Photography

Hardcover. New Haven CT, Yale University Art Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. "Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today." 48 b&w images by Friedlander.

Hardcover. NY, Museum of Modern Art, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, 106 illustrations. Light edgewear and rubbing to dust jacket. Clean, tight copy.

Softcover. NY, Harmony Books, 1st, 1974, Book: Very Good, Oblong softcover, 182 pages. A wonderful photographic documentary of the era: daily life, workers, the rich and/or famous, the military, public schools, etc.

Softcover. New York , Thames and Hudson, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, 54 color photographs by Stefano de Luigi. With an essay by Martin Amis, "A Rough Trade". Tight, clean and crisp. Explores the world of pornography in Los Angelas, Tokyo, Budapest, Milan, Prague and Dortmund. Features interviews conducted with industry workers and stars in LA.

hardcover. NY, Aperture, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 80 black and white tritone portraits by Mark. Clean, bright copy. Mary Ellen Mark's fascination with twins has inspired a remarkable portrait series. Traveling to Twinsburg, Ohio, for their annual "Twins Day" festival allowed her to photograph hundreds of twins. In the two consecutive years Mark visited the festival she used a complex set-up for the seemingly simple aesthetic. Every detail is captured through the Polaroid 20x24 camera Mark used. Between the camera and dynamic lighting every wrinkle, toned muscle, body hair, and freckle is visible. Using the studio, all attention of the festival is lost. Instead the attention is given to the twins themselves. A thoughtful decision that emphasizes Marks pure interest in her subjects. The final pages of the book are dedicated to bits of conversation Mark collected after shooting the photographs. Each fragment from the conversations revels more about each pair connecting the viewer even more with every photograph.

Hardcover. US, Stern Portfolios, 1st, 2013, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with laminated boards. Like new in publishers shrinkwrap. In 1975, the young Parisian photographer Brigitte Lacombe met Donald Sutherland and Dustin Hoffman at the Cannes Film Festival; these new acquaintances would go on to open doors for her. That same year she was hired as a photographer for the filming of Fellini's Casanova. Since then, Lacombe's famous images have reflected a who's who of Hollywood cinema. This collection spans a masterfully choreographed array of photographs Lacombe took - all the way from the sets of 1970's cinema classics to film milestones of the new millennium, including Alan J. Pakula's All the President's Men, Martin Scorsese's Gangs of New York, and Quentin Tarantino's Inglorious Bastards. Conveying a certain intimacy without unmasking any mystery, Lacombe's images capture classical beauty in a way that is fresh and exciting.

Hardcover. Damiani, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 168 pages, color photos. From 1989 to 1993, New York fashion designer Isaac Mizrahi granted the British photographer Nick Waplington rare backstage access to photograph every detail of the designer's fitting sessions in the weeks before his twice-yearly fashion shows. Combining Waplington's gritty verite style with Mizrahi's haute couture sensibilities, the resulting images offer a candid glimpse into the world of fashion when supermodels including Cindy Crawford, Christy Turlington and Naomi Campbell reigned supreme. At the same time, Waplington set out to document the wildly creative nightlife of the '90s "club kid" culture in New York, juxtaposing his images of uptown style with downtown looks and taking pictures at some of the city's most infamous clubs, such as the Pyramid Club and Save the Robots. Clean copy in publisher's shrinkwrap.

Hardcover. Munich, Prestel Verlag, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. "Born Dora Kallmus (1881-1963), the Austrian fashion and portrait photographer who went by the moniker Madame d'Ora was the most acclaimed portraitist of fin de siecle Vienna. After relocating to Paris in the 1920s, she opened one of the most stylish Art Deco portrait studios where her models included Pablo Picasso, Josephine Baker, and Collette, among many others. This book, accompanying the largest exhibition devoted to Madame d'Ora ever presented in the United States, includes sections focusing on the different periods of the photographer's life, from her early upbringing as the daughter of Jewish intellectuals in Vienna, to her days as a premier society portraitist, through her survival during the Holocaust." Still in publisher's shrinkwrap.

Hardcover. New York, Abbeville Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 279 pages, hardcover with dust jacket. B&w illustrations throughout. SIGNED BY AUTHOR on title page. Mild wear to dust jacket top edge. Light fading to top boards. Foxing and faint soiling to text block. A bright and tight copy.

Softcover. Aperture, 1st, May 31, 1999, Book: Very Good, Dust Jacket: None, Softcover, 78 pages, b&w and color photographs throughout. Very good.

Hardcover. Burlington VT, 3X120 Press., 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, a collection of arresting black and white photographs of the dairy farms of the northeast. Skye Chalmers, a Vermont native, has brought his keenly honed eye and deep love of the land to this project and created a work of documentary photography at its finest. Sending Milk captures all aspects of dairy life - the families, the cows, the fields and barns, the equipment, the stunningly sublime and the hardships. An introduction by award-winning Vermont author, educator, and journalist Stephen Kiernan is the only text in this volume. The images speak for themselves. Clean, brighy copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.

Softcover. US, Damiani, 1st, 2013, Book: Very Good, Dust Jacket: None, 360 pages. Softcover. Clean, unmarked copy with only minor wear to wrappers. Like new in publisher's shrink-wrap. This volume is a catalogue raisonne of the work of Brazilian photographer Klaus Mitteldorf (born 1953) from 1983 to the present. Now primarily involved in fashion photography, Mitteldorf began his career as a surf photographer in Brazil in the 1970s.

Hardcover. NY, Rizzoli, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Before Margaret Bourke-White became America's first well-known photojournalist, she was photographing the beginnings of Americas machine age, focusing on factories, machinery and the objects this technology produced. These striking images, which transformed prosaic objects into modernist masterpieces-were the foundation for work she later did for Fortune, Life, and other important national magazines. Organized by the Phillips Collection, an exhibition and this accompanying catalogue feature many photographs which have never before been published, and presents new research on the images. An extensive chronology of her career is also provided.

Hardcover. Filipacchi Publishing, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Elle magazine, leader in fashion and style, has compiled a tribute to the 1980s in a fun, informative and colorful book that will set one musing on what was en vogue in days past and influencing fashion a la mode.Creations of major designers Azzedine Alaia, Jean Paul Gaultier, Karl Lagerfeld, Yves Saint Laurent, Issey Miyake and Thierry Mugler are featured, revisiting trends brought to life by the greatest fashion leaders of our time. Photos from the legendary fashion photographers of the decade, Gilles Bensimon, Pamela Hanson, Jean-Baptiste Mondino and Oliviero Toscani, among others, bring the decade to life.

Hardcover. Daylight Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. 144 pages. 55 black and white photographs. The world of Bruce Haley is not for the faint-hearted. Bruce has traveled the globe photographing some of the darkest moments that only the intrepid want to face and visiting his website is a nail biting experience.SUNDER is a stunning exploration of the former USSR and other Iron Curtain countries, but equally as interesting are the accompanying essays, in particular, the wonderful piece by Andrei Codrescu (you may be famliar with his essays read on NPR), and by Kirsten Rian. He is a master photographer showing us the pathos and beauty of a culture that has been ravaged by war and turmoil. His eight year photographic investigation is a stark perspective of the collapse of the communist empire, but Bruce shares it on a human scale.

Hardcover. Atglen PA, Schiffer, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, color photographs by Janes. What is burlesque? Who better to ask than burlesque performers themselves? With this question in mind, the author traveled over 14,000 miles across the United States visiting today's burlesque performers, photographing them in their homes, and asking them: "What does burlesque mean to you?" Their answers and 104 accompanying portraits may surprise you. For these performers, burlesque is so many things, including fun and empowerment on stage, an escape from life's doldrums, a fantasy, a career. This book also presents a study in contrasts between the public persona of each performer and that performer's private life.

Hardcover. Portfolio, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 194 pages. A great book by the bestseller author Sigurgeir Sigurjonsson. In this breathtaking new book about Icelandic landscape Sigurgeir entwines nature and culture in a dramatic, vivid and unforgettable moments. You can really feel the energy and flow of all that Iceland has to offer while going through the pages. This is the large edition 25x25 cm. The book comes in a beautiful bag.

Hardcover. New York, Penguin Studio, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY PHOTOGRAPHER on title page, minor dust jacket edge wear, otherwise, very clean and tight.

Hardcover. New York/London, Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, 165 color and b$w images. Like new in publisher's shrink-wrap. Equal parts glamour and cataclysm, sunshine and noir, few cities have provoked visual representation as insistently as LA. This Side of Paradise explores the synergistic relationship between the city and photography from the mid-nineteenth century to the present through the key themes of landscape and the body. Beautifully illustrated throughout, including images by Carleton Watkins, Edward Weston, Louise Dahl-Wolfe, Garry Winogrand, Ed Ruscha, Dennis Hopper, Herb Ritts, John Baldessari, Catherine Opie and many others.

Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Celebrating the kind of childhood play that signals a search for identity, Who Am I, What Am I, Where Am I? is a series of 70 photographs by New York- and Berlin-based artist Aura Rosenberg. For each picture, a child and an artist were paired up to create an idiosyncratic portrait of the child--each of whom was given access to masks and costumes. Among the collaborating artists are John Baldessari, Coco Fusco, Skuta Helgason, Louise Lawler, Allan McCollum, John Miller, Vik Muniz, Tony Oursler, Jim Shaw, James Siena, Laurie Simmons, Kiki Smith and Haim Steinbach. Rosenberg's contribution to the collaboration is her technically playful style--the photographs are often digitally manipulated to create an array of surreal and humorous effects. This volume draws a compelling parallel between childhood play and the work of the adult artists. Also included are texts by artists Dan Graham, Mike Kelley and Nicolas Guagnini.

Hardcover. NY, Viking Press / A Studio Book, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers, gilt lettering on spine. A classic retrospective monograph with an introduction by Cyril Connolly. Includes many of Brandt's best known images. Survey of the British photographer's images from the 1930s-60s, including nudes, landscapes, portraits of many artists and writers, and shots of British every day life among the various classes. Notes by Marjorie Beckett. Mostly black and white photographs, but a few color shots at the rear. Clean, bright copy with fragments of dust jacket laid in.

Hardcover. San Francisco, CA, Collins, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 159 pages, hardcover with dust jacket. A unique collection of photographs of The Beatles. With tipped in promotional copy. Light edgewear and rubbing to dust jacket. Mild bumping to corners. Unmarked. Bright and clean; a tight copy.

NY, Abrams Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 380 pqges, color and b&w photos. An action-packed memoir that takes readers on the road with rock and roll's hardest-working photographer. Bob Gruen is one of the most well-known and connected photographers in rock and roll. For almost 50 years, he has documented the music scene in pictures that have captured the world's attention. Right Place, Right Time is Gruen's first written account of his winding, adventure-filled journey. He takes us on visits to John and Yoko's apartment, on a cross-country road trip with the Ike and Tina Turner band, to Glasgow with Debbie Harry, backstage with KISS, inside CBGB, and on the bus as he swaps steel-toed boots with Sid Vicious. In wildly entertaining stories and iconic images, Gruen gives the reader a unique window into the evolution of American music culture over the last five decades.

Softcover. New York, Writers and Readers Pub., reprint, 1994, Book: Very Good, Dust Jacket: None, 200 pages, softcover. Extensive b&w photography throughout. Light edge wear, otherwise clean, tight copy. Collects recently discovered portraits made by a commercial Black photographer of Columbia, South Carolina's Black middle class during the 1920's and '30's

Hardcover. Edinburgh, The Stationery Office, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 222 pages. Hardcover. Dust jacket with minor wear. Previous owner's signature on front flyleaf. Black & white photographs throughout. Clean unmarked text.

Softcover. NY, Aperture Foundation, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Many contributors. Features: Manuel Alvarez Bravo: Photographs and Memories. Frederick Kaufman's "Essay of Memories," based on extensive interviews he conducted with Don Manuel in 1996, was commissioned especially for this publication. In his richly descriptive and insightful essay, Kaufman weaves together Alvarez Bravo's recollections, biographical information, and Mexican history in order to illuminate the story of the photographer's life against the backdrop of a complex and ever-changing culture.

Softcover. New York, PictureBox, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, Like new in publishers shrink-wrap. Ever wonder what indie rockers on tour do for the other 23 hours of their day? Real Fun answers that question with over 100 photographs of musicians lounging in the giant green room that is the world--sleeping, eating, fishing and just goofing off. Photographer Ashod Simonian has traveled with scores of bands, and his dreamy, lush Polaroids capture Death Cab for Cutie, Spoon, Sleater Kinney, Pavement, Jenny Lewis, the Shins, Wilco and Broken Social Scene, among many others, in colorful images conveying not just stories but the feelings behind them: boredom, exultation, frustration and bliss. Many of the performers have also contributed essays and memoirs, making this an essential compendium of wisdom and memories from the road. Others have recorded songs for the accompanying CD. The tracks were all selected by Simonian and most are original, recorded especially for this project. All of this is well and good, but what makes Real Fun more than a scrapbook is Simonian's acute photographic instincts, his eye for detail and sense of scene: compelling pictures regardless of the subject.

Hardcover. Philadelphia, Philadelphia Museum, Book: Very Good, Dust Jacket: Very Good, 270 pages. Like new in publishers shrink-wrap. Illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Offers a mid-career assessment of Strauss's achievement to date, and the first full account of her celebrated ten-year project, beginning in 2001, to exhibit her photographs under an elevated section of Interstate 95 in Philadelphia. Strauss's troubling and sometimes touching images focus primarily on American working-class experience, to convey what she calls "an epic narrative that reflects the beauty and struggle of everyday life." Generously illustrated, this book includes nearly 200 photographs--135 of them published here for the first time.

Hardcover. US, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publishers shrink-wrap. Spanning 50 years and three generations, Joe's Junk Yard is a personal narrative that explores the history of the family's scrap metal business. Kereszi's disquieting, tender photographs of the last decade of the junkyard, accompanied by business ephemera and family scrapbook photographs, tell the story of this family and its struggles with a changing economy.

Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 98 pages. Illustrated throughout in b&w. Light shelf-wear to dust jacket with small tear on rear cover, else a clean, tight copy.

Hardcover. New York, It Books, 1st, 2013, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 352 pages. Like new in publishers shrink-wrap. Curated from the luscious Kodachrome stock of the 1940s, renowned preservationist David Wills presents a dazzling Hollywood collection as never before printed. Drawn from Wills' vast collection of first-generation negatives and prints, meticulously scanned and gorgeously printed, these icons of film are captured in rich, saturated color.

Hardcover. New York, Simon & Schuster Ltd, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Black boards, bright silver gilt lettering. 23 prose-poems by Nobel Prize Laureate Dylan are thought-provoking, witty, and unexpected observations of a bygone era.

Hardcover. NY, Hearst Communications, 1st, 1997, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, oversized, b&w photographs of celebrities throughout: Claude Levi-Strauss, Elizabeth II., Andre Kertesz, Samuel Beckett, Faye Dunaway, Vladimir Horowitz, Yves Saint-Laurent, Andy Warhol, Tim Burton, David Lynch, Johnny Depp, Kate Moss, many others.Very clean and tight copy.

Hardcover. Stockport UK, Dewi Lewis, 1st, 2013, Book: Very Good, Dust Jacket: None, 80 pages, 40 color images by Simoneau documenting his relationship with Caroline Annandale. Clean. No dust jacket issued. Simoneau, a Montreal-based photographer, chronicles his long romantic relationship with Caroline Annandale. Having met at a photography workshop in 2000, Simoneau and Annandale engaged in what the book's description calls a "feverish" relationship, which took a turn on September 11th 2001, the date of the World Trade Center attacks in New York. Shortly afterwards, Annandale enlisted in the US Army and was shipped off to Iraq. Simoneau, the photographer of this love story, stayed behind. Simoneau does not present what might be expected from a 'war' book, nor does he delve into the gender role switch of the female partner going to combat while the male stays back on the homefront. Instead, his view of war becomes a unique assembly of what he sees and feels from a distance. Removed from the actual conflict, but connected emotionally to Caroline Annandale, Simoneau's view takes on a limited frame: he can see only what is sent to him or what is represented in the media during wartime. Love and War therefore is a book about war, and yet, the war is defined by the absence it's created in Simoneau's life.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Fall 2009. William Eggleston artwork on the cover and an article on his drawings inside, with features on William Klein's 1956 portrait of Rome, Neil LaBute with photographs by Gerald Slota, Mark Alice Durant on monuments, Rob Hornstra's Russia, Luc Santo on American real-photo postcards, and Sally Gall's color insects. A clean, tight issue.

Hardcover. Boston, David Godine, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages, 110 ill. (109 color, including covers). Photographs taken on Guggenheim Foundation and Asian Cultural Council Fellowship in 1983 and 1984 in Japan, Indonesia, Hong Kong, Thailand, India, the Philippines, China, Burma, South Borneo, and Vietnam. Like new in publisher's shrink-wrap.

Hardcover. NY, D.A.P. /Distributed Art Publishers, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 140 pages, b&w photos. Commentary by Marvin Heiferman and Carole Kismaric. Clean, bright copy in a similar dust jacket.

Hardcover. NY, Aperture, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. Photographs by Robert Capa, Lois Conner, Stuart Franklin, Zhang Hai-er, Wu Jialin, Wang Jinsong, Hiroji Kubota, Sebastiao Salgado, Liu Heung Shing, and others. This magnificent volume unfolds a series of in-depth portfolios by twenty of the most important Chinese and Western photographers of the era, conveying the extent of their involvement in politics, culture, and everyday life.

Softcover. NY, Collier Books/Macmillan, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 121 pages. Tinsel and leather. Strippers in gold lame. Sleaze and sophistication. Vogue couture and flamboyant bad taste. Here, in pictures and words, is a collection of outrageous portrais of 21 men who dare to flaunt their fantasies on Halloween on Polk Street in San Francisco. Fully illustrated with photographs in B&W and color. Clean copy.

NY, Shannongrove Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 146 pages, A rare view of Hollywood's Golden Age as seen through the private family album of MGM's top box office draw in the 1940s, Van Johnson. This book is packed with hundreds of never before seen images of Hollywood at home. His wife, Evie Wynn Johnson, an amateur shutterbug captured behind-the-scenes images of their friends, some of Hollywood's most famous stars, such as Audrey Hepburn, Gary Cooper, Judy Garland, Charlie Chaplin and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. Schuyler Johnson, Van's daughter, shares these casual and candid images from her mother's album that have never been published .

Hardcover. Cambridge, Mass., The MIT Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 371 pages, b&w illustrations. Small remainder stamp on bottom edge. Light edge wear to dust jacket; tape-repaired cut on rear. Else a very clean, tight copy. Focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene--at a series of significant moments in his career.

Softcover. Milano, Longanesi & Co., 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 103 pages. Text in Italian. Light edgewear to wrappers, faint foxing to edges and end papers.

Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Aperture's second Explorations issue presents heretofore undiscovered images by photographers whose work is bound to become widely known. They probe the metaphysical through ritual, invoke dark metaphors in circus performance, find religion in nocturnal deserts, and study the ties that bind. The convergence of these uniquely powerful images and the artists' personal stories provokes an examination of the ever expanding boundaries of contemporary photography.Artists included are Stephen Barker, Neil Folberg, Jill Graham, Kimberly Gremillion, Jan van Leeuwen, Anne Arden McDonald, Andreas Rentsch, Maruch Santiz Gomez, and Dayanita Singh.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously iwith the hardcover. In publisher's shrinkwrap.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Hardcover. FR, Marval, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. color photographs featuring body tattoos and piercings. FRENCH TEXT.

Softcover. Danbury NH, Addison House, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover. approximately 125 pages, b&w images. Collection of surreal photographic stories some of which have handwritten text by the noted photographer. Simultaneous paperback issue.

Hardcover. NY, Aperture, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Minor White was one of the twentieth century's most influential B&W art photographers. Rites & Passages, is a compilation of his writings and photographs, with a biographical essay by James Baker Hall. The book is well writen and edited, and is a significant insite into the thoughts and motivations of a great artist. With a generous number of stunning photographs, expertly printed on quality paper, it is a book worthy of any discriminating collection.