comes this collection of photographs - a tribute to his wife, the model Catherine Bailey. Divided into five sections - nudes, fashion, pregnancy, children and beauty - these images capture her in different incarnations, as wife, mother, lover, seductress...and as tramp. The text is provided by Fay Weldon, a close friend of both David and Catherine Bailey. She explores the relationship between the photographer and his wife, and wider themes such as the interaction of commerce and art, the status of photography as a "real" art-form and the different ways men and women see the world.

Hardcover. San Francisdo, Chronicle Books, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Founded in 1960 by Chris Strachwitz, the one-man operation Arhoolie Records eventually produced more than four hundred albums during more than forty years in operation, exploring the far corners of American vernacular music--blues, gospel, Cajun, zydeco, hillbilly, Texas-Mexican norteno music, and more. From the very beginning, Strachwitz brought his camera along with recording equipment as he met and recorded now-legendary artists such as Lightnin' Hopkins, Mississippi Fred McDowell, Clifton Chenier, and Big Joe Williams. This book collects more than 150 of his best, most intimate, and exciting images--many never-before-seen--each with rich captions by Strachwitz and award-winning music journalist Joel Selvin, along with a substantial 20,000-word essay by Selvin about Arhoolie, Strachwitz, and the music. Bright, clean copy.

Hardcover. Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, Three volumes sharing the following format: Hardcover. Fine cloth-covered boards with tipped-in four-color plate on cover; no dust jacket as issued. The three volumes are contained in a custom foil-embossed slipcase. Photographs by William Eggleston. Text by Thomas Weski. 588 pp., with 250 four-color plates. 12-1/2 x 12-1/2 inches. Between 1965 and 1974 William Eggleston and Walter Hopps traveled together in the US, Eggleston taking photographs, Hopps driving. During these travels the title Los Alamos was born. The negatives for what became known as the Los Alamos Project were made between 1965 and 1974, and were archived in two boxes labeled Box #17 and Box #83. The latter was lost for several years. The project is presented in its entirety in this three-volume set for the first time. An earlier edition of "Los Alamos" edited by Thomas Weski was published by Scalo in 2003. Weski"s original essay is included in this revised edition. "Los Alamos Revisited" has been drawn from the complete set of photographs, including the long lost negatives from Box #83. NOTE: DOMESTIC SHIPPING ONLY.

Softcover. Seattle, University of Washington, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover. Introduction by Margery Mann. A retrospective look at Cunningham's long career. Includes many of her best images. B&w images throughout. A clean copy in wrappers.

Hardcover. London, Merrell Publishing, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 254 pages illustrated with 85 color and 100 b&w plates. Essays by William Ewing and Adelheid Rasche. In publisher's shrinkwrap. A lavishly illustrated retrospective of one of the greatest international fashion photographers. From the 1950s until his death in the crash of TWA Flight 800 in 1996, Puhlmann worked with most of the top models, stylists and designers in the fashion industry. Features arresting portraits of Isabella Rossellini, Cindy Crawford, Cheryl Tiegs, Mel Gibson, Calvin Klein, Jerry Hall, Naomi Sims and many others.

Hardcover. Albuquerque, University of New Mexico Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 307 pages illustrated in b&w and color. Explores how photographs are perceived and analyzes the work of photographers including William Klein, Henri Cartier-Bresson, and Helen Levitt. Max Kozloff was an American art historian, art critic of modern art, and photographer. He was art editor at The Nation, and Executive Editor of Artforum.

Softcover. Chicago, Stepen Daiter Gallery, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, illustrated with 26 b&w photos by Kertesz. Essay by Robert Gurbo.

Hardcover. NY, Thames & Hudson, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "While it seems we've already seen photographs of every centimeter of Paris from every angle, it's a pleasure to look at the postwar city through Child's viewfinder. A trained draftsman, painter and lithographer, he had strong theories about composition and light, as well as a desire to distill 'some aspect of each place,' whether it be fishermen on the Seine, geometrically framed by the overlapping arches of a bridge, or an old woman unwittingly anchoring an angular shadow in the South of France. As accomplished as the photographs are, and as engaging a character as Paul Child is revealed to be, the real draw here will undoubtedly be his intimate portraits of Julia Child before she was, well, Julia Child. What ultimately makes this enjoyable celebration of his work an important part of the Child archive is that it illuminates the third side of that fabled triangle, connecting us to his love of Julia - and France." (NYTimes) Clean copy.

Hardcover. Santa Monica CA, Santa Monica Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w photographs by Altman. Introduction by Ben Fong-Torres. The Sixties brings together a collection of photographs of the people, events, culture, rock and roll stars, writers, political figures, and other iconic individuals and celebrities who made the sixties the most influential decade of the twentieth century.The Sixties tells the story of that particularly colorful generation with the affection and devotion of someone who has experienced the revolution firsthand. Robert Altman's captivating photographs bring immense power to both quiet, intimate moments and scenes of thunderous anarchy alike.

Softcover. Bethel VT, Spaulding Press , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 107 pages, b&w photos. Profiles residents of Bethel,Vermont, in pictures and words. SIGNED BY FAGO on the title page. Clean copy.

Hardcover. New York , Universe, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover. Approximately 100-150 full page and double page b&w and color intimate photos of female nudes. Large format. The award-winning and renowned photographer behind the lens of Beautiful, Marc Baptiste offers us another very intimate look at women. Baptiste's inspired, unique, and sensual classicism is bolder than ever in Intimate. Surpassing standard portraiture, his photographs manifest a strong eroticism while incorporating the cinematic power of his fashion work.

Hardcover. New York, Clarkson N Potter , 1st, 1967, Book: Very Good, Dust Jacket: Good, 132 pages, 78 b&w illustrations, 12 in color. Clean, tight copy. Dust jacket shows wear, closed short tears, small pieces gone from edges.

Hardcover. NY, Alfred Knopf, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages. Introduction by Anne Rice. A collection of 154 black and white and color images from: Jacques-Henri Lartigue, Imogen Cunningham, Steven Meisel, Man Ray, Bettina Rheims, Helmut Newton, Sally Mann, Kurt Markus, Jerome Zerve, Ellen von Unwerth, Andre Kertesz, Arthur Elgort, Louise Dahl-Wolfe, Herbert List, Eve Arnold, Brassai and numerous others. Photographs of the nude (or rather semi-nude) male and female in underwear.

Hardcover. New York, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages, color and b&w pictures by various photographers. In a bright dust jacket, clean. Essays by Karen Finley, Dario Fo, Charles Simic. Alluring symbols of womanhood, breasts have fascinated generations of image-makers. Here, for the first time in book form, is the breast in photography: the titillating, maternal ageing and symbolic.

Hardcover. NY, Assouline, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Photos from the Rome-based hunters of famous faces and celebrities in the 1960s who inspired Fellini's LA Dolce Vita.

Hardcover. New York, Abbeville, 1st, 1985, Book: Very Good, Dust Jacket: Good, Hardcover, 120 pages, illustrated throughout with photographs in b&w. Blue cloth, gilt lettering to spine, pictorial dust jacket. Jacket sunned on spine and upper edge, slight foxing to front fly leaf, else a nice, clean copy. Kertesz's comments and photographs from his years in Hungary, Paris and New York.

Hardcover. New York, Collins Design, 1st, 2008, Book: Very Good, Dust Jacket: None, 80 color plates of female celebrities, photographed as Vargas-style pin-ups. including Gina Gershon, Kate Hudson, Susan Sarandon, Molly Sims, Vanessa Williams, and many more . . . Red slipcase, in publisher's slipcase.

Softcover. NY, Aperture, 1st, September 1990, Book: Good, Dust Jacket: None, Softcover, 160 pages, b&w photographs throughout. Edge wear, rubbing to wrappers. Sticker on front cover. Else pages clean and tight.

Hardcover. NY, Welcome Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover in a die-cut slipcase. an outrageous imaginary collection of botanical shoes and accessories created by photographer and artist Michel Tcherevkoff. Each virtual shoe and handbag is amazingly crafted out of numerous photographs of a single plant or flower. 96 pages.

Hardcover. Washington, D.C., Smithsonian, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 38 pages, b&w photographs throughout. Very clean and tight copy.

Hardcover. Saint-Ouen FR, Editions Intervalles, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 221 pages, b&w photographs, text in English and French. For more than twenty-five years, Xavier Lambours has portrayed those who made cinema a myth: actors (Robert De Niro, Clint Eastwood, Harvey Keitel, Sean Connery, Harrison Ford, Nicole Kidman, Liz Taylor), directors (Martin Scorsese, David Lynch, Orson Welles, Francois Truffaut, Wong Kar-Wai), screenwriters, cinematographers, set decorators; they all played the portrait game under the direction of this hugely talented eye.

Hardcover. New York, Alfred A. Knopf, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages, photographs throughout. Minor dust jacket edge wear and small crease on back cover, remainder line on top edge along spine, otherwise, very clean and tight copy.

Softcover. New York , Bulfinch Press, 2nd pr., 1998, Book: Very Good, Dust Jacket: None, A retrospective photo-essay of photographer Gordon Parks' work in B&W and color photos from the 1940s to his latest works and impressionist photos. 95 color and 195 duotone plates. Softcover, clean, bright copy.