Photography

Hardcover. New York, Five Ties Publishing, 1st, 2006-11-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, 163 pages. Like new in publishers shrink-wrap. Contains 93 color photos spanning 25 years of the photographer's work; Includes photos of Exeter Cathedral, the Millenium Dome, Lloyds of London, Washington National Gallery, the Louvre, and many more.

Hardcover. NY, Museum of Modern Art , 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Two Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. Appendixes include Berenice Abbott's typewritten copy of Andre Calmette's handwritten letter to her (late 1928). Maroon cloth with debossed title blind-stamped on cover and in gilt on spine, with dust jacket. 192 pp. with 116 plates and 84 black and white reference illustrations. Printed by The Meriden Gravure Company from halftone negatives made by Richard Benson. Clean, tight copy.

Softcover. Heidelberg, Kehrer Verlag, 1st, 2003-09-01, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Sandra Mann, a young photographer, portrays moments in nightlife not only through the lens of her camera, but as a member of the scene itself. She provides the viewer with intimate, sometimes erotic sights of artists, musicians, dancers, and common people who form the so-called "nightslife". Mann's infallible feeling for the unique situation and formal composition make the book in his special design and conception as a so-called "street book" an extraordinary document.

Softcover. NY, Aperture, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 120 pages with 90 iconic black & white photographs on high gloss paper. A rare poem by Ursula K. Le Guin at the front and a biographical essay by Raphael Shevelev at the back. A generous collection of superb photographs forms the bulk of the contents, with some commentary by the photographer. Mild wear to bottom corner of wrappers, otherwise a clean, bright copy.

Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 156 pages, 121 duotone photographs. Like new in publishers shrink-wrap. In this, his third book, John Comino-James shows us the world that is contained within just a few streets in the very ordinary neighbourhood of Cayo Hueso in Havana, Cuba. Through portraits and candid observation he builds an honest and intimate record of a small and tight-knit community. This is not the Havana of the tourist, but a city in which people go about their daily lives, dealing with the everyday realities that have resulted from decades of political isolation.

Softcover. Carmel CA, Friends of Photography, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 48 pages, 39 b&w plates. Photos taken in various parts of the country with a large format camera within the same year. Subjects are usually groups of people from places like Cambridge, MA, Neon, KY, Winter Haven, FL, Louisville, more Kentucky and so on. Preface by James Alinder, Executive Director of the Friends of Photography, and there is a four-page Introduction by photographer Robert Adams. Corner crease to rear cover, otherwise clean, very good.

Softcover. Milano, Longanesi & Co., 1st, 1979, Book: Good, Dust Jacket: None, Softcover, 94 pages. Text in Italian. Light edgewear to wrappers, faint foxing to edges and end papers.

Hardcover. Boston, Bulfinch / Little Brown, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover. Large folio in color printed thick glossy boards in color printed thick glossy card box. LaChapelle offers readers insight into the book and his photographic process: "And when people come for a photo session with me, they are giving themselves over, sort of checking in. When you stay at a hotel you're living for one day in a place where you don't normally live. That feeling can be true with photographs, too." LaChapelle's photographs can be spotted a mile away. If you read magazines, you know his work: it jumps out like none other with the expertly created environments and alternate realities in which he places his subjects. These universes are complete and constantly evolving to fit dynamic personalities. Hotel LaChapelle is filled with a celebrity cast as well as what LaChapelle calls "characters on the peripheries." The colors are as vibrant and inorganic as the settings that encapsulate his models. In this world, heads are sewn onto different-colored bodies, a nurse holds a face with a pair of tweezers, Marilyn Manson works as a school crossing guard, Madonna is a Krishna goddess, Leonard DiCaprio becomes Marlon Brando, and Ewan McGregor's face peers into a dollhouse while his body bleeds from a gunshot wound fired from Barbie's diminutive gun. The list goes on, and what it says about LaChapelle's vision is that excess is never too much. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Bulfinch Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 192 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. The first comprehensive retrospective of Chim's work includes many never before published images. He chronicled many of the turbulent events of the twentieth century, from France's Front Populaire and the Spanish civil war to the devastating aftermath of World War II and the birth of Israel. One of the founders of Magnum, he was killed in the Suez war. Edited by Catherine Chermayeff, Kathy McCarver Mnuchin and Nan Richardson. Includes a biographical chronology and a bibliography.

Hardcover. Damiani, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 168 pages, color photos. From 1989 to 1993, New York fashion designer Isaac Mizrahi granted the British photographer Nick Waplington rare backstage access to photograph every detail of the designer's fitting sessions in the weeks before his twice-yearly fashion shows. Combining Waplington's gritty verite style with Mizrahi's haute couture sensibilities, the resulting images offer a candid glimpse into the world of fashion when supermodels including Cindy Crawford, Christy Turlington and Naomi Campbell reigned supreme. At the same time, Waplington set out to document the wildly creative nightlife of the '90s "club kid" culture in New York, juxtaposing his images of uptown style with downtown looks and taking pictures at some of the city's most infamous clubs, such as the Pyramid Club and Save the Robots. Clean copy in publisher's shrinkwrap.

Hardcover. US, Reel Art Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Large heavy book, 448 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. This breathtaking tome is the definitive and comprehensive collection of Billy Name's black-and-white photographs from Warhol's Factory. Name's photographs from this period (1964-68) are one of the most important photographic documents of any single artist in history. Name lived in a tiny closet at the Factory. He was responsible for the legendary "silverizing" of the space using aluminum paint and foil to complete the instillation. When Warhol gave Name a Pentax Honeywell 35mm camera, he took on the role of resident photographer and archivist. This visual essay, produced in collaboration with Billy name, offers an extensive trip through Warhol's world. Name photographed the day-to-day happenings at The Factory with Andy, including visits from Lou Reed and the Velvet Underground, Nico, Edie Sedgwick, Ivy Nicholson and Bob Dylan, and filming Screen Tests and features such as Chelsea Girls, Vinyl and My Hustler.

Softcover. NY, The New Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 199 pages. For thirty years, Eugene Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative portrait. A collection of case studies of archetypal urban settings, this book examines Atget's approach to photography. It features 240 of his photographs-nearly all of which have never been published-assembled to display the integral relationship between the photographer's working method and his subject matter, revealing the character of Le Vieux Paris itself. Clean copy.

Hardcover. US, Taschen, reprint, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages. Like new in publisher's shrink-wrap. Taken between the mid-1960s and early 1980s, this selection of Newton fashion editorials-one of the first books he ever published-is accompanied by journal entry-style texts by Newton providing anecdotes and describing the circumstances of each shoot. On every page is evidence of Newton's groundbreaking vision that transformed fashion photography-an influence that can still be seen today in the pages of the greatest fashion magazines.

Hardcover. NY, Aperture, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An acclaimed photographer's images and the words of Russia's foremost writers combine in an intimate record of the contemporary Russian experience: an intractable culture in the throes of irrevocable change. 30 color and 70 black-and-white photographs. This handsome photo album with Morath's own foreword and captions depicts a world to which many Russians in the grip of post-Soviet nostalgia long to return. Morath's Russia is devoid of Soviet excresence: no ugly concrete apartment blocks, Stalinist skyscrapers, or exhortative banners appear. Landscapes and street scenes are poetic and largely deserted. Sidetrips to Armenia, Georgia, Kyrgyzstan, Lithuania, and Uzbekistan are subsumed under "Russian culture." The people shown are mainly artists and intellectuals, and portraits of embattled dissident writers (Nadezhda Mandelstam and Joseph Brodsky) testify to the moral support Morath and her husband Arthur Miller offered them in the 1960s. The album includes fond letters from Mandelstam and poet Andrei Voznesensky, as well as Olga Andreyev Carlisle's reminiscence of her 1967 trip to the Soviet Union with Morath. Clean copy.

Softcover. NY, Morgan & Morgan, Inc., 1st, 1978, Book: Good, Dust Jacket: None, 206 pages, illustrated throughout in b&w. Faint foxing to edges. Light shelf-wear and creasing to covers.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with light fading to spine, 96 pages, 50 color photographs. Since the end of the Cold War, the U.S. government has been quietly focusing on how to utilize the vast tracks of land that were sequestered as munitions plants during WWII. In Joliet, Illinois, Terry Evans has photographed one such plant, and it's surrounding landscape, creating a gentle sense of irony in these beautiful color landscapes, many of which are low altitude aerial photographs. Part of the Center for American Places Series. Clean copy.

Hardcover. New York , Knopf, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 98 pages, illustrated throughout in color. Light soil to dust jacket front cover, else a clean, tight copy. Most of the eighty-one excellent color photos show some quirky aspect of the American scene including some old favorites that pop up regularly in similar books, these three are in California, the Cabazon dinosaurs, the bulldozer shaped building in Turlock and Randy's Donuts in Inglewood. All the photos have captions which mostly explain the location and circumstance though the intriguing house (page fifty-two) on stilts with a half-track vehicle in front only gets 'Vienna, Virginia, 1986.

Hardcover. NY, Aperture, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 78 pages. Introduction by N. Scott Momaday. Color photography throughout. Clean copy.

Hardcover. New York , Thames & Hudson, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 255 pages, clean hardcover in a bright, unclipped dust jacket. B&w photographs throughout by Bischof. His images were influenced by the major photo-movements of his time: the formal concepts of Das Neues Sehen (New Vision), the surrealism of Man Ray, and the documentary tradition of photojournalism. From the 1940s through the early 1950s, he covered World War II, the bombing of Hiroshima, and the Korean War for Life , Paris-Match , and other publications; his most famous series, "Famine in India," appeared in Life in 1951. This first major compilation of Bischof's work is nicely complemented by the text, a joint effort by son Marco and Swiss art historian Magnaguagno that vividly integrates biography and history.

Hardcover. Berlin, Guido Hackebeil, 1st, 1926, Book: Very Good, Dust Jacket: None, 344 pages plus tables, ads in rear. Red cloth spine, cream colored boards with light soil. A book on amateur film making, b&w illustrations, German text. AGFA has an ad in the back with actual film stills. Previous owner's bookplate, signature on front fly leaf, otherwise clean.

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 152 pages, b&w and color illustrations. Fashions inspired by Fellini's cult film. In publisher's shrinkwrap.

Softcover. New York , Thames and Hudson, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, 54 color photographs by Stefano de Luigi. With an essay by Martin Amis, "A Rough Trade". Tight, clean and crisp. Explores the world of pornography in Los Angelas, Tokyo, Budapest, Milan, Prague and Dortmund. Features interviews conducted with industry workers and stars in LA.

Hardcover. Boston, New York Graphic Society, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 159 pages, large format. B&w plates throughout. Introduction by Hubert de Givenchy. Skrebneski is celebrated as one of the world's finest fashion and portrait photographers. His diverse body of work has won him international accolades and, for more than half a century, he has photographed the world's most famous people, from Orson Welles, Truman Capote, and Audrey Hepburn to Andy Warhol, David Bowie, and Iman. In 1962, Skrebneski became the exclusive photographer for Estee Lauder, and over the years his flawless images of models such as Paulina Porizkova and Willow Bay made history. Five Beautiful Women is an elegant portfolio published to commemorate his twenty-five year collaboration with Estee Lauder. For the project, five distinctly beautiful models were chosen--Phyllis Connor, Karen Harris, Karen Graham, Shaun Casey, and Willow Bay--and, as Hubert de Givenchy notes, "[Skrebneski] succeeded in his very personal way to convey not only the external individuality of his subjects but, what in my opinion is most important, their inner beings."

Softcover. Aperture, 1st, 1998, Book: Very Good, Dust Jacket: None, 79 pages, b&w and color photographs throughout. Very good.

Hardcover. Lily Bay Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcovr, 98 pages. After the horrendous events of September 2001, photographer Peter Elliott loaded his cameras and some clothes into his car and began a cross-country journey, looking for the flag. He found it everywhere: painted on a retaining wall in Tacoma, flying over a trailer in Bozeman, carried billowing by a lone man walking a sandbar in Florida, made of plastic cups stuck in a fence in Mississippi, draped over a fake horse in Salinas, immaculately hanging from a Beverly Hills mansion's window. Home Front is both a tribute to the profound emotions of the country and a testament to Elliott's eye. His genius in these eighty-seven arresting images is to wed these serendipitous meetings with the flag to a language of light and composition that draws as much from classic landscape photography as it does from urban visual idioms. Elliott manages to convey here America's stirring and complex national character, one in which those who have not benefited from the nation's prosperity nonetheless feel the same sense of pride as those who have. With its inspiring introduction by Julia Reed, Home Front is the record--both somber and joyous--of Elliott's encounters with spontaneous patriotism.

Hardcover. Boston, David R Godine, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 226 pages. Oversized. Black cloth cover, gilt design, very little wear. Dust jacket with minor wear. Many b&w photographs throughout. A bright, clean copy. The story of William Notman and his sons and proteges who for over 60 years chronicled North America ( Canada and continental United States ) through the eye of a camera. He gives an invaluable view of what was like to live in the latter part of the Victorian era.

Softcover. New York , Aperture, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. Fall 1988. Includes work by: Edward Steichen, Roy Stryker, Lorna Simpson, Louis Stettner, Garry Winogrand, Carrie Mae Weems, Dan Weiner, Aaron Siskind, Arthur Rothstein. A clean, tight issue.

Hardcover. New York, Random House, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, photographs throughout. Foreword by David Halberstam. Introduction by John Szarkowski. Slight dust jacket edge wear, otherwise, very clean and tight copy. "Robert Riger was the preeminent artist of a golden age of American sports," David Halberstam notes in his introduction to this collection of Riger's classic photographs. "He was good because he knew what he was doing, understood the games, understood both the talent and the passion of the athletes." Riger's photographs are remarkable testaments to his love for sports, his acute insight into what it is that athletes do, and his uncanny knack for locating the decisive moment in a play or gesture.

Hardcover. Kerber, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. In 1953, Peter Keetman spent a week at the Volkswagen plant in Wolfsburg. The result was a series of exceptionally clear, almost abstractly detailed photographs that document the entire production process of the VW Beetle. Storage stacks of shiny metal bumpers look like so many Modernist sculptures; car bodies hovering above the assembly line retrospectively form a surreal Pop art montage. This oversize publication reproduces the Volkswagenwerk series in full, in their original size, together with texts that refer both to this series and to Keetman's greater oeuvre. Keetman was known throughout his career as photographer of systemically conceived picture series on themes that included close-ups of water and oil drops, a style of working he developed as a member of Fotoform. Fotoform, a German movement of the 1950s of which Keetman was a primary proponent, was critical in the development of German photography as it is today: the group's "subjective photography" combined scientific objectivity with abstraction. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, Westzone, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, b&w and color photographs throughout, minor dust jacket edge wear, otherwise, very clean and tight. Bangkok's red light district - it's about addiction; a crazy hedonistic lifestyle that is also a refuge. For everyone caught up in the nightlife, bar girls, transexuals, transients, tourists there is an emotional addiction: and endless cycle of happy illusion, ecstacy, intensity, doubt and despair all captured by photographer Nick Nostitz.

Softcover. Charlottesville, University of Virginia Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 94 pages, b&w photos. In publisher's shrinkwrap. n an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.

Hardcover. New York, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Good, Hardcover, 132 pages, illustrated throughout in b&w. INSCRIBED BY AUTHOR on title page. Previous owner's bookplate on front end paper, light shelf-wear and rubbing to dust jacket. Clean, tight copy. As a serviceman in Paris after World War II, Peter Miller served as a US Army Signal Corps photographer. By day, he would snap one-star generals greeting four-star generals, and the innumerable grip and grins of Congressmen visiting soldiers. By night, Miller traversed the city of light, capturing the resilient spirit of Parisians in the wake of the devastating war. Miller's photographs reflect the vision of a sparkling city while his recollections document the wonder and enchantment felt by a young man from Vermont. From pictures of the Latin Quarter brimming with American jazz and blues to alluring models on the runways of Christian Dior; from romantic courtships in the streets to hobos along the River Seine, Miller captures these sights and impressions in dynamic compositions and sensitive recollections that are striking, compassionate, and a joy to all lovers of the city of light.

Hardcover. NY, Harry N. Abrams, Inc., 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 160 pages, with profuse full-page illustrations of black & white photographs of World War II soldiers and sailors during breaks from combat.

Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 156 pages. Hardcover with dust jacket. Brand new copy still in wrapper. Book in near fine condition. Very clean, unmarked copy. Color and black & white images throughout. Tight copy.

Hardcover. NY, W. W. Norton , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, 120 b&w images. Once locked away in European archives, these early modernist photographs of America rival those of Steichen and Evans. Emil Otto Hoppe was born in Munich in 1878 but lived in London from 1900 until his death in 1972. He was an early and important modernist whose seminal views of the United States in the 1920s rival those of his peers: Paul Strand, Edward Steichen, Alfred Stieglitz, and Walker Evans. His work shows us an America as only an outsider could: brave, new, and grand in scale but with a hint of trouble brewing in the gaps between its multicultural and economic diversities.

Hardcover. Los Angeles, Paul Getty Museum, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 170 pages, 183 early photographs from Scotland, circa 1839-1850. Still in publisher's shrinkwrap. Brewster was an eminent physicist whose principal research was in optics, which led to his intense interest in photography. He was also close friends with William Henry Fox Talbot, inventor of negative-positive paper photography. The Brewster album is a scrapbook, containing a miscellany of images by an assortment of early photographers.

Hardcover. New York , Umbrage Editions, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket.217 pages, b&w photos documenting Edinger's travels, some color. Essays by Simonetta Persichetti and Nan Richardson.

Hardcover. New York, John Day, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover. Non-Paginated. Illustrated with black & white photographs. Dust jacket shows standard wear. Clean, tight copy.

Hardcover. Seattle, University of Washington Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 196 pages. Hardcover with dust jacket. Color photographs. Clean, unmarked copy with only minor wear to dust jacket. In Yamuna Walk, photographer and multimedia artist Atul Bhalla documents a five-day trek along the sacred Yamuna River as it passes through his home city of New Delhi, India. Through his vivid and haunting photographs, Bhalla explores the myriad ways that modern life along the Yamuna is shaped by water, from the rural outskirts of the city to the polluted landscape of urban Delhi. Climbing over fences, crossing concrete overpasses, and navigating between blooming fields and piles of waste on his journeys, Bhalla also shows the diverse marks of human development that can be read in the image of the river.

Softcover. New York, Thunder's Mouth Press, 1st Thus, 1996, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Full color and black & white photographs by Boris Vallejo. Moderate wear. Clean, unmarked copy.

Hardcover. Berlin , Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Robert Polidori is known for his large format photographs of habitats and rooms saturated with the traces of human intervention. In EYE and I, he turns the lens around to reveal the portraits of people he has encountered in his work of over thirty years photographing around the world, particularly in the Middle East and India. These instantaneous portraits of mutual recognition reveal the photographed subject and the photographer intersecting with each other in a fleeting gaze of mutual regard.

Hardcover. New York, Other Press LLC, 1st Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 372 pages. Hardcover. Nearly 500 full color and black & white photographs throughout. Dust jacket with light fading & small tear to spine edge. Clean, unmarked and bright copy.

Hardcover. Stockport UK, Dewi Lewis, 1st, 2013, Book: Very Good, Dust Jacket: None, 80 pages, 40 color images by Simoneau documenting his relationship with Caroline Annandale. Clean. No dust jacket issued. Simoneau, a Montreal-based photographer, chronicles his long romantic relationship with Caroline Annandale. Having met at a photography workshop in 2000, Simoneau and Annandale engaged in what the book's description calls a "feverish" relationship, which took a turn on September 11th 2001, the date of the World Trade Center attacks in New York. Shortly afterwards, Annandale enlisted in the US Army and was shipped off to Iraq. Simoneau, the photographer of this love story, stayed behind. Simoneau does not present what might be expected from a 'war' book, nor does he delve into the gender role switch of the female partner going to combat while the male stays back on the homefront. Instead, his view of war becomes a unique assembly of what he sees and feels from a distance. Removed from the actual conflict, but connected emotionally to Caroline Annandale, Simoneau's view takes on a limited frame: he can see only what is sent to him or what is represented in the media during wartime. Love and War therefore is a book about war, and yet, the war is defined by the absence it's created in Simoneau's life.

Hardcover. Dubai, Taj Hotel /New Arabian Heritage, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages, beautifully illustrated throughout in color. Light shelf-wear/rubbing to dust jacket, else a clean, tight copy.

Hardcover. New Haven CT, Yale University Art Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. "Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today." 48 b&w images by Friedlander.

Hardcover. Fayetteville, AK, University of Arkansas Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 77 pages. Hardcover. Color and b/w illustrations throughout. Decorated endpapers. Gilt title on spine and front cover board. Cover boards bound in brown cloth. Binding tight, clean inside and out. In beautiful shape. Like new.

Hardcover. NY, McGraw-Hill, 1st, 1972, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Photographs in black-and-white portray residents in the Town of Camden and Wilcox County, Alabama in the early 1970s, with accompanying text by photographer Bob Adelman and editor Susan Hall. A remarkable document by the photographer renowned for his photographic portraits of the Civil Rights Movement.

Hardcover. New York, Bloomsbury , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Throughout her career, Eve Arnold alternated between serious documentary photography and working behind the scenes on numerous films. At a time when Hollywood studios controlled every aspect of their actors' image, Arnold's candid photographs showed them at their most intimate and their most compelling: Marilyn Monroe sharing a private moment with Arthur Miller, Marlene Dietrich, uncharacteristically girlish in the recording studio, Michael Caine and Candice Bergen doing an impromptu tango number and an exhausted Richard Attenborough stealing a nap in between shooting. Eve Arnold: Film Journal is a collection of these famous film stills along with the notes and impressions made by Arnold during the shoot. As her camera revealed the unseen sides of Hollywood legends, Arnold also became privy to their private lives. In her Film Journal, she writes memorably about the tensions and dramas on the film sets, of Marilyn Monroe combing her pubic hair during an interview, Simone Signoret discussing her husband Yves Montand's infidelities, Joan Crawford sneaking in vodka in a Pepsi cooler, and Marlene Dietrich recounting her night with John F. Kennedy. With 80 previously unpublished photographs, including many old favorites, Eve Arnold: Film Journal is a classic from one of the great photographers of our time.

Hardcover. US, Gestalten, 1st, 2010, Book: Very Good, Dust Jacket: None, 144 pages. Like new in publisher's shrink-wrap. The Valley of the Shadow is a collection of photography by Miron Zownir that documents a world of unconditional authenticity, dire ecstasy, and demonical possession that exists in the shadows of urban areas in New York, Berlin, and post-Communist Eastern Europe. As controversial as they are uncompromising and poetic, Zownir's expressionistic black and white portraits capture the morbid dignity of society's misfits, freaks, and the homeless. Miron Zownir is a German-Ukrainian photographer, filmmaker, and author whose critically acclaimed work has been featured in international solo and group exhibitions as well as renowned The Valley of the Shadow is not a book for the faint-hearted.

Hardcover. US, Damiani, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 160 pages. Since its inception in the 1970s, hip hop music and the culture surrounding it has become a hugely influential and popular musical form in America and around the world. Its popularity extends beyond the urban centers where it was born, and pervades and influences youth culture around the globe. However, few artists have created serious and powerful photographs that explore the breadth of the phenomenon. With this volume, David Scheinbaum has done just that. His portraits of Erykah Badu, Chuck D., George Clinton, Common, Mos Def, Del-Tha Funkee Homosapien, Sage Francis, Professor Griff, KRS One, Mike Relm, Tajai, Wu-Tang Clan and Yelawolf (among others) approach hip hop as a positive cultural influence akin to the youth movement of the 1960s. Scheinbaum's photographs are accompanied by essays by Gaye Theresa Johnson and Michael Eric Dyson, an artist conversation with Frank H. Goodyear III and an introduction by Brian Hardgroove of Public Enemy.