Photography

Hardcover. NY, Aperture, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages, 350 duotone images. More than those of any other living photographer, Sebastiao Salgado's images of the world's poor stand in tribute to the human condition. His transforming photographs bestow dignity on the most isolated and neglected, from famine-stricken refugees in the Sahel to the indigenous peoples of South America. "Workers" is a global epic that transcends mere imagery to become an affirmation of the enduring spirit of working women and men. The book is an archaeological exploration of the activities that have defined labor from the Stone Age through the Industrial Age, to the present. Divided into six categories -- "Agriculture," "Food," "Mining," "Industry," "Oil" and "Construction"-- the book unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization. Extended captions provide a historical and factual framework for the images. "Salgado unveils the pain, the beauty, and the brutality of the world of work on which everything rests," wrote Arthur Miller of this photobook classic, upon its original publication in 1993. "This is a collection of deep devotion and impressive skill." An elegy for the passing of traditional methods of labor and production, "Workers" delivers a message of endurance and hope. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Aperture, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover, 125 pages. Illustrated with black & white photographs. Previous owners inscription on front endpaper. Minor wrinkling at top of dust jacket spine; price-clipped.

Softcover. NY, Museum of Modern Art, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, reproducing 45 b/w photographs of zoo animals. A bright, clean copy of the photographer's first book. Clean copy.

Hardcover. NY, Norton, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair. Over the next fifteen years, Steichen would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers in politics, literature, film, sport, dance, theater, opera, and the world of high fashion. Here are iconic images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charlie Chaplin as well as numerous other celebrities drawn from an archive of more than two thousand original prints. Until now, no more than a handful have been exhibited or published in book form. The photographs of the 1920s and 1930s represent the high point in Steichen's career and are among the most striking creations of twentieth-century photography. 242 illustrations.

hardcover. Austin, TX, Texas Monthly Press, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. A collection of black & white documentary photos taken in Texas in the 1940's. 149 pages. The photographs are from the Standard Oil Company archive, compiled under the direction of Roy Stryker, and now housed at the University of Louisville. Dust jacket unclipped. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 156 pages. Create and Be Recognized is the first survey of a compelling, always surprising art form -- outsider photography. Presented here is the work of seventeen largely self-taught artists who have used photography or photographic elements in their creations, including such luminaries as Adolf Wolfli, Howard Finster, and Henry Darger, as well as discoveries from little known, equally dramatic artists. As with most outsider art, the work here is fuelled by singular passions, marginalized mindsets, and extreme circumstances, falling outside mainstream picture-making. Employing collage (affixing photos or reproductions to a background), photocollage (photographs cut and pasted together to form a new whole), and tableaux (works based on manipulation and staging), the artists here present work that is, by turns, lyrical and frightening, and always fascinating. Published to coincide with a major touring exhibition of the same name originating at San Francisco's Yerba Buena Center for the Arts, Create and Be Recognized documents an emerging and important facet of contemporary photography.

Softcover. NY, Aperture, 2nd pr., 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. This is a compelling portrait of three communities blighted by drugs and isolation: East New York, North Philadelphia, and the Red Hook housing projects in Brooklyn, New York. With a chilling and informative afterword by Dr. Stephen W. Nicholas, a pediatric AIDS physician in Harlem, Cocaine True, Cocaine Blue reveals how first steps toward solutions to overcome the drug trade have actually contributed to public denial and further isolation of the trapped communities. Cocaine True, Cocaine Blue is a history of our times, a terrifying document that will educate us and promote dialogue. B&w photos throughout. Eugene Richards' wrenching photographic study of the culture of cocaine in three inner-city neighborhoods gives faces to some of the victims of addiction. It provides a shocking and heartrending picture of the damage inflicted by the drug."-Charles Hagen, The New York Times . Clean copy.

Hardcover. New York, Random House, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 240 pages, illustrated in color and b&w. Beige cloth covers, no paper wraparound band. Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

Hardcover. New York, Scalo Publishers, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 142 pages. Hardcover with dust jacket. Light foxing and discoloration on edges of pages, otherwise clean, unmarked copy with only minor wear to dust jacket. Red boards with black lettering to the spine. Heavily illustrated throughout with full page black and white photographs, color photographs and many textual photographs. A lovingly composed collection of photographs that celebrate "gender euphoria".

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages. Gathers Harold Lloyd's 3-D photographs of Hollywood actors, actresses, and celebrities. 3-D glasses included in back pocket.

Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps.

Hardcover. New Haven CT, Yale University Art Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. "Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today." 48 b&w images by Friedlander.

Hardcover. NY, Museum of Modern Art, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, 106 illustrations. Light edgewear and rubbing to dust jacket. Clean, tight copy.

Softcover. NY, Harmony Books, 1st, 1974, Book: Very Good, Oblong softcover, 182 pages. A wonderful photographic documentary of the era: daily life, workers, the rich and/or famous, the military, public schools, etc.

Softcover. New York , Thames and Hudson, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, 54 color photographs by Stefano de Luigi. With an essay by Martin Amis, "A Rough Trade". Tight, clean and crisp. Explores the world of pornography in Los Angelas, Tokyo, Budapest, Milan, Prague and Dortmund. Features interviews conducted with industry workers and stars in LA.

hardcover. NY, Aperture, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 80 black and white tritone portraits by Mark. Clean, bright copy. Mary Ellen Mark's fascination with twins has inspired a remarkable portrait series. Traveling to Twinsburg, Ohio, for their annual "Twins Day" festival allowed her to photograph hundreds of twins. In the two consecutive years Mark visited the festival she used a complex set-up for the seemingly simple aesthetic. Every detail is captured through the Polaroid 20x24 camera Mark used. Between the camera and dynamic lighting every wrinkle, toned muscle, body hair, and freckle is visible. Using the studio, all attention of the festival is lost. Instead the attention is given to the twins themselves. A thoughtful decision that emphasizes Marks pure interest in her subjects. The final pages of the book are dedicated to bits of conversation Mark collected after shooting the photographs. Each fragment from the conversations revels more about each pair connecting the viewer even more with every photograph.

Hardcover. US, Stern Portfolios, 1st, 2013, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with laminated boards. Like new in publishers shrinkwrap. In 1975, the young Parisian photographer Brigitte Lacombe met Donald Sutherland and Dustin Hoffman at the Cannes Film Festival; these new acquaintances would go on to open doors for her. That same year she was hired as a photographer for the filming of Fellini's Casanova. Since then, Lacombe's famous images have reflected a who's who of Hollywood cinema. This collection spans a masterfully choreographed array of photographs Lacombe took - all the way from the sets of 1970's cinema classics to film milestones of the new millennium, including Alan J. Pakula's All the President's Men, Martin Scorsese's Gangs of New York, and Quentin Tarantino's Inglorious Bastards. Conveying a certain intimacy without unmasking any mystery, Lacombe's images capture classical beauty in a way that is fresh and exciting.

Hardcover. Damiani, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 168 pages, color photos. From 1989 to 1993, New York fashion designer Isaac Mizrahi granted the British photographer Nick Waplington rare backstage access to photograph every detail of the designer's fitting sessions in the weeks before his twice-yearly fashion shows. Combining Waplington's gritty verite style with Mizrahi's haute couture sensibilities, the resulting images offer a candid glimpse into the world of fashion when supermodels including Cindy Crawford, Christy Turlington and Naomi Campbell reigned supreme. At the same time, Waplington set out to document the wildly creative nightlife of the '90s "club kid" culture in New York, juxtaposing his images of uptown style with downtown looks and taking pictures at some of the city's most infamous clubs, such as the Pyramid Club and Save the Robots. Clean copy in publisher's shrinkwrap.

Hardcover. Munich, Prestel Verlag, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. "Born Dora Kallmus (1881-1963), the Austrian fashion and portrait photographer who went by the moniker Madame d'Ora was the most acclaimed portraitist of fin de siecle Vienna. After relocating to Paris in the 1920s, she opened one of the most stylish Art Deco portrait studios where her models included Pablo Picasso, Josephine Baker, and Collette, among many others. This book, accompanying the largest exhibition devoted to Madame d'Ora ever presented in the United States, includes sections focusing on the different periods of the photographer's life, from her early upbringing as the daughter of Jewish intellectuals in Vienna, to her days as a premier society portraitist, through her survival during the Holocaust." Still in publisher's shrinkwrap.

Hardcover. New York, Abbeville Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 279 pages, hardcover with dust jacket. B&w illustrations throughout. SIGNED BY AUTHOR on title page. Mild wear to dust jacket top edge. Light fading to top boards. Foxing and faint soiling to text block. A bright and tight copy.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Brutal Kinship explores the relationship between humankind and its closest relative, the chimpanzee, presenting these extraordinary animals in the wild, in captivity and in protective sanctuaries. In photographs and commentary Michael Nichols and Jane Goodall show us that chimpanzees are physically, emotionally and intellectually closer to us than we imagined and that we have forced them into a more human yet less humane existence. The book is filled with over 100 remarkable color photographs

Hardcover. Damiani, 1st, 2015, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap, 156 pages. Outside the Studio is photographer Greg Gorman's tenth monograph. This book takes Gorman (born 1949) outside the reaches of his studio portrait and figure-study work, for which he is best known, and onto the streets of Southeast Asia-uncharted territory for the artist. Traveling initially on behalf of Epson, giving symposiums on fine art digital printing throughout Singapore, Malaysia, China and India, Gorman got a firsthand look at these very different cultures at the very beginning of the digital revolution. The transition from analogue to digital cameras was another new experience for Gorman, who had shot film for more than 30 years. For Gorman, being in the studio with the likes of Marlon Brando or Robert De Niro was second nature, but being thrust in front of strangers in China, Kuala Lampur, India, Thailand, Cambodia and Vietnam was a new adventure.

Hardcover. Lubbock TX, Texas Tech University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, 132 b&w photos by J. Marcus Weekley. Documents the dance hall culture across the state.

Hardcover. New York, Knopf, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, 207 pages. Hardcover with dust jacket. INSCRIBED BY ARNOLD on front fly leaf. 161 color photographs by Arnold. Dust jacket with light wear. A short 1/2" tear at top of spine but not affecting integrity of binding.

Hardcover. Museum of American Art and University of New Mexico Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. Numerous color and black and white plates. Essays by Merry A. Foresta, Stephen Jay Gould and Karal Ann Marling. Published on the occasion of the traveling exhibition, 1992-1993. Bar code sticker on rear of dust jacket, otherwise clean, bright copy. Uncommon in hardcover.

Hardcover. NY, Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Here, brought together for the first time, are great self-portraits of the masters of photography from the 1850s to the present, including Andre Kertesz, Nadar, Cecil Beaton, Edward Weston, Irving Penn, Duane Michals, and Cindy Sherman. A probing essay by Robert A. Sobieszek illuminates each of the 149 images.

Softcover. NY, Assouline Publishing, reprint, 2001, Book: Very Good, Dust Jacket: None, 366 pages. Softcover with light wear to wrappers. Very little wear to cover. Many b&w and color photographs throughout. A bright, clean copy.

Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout. Bestselling author David Shields analyzed over a decade's worth of front-page war photographs from The New York Times and came to a shocking conclusion: the photo-editing process of the 'paper of record,' by way of pretty, heroic, and lavishly aesthetic image selection, pulls the wool over the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.

Hardcover. Columbia, SC, University of South Carolina, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 415 pages. Hardcover with dust jacket. Reference for almost 600 photographers who worked in South Carolina. More than 300 b&w illustrations. Clean, tight copy.

Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.

Hardcover. Birmingham AL, Oxmoor House, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages, illustrated throughout in color. Light edgewear to dust jacket, else a clean, tight copy. With excerpts from Sanctuary, The Faulkner Reader, As I Lay Dying, The Unvanquished, Light in August, Essays, Go Down, Moses; Absalom, Absalom!; and the exceptional writing style of editor/novelist Willie Morris, this work reveals the textures of Faulkner's Mississippi--cultural, linguistic, and social--making an exceptional commentary on southern life. Morris accomplishes the task of seizing and capturing the imagination of the reader. This image is heightened by the stark, often haunting photographs of Eggleston which combines the reality of Mississippi's landscape with an almost spiritual journey through Faulkner's mystical Yoknapatawpha County.

Hardcover. New York, Sports Illustrated, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Celebrates the art of that uniquely American institution, the Sports Illustrated annual swimsuit issue.Beginning with the inaugural issue on January 24, 1964, which featured model Babette March in a modest four-page spread, Knockouts goes on to document the evolution of the swimsuit issue through five decades of models who, largely by virtue of their appearances here, became celebrities, including Elle Macpherson, Cheryl Tiegs, Tyra Banks, and Kathy Ireland.Besides assembling a selection of the best photographs in book form for the first time, Knockouts offers an ample selection of outtakes and other previously unpublished photos, various quotes from models, photographers, art directors, and commentaries on the logistics and technical aspects of the shoots and the exotic ports of call in which they were staged.

Softcover. New York, United Technologies Corporations, 1st, 1988, Book: Good, Dust Jacket: None, 120 pages, softcover exhibition catalogue of Bourke-White: A Retrospective, organized and circulated by the International Center of Photography in New York. Minor edge wear and fade, otherwise, clean and tight.

Hardcover. London, Dewi Lewis Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Nonpaginated. Hardcover. Color illustrations throughout. Clean inside and out. From the back cover: "The images in Vital Signs, Harvey Benge's fourth book of photographs, have been made in Paris, London, Prague, Hong Kong and beyond. They engage both the eye and the mind, inviting viewers to examine their own experience of urban life and what that means to them."

Hardcover. University Park, Pennsylvania State University , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover with black cloth boards in dust jacket, oblong quarto, 265 pages, illustrated in b&w. Book near fine with handsome boards and tight binding, text clean and unmarked.

Softcover. Minneapolis, University of Minnesota Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 135 pages. The author has collected, arranged, and annotated picture postcards of Algerian women produced and sent by the French during the first three decades of the 20th century. From this album emerges a powerful analysis of the distorting, denigrating effects of the French colonial presence on Algerian society. Alloula's reading of the pohotographs locates them in their historical context and examines them through the lens of contemporary critical theory. Wraps with light edgewear, clean.

Hardcover. New Haven, Yale University Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, 262 pages. Illustrated with black & white photographs. Clean, tight copy. This portrait of Disderi and the carte de visite he patented in Paris in 1854 is far more than a biography. The c-d-v, or photographic calling card, was a relatively inexpensive product that made the photographic portrait available to the middle class . McCauley's carefully documented work explores Disderi's career and oeuvre , the impact of mass-produced celebrity cartes on the social and cultural life of mid-19th-century France, and aesthetics in c-d-v portraiture. The final third of the book is an art historical evaluation of the importance of the c-d-v for portrait painting of the period . The fine bibliography, generous illustrative matter, and detailed notes add to the value of this work for the avid student of photohistory or 19th-century studies.

Hardcover. Zurich, Edition Stemmle, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, illustrated throughout in color. Light shelf-wear to dust jacket, else a clean, tight copy. Photographs, drawings, sculpture and installations by Jack Pierson. Essays by Yilmaz Dziewior, Gerard A. Goodrow and Peter Weiermair. Includes a chronology with exhibitions and publications.

Hardcover. GR, Museum Folkwang Essen, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Published in conjunction with a traveling exhibition that started in Essen and ran May 13 through July 15, 2001 and then went on to Milan, Rotterdam, and two other cities for additional dates. Text in English and German. Preface by Ute Eskildsen. Essay by Jurgen Muller. Includes a look at Irving Penn's various editorial work in magazines with numerous color images. An excellent copy in a bright dust jacket.

Hardcover. Washington DC, Library of Congress/Musee d'Art Giverny, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover exhibition catalog with a dust jacket. 200 pages, 218 bw plates. An exhibition held in Paris a century ago demonstrated the key role American women photographers played in the international pictorialist movement. The accomplishment of these professional and amateur photographers clearly demonstrated a mastery of the medium and made a strong impression on those in attendance. Ambassadors of Progress explores this largely unknown event. Each of the 29 artists, including such well-known figures as Gertrude Kaesebier, Amelia van Buren and Zaida Ben-Yusuf, is represented in a selection of approximately 70 breathtaking color and b&w plates.

Hardcover. New York, Schirmer Books, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, illustrated throughout with photos in b&w. Introduction by Paul Padgette. Clean, unmarked copy with only minor wear to dust jacket. In this large format book, Paul Padgette presents more than 200 of Van Vechten's finest works, selected from more than 5,000 photographs left by Van Vechten to the Dance Collection at Lincoln Center.

Hardcover. Santa Fe, Twin Palms Pub, 1st, 2008-12-03, Book: Very Good, Dust Jacket: None, Hardcover, 60 pages. Clean, unmarked copy with only minor wear to dust jacket. Close to 30 full-page color portraits of phone sex "operators" in the intimate setting of their own homes with comments from each on their work.

Hardcover. New York, W. W. Norton & Company, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages, 242 photographs reproduced in four-color process. Like new in publishers shrink-wrap. Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair. Over the next fifteen years, he would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers. Here are icon images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charles Chaplin, as well as numerous other celebrities drawn from an archive of more than 2,000 original prints. 

Hardcover. Gottingen, Steidl, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publishers shrink-wrap. Haunts is the second book in a trilogy that began with Trying to Dance, in which Engstrom writes, "I'm always looking for presence. Whenever I try, my doubts get unmasked..." These doubts and questions are prevalent in Haunts as well, but in this volume Engstrom focuses more on public spaces and life in the streets. At the center of these pictures is a strong feeling of being in an endless present tense. The confrontation between "now" and the photographer's memories is inevitable. He doesn't try to separate emotions from objectivity: his images embody their questions.

Hardcover. London, Chris Boot, 1st, 2009, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition.

Hardcover. Bologna, Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover. Includes decorative slip case. Like new in publisher's shrink-wrap. Shoebox Studio records a moment in a fashion model's career that is rarely seen by a wider public: the model's first "getting-acquainted" photoshoot, in which no attempt is made to beautify or exaggerate her face, pose or expression. Having produced photo campaigns for some of the world's premier beauty clients (Lancome, L'Oreal, Revlon), French photographer and painter Stephane Coutelle is ideally placed to make these portraits of vulnerability and aspiration: his Shoebox Studio sees an unending parade of young women, newly arrived from all over the world and pursuing their first career. His first meeting with a model aims to establish their character and psychology, before professional reflexes take hold, and before complicity is established between photographer and model. Shoebox Studio gathers portraits of aspiring models taken between 2006 and 2010.

Hardcover. San Francisco, Pomegranate Communications, 1st, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Softcover. New York , Aperture, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Fall 2006. Katherine Wolkoff on Post Katrina. Articles covering aspects of the Afghan Opium Trade, Edgar Martin's Silent Shores and many more. A clean, tight issue.

Softcover. Ft. Worth, Morgan & Morgan/ Amon Carter Museum, 1st, 1973, Book: Very Good, Dust Jacket: None, Unpaginated, 44 b&w images by the photographer, foreword by Ansel Adams. Softcover, clean, tight copy.

Softcover. NY, Knopf, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 117 pages. Introduction by William Shawcross. Text and photographs by Tim Page, a photo-journalist. Cover is a photograph of soldier with rifle in a rice paddy with yellow lettering. Rear cover is white with black lettering, states price of $14.95, and shows date of 3/83. Last page of book has list of photographs. Almost all photographs are in color. Book is square and tight.