Photography

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 164 pages. Like new in publisher's shrink-wrap. The high school prom is an American tradition, a rite of passage, and one of the most important rituals of youth in this country. The internationally recognized documentary photographer Mary Ellen Mark took on the extraordinary challenge of working with the Polaroid 20x24 Land camera to produce this fascinating look at dozens of young people from a diverse range of backgrounds on this memorable night in their lives.Traveling across the United States to complete the project from 2006 to 2009, Mark photographed prom-goers at thirteen schools from New York City to Charlottesville, Virginia, to Houston to Los Angeles. Mark's husband, the filmmaker Martin Bell, collaborated with her on the project to produce and direct a film, also called Prom, featuring interviews with the students about their lives, dreams, and hopes for the future. A DVD of the film is packaged with the book. The 127 large-format photographs are reproduced in rich detail, and quotations from the student interviews punctuate the book. Some of the students' statements are comical, while others are deeply touching. The result is a captivating and revealing document of American youth at the beginning of the twenty-first century.

Softcover. Munich , Prestel, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Chronologically arranged, each chapter focuses on a particular work or idea that changed the course of photography. Presented in beautiful spreads and with informative text, the book opens with photography's genesis in the form of the camera obscura. Centuries later, Daguerre, Niepce, and Talbot invented their own means of capturing light on paper. The book covers groundbreaking genres such as still life, landscape, portraiture, and nudes. Sections on the role of photography in journalism illustrate how the camera's presence on battlefields, on city streets, and in factories helped inform and reform the modern world. Fashion, animals, Surrealism, and staged portraits are also explored. Perfect for perusing or reading from cover to cover, this book illustrates how photography developed from a concept to a world-changing force--one that attempted to shed light on truth yet can also obscure and alter reality in dazzling ways. Clean copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small closed tear to front panel. INSCRIBED BY HUDDLESTON on the dedication page. Huddleston has paired archival images of the first modern war with his own, contemporary color shots of the same locations, at the same time of year, at the same time of day. Some sites of suicidal charges have become Kmarts, mini-malls or swamps strewn with metal and plastic trash. The juxtapositions possess surprising power. In an overexposed and damaged archival shot of the Confederate prisoner of war camp at Andersonville, Ga., a filthy crowd of anonymous men packs the frame, while on the facing page Huddleston presents his own fine-tuned image of a muted, borderless sky. Office buildings, grocery stores and fast food franchises have sprouted where Union Major General George H. Thomas and Confederate General John Bell Hood slugged it out for December days in Nashville 141 years ago. Near the site of some of the heaviest fighting between blue and gray, a KFC sign now advertises discounts on the colonel's secret recipe. Clean copy.

Hardcover. New York , Harry N. Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages with 250 b&w illustrations. A wealth of film stills, production photographs, and portraits, many previously unpublished, all beautifully reproduced from pristine print. Still in publisher's shrinkwrap.

Hardcover. Paris, Arthaud, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages of French text followed by full color photographs of the people and culture of the Rajasthan region of India. Light edge wear to dust jacket. Clean, tight copy.

Softcover. NY, Aperture Foundation, 1995, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Special Monograph Issue: Edward Weston Portraits. Foreword by Cole Weston Biographical Essay by Susan Morgan.

Hardcover. Reading, Garnet, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, 118 pages. Illustrated with black & white photographs by Freya Stark. 1/2" deep closed tear at top right corner of first 4 pages - appears to be publishers error. Clean, bright copy.

Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2004, Book: Very Good, Dust Jacket: None, Photographically illustrated paper-covered boards, no dust jacket as issued. 48 pages with 23 four-color plates (printed one to a sheet), beautifully printed on heavy-stock uncoated paper. 13-5/8 x 17-3/4 inches. Photographs by Phillip Toledano. Includes several reproduced "anonymous" brief corporate memos. Designed by Jack Woody. This edition was limited to 1000 hardbound copies.

Hardcover. US, teNeues, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. 240 pages. Clean, tight copy. Like new in pubisher's shrinkwrap. In an increasingly mobile society, it's common to cross the globe many times in a single month. Journeys that might once have taken weeks, now take hours. All of this travel is a suitable metaphor for Andrew Macpherson's rise to the pinnacle of celebrity photography. He has literally traveled the world to profile the best-known people of our age; Charlize Theron, Reese Witherspoon, and George Clooney to name a few. As he's done so, he's also embarked on an artistic journey to bring something fresh and inviting to each of his images. In this quest, he employs a multitude of varied techniques, playing with form, context and color. A note of poignancy overshadows this work. Many of the original negatives were lost in a warehouse fire. It is a testament to the strength of Macpherson's work that even scanned from magazine pages - as some of these images are - the results still radiate vitality and power.

Hardcover. London, Phaidon Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. An intimate collection of family photographs by over 50 photographers.

Hardcover. Boston, Houghton Mifflin, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 358 pages, b&w photos. Light shelf-wear to dust jacket, else a clean, tight copy.

Softcover. New York , Aperture Foundation, 1st, 2008, Book: Very Good, Dust Jacket: None, Soft cover. 96 pages. FEATURES: THE SHADOW OF THE WORLD; JAMES WELLINGS CAMERLESS AND ABSTRACT PHOTOGRAPHY, FROM ECASTASY TO AGONY; THE FASHION SHOOT IN CINEMA, JH ENGSTEROM; LOOKING FOR PRESENCE, PRESENCE OF MIND; THE PHOTOGRAPHS OF PHILIP JONES GRIFFITHS, MUZI QUAWSON; PULL BACK THE SHADE, OF OTHER TIMES AND PLACES, IN A LONEY PLACE; PHILIP CREWDSON.

Hardcover. New York , Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.

Hardcover. London, Thames and Hudson, 1st UK, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages, 50 color photos by Boyd Norton. Forward by Yevgeny Yevtushenko. The 1990 journey of Matthiessen, Paul Winter and a group of Russian environmentalists who traveled around Siberia's Lake Baikal, the world's oldest and deepest lake, containing one-fifth of the planet's fresh water, is chronicled in diary form. Norton's 50 color photos enhance the text. Map.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.

Hardcover. Flammarion, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 448 pages. This elegant, large-format volume presents twenty masters of photography via 300 extraordinary authorial photographs, providing a broad yet accessible overview of twentieth-century photography. From Man Ray's pioneering experimentations to the elegant and provocative fashion shots of Helmut Newton and Herb Ritts, the twenty master photographers featured in this handsome tome are masters of their craft across different photographic genres, from reportage and documentary to art and portraiture to fashion and glamour photography. A portfolio for each photographer features a selection of their legendary images, an introduction to the photographer's oeuvre, a brief biography, and commentary on each of the featured photographs. The volume features a striking, elegant design and large format, bringing these iconic photographs into sharp focus.Master Photographers features the work of Araki Nobuyoshi, Gabriele Basilico, Margaret Bourke-White, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Elliott Erwitt, Walker Evans, Mario Giacomelli, Mimmo Jodice, William Klein, Peter Lindbergh, Man Ray, Robert Mapplethorpe, James Nachtwey, Helmut Newton, Martin Parr, Herb Ritts, Sebastiao Salgado, and August Sander.

Hardcover. NY, Norton, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages, 410 b&w duotone plates seected from the 145,000 photographs made between 1935 and 1943 by a team of now-famous photographers employed by the Farm Security Administration, whose ranks included Arthur Rothstein, Ben Shahn, Dorothea Lange, and Walker Evans. The agency's mission went well beyond photographing dispossessed rural people, and this book is proof. It includes 410 remarkable images made in large citiesas well as dozens of small towns and villages throughout the U.S. and Puerto Rico. Large format in a bright, unclipped dust jacket.

Softcover. NY, Aperture Foundation, 2001, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Includes numerous images by Paul Caponigro, Dr. Howard Eugene Edgerton, Jacques-Henri Lartigue, Eadweard Muybridge, Rineke Dijkstra, Hiroshi Sugimoto, Nicholas Nixon and many more.

Hardcover. NY, Abbeville Press, reprint, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Silver titles on spine and blind stamped on front of black cloth covers, 144 pages illustrated in color and b&w including bibliography and index. Updated and expanded edition of material first published in 1985. A fascinating look at the stories and creations of individuals obsessed with outer space and extraterrestrials. The author travelled around an collected the stories and photographs for the book. Clean copy.

Chicago, University of Chicago Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned following--an elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.

Softcover. NY, Aperture, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. In this book, Larry Fink--well-known for his layered pictures in social settings--explores composing photographs and improvising within a scene to create images with both feeling and meaning. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, from connecting with the subject in front of the lens to shaping a vision that is authentic. Photographer Lisa Kereszi, a student of Larry Fink, provides the introduction. Clean, bright copy.

Hardcover. Canada, 5 Continents, 1st, 2016, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. light ding to bottom edge front board. 272 pages, many color and b&w photos. Josef Sudek (1896-1976) was a Czech photographer, best known for his photographs of Prague. He was a bookbinder before turning to photography after losing his right arm in WWI. This book, published to accompany an exhibition, examines how Sudek's photographs reflect his relationship to the world around him, from intimate explorations of cherished objects and views through his window to his night walks through the streets of Prague and its periphery, as well as excursions into the surrounding countryside. With essays, reminiscences by two former assistants, and stunning illustrations, here is a compelling view of Sudek's photographs, and the art of his friends and fellow artists. Sudek's legacy includes some of the 20th century's most haunting images of nature, monuments, city streets, and objects--all transformed by his sensitivity to the power of light to reveal and the power of darkness to render all impenetrable.

Hardcover. Rome, Silvana Editoriale d'Arte, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket. Italian text. B&w photos throughout by List.

Softcover. London, Afterall Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Illustrated with b&w and color plates. Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of an Alabama sharecropper. Taken in 1936 by Walker Evans as part of his work for the Farm Security Administration, Kitchen Corner was not published until 1960, when it was included in a new edition of Walker Evans and James Agee's classic Let Us Now Praise Famous Men. The 1960 reissue of Evans and Agee's book had an enormous impact on Americans' perceptions of the Depression, creating a memory-image retrospectively through Walker's iconic photographs and Agee's text. In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner. The photograph is particularly significant, he argues, because it uses a documentary form that privileges detachment, calling attention to overlooked objects and to the architecture of the dispossessed.

Softcover. Chicago, Stephen Daiter Gallery, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 32 pages. The catalog for an exhibition of Wynn Bullock's nudes and landscapes. Photographs by Bullock; essay by James Rhem. 32 pages; duo-toned b&w plates + text illustrations; 8.5 x 10.5 inches. Clean copy.

Hardcover. Gottingen GR, Steidl, 1st thus, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. This edition of On the Mines is a re-designed and expanded version of David Goldblatts influential book published in 1973. Goldblatt grew up in the South African town of Randfontein. which was shaped by the social culture and financial success of the gold mines surrounding it. When these mines started to fail in the mid-sixties Goldblatt began taking photos of them. The book features an essay on the human and political dimensions of mining in South Africa by Nadine Gordimer.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. An evocative portrait of mid-century New York City by master documentary photographer. It focuses on the work photographer Todd Webb produced in New York City in the 1940s and 1950s. Webb photographed the city day and night, in all seasons, and in all weather. Buildings, signage, vehicles, the passing throngs, isolated figures, curious eccentrics-from the Brooklyn Bridge to Harlem, this book is a rich portrait of the everyday life and architecture of New York. Webb's work is focused and layered with light and shadow, capturing the soul of this city shaped by the friction and frisson of humanity. Remainder line to bottom edge, otherwise clean.

Hardcover. US, Reel Art Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Large heavy book, 448 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. This breathtaking tome is the definitive and comprehensive collection of Billy Name's black-and-white photographs from Warhol's Factory. Name's photographs from this period (1964-68) are one of the most important photographic documents of any single artist in history. Name lived in a tiny closet at the Factory. He was responsible for the legendary "silverizing" of the space using aluminum paint and foil to complete the instillation. When Warhol gave Name a Pentax Honeywell 35mm camera, he took on the role of resident photographer and archivist. This visual essay, produced in collaboration with Billy name, offers an extensive trip through Warhol's world. Name photographed the day-to-day happenings at The Factory with Andy, including visits from Lou Reed and the Velvet Underground, Nico, Edie Sedgwick, Ivy Nicholson and Bob Dylan, and filming Screen Tests and features such as Chelsea Girls, Vinyl and My Hustler.

Hardcover. NY, Fordham University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. With more than 250 photographs, in color as well as black and white, this attractive book captures the diversity of today's Park against the kaleidoscopic background of the changing seasons.

Hardcover. NY, Simon and Schuster/Ridge Press, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages. A famous photographic exploration of childhood. Over 300 b&w images trace toddlers to teenagers playing, learning and growing up. Light shelfwear, previous owner's bookplate inside front cover. Otherwise clean and bright. Dust jacket good plus with $10 flap price.

Hardcover. New York, Scalo Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated in b&w, some color. A hardcover exhibition catalog for a show that opened at the National Gallery of Art in Washington, DC. This comprehensive volume presents the works of the Swedish photographer, and includes five essays which analyze different aspects of Frank's photographs, films and videos. DOMESTIC SHIPPING ONLY.

Softcover. NY, Aperture Foundation, 1993, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Many contributors.

Hardcover. NY, Doubleday, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. B&w photos by Freesman. Dust jacket with mild edgewear. Beautiful copy of a scarce book. A photo essay on the experiences of firemen.

Hardcover. NY, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 192 pages. This volume surveys the work of Viennese photographer Edith Tudor-Hart (1908-1973), who was among the foremost social documentarians of the 1930s. In 1933 she fled to the U.K., where she documented social divisions in London, Wales and Scotland, posthumously gaining notoriety for her involvement with the "Cambridge Five" spies.

Hardcover. London/NY, Phaidon Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Photography has played an important role in how architecture is communicated and this book examines the critical relationship between the two practices today through the work of fifty international renowned and emerging artists including Annie Liebovitz, James Welling , Thomas Struth, Wolfgang Tillmann's, Walter Niedermayr and many others. Lavishly illustrated with color reproductions of many iconic buildings. Divided into five chapters, the book covers collaborations between photographer and architect, globaL urbanization, alterations to the landscape, reappraised Modernist icons, and imagined environments. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Harper, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. In this unique collaboration Arturo Patten, one of the most important portrait photographers of our time, and acclaimed writer Russell Banks visit the hardscrabble north country of Patten, Maine, to study its inhabitants. Patten's haunting portraits of the town's residents evoke characters who exist in Russell Banks's fiction. Banks, the author of Cloudsplitter, The Sweet Hereafter, and Affliction, observes Patten's "characters" from his remote cabin in the Adirondack hills of upstate New York, where he surrounds himself with the thirty-seven portraits and contemplates what they tell us about Patten, Maine, about portraiture, and ultimately about ourselves.

Hardcover. NY, Studio / Viking Press, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in an edgeworn, unclipped dust jacket. Oblong format. A collection of 90 black and white photographs commissioned by IBM "on man's continuing dialogue with machines." DOMESTIC SHIPPING ONLY.

Hardcover. Bologna Italy, Damiani, 1st, 2010, Book: Very Good, Dust Jacket: None, Unpaginated, color illustrations throughout. Light edgewear and rubbing to cardboard covers, else a clean, tight copy. No dust jacket issued.

Softcover. San Francisco, Sierra Club Books, 1st pbk., 1995, Book: Very Good, Dust Jacket: None, Softcover, 288 pages illustrated in color. In sixty practical yet inspirational essays drawn from his Outdoor Photographer column, and in 145 stunning color photographs, world-renowned photographer Galen Rowell explains and demonstrates the techniques he uses to transform light and color into vivid, uniquely expressive art. The illuminating essays in Galen Rowell's Vision are grouped into four chapters covering the fundamental aspects of the art of adventure photography as practiced by one of its masters: "Goals," transforming dreams into realities through personal vision; "Preparations," pushing the limits of equipment, film, and technique; "Journeys," merging visions with realities; and "Realizations," communicating one's worldview through photography. Throughout, Rowell includes examples of some of his most memorable images and relates fascinating anecdotes from his extraordinary photographic career. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages. Manuel Alvarez Bravo was one of the foremost practitioners of visual arts in the twentieth century. Manuel Alvarez Bravo, the first major retrospective of his eighty-year career, showcases hundreds of iconic photographs and unveils more than twenty previously unpublished images. Featuring landscapes, still lifes, rural and urban scenes, religious and vernacular subjects, as well as portraits of luminaries such as Diego Rivera, Frida Kahlo, Carlos Fuentes, and Octavio Paz, the work is chronologically arranged and richly varied. Three illuminating essays reveal the poetry of Bravo's photographsfrom his use of light and form to his fascination with dreams and his preoccupation with death. This definitive monograph is a powerful tribute to Mexico's most distinguished photographer.

Hardcover. NY, Burns Archive Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Twenty-five photographs from the Burns Archive documenting conditions presented in the 19th century in what is now called podiatry; this selection emphasizing skin conditions in the lower extremities. Clean, bright copy.

Hardcover. NY, Skira, 1ST, 2006, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 224 pages. Insightful essays and gorgeous portraits by one of contemporary photography's most remarkable artists.

Softcover. NY, Aperture, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 186 pages, b&w illustrations. A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugene Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Name on front fly leaf otherwise clean.

Hardcover. Seattle, WA, University of Washington Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Like new in publishers shrink-wrap.

Hardcover. NY, Aperture, 1st, 2007, Book: Very Good, Hardcover. Essay by Carlo McCormick. Cosplay involves people dressing up and living part of their lives as characters in video games, Japanese graphic novels, and animated films. This phenomenon, long popular in Japan, has also become widespread in America. Winged sprites, samurai warriors, mad scientists, human feline hybrids, 144 pages. 75 color images. Striking full page color images of real people living out their fantasies in public. Clean copy. Still in publisher's shrinkwrap.

Hardcover. Amsterdam, Waanders Publishers/Van Gogh Museum , 1st, 2000, Book: Very Good, Dust Jacket: None, Gray cloth hardcover, photo label on cover, interior unread, no d/j as issued, 144 pages, illustrated w/ 52 photos and 50+ plates, articles by Pam Roberts, Anne E. Having, Verna Posever Curtis, Edwin Becker, catalogue of 95 prints, notes, bibliography, index. Clean copy.

Hardcover. Boston, Bulfinch/Little Brown, reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a tiny chip to the front panel. Edited by Doris C. O'Neil. Features an introduction by Bryan Holme. An attractive collection of 141 duotones from this famous photographer who spent much of his storied career working for Life magazine.

Softcover. New York , Aperture Foundation, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. 80 pages. Features photographs: William Eggelston, Paolo Pellegrin, Eikoh Hosoe, Andre Kertesz, Annie Leibovitz, Sophie Calle, Matthew Rolston, Tony D'uson, Elaine Ling and others. Very good.

Hardcover. Boston, Bulfinch Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Large oblong hardcover in a lightly worn dust jacket. Features essays by Ian Frazier and Douglas R. Nickel. A powerful book of 60 color portraits from the photographer whose book "American Prospects" is widely considered a classic. Dust jacket with wear at corners, top and bottom of spine. Clean copy. DOMESTIC SHIPPING ONLY.