Photography

Hardcover. NY, Norton, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. This book has an international bent: Hand has taken photographs in more than fifty countries over the past fifty-five years. These 162 black-and-white photographs present a sampling of his best work from around the world and show how the railway is a compelling subject no matter the locale. An introduction by well-known transportation reporter and railroad columnist Don Phillips explains how Hand got interested in railways and how his approach to the subject developed; extended captions provide historical context. The book includes an afterword by rail and photography historian Jeff Brouws.

Softcover. Washington DC, Smithsonian, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 60 pages. 24 color plates, high quality printing, interview, short biography; part of Photographers at Work / A Smithsonian Series.

Hardcover. New York, Princeton Architectural Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. There is a voyeuristic thrill in contact sheets, the direct prints used by photographers of the pre-digital age to edit their work. You look directly through the photographer's eyes as each photo gets closer to that perfect shot. And yet, it's often the photos not chosen that best capture the true spirit of their subjects and the life they lead after the director yells cut. This was never truer than in the classic Hollywood era, where behind-the-scenes photos were carefully vetted for marketing purposes and unapproved shots were never expected to be seen again. Hollywood Frame by Frame presents hundreds of never-before-published photos from the sets of some of the greatest films of the twentieth century. Hollywood's biggest stars are caught with their guard down behind the scenes of movie classics from Some Like It Hot and Breakfast at Tiffany's to Taxi Driver and The Silence of the Lambs. A treasure trove for any fan of Hollywood's Golden Age, this rare glimpse of the unseen silver screen will intrigue even movie buffs who think they've seen everything.

Hardcover. Lars Muller Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 320 pages. The photographer Lukas Felzmann was fascinated by the very thing that some driving past would find boring, flat, and disconsolate: the vast Sacramento Valley, located just a hundred miles from San Francisco. Felzmann discovers with his camera the hidden charms of that seeming nonplace. For him, exploring a place means both walking around and lingering quietly, until the valley opens up like a book, with stories that cry out to be read and discovered. With his camera he traces how time, determined here by the growth of the plants, slows on the plane, and how the horizontality of the surface becomes a reassuring balance to the hectic city of millions nearby. The photographs show the diversity of the plane: the original landscape in its natural state, the large swaths put to agricultural use, the modern provincial towns, and the transitional areas in between. Photographs of water in all its facets run through the book, just as water runs through and forms a valley.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. In this lavishly produced volume, journalist Gaudriault accompanies photographer Rancinan to Africa, Asia, Europe and the United States to interview 23 masters of contemporary photography, paying homage to fashion photographers and photojournalists, traditional chroniclers of their times and conceptual artists. Rancinan's photographs record each encounter in portraits that encapsulate each subject's relationship with his shared discipline. Readers follow paparazzo Ron Galella fending off the camera; Martin Parr, the sardonic chronicler of middle-class British life, having tea in a cafe; Rankin, the creator of the hip magazine Dazed and Confused, hopping into a trashcan filled with his own cast-off images. Gaudriault's short essays quote liberally from her interviews and provide both biographical information and incisive commentary. Several of the older photographers strike an elegiac tone and confess to finding themselves at the end of the eras that gave birth to their visions, but optimism reigns among younger practitioners: David LaChapelle is reinventing himself in Hawaii; Rankin is bearing witness to an age that is still young; and Oliviero Toscani, the radical combination of journalist and marketer behind the Benetton campaigns, describes billboards as the church frescoes of today.

Hardcover. NY, Atria Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 368 pages, illustrated in color and b&w. The definitive biography that unlocks the remarkable story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn't share them with others. Now, in this definitive biography, Ann Marks uses her complete access to Vivian's personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman--a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.

Hardcover. New York, Aperture, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w images. Like new in publisher's shrink-wrap. Richards' response to the trauma of September 11, 2001, with interviews with some of the families who lost sons, daughters, husbands, wives, mothers, and fathers. According to one reviewer: "It may be the best photo book yet on those hard days." Photographs and afterword by Eugene Richards; interviews by Janine Altongy.

Hardcover. London, Dewi Lewis, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. A photo essay depicting the British Army struggling to come to terms with contemporary life. No dj issued.

Hardcover. NY, Black Dog & Leventhal, reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover, 143 pages. 41 superb photos of the early logging locomotives of the Northwest. Essay by John T. Labbe. Bright copy in a dust jacket.

Softcover. London ; New York, Phaidon Press, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, 160 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Pipilotti Elisabeth Rist is a Swiss visual artist best known for creating experimental video art and installation art. Her work is often described as surreal, intimate, abstract art, having a preoccupation with the female body. Her artwork is often categorized as feminist art. Wikipedia

Hardcover. New York, William Morrow and Company, Inc., 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Gilt title on spine. Dust jacket has a little bit of chipping at top of spine, patched with tape. Otherwise great. Clean and unmarked inside. Gilt endpapers.

Hardcover. NY, powerHouse Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. B&w, some color photos throughout. Photographer Harry Benson was one of the very few people Bobby Fischer would talk to during the historic World Championship chess match in Iceland in 1972 in which Fischer solidly defeated reining world champion, Russian Boris Spassky. The match, known at the time as the "Game of the Century," is now generally considered a battle in the Cold War between the U.S. and the U.S.S.R. Benson's exclusive photos of the elusive and controversial chess genius give insight into the private world of the man Benson calls "the most eccentric and most fascinating person I have ever photographed."Benson's intimate access to Fischer was not the easiest of tasks to accomplish. In fact, Fischer barred the door even when his mother arrived from America. Filled with idiosyncrasies and a complete loner, Fischer is still revered by chess fans around the world and is considered the greatest chess player of all time.

Softcover. NY, Aperture Foundation, 1993, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Many contributors.

Softcover. NY, Aperture Foundation, 1995, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Many contributors. On Location With: Henri Cartier-Bresson, Graciela Iturbide, Barbara Kruger, Sally Mann, Andres Serrano, Clarissa Sligh.

Hardcover. New York , powerHouse Books, 1st, 2004, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. 352 pages, a fascinating behind the scenes look at the New York fashion world; as seen through 100's of stunning, full-color photos. Foreword by Katie Couric. Introduction by Fern Mallis.

Hardcover. New York , Penguin Putnam Inc, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 158 pages, illustrated throughout with photos in b&w. Clean, unmarked copy with only minor wear to dust jacket. Elie Wiesel provides the preface to a master photographer's record of eastern Europe's Jewish communities in the years just before World War II with 160 photographs that capture the ordinary lives of Jews before the Holocaust.

Hardcover. Santa Fe, Twin Palms Publishers, 1st, 1998, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 48 pages. Illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 296 pages. This is Pam's 'visual anthropology' of his engagement with various Asian cultures, where he was photographing his life and experiences.

Hardcover. Gottingen, Steidl, reprint, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 123 pages, 65 color plates. Like new in publishers shrink-wrap. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.

Hardcover. London, Chris Boot, 1st, 2009, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition.

Hardcover. Bologna, Italy, Damiani Editore, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Like new in publisher's shrink-wrap. One of today's foremost fashion and celebrity photographers, Tom Munro has been making defining images since the mid-1990s. Munro achieves his results by encouraging his subjects to reinterpret their personalities for his lens, reveling in seductive roleplay or darkly-lit melodrama. The subjects gathered here include some of the biggest names in pop culture today-Ashton Kutcher, Brooke Shields, Charlotte Gainsbourg, Christina Ricci, Courtney Love, Daniel Craig, Dustin Hoffman, Ewan McGregor, Isabella Rossellini, Jake Gyllenhaal, Jennifer Aniston, Johnny Depp, Jude Law, Julianne Moore, Justin Timberlake, Lauren Hutton, Leonardo DiCaprio, Linda Evangelista, Madonna, Marion Cotillard, Matt Dillon, Matthew McConaughey, Naomi Campbell, Patrick Dempsey, Rob Lowe, Scarlett Johansson, Stephanie Seymour and Tom Cruise, to name only a few. This volume-Munro's first monograph-affirms his status as a portraitist of the first rank.English by birth, Tom Munro moved to New York in 1990, embarking on his own career as a photographer in 1997, and achieving overnight success with his early editorial shoots for British Vogue and Harper's Bazaar. Over the last ten years, Munro has contributed to some of the world's most prestigious magazine publications including Vogue, Italian Vogue, L'Uomo Vogue, Russian Vogue, China Vogue and Details. Munro's dedication to his craft has attracted some of the fashion and beauty industries' most prestigious names, including Armani, Banana Republic, Burberry, Calvin Klein, Converse, Gap, Givenchy, Hugo Boss, Lacoste, L'Oreal, Moschino, as well as music icons such as Beyonce, Justin Timberlake and Madonna.

Hardcover. US, Center for American Places, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Like new in publisher's shrink-wrap. From 2000 to 2007, Jay Wolke photographed in the south of Italy to capture the complexity of a region that is colloquially known as Il mezzogiorno. What he found in this historic and often troubled landscape was an elaborate set of physical, social, and political forces manifested in an extraordinary tapestry of visual information. Both referential and suggestive, Wolke's pictures reveal the marks of a long line of invaders, conquerors, and occupiers from the Greeks to the Spanish to the Camorra. Architectural and structural adaptations and "resignations" are evident in every scene and serve as the photographer's focus. Although the landscape is marred by layers of dysfunction and greed, we can't help but view it through the lens of the timeless belief in the bel paese--the beautiful country.

Hardcover. Boston, David R Godine, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar. This book collects work from nine of these trips: Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others, uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. Reproduced in duotone, the 175 photographs in The Likes of Us were all printed from the original negatives at the Library of Congress.

Hardcover. Los Angeles, Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover. Never opened, still in original shrink wrap. 192 pages, 146 illustrations, 30 in color. Foreword by William Claxton. Foreword by Joachim E. Berendt. Text is in French, English and German.

Softcover. NY, Delano Greenidge Editions, 1st paperback, 2002, Book: Very Good, Dust Jacket: None, Softcover, 229 pages. 207 color plates. Articles by A.D. Coleman and Henry Wilhelm. Large paperback format with glossy covers.

Softcover. Los Angeles, Spurl Editions, 1st, Book: Very Good, Dust Jacket: None, Softcover, Color plates throughout, unpaginated. Limited to 500 copies. Clean. Documents the eerie fragments of existence left behind in one city. John Brian King photographed RIVIERA from 2016 to 2018 in Palm Springs, California, and its surroundings; a full-time resident at the time, he used a cheap instant film camera to give his photographs a unique, washed-out, hazy aesthetic. King depicts a city that is frozen in a visually arresting state of decline.

Hardcover. Dubai, Taj Hotel /New Arabian Heritage, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages, beautifully illustrated throughout in color. Light shelf-wear/rubbing to dust jacket, else a clean, tight copy.

Hardcover. Orangeburg SC, Sandlapper Publishing, 2nd pr., 1987, Book: Very Good, Dust Jacket: Good, Hardcover, 120 pages, b&w illustrations. The author documents the customs and lifestyles of a proud group of Sea Island blacks. Beginning with the first freedmen and their descendents, he reveals a colorful and provocative story, told in words of island natives and illustrated with photographs taken around the turn of the century. INSCRIBED BY DAISE on the half-title page. Clean copy with color fading to dust jacket spine and part of front cover.

Softcover. US, The Countryman Press, 1st, 1982, Book: Very Good, Dust Jacket: None, 47 pages, photos in b&w. Light sun-fade to spine, else a clean, tight copy. From publisher's jacket flap: "Berlin was a magic place for the arts in the twenties and early thirties, and no more so than in theater and dance. Fortunately for us, in the midst of this brilliant world, a young woman destined to become one of the best portrait photographers was just beginning her long illustrious career. Fourth generation photographer (her great grandfather had been taught by Daguerre), Lotte Jacobi photographed the brightest personalities of Berlin (and later New York), many of them her friends, in a direct and honest way that remains surprisingly fresh even today. In this book, along with Lotte's reminiscences of each, are revealing portraits of Peter Lorre, Lotte Lenya, Emil Jannings, Anna May Wong, Rene Clair, Lil Dagover, Claire Bauroff, Pauline Koner, Hanya Holme, and many others. Theater and Dance Photographs is a remarkable record of a remarkable time."

Softcover. New York, Thames & Hudson, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. Like new in publisher's shrink-wrap. This book selects from Jane Bown's whole range of her photography during the forty-five years she has worked for London's Observer, starting with scenes typical of the fifties and ending with others characteristic of the nineties. The portraits, sandwiched between these and forming the body of the book, themselves range widely - from such proven classics as those of Samuel Beckett, Mick Jagger and John Gielgud, to early studies of the Beatles and recent photos of Alan Bennett, Archbishop Tutu, Boy George and Woody Allen among a great variety of famous people in the worlds of music, literature, stage, screen, politics and the arts.

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 152 pages, b&w and color illustrations. Fashions inspired by Fellini's cult film. In publisher's shrinkwrap.

Hardcover. Rome, Salvatore Ferragamo, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, illustrated with 80 color photographs of the innovative designer's stylish shoes. Four essays on his art and place in fashion history.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, A behind-the-scenes, in-depth record of his photographic life from 1976 to 1987, Warhol Makos In Context , Christopher Makos' newest book, documents the years he spent at Andy Warhol's side. Over 100 original Makos contact sheets, reproduced in full with the photographer's editing marks and comments, have never before been seen. Warhol Makos In Context features unedited, raw material of his work during the years he saw Warhol almost daily--including the experiences and friends he shared with Warhol, the trips the two and others made together, and scenes of work life at Warhol's 860 Broadway Factory and Makos' West 15th Street studio.

Softcover. New York , Aperture , 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Spring 1987. 78 pages. Includes an article with photographs by Lewis Baltz with text by Mark Haworth-Booth. Other articles feature works by Catherine Wagner, Lynne Cohen, Robert Cumming, Reagan Louie, David T. Hanson, and Kira Petrov. A near fine copy in wrappers.

Hardcover. Schiffer Publishing, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Much of early Americana has been destroyed and lost forever. But occasionally, and almost miraculously, some parts of its survive. So it is with the photographs in this book. Saved from an ignominious end in the city dump, they chronicle and enliven the cowboy's life on the range. The result is a beautiful volume of real-life images of western cattlemen. These unretouched photographs taken from the original 5" x 7" negatives give an unprecedented look at life on the ranch and trail. We are presented with real people seen on the job. We see the costumes, the work, the everyday necessities of the range. And as the cowboys stare back at the camera or work with one another, the reader will get the sense of knowing them and their way of living. This is an important volume of history that every student of the Old West will cherish.

Hardcover. US, Stern Portfolios; Bilingual edition, 1st, 2013, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with no dust jacket. Laminated boards.

Softcover. New York, W.W. Norton & Co., 1st, 2008, Book: Near Fine, Dust Jacket: None, Softcover, 224 pages, b&w and color illustrations. The author documents the invention, technological evolution, and commercial history of the photobooth with extensive illustrations culled from twenty-five years of collecting. Clean, bright copy.

Softcover. Millerton NY, Aperture, Inc., 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 70 pages of text and black and white photographic images. Highlights from this issue: "Walt Whitman and Thomas Eakins" by Lincoln Kirsten, "Double Portrait: Alfred Stieglitz and "Ananda Coomaraswamy" by Roger Lipsey. Includes images from: Paul Caponigro, Arthur Lazar, and Ernest Bloch. A very good copy in photo-illustrated wrappers.

Softcover. London, Christie's, 1st, 2003, Book: Very Good, Dust Jacket: None, Paperback. 4to. Original card covers. Essays by Lindsey Stewart, list of exhibitions, technical essay by Roger Watson of the Fox Talbot Museum, chronology, 86 item sale catalogue, fully illustrated in color.

Hardcover. New York, Crown Publishers, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 255 pages, illustrated throughout in color. Light shelf-wear to dust jacket, else a clean, tight copy. "The Guards, a body of some 5500 officers and men whose special task it is to protect the British sovereign are the oldest and perhaps the most unusual military institution in the West. They are not just gorgeously caparisoned performers marching up and down outside the royal palaces in London and Windsor...they are also a highly disciplined and versatile military formation, found wherever the British army is called upon to soldier, from the jungles of Central America to the mean streets of Belfast." Many color photographs.

Hardcover. St. Paul MN, Zenith Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages, illustrated in color and b&w. The Battle for Hue became one of the most important of the Vietnam War, a month of grueling house-to-house fighting through buildings and around civilians. Marines in Hue City documents the intense urban combat in Hue with many never-before-published photographs. Very good in a bright dust jacket.

Hardcover. Santa Monica CA, RoseGallery/DAP, 1st, 2007, Book: Very Good, Dust Jacket: None, Red and burgundy cloth boards with yellow stamped lettering. 144 pages. Color and b&w illustrations, portraits. Eyes in His Eyes reintroduces some of the artist's overlooked masterpieces, and reveals, for the first time, a broad selection of never-before-seen images from his private archives. In his 80-year career, Alvarez Bravo printed, published and exhibited only a thousand images. This portfolio, culled with the help of the artist himself, and completed after his death, is full of unfamiliar abstractions, portraits, landscapes and street photography.

Softcover. Paris FR, Centre National de la Photo Graphie, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 96 unnumbered pages, 40 b&w plates. FRENCH TEXT. The panoramic photography of Jacques-Henri Lartigue, taken between 1922 and 1929; the catalogue for an exhibition. Wonderful work. Text by Michel Frizot. Unpaginated, 40 full-page duo-toned b&w plates; 11 x 10.25 inches. Bibliography, chronology, exhibitions list.

Hardcover. Zurich, Scalo, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 205 pages, color photos throughout by Mayer. Edited by Gunther Doeker-Mach. Like new in a bright, unclipped dust jacket. Color photographs of native peoples of Russian Far East hunting, fishing, reindeer herding and their environment. Includes three essays describing problems of these peoples arising from tension between Russian colonisation and their struggle to preserve their identity.

Softcover. New York , Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, b&w photographs throughout. In 1929, Lee Miller, already a legendary fashion model, left the United States to study photography in Paris. Here she became the disciple and lover of Man Ray, and she was soon taking on both portrait and fashion assignments for Vogue and running her own studio. The Second World War saw her as Vogue's war correspondent: she covered the siege of Saint Malo, the liberation of Paris, and the entry of the U.S. Army into the Dachau concentration camp. Her later years were spent in London and Sussex with her husband, the painter and writer Roland Penrose. During her extraordinary life, Miller came into contact with an astonishing range of painters, sculptors, actors, writers, musicians, fashion designers, and socialites. Many became her friends and the subjects of her penetrating portraits. The finest of these photographs are collected together here, along with a selection of portraits of Miller herself, taken by other photographers. The images include not only Miller's highly perceptive and sympathetic studies of Pablo Picasso, Igor Stravinsky, Marlene Dietrich, Fred Astaire, and others but also her pictures of unsung individuals engaged in war work and powerful photographs of victims and perpetrators of Nazi oppression. 157 duotone illustrations.

Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, More than a century ago, when Abbot Kinney built his Venice-of-America with its network of canals and fanciful buildings, cultural aspirations were high. Over the years, this aura of fantasy and imaginative possibility endured as integral to the zeitgeist of the place. Today, this spirit of innovation and creativity is richly expressed in the vintage bungalows and cottages that have been embraced and brought back to life by homeowners more in love with place than size. Stalwart survivors of the ebb and flow of the area's fortunes over a century, these small homes channel the creative spirit of the place and provide a welcome counterpoint to oversize houses. Color, landscape, treasured collections, personal narrative, contemporary overlays and additions, art and craft, and inventive design--all combine in various ways to produce domestic environments with unique and deeply personal points of view.

Hardcover. London, Reel Art Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. Includes 240 black and white and color photographs: . "Life as it unfolds in front of the camera is full of so much complexity, wonder and surprise that I find it unnecessary to create new realities. There is more pleasure, for me, in things as-they-are." - David Hurn - This volume is the first anthology dedicated to Hurn during one of his most iconic periods of the 1960s.

Hardcover. Marg Foundation , 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Various expressions of art manifested through painting, sculpture, architecture, dance, and even drama, issues of nostalgia and modernity are juxtaposed to examine the art of Nepal from new viewpoints.The style of art we call Nepali is produced by the Newars, the original inhabitants of the Kathmandu Valley, who shaped it from ancient to modern times. The present volume celebrates various artistic expressions of the Newars as well as other ethnic groups that have contributed to the rich cultural heritage of the country. Various traditions, including the Kumari cult and street theater are illustrated along with contemporary art and architecture.

Hardcover. US, Graphis Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. More than 200 color plates.Like new in publisher's shrink-wrap.

Softcover. NY, Swann Auction Galleries, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover with pictorial covers, unpaginated. 453 lots, many black and white illustrations. Among the photographers represented: Yousef Karsh, A. Kertesz, R. Doisneau, Mathew Brady, E. Ruscha, and others. All pages are clean, crisp and tight.