Photography

Hardcover. NY, Abrams, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. The photography that Americans invented in the 1960s and ?70s was as fresh and vital as their music. Photographers of those years believed in their medium?s unlimited capacities of expression. Between the publication of Robert Frank?s The Americans (1958) and the coming of post-modernism, the photographers featured in this book embarked on their own personal quests. Whether they roamed the world, like Lee Friedlander and Garry Winogrand, or sought out its dark corners, like Larry Clark and Nan Goldin, they shared a fierce devotion to their medium and its unique qualities. The generation that created this work knew it was remarkable. Today, with Gilles Mora as a guide, we can look back on it with even greater appreciation, since we know that these were indeed the last photographic heroes. Also includes work by Joel Meyerowitz, William Eggleston, and many others.

Softcover. San Francisco, Fraenkel Gallery,, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. A collection of 77 black and white self portraits by Friedlander.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages with 164 tritone photographs. beautiful copy still in shrinkwrap. Like new. Turning Back: A photographic journal of Re-exploration is published to coincide with the bicentennial of the Lewis and Clark Expedition.

Softcover. Washington, Smithsonian, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 62 pages, minor edge wear, otherwise, very clean and tight copy. Part of the Photographers at Work Series. Includes an interview with Eggleston along numerous color photographs of horses and dogs in various situations.

Hardcover. Koln/NY, Konemann, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Illustrated with black and white photographs. Text in English, French and German.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. Chicago, CityFiles Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 pages. Retrospective collection of snapshot photographs, almost all by anonymous contributors. Some color, mostly b&w images.

Hardcover. Lunenburg VT, privately printed, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth, 158 pages, b&w duotone photographs throughout accompanied by verse from various writers. A fine production printed by The Stinehour Press. The author war a pilot who witnessed the atomic destruction at Nagasaki and later became a research professor who studied nuclear fallout. He traveled extensively in the 1970s and was an avid and talented photographer. This was his fourth book published, all limited to 100 copies and shows a exceptional eye in the style of well-known street photographers. No dj issued.

Softcover. NY, Aperture Foundation, 2003, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Summary: Elegy in White (Combining sculpture with photography, Walter Martin and Paloma Munoz encapsulate the quaint and the macabre in snow-globes), Lost Worlds: Recent Discoveries in Andean Photo-History, Reading newspaper pictures: a thousand words, and then some, Roger Ballen?s world, John Dugdale and John Kelly: photo play. Photographers: Roger Ballen, Carrie Boretz, Crisanto Cabrera, Julio Cordero Castillo, Gregory Crewdson, Stephen Crowley, John Dugdale, Christophe Ena, Luis Gismondi, Manuel Jesus Glave, Jose Gabriel Gonzales, Tyler Hicks, James Hill, Kenneth Jarecke, Edward Keating, Chang W. Lee, Walter Martin, Paloma Munoz, Carlos and Miguel Vargas

Hardcover. Boston/NY, Bulfinch/Little Brown, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Essay by Maria Morris Hambourg. Includes 54 tritones, 10 text illustrations and 4 gatefolds. A clean and tight near fine copy. Published in conjunction with a traveling show that ran January 14 through April 21, 2002 at The Metropolitan Museum of Art

Hardcover. Steidl Publishing, 1st thus, 2012, Book: Very Good, Dust Jacket: None, Black & White is the definitive collection of Bruce Davidson's black and white photography, spanning a period of 40 years. This collectable five-volume set comprises re-prints of classic books of Davidson's poignant and purposeful imagery, some of them newly edited and expanded. 5 clothbound volumes in a cloth slipcase; volume 1 - Circus: 108 pages, roughly 80 tritone plates; volume 2 - Brooklyn Gang: 120 pages, roughly 95 tritone plates; volume 3 - Time of Change: 168 pages, roughly 145 tritone plates; volume 4 - East 100th Street: 168 pages, roughly 150 tritone plates; volume 5 - Central Park: 144 pages, roughly 90 tritone plates.4tos, cloth in slipcase. Gottingen, Steidl, 2012. Limited Edition of 2,000 sets. A certificate, hand signed and numbered by the artist at end of volume 1. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Picture Box Inc, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Photographer and filmmaker Cheryl Dunn has been one of America's foremost chroniclers of the underground scene since the mid-1990s. This first retrospective looks at the worlds of street art, graffiti and life on the creative margins from an appreciative insider's point of view. It features documentary photographs of San Francisco artists like Barry McGee, Margaret Killgallen and Chris Johanson, with whom she shared a distinct and elusive sensibility, as well as others from Los Angeles and her home town of New York, including, like Phil Frost, Mike Mills and Ed Templeton. Also included is a rare, 60-minute film documenting the scene imported to Tokyo and focused on 13 artists in particular--including McGee, Johanson, Mills, Killgallen, Templeton, Frost, Thomas Campbell, Stephen Powers, Tommy Guerrero, Josh Lozcano, Brendon Fowler and Aaron Rose. Through candid interviews, riveting footage of art in action, and a massive demolition derby in the streets of Tokyo, the film captures these artists just before they broke through to the mainstream. It is about building things up, knocking them down and the simple enjoyment of making work with friends before the business of art takes hold. Features extra rare footage of all of the artists as well as short films about Johanson and Gonzales.

Softcover. Boston, Museum of Fine Arts, 1st, 2008, Book: Very Good, Dust Jacket: None, 62 pages. Softcover. A very clean, unmarked copy with only minor edgewear. 70 photographs from the collection of Patricia McCabe. Christie's Auction Catalogue for the Auction that took place in New York on April 14, 2010. An amazing collection of rare Penn images from an assistant who worked with him.

Hardcover. New York, Dahesh Museum of Art, July 2002, Book: Near Fine, Dust Jacket: Near Fine, Hardcover in a dust jacket. Never opened, still in original shrink wrap. Spotless copy. Frederic Church (1826-1900), who gained international renown for paintings such as Niagara (1857), Heart of the Andes (1859), Twilight in the Wilderness (1860), and The Icebergs (1861), was inspired by his extensive travel and study. His work was also informed by his appreciation of a new visual medium. Fire & Ice, a selection from the several thousand photographs and daguerreotypes Church collected at Olana, his Orientalist home on the Hudson River, provides insight into the interests and taste of one of nineteenth-century America's greatest painters.

Hardcover. US, Phaidon Press, reprint, 2014, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. The acute observation, wit and colour of Martin Parr's work since the mid-1980s has established him as one of the most successful and popular of contemporary photographers and a leading member of the prestigious Magnum agency. But a great deal of original and surprising earlier material has remained relatively unknown. This retrospective is the first serious assessment of his entire career to date. With over 600 images, including selections from all his best-known projects, it reveals hitherto little-known work and many previously unpublished photographs. Unlimited access to Parr's archives and extensive interviews with the photographer have allowed writer and curator Val Wilhams to chart Parr's life and career, giving new insights into his influences and attitudes and reassessing his importance as an artist. This is a reprint of the 2002 edition.

Hardcover. Mechanicsburg PA, Stackpole Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w photos. Light scratching to dust jacket front cover. Clean, tight copy. They shot some of the most iconic footage of World War II while risking their lives, yet the stories--and sheer guts--of the U.S. Marine Corps combat cameramen have been overshadowed by the heroism of the men with the rifles. War Shots brings these photographers into sharp focus through the career of Norm Hatch, a true American character whose skill with a camera and knack for being in the right place at the right time thrust him to the fore of the effort to record the Marines at war in the Pacific.

Hardcover. NY, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. A native of Kazakhstan, Ljalja Kuznetsova traversed the expanses of the Central Asian steppe to photograph the gypsies, or Roma people, whose mysterious comings and goings have fascinated her since she was a child. Shaking the Dust of Ages: Gypsies and Wanderers of the Central Asian Steppe is the first book devoted to these pictures, for which Kuznetsova won the Mother Jones Leica Medal of Excellence and the Paris Grand Prix for Photography.Kuznetsova's photographs present rare, intimate portraits of gypsies-- whose freedom from the ties of civilization is reflected in the wild winds and unlimited vistas of the steppe landscape. As Kuznetsova traveled through Kazakhstan, Turkmenistan, Uzbekistan, and the Ukraine, the gypsies continually inspired her. She found in them a people without frontiers, living independent of politics, religious dispute, or social class. Though their presence on the steppe is becoming a thing of the past, Kuznetsova's cast of characters and their world seem timeless in these images.

Softcover. NY, Ziff-Davis Publications,, 1st, 1957, Book: Very Good, Dust Jacket: None, Softcover, magazine format. 250 pages of b&w and color photographs by various photographers from the previous year. Bright, clean copy. . Photographers' Index. Photographic essays : Ansel Adams "Master of Daylight", Ed Feingersh "Master of Available Light", Philippe Halsman "Master of Artifical Light", and more

Hardcover. San Francisco, CA, Collins, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 159 pages, hardcover with dust jacket. A unique collection of photographs of The Beatles. With tipped in promotional copy. Light edgewear and rubbing to dust jacket. Mild bumping to corners. Unmarked. Bright and clean; a tight copy.

NY, Abrams Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 380 pqges, color and b&w photos. An action-packed memoir that takes readers on the road with rock and roll's hardest-working photographer. Bob Gruen is one of the most well-known and connected photographers in rock and roll. For almost 50 years, he has documented the music scene in pictures that have captured the world's attention. Right Place, Right Time is Gruen's first written account of his winding, adventure-filled journey. He takes us on visits to John and Yoko's apartment, on a cross-country road trip with the Ike and Tina Turner band, to Glasgow with Debbie Harry, backstage with KISS, inside CBGB, and on the bus as he swaps steel-toed boots with Sid Vicious. In wildly entertaining stories and iconic images, Gruen gives the reader a unique window into the evolution of American music culture over the last five decades.

Softcover. New York, Writers and Readers Pub., reprint, 1994, Book: Very Good, Dust Jacket: None, 200 pages, softcover. Extensive b&w photography throughout. Light edge wear, otherwise clean, tight copy. Collects recently discovered portraits made by a commercial Black photographer of Columbia, South Carolina's Black middle class during the 1920's and '30's

Hardcover. Edinburgh, The Stationery Office, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 222 pages. Hardcover. Dust jacket with minor wear. Previous owner's signature on front flyleaf. Black & white photographs throughout. Clean unmarked text.

Softcover. NY, Aperture Foundation, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Many contributors. Features: Manuel Alvarez Bravo: Photographs and Memories. Frederick Kaufman's "Essay of Memories," based on extensive interviews he conducted with Don Manuel in 1996, was commissioned especially for this publication. In his richly descriptive and insightful essay, Kaufman weaves together Alvarez Bravo's recollections, biographical information, and Mexican history in order to illuminate the story of the photographer's life against the backdrop of a complex and ever-changing culture.

Softcover. New York, PictureBox, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, Like new in publishers shrink-wrap. Ever wonder what indie rockers on tour do for the other 23 hours of their day? Real Fun answers that question with over 100 photographs of musicians lounging in the giant green room that is the world--sleeping, eating, fishing and just goofing off. Photographer Ashod Simonian has traveled with scores of bands, and his dreamy, lush Polaroids capture Death Cab for Cutie, Spoon, Sleater Kinney, Pavement, Jenny Lewis, the Shins, Wilco and Broken Social Scene, among many others, in colorful images conveying not just stories but the feelings behind them: boredom, exultation, frustration and bliss. Many of the performers have also contributed essays and memoirs, making this an essential compendium of wisdom and memories from the road. Others have recorded songs for the accompanying CD. The tracks were all selected by Simonian and most are original, recorded especially for this project. All of this is well and good, but what makes Real Fun more than a scrapbook is Simonian's acute photographic instincts, his eye for detail and sense of scene: compelling pictures regardless of the subject.

Hardcover. Philadelphia, Philadelphia Museum, Book: Very Good, Dust Jacket: Very Good, 270 pages. Like new in publishers shrink-wrap. Illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Offers a mid-career assessment of Strauss's achievement to date, and the first full account of her celebrated ten-year project, beginning in 2001, to exhibit her photographs under an elevated section of Interstate 95 in Philadelphia. Strauss's troubling and sometimes touching images focus primarily on American working-class experience, to convey what she calls "an epic narrative that reflects the beauty and struggle of everyday life." Generously illustrated, this book includes nearly 200 photographs--135 of them published here for the first time.

Hardcover. US, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publishers shrink-wrap. Spanning 50 years and three generations, Joe's Junk Yard is a personal narrative that explores the history of the family's scrap metal business. Kereszi's disquieting, tender photographs of the last decade of the junkyard, accompanied by business ephemera and family scrapbook photographs, tell the story of this family and its struggles with a changing economy.

Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 98 pages. Illustrated throughout in b&w. Light shelf-wear to dust jacket with small tear on rear cover, else a clean, tight copy.

Hardcover. New York, It Books, 1st, 2013, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 352 pages. Like new in publishers shrink-wrap. Curated from the luscious Kodachrome stock of the 1940s, renowned preservationist David Wills presents a dazzling Hollywood collection as never before printed. Drawn from Wills' vast collection of first-generation negatives and prints, meticulously scanned and gorgeously printed, these icons of film are captured in rich, saturated color.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages. Like new in publishers shrink-wrap. Whatever his subject matter, rubbish bins or the human body, Edmund Teske (1911 - 1996) used the medium of photography: its film, chemistry, optics and mechanics to create serious, reflective and often composite works of art. This volume accompanied an exhibition of his photographs at the J Paul Getty Museum in 2004. As well as over 110 illustrations, the book contains Julian Cox;s biographical and critical essay and an interview with Teske's close friend of 30 years, the artist George Herms.

Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages, 125 color plates. Like new in publishers shrink-wrap. The remarkable photographs in Forever Engand were taken at Bekonscot Model Village in Beaconsfield. Initially built by a London accountant to entertain his house guests, it opened to the public in 1929 and is the oldest model village in the world. Bekonscot's miniature population of 3,000 people and 300 animals becomes real, their lives frozen in time, as we are carried back to an England we all know and long for.

Softcover. New York , Ruth Orkin Photo Archive, 1st, 1999, Book: Very Good, Dust Jacket: None, 46 pages, softcover. Interview of Engel by Julia Van Haaften. Includes numerous black and white images. Like the other great photographers who made so-called "street photography" the most important genre of the medium, Morris Engel's snapshots of life on the streets have endured and outlasted all hyped-up, media-culture fads. Morris Engel was a prominent member of The Photo League, and was Navy photographer during the Second World War.

Hardcover. US, Glitterati, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 272 pages. In his debut book of photography, with a foreword by one of the luminaries of NYC culture and entertainment, Adrian Buckmaster's monograph presents a staggeringly beautiful collection of portraits - a cross-section of humanity in all of its glorious diversity, from the ordinary to the extraordinary and everything in-between. Having spent his early years shooting commercial beauty and fashion, Buckmaster soon shifted focus to more personal projects, challenging conventional notions of beauty and celebrating the eccentricities of those whom society might classify as "misfits." Echoes of Buckmaster's early career remain, in the form of exquisite costuming, make-up, and scenic design. Despite an element of performance, there is an undeniable rawness to these portraits, in which subjects are both aware of the camera's gaze and sympathetically self-conscious, robing and disrobing, revealing and concealing. Buckmaster's photographic genius is encapsulated in his uncanny ability to fastidiously art direct while simultaneously stripping away layers of formality and convention. Arranged in three movements: Imposing, Revealing, and Inventing, this collection progresses from traditional portraiture to increasingly intimate portrayals, as subjects expose, create, and invent themselves. Included in this endlessly varied spectrum of characters are Burlesque performers, families, brides, lovers, and all manner of tattoos and body piercings. There are classical reclining nudes, reminiscent of Edouard Manet's Olympia or Titian's Sleeping Venus, dancers with incredible physical strength and dexterity, women costumed as peacocks and geishas, a contortionist inside a trunk, even a green-skinned man, bejewelled like an Indian deity.

Softcover. London, Greenhill Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. More than 200 images, together with the original German captions and English translations, portray the life and times of a career officer, from the German annexation of the Sudetenland in 1938, to operations in Russia, Greece and the Balkans during 1941-44. In comparison with other units of the Second World War, relatively little has been published about Germany's commando forces. This unique collection of rare images was sourced from the photograph album of Wilhelm Walther.

Hardcover. NY, Aperture, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, first edition, first printing. 9.5 x 13 inches. 192 pages with 113 duo-toned b&w photographic images offering a 40-year retrospective of the Magnum photographer's front line work. Compelling war pictures.

Softcover. New York, Sotheby's , 1st, 1998, Book: Very Good, Dust Jacket: None, 264 pages with 488 lots, illustrated throughout. Dozens of famous photographers from Arbus to Kertesz, Brett Weston, Lange, Cindy Sherman, many others. Light pencil notes on 3 lots. Covers with light wear, otherwise clean, very good.

Hardcover. Bologna IT, Damiani , 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 128 pages. In 1978 two of Joseph Szabo's high school students invited him to join them at a Rolling Stones concert at JFK Stadium in Philadelphia. Sensing a promising photo opportunity, Szabo agreed, packing three 35mm cameras and plenty of black-and-white film. Some 90,000 Rolling Stones fans converged on the stadium for the concert, where Szabo captured them drinking, kissing, smoking, dancing and hanging out. Their young subjects transported by the music, the drugs, the alcohol and the community, Szabo's Rolling Stones Fans photographs show unguarded moments of absorption and abandon in the sublimity of the rock and roll gig. Still in publisher's shrinkwrap.

Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 156 pages. Hardcover with dust jacket. Brand new copy still in wrapper. Book in near fine condition. Very clean, unmarked copy. Color and black & white images throughout. Tight copy.

Hardcover. Santa Fe NM, Museum of New Mexico Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 165 pages. Little is known about the fifth and last western expedition of the celebrated explorer John Charles Frmont. The great effort to survey a transcontinental railway route across the 38th parallel ended short of success in the snows of Utah in 1854 but involved a meticulous photographic documentation-in daguerreotypes-of the route from the Mississippi westward. It was believed that a central railroad across the country would favor abolitionists in the great debate then raging in the country over slavery. Solomon Nunes Carvalho was hired by Frmont to photograph the expedition-the first time a western expeditionary survey had been systematically documented in photographs. Tragically, the daguerreotypes were destroyed by fire, and Fremont's fifth expedition was lost to history. Author and daguerreotypist Robert Shlaer remarkably has reconstructed the expedition in 120 original daguerreotypes. Using Frmont's maps, expedition documents, and Carvalho's diary accounts, Shlaer recreates the lost expedition across America's most breathtaking landscape using photography's first and most venerable method of daguerreotypy.

Hardcover. New York , Aperture Book, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages, illustrated throughout in b&w. Light yellowing to edges and light shelf-wear to dust jacket, else a clean, tight copy. This book shows the life's work of one of the most brilliant photojournalists of our time, who raised the status of his craft to that of high art. In his bestselling autobiography, Unreasonable Behavior, Don McCullin told the extraordinary and sometimes harrowing story of how he grew up in north London's gangland and graduated from poverty to stardom as the most daring and self-sacrificing reporter of wars around the world - from Cyprus to Israel, the Congo and Biafra to Vietnam, Pakistan to Cambodia, Beirut to Iraq. But his interests go far beyond the battleground in all its degradation which he has captured so brilliantly. In this book he has collected some 200 of what he considers to be his best pictures. A few have become well-known icons, many have not been seen in a book before. They depict unemployed miners collecting coal from the beach at dawn, down-and-outs in the East End, the homeless in Bradford, but they also reveal a passion for landscape, especially in the mysterious light of India, and a moving contact between human beings in a harsh environment. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY

Hardcover. New York, Clarkson N Potter , 1st, 1967, Book: Very Good, Dust Jacket: Good, 132 pages, 78 b&w illustrations, 12 in color. Clean, tight copy. Dust jacket shows wear, closed short tears, small pieces gone from edges.

Hardcover. New York/Milano, Skira, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 224 pages, duotone photographs taken between 1904 and 1914 by a missionary working in China. In publisher's shrinkwrap. Leone Nani (1880-1935) lived in central China from 1904 to 1914. His missionary work took him to remote villages where he captured a world beyond the reach of other Westerners. Working in large format (mostly on glass plates he developed and printed himself in his mobile studio), Nani portrayed young couples, dignitaries, peasants and artisans. Equally gifted as an observer and reporter, he recorded everyday life scenes, religious ceremonies, architecture, and landscapes. 

Softcover. Chicago, Stepen Daiter Gallery, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, illustrated with 26 b&w photos by Kertesz. Essay by Robert Gurbo.

Hardcover. Santa Monica CA, Santa Monica Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w photographs by Altman. Introduction by Ben Fong-Torres. The Sixties brings together a collection of photographs of the people, events, culture, rock and roll stars, writers, political figures, and other iconic individuals and celebrities who made the sixties the most influential decade of the twentieth century.The Sixties tells the story of that particularly colorful generation with the affection and devotion of someone who has experienced the revolution firsthand. Robert Altman's captivating photographs bring immense power to both quiet, intimate moments and scenes of thunderous anarchy alike.

Hardcover. New York , Universe, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover. Approximately 100-150 full page and double page b&w and color intimate photos of female nudes. Large format. The award-winning and renowned photographer behind the lens of Beautiful, Marc Baptiste offers us another very intimate look at women. Baptiste's inspired, unique, and sensual classicism is bolder than ever in Intimate. Surpassing standard portraiture, his photographs manifest a strong eroticism while incorporating the cinematic power of his fashion work.

Softcover. Boston, Bulfinch Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 200 pages, softcover. This volume, the companion to Imogen Cunningham: Flora, collects the best of Cunningham's portrait work - nearly 100 images, more than half of which have never been published before including a number of self-portraits as well as the compelling faces of family and friends. An illustrated essay accompanying the plates discusses Cunningham's approach to portraiture, influences on her work, and comparable work by other important photographers.

Hardcover. US, Acc Art Books, 1st, 2018, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with laminated boards. Like new in publisher's shrinkwrap. One of the largest archives of film-set photography and editorial magazine shots from the '70s and '80s. Introduction by Jacqueline Bisset and Charlotte Rampling. Archive contains almost 100 unseen pictures, all narrated by Eva Sereny herself: a top professional photographer, working in a male-dominated fieldo Includes shots from the sets of several great classical films ('The Great Gatsby', 'The Night Porter', and 'Indiana Jones and the Temple of Doom', and more)Stories and photography intermingle on the pages of this gorgeous homage to '70s and '80s cinema and celebrity. Including rare and never-before-seen images. Through Her Lens is a wonderful collection of images and memoires that capture the spirit of the age. From unexpected late-night calls from Romy Schneider, to a stay at Paul Newman's home in Connecticut; from working on set with Bernardo Bertolucci, Werner Herzog, Steven Spielberg and Sydney Pollack, to lounging poolside with Raquel Welch; Sereny reveals her favorite moments from working behind the lens. This is the first photographic retrospective of Sereny's star-studded career, including nearly 100 never-before-seen images complemented by Eva's own stories.

NY, Alfred A. Knopf, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 198 pages. Shows unknown women and celebrities in spontaneous everyday moments. The photos were deliberately not retouched or staged and offer a nuanced vision of women far from the glamor of glossy magazines.

NY, US Camera Publishing, 1st, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 424 pages. Catagories of photos include post-war European photography, the year's best pictures American-International, Elisofon's Africa-in color, combat in Korea, The News in Pictures. Clean copy.

Hardcover. Bologna, Damiani, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages. This exhaustive monograph of Susan Meiselas will be released in occasion of the retrospective that will take place at Tapies Foundation in Barcelone, Jeu de Paume in Paris and SFMOMA in San Francisco. Mediations is published by Damiani/Jeu de Paume/Fondation Tapies. This exhibition and monograph propose a selection of works from the 1970s to today which reveal the particular approach of Susan Meiselas toward to the underlying reasons for making photographs, how the image concerns it's subject as much as the photographer and the role that these images can have at different levels in society and particularly in photojournalism. She questions the relationship between the image and the subject in such a way as to include the people portrayed in the image in the process of the making. There is nothing systematic in her approach: each work expresses in a very strong manner that context is vital to the understanding of photography. Therefore her work is specific to the persons portrayed, to the notion of community to which they belong and to the locality of the geographic and political territories that the artist addresses. The way of the showing the work is equally a part of the thought process. How does the spectator behold the artwork? It is often comprised of many parts, made in different media: each "layer" is used to document a level of meaning. For Meiselas one should be able to grasp why the image was taken. Both the subject of the image and the context in which the images are shown are taken into account in the elaboration of each project.

Hardcover. Boston, Bulfinch Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 192 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. The first comprehensive retrospective of Chim's work includes many never before published images. He chronicled many of the turbulent events of the twentieth century, from France's Front Populaire and the Spanish civil war to the devastating aftermath of World War II and the birth of Israel. One of the founders of Magnum, he was killed in the Suez war. Edited by Catherine Chermayeff, Kathy McCarver Mnuchin and Nan Richardson. Includes a biographical chronology and a bibliography.