Photography

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Dutch documentary photographer Martin Roemers decided to track down the remains of deserted atom bomb shelters of the Cold War period. For over ten years he traveled through formerly hostile countries on both sides of the line: through eastern and western Germany, England, Belgium, the Netherlands, Poland, Ukraine, and other former East Bloc nations. Hardcover, 144 pages, 73 color plates, essays by Roemers, H.J.A. Hofland, and Nadine Barth.

Softcover. Washington CT, Craftsbury Common, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Illustrated with b&w photographs by Hubbard, taken while traveling throughout America, reminiscent of the Farm Security Administration photographers of the 1930s. INSCRIBED BY PHOTOGRAPHER on the inside front cover. Clean copy.

Hardcover. Daytona Beach FL, Southeast Museum of Photography, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages with 69 color plates. Like new in publishers shrink-wrap. The memorable and sometimes aggressive photographic portraits of On The Beach are the result of a six year project by two well-known photographers, Douglas McCulloh and Jacques Garnier. They placed a studio lighting setup directly in the sand, making California and Florida beaches their backdrop. The beach eliminates conceits, concealment, and clothing. People who cross onto the sand become a little naked. To this equation of vulnerability, the two photographers add unforgiving strobe lights and a ruthless high resolution camera.

Softcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Full page color photographs. William Wegman is an American artist best known for creating series of compositions involving dogs, primarily his own Weimaraners in various costumes and poses. See Fay in all the big shot designer clothes of the day in color. Folio sized. Clean.

Hardcover. San Francisco, Chronicle Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 175 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition. Antarctica remains largely unknown and infinitely fascinating. Stuart Klipper has traveled to Antarctica six times in twentyyears to photograph this astounding body of work, offering a sweeping look at this majestic continent, which has lately become central to global climate change concerns. Shot in panoramic formatthe only way to encompass a landscapethat seems to stretch on foreverKlipper's work captures major features and surprising details: ships suspended in the frozen sea, glowing blue icebergs, vistas of endless snow, and troops of penguins. This volume's substantial size, panoramic shape, and unique vertical-opening case emphasize the grandeur of these austere and lovely photographs from the bottom of the world.

Softcover. Austin TX, University of Texas Press, 3rd Pr., 1994, Book: Very Good, Dust Jacket: None, Softcover, 264 pages including appendices, bibliography and index. Profusely illustrated with b&w and color photographs. Superb images, portraits of individuals and family groups, and their arts, convey a quality of intimacy and serenity. Scenes of daily activity show many details of the way the Navajos life has been lived. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages. Like new in publishers shrink-wrap. Whatever his subject matter, rubbish bins or the human body, Edmund Teske (1911 - 1996) used the medium of photography: its film, chemistry, optics and mechanics to create serious, reflective and often composite works of art. This volume accompanied an exhibition of his photographs at the J Paul Getty Museum in 2004. As well as over 110 illustrations, the book contains Julian Cox;s biographical and critical essay and an interview with Teske's close friend of 30 years, the artist George Herms.

Hardcover. University Press of Mississippi, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, text by Morris, color photos by David Rae Morris. The author's last book, written in his characteristically limpid, lyrical prose, offers a heartfelt appreciation of his home state, a place often dismissed as poor and backward by "outlanders," Morris' term for non-Mississippians. This is not a defensive recitation of Mississippi's virtues nor is it a whitewash of its less-than-attractive features. First, Morris wants the reader to understand the state's beauty--"physically beautiful in the most fundamental and indwelling way, [in that] it never leaves you." Then, with both pride and understanding, he brings into sharp focus Mississippi's peculiar tensions and ambivalence and also its passions--"we are a singular people," he says of his native folk. The second half of the book is an album of full-color photographs taken by Morris' son, a professional photojournalist. These shots informally capture ordinary moments in the lives of Mississippians, from a young couple standing next to their truck with their new baby in their arms to a group of local citizens hanging out in front of the main store in a small town. Together, the text and the photographs showcase Mississippians doing what they do best--being themselves completely without artifice. Clean copy.

Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages, 125 color plates. Like new in publishers shrink-wrap. The remarkable photographs in Forever Engand were taken at Bekonscot Model Village in Beaconsfield. Initially built by a London accountant to entertain his house guests, it opened to the public in 1929 and is the oldest model village in the world. Bekonscot's miniature population of 3,000 people and 300 animals becomes real, their lives frozen in time, as we are carried back to an England we all know and long for.

Hardcover. NY, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 336 pages. Illustrated with black and white photos from the war in Vietnam and Indochina from the 1950s to 1975. Listing 135 photographers ( men & women ) from all sides of this conflict are recorded as missing or having been killed. A very emotional book and one of the better memorials to the war correspondents who died and who are still missing.

Hardcover. NY, Random House, 1st, 2006, Book: Good, Dust Jacket: Good, Large heavy monograph illustrated throughout in color and b&w. Light edgewear and rubbing to dust jacket and boards. "I don't have two lives," Annie Leibovitz writes in the Introduction to this collection of her work from 1990--2005. "This is one life, and the personal pictures and the assignment work are all part of it." Portraits of well-known figures-Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, William Burroughs, George W. Bush with members of his Cabinet-appear alongside pictures of Leibovitz's family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes made even more indelible through Leibovitz's discerning eye. The images form a narrative rich in contrasts and continuities: The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while she is working, and the public work resonates with the themes of her life.

Hardcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with mild fade to spine. Mary Ellen Mark fell in love with the Indian circus in 1969, during her first trip to India. As she watched a huge hippopotamus walk around the ring with its mouth wide open, wearing a pink tutu, she was struck by the beauty and innocence of the show. She returned to India many times, and in 1989 and 1990 she devoted six months to photographing eighteen circuses, following them around the continent by train, plane, van, and auto-rickshaw. Secretive, highly competitive, and each a closed, self-sufficient society, the circuses embody what Mark calls "a poetry and a craziness that are still uncorrupted, and honest, and pure." Beautifully printed in tri-tone, this remarkable collection of photographs captures the texture of circus life outside of the ring - exhausting, humorous, poignant, and often bizarre - as well as the affection and devotion that the performers have for each other and their animals. Clean copy.

Hardcover. New York, Aperture, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w images. Like new in publisher's shrink-wrap. Richards' response to the trauma of September 11, 2001, with interviews with some of the families who lost sons, daughters, husbands, wives, mothers, and fathers. According to one reviewer: "It may be the best photo book yet on those hard days." Photographs and afterword by Eugene Richards; interviews by Janine Altongy.

Softcover. Jackson MS, University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, illustrated with b/w photography throughout. 83 pages. Maggie Lee Sayre was born deaf near Paducah, Kentucky, in 1920. She lived 51 years of her life on a river houseboat as her family made a living fishing throughout Kentucky and Tennessee. This collection of her photos, accompanied by descriptive captions from Sayre, reveals a traditional river culture that is rooted in subsistence living. Clean copy.

Hardcover. Paris, Flammarion, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages. Like new in publisher's shrink-wrap. Pays homage to the ultimate travel dream of that era. This collection of over 100 autochrome, sepia, and black and white photographs captures delicate, lost details: the dusty, labyrinthine walls of the casbah; the dappled sunlight on the market stall of a souk; the intricate metal work of traditional jewelry. Each image is accompanied by an informative text that situates the photograph in its historical reality.

Hardcover. Cambridge MA, The MIT Press, 1st thus, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. August Sander (1876-1964) spent his life intending to create a collective portrait of the German people, an undertaking which remained incomplete at the time of his death. This reconstruction by Keller, a professor of art history, in collaboration with Gunther Sander, the photographer's son, was compiled from Sander's notes and negatives. The photographs cover the years of the Kaisers, the Weimar Republic, the Nazi regime, and the early Federal Republic and have become a landmark in the history of photography. 512 pages; 431 full-page duo-toned b&w plates + 75 text illustrations; 9.25 x 11.75 inches. Bibliography. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. In the early 1950s, Berlin-born photographer Jurgen Schadeberg captured Nelson Mandela, (then a young attorney), singer Miriam Makeba and the nightlife in Sophiatown, a dynamic black neighborhood in Johannesburg. Revealing the poverty endemic to the majority of South Africa's black population became Schadeberg's chief focus. He arrived there in 1950, at the advent of apartheid, to work for Drum, the first magazine for black readers. In 1964, when Drum was banned, Schadeberg left South Africa for Europe and the United States, creating a body of portraits unique in their ability to cut across race, class and social standing. In 1994, Schadeberg created an iconic image of Nelson Mandela, by then the first black President of South Africa, standing at the window of his former prison cell on Robben Island, where he had been detained on charges of conspiracy from 1964-1982. Schadeberg, whose work has been highly influential to younger artists, now lives and works near Paris. This substantial volume collects 250 images from across his career.

Softcover. London, Greenhill Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. More than 200 images, together with the original German captions and English translations, portray the life and times of a career officer, from the German annexation of the Sudetenland in 1938, to operations in Russia, Greece and the Balkans during 1941-44. In comparison with other units of the Second World War, relatively little has been published about Germany's commando forces. This unique collection of rare images was sourced from the photograph album of Wilhelm Walther.

Softcover. London, Frances Lincoln, 1st, 2011, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Softcover. Clean, unmarked copy with only minor wear to wrappers. No other city has the variety of hairstyles male and female that parade the streets of London. The bouffant, the duck arse, the white wings of power swept over the ears, the coxcomb punk, the flat top, the social outrider's bowl cut. They're all there to make a place. In respect of the hair of the 80s, the rest of the world was dead from the neck up.' Buy a 35mm camera at the beginning of 1980 and spend the next 10 years walking around London taking half a roll of black and white a day and photograph whatever happens in front of you. You get Mick Jagger, New Romantics, Ra Ra skirts, Boy George, Sloane Rangers. The beginning of Covent Garden, Yuppies, The IRA bombings, the Iranian Embassy siege. 100s of newspaper flyers - John Lennon Shot Dead - Margaret Thatcher's London, Fashions that came and went. Here are 160 unique street photographs of London when it was the style, musical, political and fashion capital of the world.

Softcover. Boston, Bulfinch, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 446 pages. This landmark book chronicles the development of a kind of photography that is created out of the energy and chance juxtapositions found in everyday life on the street. Street photography is at the heart of what makes photography unique. An unprecedented study that is the first history of this tradition ever published, Bystander explores street photography through a discussion of the medium's masters - Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Evans, Levitt, Frank, Arbus, Winogrand, and many others - and reveals along the way much about the craft and creative process of photography. Profusely illustrated with the work of more than eighty photographers, the book is composed of four parts separated by lively folios of pictures. Each part discusses a different era - from the early days of the medium in nineteenth-century Europe, to America in the late twentieth century - and devotes entire chapters to the key figures of that period. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. New York , Lustrum Press, 1st, 1976, Book: Good, Dust Jacket: None, 58 pages, illustrated throughout in b&w. Light edgewear and rubbing to wrappers with moderate foxing and creasing. Mark's first book.

Softcover. Minnesota Historical Society, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 309 pages. A collection of b&w seasonal photos from Minnesota's past with excerpts from letters and journals from each season. The book is broken up into the four seasons of the year and the author wrote captions giving available information about each photo. A fun look into Minnesota's past. Clean copy.

Hardcover. Gottingen, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, Outside Inside is a gorgeous three-volume box set of 800 photographs drawn from this master photographer's immense archive. Chosen by Davidson himself, the selection spans a 60-year career, and features such seminal bodies of work as Circus (1958), Brooklyn Gang (1959), East 100th Street (1966-1968), The Civil Rights Movement (1961-1965), Subway (1980) and Central Park (1992-1995), as well as his two most recent works in progress--a series of urban landscapes made in Paris (2007) and Los Angeles (2009)--and many unpublished photographs. Each volume with the following format: Hardcover. Fine cloth, with tipped-in tritone plate on cover and title stamped in black on cover and spine; no dust jacket as issued. All three volumes are contained in a custom paper-covered slipcase with title stamped in silver. Photographs and text by Bruce Davidson. Edited by Bruce Davidson, with the assistance of Amina Lakhaney. Designed by Bernard Fischer and Gerhard Steidl. Volume I: 1954-1961, 300 pp., with 264 tritone plates; Volume II: 1961-1966, 272 pp., with 228 tritone plates; Volume III, 1966-2009, 372 pp., with 342 tritone plates. Scans by Steidl's digital darkroom; production and printing by Steidl, Gottingen. Each volume 11-5/8 x 12 inches.

Hardcover. Los Angeles, Melrose, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, illustrated with full-page color and b/w photographs of beautiful women. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, 160 pages, 120 b&w film stills taken on movie sets in the 1940s and 50s. In publisher's shrinkwrap. During the golden age of Hollywood studios, set photographers documented film shoots to record key particulars: set arrangements, prop placements, blocking, costumes, and hairstyles. A unique photography book unto itself from the commanding archives of Turner Classic Movies, In the Picture collects 150 of these disarming and fascinating documentary images, imparting the delight of vintage Hollywood as well as a wealth of details for all movie lovers. Stills from beloved classics -- Ben-Hur, Casablanca, Gone with the Wind, and The Wizard of Oz on up to Giant, The Dirty Dozen, and Bullitt -- reveal masterful set compositions and period details as well as images of actors between takes conferring with directors and crew. Capturing beloved movie moments both on- and off-camera from the silent era through the '60s, In the Picture provides a rare behind-the-scenes look at Hollywood at work.

Hardcover. NY, Aperture, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 78 pages. Introduction by N. Scott Momaday. Color photography throughout. Clean copy.

Softcover. Chicago, Stephen Daiter Gallery, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 32 pages, an exhibition catalog featuring 20 of the photographer's abstract images from the late 1940s and early 50s. White card wraps with a heavy paper dust jacket.

Hardcover. NY, St. Martin's Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Brandon Stanton created Humans of New York in 2010. What began as a photographic census of life in New York City, soon evolved into a storytelling phenomenon. A global audience of millions began following HONY daily. Over the next several years, Stanton broadened his lens to include people from across the world. Traveling to more than forty countries, he conducted interviews across continents, borders, and language barriers. Humans is the definitive catalogue of these travels. The faces and locations will vary from page to page, but the stories will feel deeply familiar. Clean copy.

Hardcover. New York, Hatje Cantz, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 167 pages, 132 plates in duotone and color. Light wear to dust jacket. This book focuses on surprisingly atypical choices from the oeuvres of 125 seminal artists, such as Walker Evans, Henri Cartier-Bresson, Alexander Rodchenko, Albert Renger-Patzsch, and Ulrich Tillman. Over 130 images in duotone and color illustrate the aesthetic differences between various styles, genres, and authors, and show diversities and affinities among different continents, cultures and periods. This extraordinary recombination of photographs by master artists offers viewers a fresh look at the world of photography.

Softcover. New London NH, Sunapee Editions, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Dozens of compositions comprise this exquisite collection of black and white photographs that evoke a Manhattan that many may never see or notice: Times Square during the blizzard of 1996; pigeons in flight at 9th Street and Avenue A; an unmoored boat in a wintry Central Park; jump seats in a Checker Cab. John Rosenthal doesn't ignore the people (or the dogs) of Manhattan, however, and also captures the diversity that is New York; Hare Krishnas singing, as an unimpressed (annoyed?) man in a checked jacket walks by them; a man in beret and raincoat and an albino boxer looking at some off-camera sight at Tompkins Square; a shopkeeper and his dog on East 9th. Clean copy.

Hardcover. New York , Aperture, 1st, 2008, Book: Very Good, Dust Jacket: None, New copy still in publisher's shrinkwrap. Two hardcover volumes in slipcase. A total of 512 pages with 100 color ills. Introduction to 'Postcards' by Thomas Weski. Introduction to 'Objects' by Martin Parr. "While 'Objects' is the first publication to document Parr's 25 plus years of such collecting, 'Postcards' is the last word on an extraordinary collection of over 20,000 cards. Presented in album format, it is a highly entertaining yet serious study of postcard history.

Hardcover. Albuquerque, University of New Mexico Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 307 pages. In all North America you cannot get much lower than the Imperial Valley of southern California, where one town, 186 feet below sea level, calls itself the Lowest Down City in the Western Hemisphere, and where the waters of the Colorado River sustain a billion-dollar agricultural industry. The consequences of that industry drain from the valley into the accidentally man-made Salton Sea, California's largest lake and a vital stopping place for migratory waterfowl. Today the Salton Sea is in desperate environmental trouble. A second river also ends in the Salton Sea. It is a river of dreams, the remains of which may be seen in the failed real estate developments that sprawl beside the sea. As the ending point of both the real Colorado and this river of dreams, the Salton Sea has become emblematic of much of the history of the American West. Its troubling story is masterfully told here in William deBuys's narrative and Joan Myers's austerely beautiful photographs. Mild wear, ereasure to front fly leaf, otherwise clean.

Softcover. New York , Aperture Book, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Fall 1897. Includes work by: Sebastiao Salgado, Susan Meiselas, David Goldblatt, Bill Burke. Also writing by Arthur Miller, William Shawcross, Frances Hodgson, Nadine Gordimer.

Hardcover. David Zwirner, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. A new collection of photographs by Diane Arbus illuminates her singular ability to enter private worlds. It brings together forty-five photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971. Through her singular combination of intelligence, charisma, intuition, and courage, Diane Arbus (1923-1971) was frequently invited into personal realms seldom seen by strangers. Though made in intimate settings, the photographs collected in this volume convey no sense of intrusion or trespass-instead, they reveal an unspoken exchange between photographer and subject, a moment of recognition in which confidences emerge freely and without judgment. Arbus's desire to know people embraced a vast spectrum of humanity. Still in publisher's shrinkwrap.

Hardcover. NY, Harcourt, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. From the late 1950s until her death in 1971, renowned photographer Diane Arbus took pictures of oddball performers at the now-forgotten Hubert's Museum, a typical freak show in New York City's seedy Times Square. One frequent subject was Charlie Lucas, first a freak himself, later an inside talker. In 2003, Bob Langmuir, an anxiety-ridden, pill-popping, obsessive antiquarian book dealer from Philadelphia, unearthed a collection of photographs and memorabilia, including Lucas's journals and what he thought were Arbus's photos. This trove of genuine American kookiness came to dominate his life. Following Langmuir's quest--from the slums of Philadelphia to the halls of the Metropolitan Museum of Art--as he gathered, priced and ultimately came to understand this collection, author Gibson (Gone Boy: A Walkabout), himself an antiquarian book dealer, effortlessly twists these strands together with an emotional wallop. His toil in Hubert's vineyard, Gibson writes of Langmuir, amounted to no more or less than the continuing archaeology of the old, weird America. Gibson's laser focus on Langmuir's shifting state of mind as he struggles to master his personal demons and navigate the pitfalls of his own obsession gives this story its heart and opens a window onto a lost part of the American soul. 21 b&w photos.

Hardcover. Austin TX, Texas State Historical Association, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 109 b&w photographs by Hickman. Bright copy in a nice dust jacket. This remarkable book reproduces more than one hundred photographs taken by R. C. Hickman, a professional photographer whose work provides a fascinating visual record of life in Dallas's black community during the three decades following World War II.After the war, he returned to Dallas and joined the staff of the Dallas Star Post. He also worked as a freelance photographer for Jet magazine, for several newspapers in the East, and for the NAACP. His work led him to photograph notables such as Martin Luther King Jr., Thurgood Marshall, Ella Fitzgerald, Joe Louis, and others when they visited Dallas.

Hardcover. New York, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Nelson Mandela, an icon of the international struggle for freedom and equality, whose importance rivals that of Martin Luther King and Mahatma Gandhi, turns ninety in July 2008. Mandela spent twenty-seven years in prison for his opposition to the apartheid regime of his native South Africa. Released in 1990, he pursued a policy of reconciliation, steering his nation into the ranks of the world's multi-racial democracies. He was elected president of South Africa in 1994. Photographer David Turnley covered Mandela and South Africa for the world's press, beginning in the 1980s. He witnessed the turbulence of the last violent years of apartheid, was there when Mandela was released from prison, campaigned with him during the presidential election, and sought out the significant people and places of his life. In Mandela: Struggle and Triumph, he tells in words and photographs the dramatic and emotional story of the most powerful movement for civil rights since the American civil rights movement, through the eyes of its legendary leader.

Hardcover. New York, Aperture, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, b&w photos throughout by Heyman, 112 pages. Clean, unclipped dust jacket.

Hardcover. London, Vision On/Omnibus Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 159 pages illustrated in b&w. Few photographers had greater access to Bob Dylan than Barry Feinstein. Having taken the iconic photograph that appeared on Bob Dylan's 'The Times They Are A-Changin' album in 1963, Feinstein was invited as the exclusive photographer on Dylan's European tour of 1966 and US tour of 1974. This title includes these photographs from these sessions and concerts.

Softcover. Aperture, 1st, November 30, 1998, Book: Very Good, Dust Jacket: None, 80 pages, b&w and color photographs throughout. Very good. The Mexican book series Rio de Luz was a courageous and energetic presentation of Latin American photography. To honor the accomplishments of the series and the artists, an issue of Aperture is devoted to the Rio de Luz collection.

Hardcover. Cambridge MA, The MIT Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 311 pages, illustrated throughout. Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of Frantisek Drtikol, Jaromir Funke, Jaroslav Rossler, Jindoich Styrsky, Josef Sudek, and numerous others whose work made Czech photography synonymous with visions of modernity. The essays introduce the period and explore the background and connections among the photographers. Biographical profiles are also included. But the book's main attraction is its outstanding collection of duotone and color images, many published here for the first time.

Hardcover. New York, Dahesh Museum of Art, July 2002, Book: Near Fine, Dust Jacket: Near Fine, Hardcover in a dust jacket. Never opened, still in original shrink wrap. Spotless copy. Frederic Church (1826-1900), who gained international renown for paintings such as Niagara (1857), Heart of the Andes (1859), Twilight in the Wilderness (1860), and The Icebergs (1861), was inspired by his extensive travel and study. His work was also informed by his appreciation of a new visual medium. Fire & Ice, a selection from the several thousand photographs and daguerreotypes Church collected at Olana, his Orientalist home on the Hudson River, provides insight into the interests and taste of one of nineteenth-century America's greatest painters.

Softcover. New York , Bulfinch Press, 2nd pr., 1998, Book: Very Good, Dust Jacket: None, A retrospective photo-essay of photographer Gordon Parks' work in B&W and color photos from the 1940s to his latest works and impressionist photos. 95 color and 195 duotone plates. Softcover, clean, bright copy.

Hardcover. Tarrytown, N.Y., Sleepy Hollow Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages, black & white photographs throughout. Minor dust jacket edge wear and fade, otherwise, very clean and tight copy.

Hardcover. New York, Aperture, 1st, 2006, Book: Very Good, Dust Jacket: None, 56 pages. Like new in publisher's shrink-wrap. A Couple of Ways of Doing Something replicates a deluxe limited-edition portfolio whose initial run was only 75 copies. This clothbound edition preserves the luxurious sensibility of the original with 22 extraordinary oversized daguerreotypes printed in rich tritone. Working with daguerreotype master Jerry Spagnoli to conquer the complexities of this venerable process, which yields images of astonishing detail and gravity, Chuck Close photographed many of the same artist-friends who have made regular appearances in his paintings over the years: Laurie Anderson, Lyle Ashton Harris, Cecily Brown, Gregory Crewdson, Carroll Dunham, Ellen Gallagher, Philip Glass, Bob Holman, Elizabeth Murray, Elizabeth Peyton, Andres Serrano, Cindy Sherman, James Siena, Lorna Simpson, Kiki Smith, James Turrell, Robert Wilson, Terry Winters, Lisa Yuskavage and himself. Each image is complemented by a poem on its subject by Bob Holman, the celebrated and widely published New York School poet who originated and hosted the famous Poetry Slams at the Nuyorican Poets Cafe and now runs the Bowery Poetry Club. With the counterpoint of Holman's engaging poetry, the collected work becomes a transfixing group portrait of Close's influential and highly creative circle of friends and colleagues, as well as an exploration of a challenging photographic medium.

Softcover. New York, Aperture, 1st pbk, 1985, Book: Very Good, Dust Jacket: None, Softcover, 159 pages, full-page black & white photographs throughout. Minor edge wear and fade, else, clean and tight. The photographer's love affair with New York City is evident in this amazing collection of images spanning 4 decades.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. The definitive study of the images made by a pioneer journalist and photographer who passionately advocated for America's urban poor. 336 pages, 25 color, 375 duotone + 210 b/w illustrations.

Hardcover. Boston, Little Brown & Co , 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages, b&w illustrations. Previous owner's inscription on prelim page. Light shelf-wear and rubbing to price clipped dust jacket, else a clean, tight copy.

Hardcover. US, The MIT Press, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.

Hardcover. NY, Atlantic Monthly Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 198 pages, Color, black & white photos, maps of Amundsen's expeditions. Dust jacket price clipped, rubbing, light edgewear to bottom spine edge, corner.