Photography

Softcover. NY, Da Capo Press, 1st US, 1977, Book: Very Good, Dust Jacket: None, First edition thus. Softcover. Features the original introduction by Cyril Connolly along with a new one by Mark Haworth-Booth. Includes 144 black and white images, with many of Brandt's best known images featured. A tight very good copy in wrappers with some very minor wear.

Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 156 pages, 121 duotone photographs. Like new in publishers shrink-wrap. In this, his third book, John Comino-James shows us the world that is contained within just a few streets in the very ordinary neighbourhood of Cayo Hueso in Havana, Cuba. Through portraits and candid observation he builds an honest and intimate record of a small and tight-knit community. This is not the Havana of the tourist, but a city in which people go about their daily lives, dealing with the everyday realities that have resulted from decades of political isolation.

Hardcover. NY, Aperture, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In Migrations, Sebastiao Salgado turns his attention to the staggering phenomenon of mass migration. Photographs taken over seven years across more than 35 countries document the epic displacement of the world's people at the close of the twentieth century. Wars, natural disasters, environmental degradation, explosive population growth and the widening gap between rich and poor have resulted in over one hundred million international migrants, a number that has doubled in a decade. This demographic change, unparalleled in human history, presents profound challenges to the notions of nation, community, and citizenship. The first extensive pictorial survey of the current global flux of humanity, Migrations follows Latin Americans entering the United States, Jews leaving the former Soviet Union, Africans traveling into Europe, Kosovars fleeing into Albania and many others. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Milano, Longanesi & Co., 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 103 pages. Text in Italian. Light edgewear to wrappers, faint foxing to edges and end papers.

Hardcover. San Francisco, Chronicle Books, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with a dark brown cloth spine and a pictorial label on the cover. No dust jacket issued. Legendary for his massive photographic undertaking, The North American Indian, Edward Sheriff Curtis (1868-1952) recorded much more than portraits of Native American tribespeople. Among his huge body of work are numerous images of all manner of native dwellings: tipis, hogans, huts, cliff houses, adobes, and many more that are far less familiar to the public eye. Though people are largely absent from these photographs, each image speaks volumes about the lives and lifestyles of the tribes to which they belonged. Other structures such as tombs, religious buildings, granaries, and totem poles are also featured prominently, further glimpses into ways of life that were in the process of disappearing. Taken from the Dan and Mary Solomon collection,Sites & Structures: The Architectural Photographs of Edward S. Curtis is the first book of Curtis photographs to explore these dwellings and structures, faithfully reproduced from the original prints and gravures.

Softcover. Buffalo NY, Buffalo Fine Arts Academy, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 278 pages. Illustrated throughout with 195 b/w plates. Clean, unmarked copy with only minor wear to wrappers. The Cold War, Sputnik, Joseph McCarthy, Fidel Castro, the Rosenbergs, Marilyn Monroe, Rosa Parks, Father Knows Best and Rebel Without a Cause are just a few of the events, people, and cultural phenomena that marked the decade of the 1950s. This stunning book, a collection of two hundred large-scale duotone photographs of the 1950s culled from the New York Times photo archives, brings this watershed period to life and examines who and what was important and why.

Hardcover. NY, Harry N. Abrams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 352 pages. The ultimate comprehensive survey of Smith's brilliant work. DOMESTIC SHIPPING ONLY.

Hardcover. London, Chris Boot, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 176 pages. Like new in publisher's shrink-wrap. Offers an account of eccentric objects collected by the author, includes his memorabilia of political leaders and movements, other mythologized characters Osama bin Laden and the Spice Girls, his collections of photographic trays and kitsch wallpaper, objects commemorating the M1 motorway, 9 11, and the Sputnik mission.

Softcover. NY, Pantheon, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover. With an introduction by Jack Kerouac. Robert Frank's The Americans changed the course of twentieth-century photography. In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just Frank's subject matter--cars, jukeboxes and even the road itself that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was 75 years ago. This edition was printed in Switzerland by Jean Genoud under the direst supervision of Robert Frank. Clean, bright copy.

Hardcover. Chicago, University of Chicago Press , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Photographer Camilo Jose Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood's urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing--some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration. Woven throughout the images is Vergara's own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.

Hardcover. Berkeley CA, University of California Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 112 pages. Schell, Orville [Foreword]; Parks, Gordon [Commentary]; Stepto, Robert B. [Commentary]. Shortly before the end of the Second World War, Wayne Miller was awarded a grant from the Guggenheim Foundation to photograph 'The Way of Life of the Northern Negro'." This project documented the wartime migration of African Americans northward, specifically looking at the black community on the south side of Chicago, covering all the emotions in daily life. The people depicted are mostly ordinary people, but some celebrities appear, such as Lena Horne, Ella Fitzgerald, Duke Ellington and Paul Robeson. He was a contributor to Magnum Photos beginning in 1958. Stamped name on front fly leaf, otherwise clean copy.

Hardcover. US, VIRGIN BOOKS, 1st, 1987, Book: Very Good, Dust Jacket: Good, 143 pages, b&w photos. Faint foxing to edges and dust jacket. Light sunning to spine.

Hardcover. MIT Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in black cloth stamped with silver lettering. an autobiography in pictures, 400 pages. Ai Weiwei is China's most celebrated contemporary artist, and its most outspoken domestic critic. In April 2011, when Ai disappeared into police custody for three months, he quickly became the art world's most famous missing person. Since then, Ai Weiwei's critiques of China's repressive regime have ranged from playful photographs of his raised middle finger in front of Tiananmen Square to searing memorials to the more than 5,000 schoolchildren who died in shoddy government construction in the 2008 Sichuan earthquake. Against a backdrop of strict censorship, Ai has become a hero on social media to millions of Chinese citizens. This book, prohibited from publication in China, offers an intimate look at Ai Weiwei's world in the years after his return from New York and preceding his imprisonment and global superstardom. The photographs capture Ai's emergence as the uniquely provocative artist that he is today. There is no more revealing portrait of Ai Weiwei's life in China than this. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. New York , Skira, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 192 pages, hardcover, color and b&w plates. Like new in publisher's shrink-wrap. Work by Becky Beasley, Bianca Brunner, Lisa Castagner, Simon Cunningham, Annabel Elgar, Anne Hardy, Lucy Levene, Gareth Mcconnell, Brigida Mendes, Suzanne Mooney, Melissa Moore, Harold Offeh, Kirk Palmer, Sarah Pickering, Sophy Rickett, Esther Teichmann, Heiko Tiemann & Danny Treacy.

Milan IT, Five Continents, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, essay by Orville Schell. Change is a constant in China that provokes mixed feelings in photographer James Delano. The light, muted by the ever-present coal smoke, possesses a certain softness; people?s faces are smudged, their eyes hungry and ambitious. This generation may be rough around the edges, but they are on the way up, sacrificing for their children and grandchildren; they are nation-building. No matter how much China transforms itself, a certain degree of ?Chineseness? will always remain. The question is, how much? For Delano, immersing himself in a country means quietly wandering the backstreets of the cities, towns and villages and, for a few moments, slipping unnoticed into places and situations. 72 b&w images by Delano. Clean copy.

Hardcover. New York , Two Continents Publishing, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 224 pages, b&w photographs by Adleman. A no-holds-barred account of the 1973 Pirates baseball team. Clean hardcover in a bright, unclipped dust jacket.

Hardcover. NY, HarperCollins, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. In this unique collaboration Arturo Patten, one of the most important portrait photographers of our time, and acclaimed writer Russell Banks visit the hardscrabble north country of Patten, Maine, to study its inhabitants. Patten's haunting portraits of the town's residents evoke characters who exist in Russell Banks's fiction. Banks, the author of Cloudsplitter, The Sweet Hereafter, and Affliction, observes Patten's "characters" from his remote cabin in the Adirondack hills of upstate New York, where he surrounds himself with the thirty-seven portraits and contemplates what they tell us about Patten, Maine, about portraiture, and ultimately about ourselves.

Hardcover. Goteborg SW, Scalo/Hasselblad Center, 1st, 1999, Book: Very Good, Dust Jacket: None, 126 pages with 112 color plates by Eggleston. Includes an interview with the photographer. Black cloth with a color plate pasted on cover, gilt lettering. No dust jacket issued. Even before he was thrust into the spotlight in 1976 when he garnered a one-person show at New York's Museum of Modern Art, Eggelston was hailed as one of the pioneers of color art photography. This survey, published on the occasion of his winning the prestigious Hasselblad Award, will confirm his reputation among admirers and win new converts to his deceptively straightforward photographs of the everyday. The book brings together 112 pictures made between 1967 and 1996 with an interview, a couple of short essays, and biographical and bibliographical appendixes. The subject matter here is almost exclusively his trademark images of the people, townscapes, and found still lifes of Memphis, TN, and northern Mississippi. The book's modest size (9.5" x 9.5"), simple presentation (small-format images are centered amid plenty of white space), and beautiful printing on matt paper appropriately evoke equal parts family album and gallery wall.

Hardcover. London, Thames & Hudson, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 192 pages. Arcadia Britannica is the product of photographer Henry Bourne's repeated trips to some of Britain's greatest folk events: striking color portraits capture an eccentric collection of individuals in inventive outfits, including arboreal costumes, pagan-inspired creations, and historical garb. These were captured at events like the annual Jack in the Green festival held in Hastings in May, for which the town and its people are decked in green to welcome summer, and the Easter Sunday celebration in Bacup, Lancashire, where fiercely proud Britannia Coconut Dancers (or "Nutters") perform their traditional seven dances. An accompanying text by Simon Costin provides the historical backstory and explains the folklore behind this wacky, inspiring collection of images. 125 color photographs. Clean copy.

Hardcover. Rome, Salvatore Ferragamo, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, illustrated with 80 color photographs of the innovative designer's stylish shoes. Four essays on his art and place in fashion history.

Hardcover. NY, W.W. Norton & Co., 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 160 pages. After World War II, the prevalent self-image among America's white middle class was one of affluence, moral superiority, and contentment. This image is reflected in photographs in both advertising and the media during the late 1940s and 1950s showing perfect citizens and their families at work and at play. Many of these apparently candid photographs were in fact created by professional studio photographers to portray the way most middle-class Americans wanted to present themselves.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, A behind-the-scenes, in-depth record of his photographic life from 1976 to 1987, Warhol Makos In Context , Christopher Makos' newest book, documents the years he spent at Andy Warhol's side. Over 100 original Makos contact sheets, reproduced in full with the photographer's editing marks and comments, have never before been seen. Warhol Makos In Context features unedited, raw material of his work during the years he saw Warhol almost daily--including the experiences and friends he shared with Warhol, the trips the two and others made together, and scenes of work life at Warhol's 860 Broadway Factory and Makos' West 15th Street studio.

Hardcover. NY, Knopf, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 695 photographs. "[A] spectacular collection of images from the personal archives of Italian countess Camilla McGrath (1925-2007). McGrath and her husband, Earl--at various times a screenwriter, record producer, and art curator--had an outsized social life, and the sheer number of celebrities who passed through their orbit is mind-boggling. Among the photographs are ones capturing Jackie Kennedy lounging by a pool, Andy Warhol smiling alongside his dachshund Archie, and vacation shots with Princess Margaret and Bianca Jagger. As art dealer Beatrice Monti remembers of McGrath's gift, "She was able to capture something of each one of us even in the middle of a party." . . . These spellbinding photos will beguile photographers, artists, and those enamored of the glamour of a bygone era." No dust jacket issued.

Softcover. New York , Aperture Foundation, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Winter 1987. 78 pages. Features articles on Graciela Iturbide, Sergio Larrain, Miguel Rio Branco. Also includes images by: Sandra Eleta, Pedro Meyer, Raul Corral, Jorge Aguirre, Julio Mitchell. A near fine and clean copy in wrappers.

Hardcover. Prestel, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Working at the nexus of painting and photography, William Klein conceived this original series when he was in the process of reviewing other photographers' contact sheets for a film he was making. Referencing the age of film photography, when photographers selected images by circling individual negatives on a contact sheet with brightly colored grease pencils, Klein's works invent a new kind of art object that organically marries painting and photography. The resulting pieces are enormous mural-sized works in which bold, kinetic color frames and reframes enlarged black-and-white images from throughout his career. Klein's iconic fashion and street photography, always gritty and bold, is given a new immediacy and relevance in this second life. In his foreword to this edition, Klein describes these works as "all brush strokes and jubilation. The jubilation of painting recall[s] the celebration of taking the photo." 140 pages, b&w and color. Still in publisher's shrinkwrap.

Hardcover. NY, Abrams, 1st, 2008, Book: N, Hardcover, 168 pages. Nelson Mandela, an icon of the international struggle for freedom and equality, whose importance rivals that of Martin Luther King and Mahatma Gandhi, turns ninety in July 2008. Mandela spent twenty-seven years in prison for his opposition to the apartheid regime of his native South Africa. Released in 1990, he pursued a policy of reconciliation, steering his nation into the ranks of the world's multi-racial democracies. He was elected president of South Africa in 1994. Photographer David Turnley covered Mandela and South Africa for the world's press, beginning in the 1980s. He witnessed the turbulence of the last violent years of apartheid, was there when Mandela was released from prison, campaigned with him during the presidential election, and sought out the significant people and places of his life. In Mandela: Struggle and Triumph, he tells in words and photographs the dramatic and emotional story of the most powerful movement for civil rights since the American civil rights movement, through the eyes of its legendary leader.

Hardcover. New York, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 96 pages, color photographs, Like new in publisher's shrinkwrap. Doors of the Kingdom is a unique collection of photographs depicting the ancient and disappearing craft of doormaking in Arabia. The Islamic concept of hurma, or sanctity of a place of dwelling or worship, is recurrent throughout Arabic poetry and literature. The door (bab), preserver of sanctity, becomes symbolic of the boundary between public and private space, and between the profane and the sacred. In 1995, Haajar Gouverneur traveled throughout the Arabian Peninsula photographing each region's distinctive doorways and the remaining artisans who make them. The doors of Arabia, painstakingly hand-carved from the wood of the Al-Athel trees, last in their exquisite variety for hundreds of years. This ancient craft, passed down from generation to generation in the central and northern regions of Saudi Arabia, is now nearly extinct. Modern materials, technology, and changing priorities threaten the continuity of the sacred and artisanal tradition of doormaking.

Hardcover. San Francisco, MustSeeBooks, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, b&w photographs by Fallon. Dramatic BxW portraits from around the world, with an ongoing dialogue between the photographer and the writer. The concept is to encourage the readers to use their cameras to really engage the people they come in contact with when they travel - the camera grants you access! You see an eclectic mix of people in rather unique environments - humanity staring back at you.

Hardcover. New York, Macmillan, 1st US, 1972, Book: Very Good, Dust Jacket: Good, Hardcover, 153 pages, foreward by M.F.K. Fisher. A collection of b&w photos, some color, by Robert Doisneau. Commentary by Chevalier. In a bright dust jacket with light edgewear, soiling to rear panel. Otherwise a clean, tight copy.

Hardcover. NP, Somogy Art Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. This fascinating collection of photographs documents a relatively unknown episode of Jewish history in Eastern Europe. Illustrating how the 1920s and 1930s saw the creation and development of "Jewish agricultural colonies" in the Soviet Union, Lithuania, Latvia, Poland, and Romania, this history shows that the aim was to "normalize" Jews by teaching them "productive" professional skills. These recently discovered photographs offer a unique and moving insight into the Jewish experience in central and Eastern Europe before World War II. This edition includes English, French, and Yiddish.

Softcover. Aperture, 1st, 1997, Book: Very Good, Dust Jacket: None, 80 pages, b&w and color photographs throughout. Very good. Guest edited by W.M. Hunt, this issue of Aperture features work by photographers and scientists in their efforts to capture delirium on paper. Images ranging from contemporary through 19th Century show how delirium, clinical or colloquial, has been documented, analyzed, codified, worked over, and wondered about for the last 150 years, together creating a psychic agitation that can be as dark as it is witty. Artists included Nancy Burson, Debbie Fleming Caffrey, Ellen Carey, Henri Cartier-Bresson, Sally Mann, Robert Mapplethorpe, Eugene Richards, Weegee and many others.

Softcover. New York , Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, b&w photographs throughout. In 1929, Lee Miller, already a legendary fashion model, left the United States to study photography in Paris. Here she became the disciple and lover of Man Ray, and she was soon taking on both portrait and fashion assignments for Vogue and running her own studio. The Second World War saw her as Vogue's war correspondent: she covered the siege of Saint Malo, the liberation of Paris, and the entry of the U.S. Army into the Dachau concentration camp. Her later years were spent in London and Sussex with her husband, the painter and writer Roland Penrose. During her extraordinary life, Miller came into contact with an astonishing range of painters, sculptors, actors, writers, musicians, fashion designers, and socialites. Many became her friends and the subjects of her penetrating portraits. The finest of these photographs are collected together here, along with a selection of portraits of Miller herself, taken by other photographers. The images include not only Miller's highly perceptive and sympathetic studies of Pablo Picasso, Igor Stravinsky, Marlene Dietrich, Fred Astaire, and others but also her pictures of unsung individuals engaged in war work and powerful photographs of victims and perpetrators of Nazi oppression. 157 duotone illustrations.

Hardcover. NY, Hearst Communications, 1st, 1997, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, oversized, b&w photographs of celebrities throughout: Claude Levi-Strauss, Elizabeth II., Andre Kertesz, Samuel Beckett, Faye Dunaway, Vladimir Horowitz, Yves Saint-Laurent, Andy Warhol, Tim Burton, David Lynch, Johnny Depp, Kate Moss, many others.Very clean and tight copy.

Hardcover. Chicago, Agate Midway, 1st, 2014, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover with no dust jacket. Black and white photographs throughout. Clean, unmarked copy with only minor wear to covers.

Hardcover. London, National Portrait Gallery, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 269 pages, hardcover with dust jacket. Photographs throughout, spotless and tight copy. Following his maxim, 'Look, Observe and Think', the German photographer, August Sander, was a craftsman of unerring precision. Despising 'tricks, poses and effects', Sander found inspiration in his determination to create images which were absolutely 'true to nature'. His resulting body of work is a diverse catalogue of portraits which capture people of all ages, from every social setting and calling, which provide, in turn, a rich overview of the personalities who shaped Germany's Weimar Republic.A master of camera portraiture, August Sander began photographing people as a boy around the iron-ore mines of his German hometown. As he grew older, he began to foster strong ideas about the function of photography. These opinions culminated in his 'Confession of Faith in Photography', written in 1927, where he talked of showing the 'truth about our age and its people'. This vision is reflected in the universal quality his images share: the innate ability of the photographer to present more than a portrait to show the characters of his sitters. Published to coincide with the National Portrait Gallery's major exhibition of Sander's photographs, this fascinating book offers a comprehensive overview of Sander's rich body of work. Opening with an introductory essay which gives a thorough analysis of Sander's techniques, the book's range of black and white photographs (over 190 in total) are interspersed with contemporary observations regarding Sander's work (these include the photographer's own words). Spanning more than fifty years, the images shown in August Sander offer a pictorial overview of an era and its people. Dominated by the portraits which make up his huge portfolio, 'People of the 20th Century', this catalogue also includes family photographs and a selection of Sander's haunting landscapes.

Softcover. New York, Thames & Hudson, 1st US, 2009, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Color Photographs. Light edgewear to wrappers.

Hardcover. New York, Harry N Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages, photographs throughout. Minor dust jacket edge wear, else, very clean and tight.

Softcover. New York, Thunder's Mouth Press, 1st, 2003, Book: Very Good, Dust Jacket: None, 376 pages. Softcover. Black and white photographs. Light edgewear to wrappers. A photographic memoir of the sixties by McDarrah who was the picture editor for The Village Voice.

Softcover. US, Institute of Modern Art, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 71 pages. Clean, unmarked copy with only minor wear to wrappers. Since showing at Cannes in 1993, the Venice Biennale in 1997 and the Dia Center for the Arts in 1998, Tracey Moffatt's films and photo series have been exhibited worldwide. Moffatt works with a potent mix of gender, class, race and colonialism, using a broad palette of influences from popular culture to high art, presented through the most popular media of our time. Her lyric subtlety builds a layered, escalating tension that invites repeated viewing. This publication contains the full set of images of four of her most significant works (Laudanum, Up in the Sky, Scarred for Life, and Something More) and stills from three of her films (Heaven, beDevil and Night Cries: A Rural Tragedy). An essay by Regis Durand and an interview with Gerald Matt give insight into her complex and provocative practice.

Softcover. Boston, Little Brown, 1st, 1992, Book: Very Good, Dust Jacket: None, 120 pages. Softcover. Black and white pictures of famous women. Nudity. Light edgewear to wrappers.

Softcover. NY, Delano Greenidge Editions, 1st paperback, 2002, Book: Very Good, Dust Jacket: None, Softcover, 229 pages. 207 color plates. Articles by A.D. Coleman and Henry Wilhelm. Large paperback format with glossy covers.

Softcover. New York , Aperture, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Winter 2006. Photography quarterly with an essay on authenticity in news photography, women in the middle east and photographs by Marilyn Bridges, Jessica Dimmock, Patti Smith and others. A clean, tight issue.

Hardcover. East Sussex UK, Book Guild, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, b&w period photos from the turn of the last century. Like new in shrink-wrap. From a box brimming with fantastic photographs come this collection of the works of photojournalist Andrew Pitcairn-Knowles assembled by his grandson. 38 pages of text. 110 plates.

Hardcover. NY, The Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages in a dust jacket. Like new in publisher's shrink-wrap. 90 color portraits and landscapes celebrate the people and buildings of a struggling yet dynamic community. Sometimes haunting, sometimes ironic, always striking, these images form an eloquent visual testament to the Harlem we can see and remember.

Hardcover. New York, PowerHouse, 1st, 2004, Book: Very Good, Dust Jacket: None, Non-paginated. Illustrated with full color photographs. Clean, bright copy. Rocking on tour with America"s heavy metal superstars--Kiss, Poison, Iron Maiden, Slaughter, Ted Nugent, Dokken, and Cinderella--photographer David Yellen tailgated among the headbangers, metalheads, burnouts, and self-styled fanatics waiting for the show or hanging around backstage hoping to meet their idols. The results are a captivating record of Yellen"s trip to metal"s Shangri-la.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 164 pages. Like new in publisher's shrink-wrap. The high school prom is an American tradition, a rite of passage, and one of the most important rituals of youth in this country. The internationally recognized documentary photographer Mary Ellen Mark took on the extraordinary challenge of working with the Polaroid 20x24 Land camera to produce this fascinating look at dozens of young people from a diverse range of backgrounds on this memorable night in their lives.Traveling across the United States to complete the project from 2006 to 2009, Mark photographed prom-goers at thirteen schools from New York City to Charlottesville, Virginia, to Houston to Los Angeles. Mark's husband, the filmmaker Martin Bell, collaborated with her on the project to produce and direct a film, also called Prom, featuring interviews with the students about their lives, dreams, and hopes for the future. A DVD of the film is packaged with the book. The 127 large-format photographs are reproduced in rich detail, and quotations from the student interviews punctuate the book. Some of the students' statements are comical, while others are deeply touching. The result is a captivating and revealing document of American youth at the beginning of the twenty-first century.

Softcover. New York, Aperture Magazine, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Aperture Magazine. Features: Josef Koudelka, Jan Tumlir, Fred Ritchin, Robert Hariman, David Campany, more. Illustrated with full color and black & white photography. Light wear. Clean, tight copy.

Softcover. South Africa, Random House Struik, 1st, 2015, Book: Very Good, Dust Jacket: None, 208 pages. Softcover. Clean, unmarked copy with only minor wear to wrappers. English as well as Afrikaans.

Hardcover. Danbury NH, Addison House, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 187 pages. INSCRIBED BY JACOBI on title page. Black & white photography of Lotte Jacobi.

Hardcover. US, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Like new in publisher's shrink-wrap. This massive retrospective volume profiles the work of Philippe Halsman, one of the world's most revered photographers. Salvador Dali's flamboyant moustache, Richard Nixon jumping in the West Wing, Grace Kelly's amazing profile--these are just a few of the images that achieved iconic status and helped make photographer Philippe Halsman an icon in his own right. Comprising hundreds of photographs and insightful accompanying texts, this volume explores Halsman's oeuvre in a variety of aspects. It examines his early career exhibiting works at the avant-garde La Pleiade Gallery in Paris; his experiments with portraiture, particularly the series of stunning images of Marilyn Monroe and his more than 100 covers for Life magazine; his pictures of the contemporary art scene that include famous dancers, movie stars, stage actors, and musicians and the birth of his "jumpology" concept; and his unique, 30-year collaboration with Salvador Dali, including a book devoted entirely to the artist's moustache. Anyone interested in portraiture, celebrity, or performance will marvel at the breadth and magnificence of Halsman's work, which is definitively presented in this beautiful volume.