Hardcover. Albuquerque, University of New Mexico Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 307 pages illustrated in b&w and color. Explores how photographs are perceived and analyzes the work of photographers including William Klein, Henri Cartier-Bresson, and Helen Levitt. Max Kozloff was an American art historian, art critic of modern art, and photographer. He was art editor at The Nation, and Executive Editor of Artforum.
Hardcover. Canada, Deutscher Kunstverlag, 1st, 2012, Book: Very Good, Dust Jacket: None, 159 pages. Like new in publisher's shrink-wrap. The material that was saved from Warsaw in 1939 included more than ten color slides. These slides are the only color photo documents showing that historic moment from the perspective of city residents. The slides were found only in recent years by the photographer's son, Sam Bryan. In addition to color slides this album also includes photographs recorded by Julien Bryan on black-and-white film at that time and iater subjected to a complicated process of colorizing. The colorizing took piace after Bryan's return to the United States in 1939.
Hardcover. New York, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 248 pages, illustrated with 10 color and 125 tritone plates. A collection of the photographer's portraits of women, 1945-2004. Essay by Anne Hollander. This volume includes photos of Elton John, Brigitte Bardot, Marilyn Monroe, Janis Joplin, Maria Callas, Isak Dinesen, Suzy Parker, Twiggy, Kate Moss, Tina Turner and many more.. Remainder dot to top edge otherwise very good in similar dust jacket.
Hardcover. New York, Abbeville Press, Revised Ed., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, illustrated in color and b&w. A revised and expanded edition of the 1985 first edition. Foreward by Tom Wolfe.
Hardcover. Vilnius, Baltos Lankos, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 69 duotone plates, images taken by the Lithuanian photographer Jozef Chechowicz (1819-1888). Mostly landscapes of the city and it's buildings, some with people. Beautifully produced volume, limited to 2000 copies. Light edgewear to dust jacket.
Hardcover. New York, Filipacchi Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages. Candid photographs of movie stars in between shots, relaxing on movie sets. Mostly black and white, some color. Still in publisher's shrinkwrap.
Hardcover. Garden City, N.Y., 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated, b&w photographs throughout, 2 photographs of Casals laid in. Light edge wear, rubbing to price-clipped dust jacket. Else a very clean, tight copy.
Hardcover. Center for American Places, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. The Mississippi River flows through American history and culture as a mythic waterway brimming with tragedy and hope, and awash in passionate ambitions and harsh realities. In 1953, a young Charles Dee Sharp traveled twice down the Mississippi (first by towboat and then by car along the renowned river road Highway 61) to make a documentary film of it, taking black-and-white photographs of the river, its communities, and its people.While Sharp's documentary never came to fruition, the striking images he captured survived as moving and evocative historical testaments to a lost era, now collected in his new book The Mississippi in 1953. These images create a vivid portrait of America's heartland a half century ago, and they are enriched with excerpts from Sharp's original trip journal, intriguing anecdotes from the people he encountered along his journey, and an engaging environmental history of the river by historian John O. Anfinson. The Mississippi in 1953 offers an original and poignant look at the living artery of the American landscape and how it molded the United States into the nation it is today.
Softcover. New York , Aperture, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. 95 pages. Summer 1988. Includes work by: Hans Christian Adam, Martin Munkasci, Larry Sultan, Connie Imobden, Sally Mann, Harry Callahan, Ray Metzker, Fernand Fonssagrives, Will McBride, Barbara Crane, Sylvia Plachy, Leonard Freed, Laurie Simmons, Elliot Erwitt, Larry Fink, Nan Richardson. Also has writing by: Theodore Roethke, Derek Walcott, Elizabeth Bishop, Pablo Neruda. A clean, tight issue.
Hardcover. Hatje Cantz Publishers, 1st, 2005, Book: Very Good, Dust Jacket: None, Text is in English and German. Oversized hardcover issued without a dust jacket. Cover has faint wear to corners and edges. Inside is bright and clean, 210 b&w photographs throughout. This handsomely illustrated volume reproduces fine vintage prints from Relang's early reportage career and from the height of her days as a documenter of style, while also providing valuable insight into the historical background of her work.
Hardcover. Krause Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. As the 2004 Presidential Election was beginning to take shape, Kyle Cassidy took note of the important role the simple concept of gun ownership was playing. Hardly anyone he knew didn't have an opinion in the debate over owning guns. Why was a constitutionally protected right so heavily debated, and who exactly as these folks that own guns? "I began to wonder who these seventy or so million Americans were, how they lived and what was important to them. I set out to photographs as many gun owners as I could and ask them one question: "Why do you own a gun." Cassidy traveled over 20,000 miles, crisscrossing the country to meet with gun owners in their homes. Cassidy's photo essays create a powerful, thought provoking and sometimes startling view of gun ownership in the U.S. These "everyman" portraits, and the accompanying views of gun owners, fashion a riveting and provocative book.
Hardcover. Koln GR, Konemann, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 459 pages photographs throughout. Minor dust jacket edge wear, otherwise, very clean and tight copy. Globe Photos took photos of Hollywood's stars between 1942 & 2000 for Life, Look, Photoplay, Modern Screen & Parade magazines. The section headings are: Hollywood at home; Hollywood at work: Hollywood at play.
Hardcover. NY, Henry Holt & Co, 1s, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages. B&w portraits. Jill Krementz has made a career of photographing writers. The Jewish Writer features her portraits of 78 "people of the book," among them Saul Bellow, Hannah Arendt, Maurice Sendak, and David Mamet. Some of these portraits are contemplative; others are joyous. What distinguishes them is Krementz's ability to capture the essence of a moment that is at once exquisite and mundane, be it playwright Wendy Wasserstein rolling up her sleeves at her computer or an elfin Stanley Kunitz half-hiding in the blooms of his Provincetown garden. A mischievous Bruce Jay Friedman dashes around Southampton in a spiffy convertible; a bearded, bandana'd, and bespectacled Allen Ginsberg appears at the 1972 Democratic National Convention. (Though some of these photographs date from the early '70s, most are much more recent.) Each portrait is accompanied by a description of the author's life and work, and the relationship of each to Judaism, or, more accurately, Jewishness. The Jewish Writer is a spirited testament to the enormous and diverse contributions Jewish writers have made to our literary landscape.
Softcover. London, Chris Beetles Dist, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 84 pages, lavishly illustrated throughout with 70 portraits in b&w and color. Light shelf-wear to wrappers, else a clean, tight copy. Includes images of Noel Coward, J.R.R.Tolkein, Dame Iris Murdoch, Peter Cook, The Goons, Franco Zeffirelli, Jack Nicholson, Leonard Bernstein, Margot Fonteyn and Rudolf Nureyev, Sir Lawrence Olivier, Arthur Miller, Tom Stoppard, Anthony Sher, Henry Moore, and many other famous faces either posing for a portrait, or caught in action.
Hardcover. Brooklyn NY, powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, Clean copy in a bright dust jacket. Edited by Stephen Daiter. Introduction by Fred Ritchin. Essay by Kerry Tremain. A wide ranging collection of 190 duotone images. Miller's work always contained a peculiar empathy, whether he was photographing American servicemen, Italian street urchins, or Japanese survivors of the atomic bomb, and that ethos extends to his subsequent landmark studies of the famous Bronzeville neighborhood in postwar Chicago.
Softcover. Australia, National Gallery of Australia, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Extensive b&w photography throughout. Includes extensive notes and documentation accompanying photographs. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. NY, W. W. Norton & Company, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.
Barre, MA, Barre Publishers, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, photographs by Curtis. Introduction and commentary by Don D. Fowler. One hundred and eighteen superb representative photographs have been selected from Curtis's monumental work and reproduced in this book by The Meriden Gravure Company. Don Fowler describes Curtis the photographer and ethnographer, and the Indian groups depicted, commenting on the unique cultural characteristics of each tribe.
Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2004, Book: Very Good, Dust Jacket: None, Photographically illustrated paper-covered boards, no dust jacket as issued. 48 pages with 23 four-color plates (printed one to a sheet), beautifully printed on heavy-stock uncoated paper. 13-5/8 x 17-3/4 inches. Photographs by Phillip Toledano. Includes several reproduced "anonymous" brief corporate memos. Designed by Jack Woody. This edition was limited to 1000 hardbound copies.
Hardcover. New York, Farrar, Straus, Giroux, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Illustrated with full color photographs of group portraits. Dust jacket with a few small chips along edges - dust jacket now protected with clear plastic cover. Clean, tight copy.
Hardcover. US, Graphis Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. More than 200 color plates.Like new in publisher's shrink-wrap.
Hardcover. New York, Maryanne Russell Photography, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 51 pages. Hardcover. INSCRIBED BY MARYANNE RUSSELL OPPOSITE HALF TITLE PAGE. Full color photographs. Clean, tight copy.
Softcover. New York , Aperture Foundation, 1st, 1996, Book: Very Good, Dust Jacket: None, Soft cover. 80 pages. Portfolios by Constantin Brancusi, Petah Coyne, Louise Lawler, Chris Marker, Edvard Munch, Pablo Picasso, Sigmar Polke, Gerhard Richet, Richard Pousette-Dart, Kiki Smith, Wim Wenders.
Hardcover. New York, Museum of Modern Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover still in publisher's shrinkwrap. Dust jacket unmarked. Binding is strong. Clean tight copy.
Hardcover. New York, Glitterati, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The book is the first to document the American punk scene to the public at large and now represents the epitome of the scene at the timeFeatures photographs of artistic and performance luminaries such as Man Ray, Tennessee Williams, Mick Jagger, Patti Smith, Richard Hell, Alice Cooper, Iggy Pop, David Bowie, Zandra Rhodes, Divine, Lance Loud, and Marilyn Chambers, among others.
Softcover. New York, United Technologies Corporations, 1st, 1988, Book: Good, Dust Jacket: None, 120 pages, softcover exhibition catalogue of Bourke-White: A Retrospective, organized and circulated by the International Center of Photography in New York. Minor edge wear and fade, otherwise, clean and tight.
Hardcover. US, Mark Batty Publisher, 1st, 2011, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. color and Black and white pictures throughout. Simon Weller presents his vivid photographs of these shops, their signage and their patrons alongside interviews with the proprietors, customers and the sign makers.
Hardcover. New York, William Morrow and Company, Inc., 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Gilt title on spine. Dust jacket has a little bit of chipping at top of spine, patched with tape. Otherwise great. Clean and unmarked inside. Gilt endpapers.
Softcover. US, Schiffer Publishing, 1st, 2004, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Light edgewear to wrappers. Black and white pictures throughout.
Hardcover. Oxford UK, Bodleian Library, University of Oxford, 1st, 2011, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Sepia pictures throughout. To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to own portraits of themselves. Each book in the series contains two hundred images chosen from a visually rich vein of social history. Their covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, A Humument. Readers, as its title suggests, shows people reading (or pretending to read) a wide variety of material, from the Bible to Film Fun, either in the photographer's studio, in their own home, or on vacation on the beach. Each of these unique and visually stunning books give a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike.
Hardcover. Fort Worth TX, Amon Carter Museum, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 48 pages. Hardcover with dust jacket. Clean, unmarked copy. Like new in publisher's shrink-wrap. This beautifully made and designed collection of the turn-of-the-century photos by cowboy-photographer Erwin E. Smith covers everything you always wanted to know about cowboys and more. Worcester, who tells the story in Smith's voice, ties the pictures to details of the Wild West world--how cowboys came to be, the ins and outs of roping cattle, and more--and profiles colorful characters, from wranglers to cooks to broncobusters. The frequently overlooked African Americans and Hispanics who contributed greatly to cowboy culture are considered as well. Also included are atmospheric tidbits about the roguish and glorious cowboy life. However, it's Smith's authentic photos that steal the show: the day-to-day routine at camps, the excitement of rodeos, and the ambience of the sweeping dusty plains are a pleasure to behold.
Hardcover. Amsterdam, Schilt Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.
Hardcover. US, Frances Lincoln, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. The most widely read British poet of the twentieth century, Philip Larkin was also a keen amateur photographer and through his life he made images of the people, places and things that meant most to him. The Importance of Elsewhere gathers the best of Larkin's photographic work, divided into short thematic chapters arranged in chronological order. Written by Richard Bradford, the acclaimed author of the Larkin biography First Boredom, Then Fear, the book shows how Larkin, as an individual, as a writer and indeed as a photographer, developed an acute sensitivity to all aspects of the world around him, from his love of open uninhabited landscapes and empty churches to his mixed feelings about crowds. There are also fascinating portraits of those people who were closest to Larkin, including his lovers, his mother and his literary peers.The book beautifully reproduces more than 200 images from the Larkin archive at Hull: the majority have never previously been seen in print. A substantial foreword by Mark Haworth-Booth, formerly curator of photography at the V&A, explores what it meant to be a serious amateur photographer of Larkin's generation.
Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's shrink-wrap. 160 pages, illustrated with 110 color images. Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. There she has devoted her perceptive vision to picturing layers of history, culture, religion, and class as they appear in private heritage homes and public markets, in lively street festivals, and in the faces of city dwellers in Calcutta (also known as Kolkata). This exquisitely produced book features a selection of McPhee's works made in and around India's former capital.
Hardcover. Hong Kong, Visionary World, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 176 pages. Oversized hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket. Price sticker on rear dust jacket. Color photographs throughout. Over 20 years worth of photography from Asia.
Hardcover. New York, powerHouse Books, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages color photos throughout. Benn was a National Geographic photographer for 20 years.
Hardcover. New York, Knopf, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages, 70 b&w and color photos of Marilyn Monroe. Over a ten-year period from the early 1950's until shortly before Marilyn Monroe's death - the years in which she went from virtual anonymity to super-stardom,photographer Eve Arnold had six photo sessions with her. And here she has chosen the best images. Bright, clean copy in an unclipped dust jacket.
Softcover. New York, McGraw-Hill Book Company, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 85 pages, b&w photographs. Minor fading along cover edges and spine. Otherwise, in clean condition.
Softcover. NY, Harmony Books, 1st, 1974, Book: Very Good, Oblong softcover, 182 pages. A wonderful photographic documentary of the era: daily life, workers, the rich and/or famous, the military, public schools, etc.
Hardcover. Syracuse NY, Syracuse University, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, b&w photos by Oppersdorff taken in County Kerry. Depicts the people living along country lanes in tents and barrel-top wagons, travellers - or tinkers, as they often are called. He took most of the images in the late 1960s at Puck Fair. Unread in a bright dust jacket.
Hardcover. Lawrence KS, University Press of Kansas, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket. B&w vintage photos throughout. The Midwest's one-room schools were, Fuller observes, the most democratic in the nation. Located in small, independent school districts, these schools virtually wiped out illiteracy, promoted democratic values, and opened up new vistas beyond the borders of their students' lives.Entire communities, Fuller shows, revolved around these schools. At various times they were used as churches, polling places, sites of political caucuses, and meeting halls for local organizations. But as America urbanized and the movement to consolidate took hold in rural counties, these little centers of learning were left at the margins of the educational system. Some were torn down, some left to weather away, some sold at auction, and still others transformed into museums.
Chicago, University of Chicago Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned following--an elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.
Hardcover. Munchen GR, Hugendubel, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, Over 250 historical photos featuring public buildings, storefronts, cafes and other gathering spaces in the city. GERMAN TEXT. Clean, bright copy in a similar dust jacket. Appears to be a reprint of a book first published in 1990.
Hardcover. New York, Aperture, reprint, 1998 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, many B&W & sepia period photographs of China, its people and culture. Very richly illustrated, captions, chronology, list pioneer photographers, sources, general bibliography, acknowledgments. Photographs from the archives of Arnold Arboretum - Harvard University.
Hardcover. NY, powerHouse, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Established in 1866, the Ku Klux Klan still remains one of America's most secretive organizations. New York photojournalist Anthony Karen first transcended that secrecy several years ago when he got the opportunity to photograph a KKK cross-lighting ceremony. Since then, Karen has been documenting Klan organizations throughout the country. In The Invisible Empire: Ku Klux Klan, those photographs are compiled to form an absorbing document of one of the most notorious groups in history. Taken with unrestricted access, Karen's images bring us deep inside America's most private white nationalist organizations. Beginning with a brief introduction into the history of the Klan, the book provides detailed visual accounts of modern-day Klan life, including candid shots of rallies, individual portraits of Klansmen and women, as well as a look at the naturalization process for new members. Presented in intimate profiles are: a functioning Klan ministry, a group that has merged National Socialism with Klan ideologies, and a 58-year-old seamstress who makes custom Klan robes, among others. Accompanied by quotations from the late Dale Fox, Imperial Wizard of The Brotherhood of the Klans, The Invisible Empire: Ku Klux Klan offers an unprecedented glimpse into the shadowy society and its mysterious inner workings.
Hardcover. NY, Grand Central, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. 500 photos. Text in English. In this book of original, behind-the-scenes photographs, acclaimed photographer Terry Richardson follows superstar Lady Gaga during one year of her life, from Lollapalooza through the final show of her Monster Ball tour. During the time period he followed Gaga, Richardson took over 100,000 images and attended more than 30 Monster Ball dates around the world.
Softcover. NY, Aperture Foundation, 1995, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps.
Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Summary: Funky Town, Like Silk, Whose town? Questioning Community and Identity, Appalachia: The Other Side of the Mountain (Photographs and text by Shelby Lee Adams), The Fruited Plain, Home, S.O.P. Photographs by: Jules Allen, Robert Amberg, Amy Arbus, S.A. Backman, Ken Botto, Peter Brown, Lynn Butler, David Byrne, Sophie Calle, Jack Carnell, Gregory Crewdson, Ted Degener, Philip-Lorce di Corcia, Donna Ferrato and many others.
Hardcover. London, Dewi Lewis, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. These photographs--rejects found at a commercial photolab in the States--were taken at the time of the Vietnam War--a pivotal period in American history. Here is the intimacy that danced in the eyes of family photographers as they framed everyday life--as it was in the fall of 1968.The images, predominantly prints from early 126mm point-and-shoot cameras, are an uninterpreted presentation of everyday life. Reflecting both private and public spheres of consciousness, they convey unmediated perspectives of mores, values and icons through what was intended to be personal visual documentation in its most direct form. No dj issued.