Photography

Hardcover. Reno ; Las Vegas, University of Nevada Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, 69 BW and color plates, 36 figures. Essays by Patricia Nelson Limerick, Dave Hickey, and Thomas W. Southall. Includes work by John Pfhal, Terry Evans, Mark Klett and many others, with brief photographer biographies.Clean, unmarked copy with only minor shelf-wear to dust jacket.

Hardcover. New York, Aperture, 1st, 2006, Book: Very Good, Dust Jacket: None, 56 pages. Like new in publisher's shrink-wrap. A Couple of Ways of Doing Something replicates a deluxe limited-edition portfolio whose initial run was only 75 copies. This clothbound edition preserves the luxurious sensibility of the original with 22 extraordinary oversized daguerreotypes printed in rich tritone. Working with daguerreotype master Jerry Spagnoli to conquer the complexities of this venerable process, which yields images of astonishing detail and gravity, Chuck Close photographed many of the same artist-friends who have made regular appearances in his paintings over the years: Laurie Anderson, Lyle Ashton Harris, Cecily Brown, Gregory Crewdson, Carroll Dunham, Ellen Gallagher, Philip Glass, Bob Holman, Elizabeth Murray, Elizabeth Peyton, Andres Serrano, Cindy Sherman, James Siena, Lorna Simpson, Kiki Smith, James Turrell, Robert Wilson, Terry Winters, Lisa Yuskavage and himself. Each image is complemented by a poem on its subject by Bob Holman, the celebrated and widely published New York School poet who originated and hosted the famous Poetry Slams at the Nuyorican Poets Cafe and now runs the Bowery Poetry Club. With the counterpoint of Holman's engaging poetry, the collected work becomes a transfixing group portrait of Close's influential and highly creative circle of friends and colleagues, as well as an exploration of a challenging photographic medium.

Hardcover. NY, Harry N. Abrams, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 179 pages, illustrated throughout in b&w. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. The definitive study of the images made by a pioneer journalist and photographer who passionately advocated for America's urban poor. 336 pages, 25 color, 375 duotone + 210 b/w illustrations.

Hardcover. Boston , David R. Godine, 1st, 1973, Book: Good, Dust Jacket: Good, Hardcover. 93 pages. Black & white photographs. Foreword by Weston Naef. Dust jacket with edgewear.

Hardcover. US, The MIT Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.

Hardcover. Milan, Alberio Cetti Serbelloni Editore, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. INSCRIBED BY GREENFIELD-SANDERS ON TITLE PAGE. Illustrated with full color photographs by Timothy Greenfield-Sanders. Bright, clean copy. PLEASE NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY. Timothy Greenfield-Sanders Portraits is a bilingual edition with text in Italian and English. Printed in Italy, the generous 13 x 10 ins. book has 240 pages, with lush images printed in five colors and has a cloth bound cover with sleeve.

Softcover. New York , Aperture, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Summer 2007. Features photographers: Mary Ellen Mark, Barry Frydlender, Florian Maier-Aichen. Also includes articles by Gerry Badger and Vince Aletti. A clean, tight issue.

Hardcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Bottom right corners of covers lightly bumped. Clean, tight copy.

Hardcover. New York , Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, color photographs. Like new in publisher's shrink-wrap. The North Fork is the roughly sixty-mile-long spit of New York's Long Island that runs from Riverhead to Orient Point. With the fairly well protected Long Island Sound on the North and Peconic Bay on the South, it was a logical place for some of the earliest English immigrants to settle and build barns. It is still home to more working farms than any other part of the island. And from the timber-frame barns of the British farmers of the seventeenth century to the pole barns of the twentieth, the variety is stunning. In a survey sponsored by the Old House Society in Cutchogue, Mary Ann Spencer spent the last few years making a comprehensive inventory and photographing more than six hundred barns on the North Fork. Two hundred of them are still in use, although their fate is by no means certain. Here in their glory (and sometimes less than that) are the most interesting barns,which reveal, among other things, their functional development, their often haphazard fenestration, their soft patina of age, and their fit in the landscape. Spencer's complete survey forms a second part of this book, which provokes feelings of nostalgia and raises our fears for the future of these wonderful structures. More than 150 color photographs.

Hardcover. Boston, Joseph Knight Company, 1st, 1894, Book: Good, Dust Jacket: None, Non-Paginated. Hardcover. Green cloth with title and decoration in gilt, some spotting/soiling to covers. Front cover Pastedown photograph with light rubbing. Moderate/light foxing to pages throughout. Photographic illustrations by Mrs. N. Gray Bartlett. Scarce.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 164 pages. Like new in publisher's shrink-wrap. The high school prom is an American tradition, a rite of passage, and one of the most important rituals of youth in this country. The internationally recognized documentary photographer Mary Ellen Mark took on the extraordinary challenge of working with the Polaroid 20x24 Land camera to produce this fascinating look at dozens of young people from a diverse range of backgrounds on this memorable night in their lives.Traveling across the United States to complete the project from 2006 to 2009, Mark photographed prom-goers at thirteen schools from New York City to Charlottesville, Virginia, to Houston to Los Angeles. Mark's husband, the filmmaker Martin Bell, collaborated with her on the project to produce and direct a film, also called Prom, featuring interviews with the students about their lives, dreams, and hopes for the future. A DVD of the film is packaged with the book. The 127 large-format photographs are reproduced in rich detail, and quotations from the student interviews punctuate the book. Some of the students' statements are comical, while others are deeply touching. The result is a captivating and revealing document of American youth at the beginning of the twenty-first century.

Hardcover. New York , El Leon Literary Arts, 1st Bilingual, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover. Preface By Julia Alvarez. 95 pages, illustrated throughout in b&w. Beautiful, unmarked copy with only minor wear to dust jacket.

Hardcover. US, Dey Street Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Like new in publisher's shrink-wrap. A stunning collection of hundreds of rare and unseen photographs, behind-the-scenes notes, and interviews chronicling the media's lifelong love affair with Marilyn, created by the acclaimed curator and author of Marilyn Monroe: Metamorphosis. Drawing on unseen troves from dozens of photographers, archives, and collectors, acclaimed photography expert David Wills brings together an unprecedented array of press photos from throughout Marilyn's career--including hundreds of unpublished and rare photographs that have been beautifully restored; uncropped and unretouched outtakes; handwritten notations; period captions; clippings; and more. With a foreword by Robert J. Wagner and interviews from key press agents and others, this portfolio of images offers a fresh, indelible portrait of one of the most enduring icons in history and illuminates the special alliance she shared with the press as never before.

Softcover. New York, St. Martin's Press, 1st, 1984, Book: Good, Dust Jacket: None, Unpaginated, paperback. Full color early 1980's photographs of Bruce Springsteen. Rubbing, edgewear, fading to wraps. Creases to dust jacket corner, foxing to copy edges. Unmarked. Tight copy.

Hardcover. US, Steidl; Prima edizione , 1st, 2014, Book: Very Good, Dust Jacket: None, 95 pages. Hardcover with laminated boards. Like new in publisher's shrinkwrap.

Hardcover. Damiani, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 200 pages. FunkyTown digs into British photographer Dean Freeman's archive--it goes way beyond Beckham--to gather published and unpublished portraiture, fashion and reportage spanning three decades of youth culture, from the 1980s to the present. His star portrait subjects include Liz Hurley, Sandra Bullock, Rachel Weisz, Dennis Hopper, Harold Pinter and Guy Ritchie. But beyond glamour and stardom, beyond Freeman's understanding of and comfort with the models, pop stars and writers for whom he has been a talent scout and icon-maker, he turns out to be a sensitive observer of people and landscapes in Africa, Asia and the Middle East. On his own time, he has chronicled a richly diverse world with great humanity and wit.

Hardcover. NY/London, Faber & Faber, 1st, 2011, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 304 pages. This is the first of two titles by the Manic Street Preachers' bassist and lyricist, Nicky Wire. For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from "Generation Terrorists" through "Holy Bible" and right up to last year's remarkable album, "Postcards from a Young Man". Edited down from over 1,000 of Wire's personal polaroid's and with accompanying text by the man himself, "Death of The Polaroid" promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.

Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.

Hardcover. New York, Flammarion, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. This homage to Paris by the great Magnum photographers reveals a multifaceted portrait of the city's effervescent character in 350 photographs. By documenting the everyday workings of the city, Magnum's photographers capture the essence of Parisian life.

Hardcover. New York, Parkstone, 1st US, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages. A historical collection of erotic photos of women, most nude. B&w, sepia, some color. Very good in a very good, unclipped dust jacket. Clean.

Hardcover. New York, NY, Harry N. Abrams, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover with dust jacket. Clean, tight copy with minor wear to dust jacket. Light bumps on bottom edge front cover edge.

Hardcover. Stockport UK, Dewi Lewis Publishing, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "The photographs in this book are selected from Lenny Gottlieb's unique collection of 30,000 amateur photographic prints, all rejects processed in a commercial photolab in Boston in the fall of 1968."

NY, Shannongrove Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 146 pages, A rare view of Hollywood's Golden Age as seen through the private family album of MGM's top box office draw in the 1940s, Van Johnson. This book is packed with hundreds of never before seen images of Hollywood at home. His wife, Evie Wynn Johnson, an amateur shutterbug captured behind-the-scenes images of their friends, some of Hollywood's most famous stars, such as Audrey Hepburn, Gary Cooper, Judy Garland, Charlie Chaplin and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. Schuyler Johnson, Van's daughter, shares these casual and candid images from her mother's album that have never been published .

Hardcover. NY, PowerHouse, 1st, 2004, Book: Very Good, Dust Jacket: None, Women's liberation in Shanghai, China as captured through the lens of Bettina Rheims, with beautiful full-page photographs throughout. Textual insight (in English) by Serge Bramly. 11-1/4 x 13"; 252 pages. Rheims beautifully stages photographs of real women from all walks of life.

Hardcover. Koln GR, Taschen, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Huge hardcover volume in a slipcase, 551 pages, In 1959 and 1960, photographer William Claxton and noted German musicologist Joachim Berendt traveled the United States hot on the trail of Jazz music. The result of their collaboration was an amazing collection of photographs and recordings of legendary artists as well as unknown street musicians. The book "Jazzlife", the original fruit of their labors, has become a collector's item that is highly treasured among Jazz and photography fans. They will be delighted to be able to take a Jazz-trip through time, both seeing and hearing the music as Claxton and Berendt originally experienced it.It features photographs of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles Davis, Charlie Mingus, Thelonious Monk, John Coltrane, and many more. It also includes a bonus CD of digitally remastered period recordings. DOMESTIC SHIPPING ONLY.

Hardcover. Scalo, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. 89 color illustrations. "Postcard collages and texts by Rebecca Horn sent to Timothy Baum and friends," is the only explanation internationally known artist Rebecca Horn wanted to include in her latest book, probably her most accessible to a larger public. We do not know who Timothy Baum is. We have no idea who her friends are, nor when they received mail from this German artist, living in Berlin and Paris. We do not need to know: what Horn offers us is a revealing and, at the same time, enigmatic collection of her beautiful, often erotic, and most of all poetic, postcards. Horn presents to us a fragmented love story, told in painfully precise snapshots of lust and desire, intimate and precise, yet vague enough to be everyone's love story. By altering existing postcards, painting over them or gluing parts of different images on them, Horn creates collages that mirror life's beautiful and troubling contingencies. In what might be the artist's most personal book, Rebecca Horn presents life as a journey; we look at postcards from this journey from heaven. Or is it hell? In sharing her most intimate, most common emotional states in images and texts, Rebecca Horn creates an almost baroque dialogue between reality and the world of longing.

Softcover. NY, Grove Press, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. When it first appeared in 1971, Larry Clark's groundbreaking book Tulsa sparked immediate controversy across the nation. Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared.

Hardcover. NY, Skira, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. A collection of portraits of famous personalities by one of Italy's finest photographers.

Softcover. NY, Aperture Foundation, 1994, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white. A tribute to Paul Strand. Glossy wraps. Many contributors.

Softcover. NY, Aperture Foundation, 1998, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. The Mexican book series Rio de Luz was a courageous and energetic presentation of Latin American photography. To honor the accomplishments of the series and the artists, an issue of Aperture is devoted to the Rio de Luz collection.Separate chapters address the outstanding themes concerning the editors of the Rio de Luz series-revolution, the American way of life and Cuba, the 1950s, and "poetry of the onlooker." Artists include Lazaro Blanco, Raul Corrales, Hector Garcia, Graciela Iturbide, Nacho Lopez, Pedro Meyer, Miguel Rio Branco, and Mariana Yampolsky. Authors include Carlos Monsivais, Alvaro Mutis, Victor Flores Olea, Pablo Ortiz Monasterio, Roberto Tejada, Raquel Tibol, and Veronica Volkow.

Softcover. NY, Aperture Foundation, 2003, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Don McCullin on Aids in Africa / Japanese Photography in Houston / Baryshnikov on the Light Fantastic / Cold War Relics / John Coffer's Tintypes / Russian Pictorialism

Hardcover. NY, New York Graphic Society, 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages. 200 black-and-white photographs by Dorothea Lange, Walker Evans, Carl Mydans, Marion Post Wolcott, Ben Shahn, Arthur Rothstein, Jack Delano, Russell Lee, and Others. Black cloth, missing dust jacket.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Photographer Plachy proves you can go home again and again in this stunning photographic voyage to her native Hungary. Plachy weaves together contemporary and vintage photographs, mementos and pictures of movie sets (including several from her son Adrien Brody?s Oscar-winning turn in Roman Polanski?s The Pianist). Together, these pieces come together like a puzzle, recreating an Eastern Europe that has weathered dictatorships, two world wars and is now opening up, confusedly, to democracy. The images of stray shadows, apartment buildings studded with bullet holes, and eerie reflections are as evocative as they are subtle. They remind us that great photographs don?t have to rely on shock value to move or disturb. Plachy accents her work with memorable vignettes of her childhood in Communist Hungary as well as of her repeated journeys back east as an adult and an American citizen. One of the most touching of these small stories involves the photographer?s grief-stricken mother, inconsolable after the deaths of her parents in Auschwitz. One day, while her mother stared at a framed photo of her deceased parents, she saw a gold moth land on the glass. "From then on golden butterflies and moths were sacred," writes Plachy. As the book goes on, relative after relative surrounds herself with images to bring back lost loved ones. By the book?s end, we see Plachy herself doing the same thing and realize that through this book she has invited us on a private tour of a lost world, a journey that?s as poignant as it is unforgettable. 22 four-color and 98 duotone images.

Hardcover. San Francisco, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, 132 pages. Illustrated with numerous b/w photos. A fascinating look at the use of photographs as a tool for gathering and preserving evidence in crime investigations. This book accompanied an exhibition at the San Francisco Museum of Modern Art on the subject. No dust jacket issued.

Softcover. NY, Farrar, Straus and Giroux, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Roman Vishniac's A Vanished World is an extraordinary record of the lives of German and Eastern European Jews in the years immediately preceding the Holocaust. Vishniac, a Russian Jew, began to take photographs of village life during World War I, when Russian Jews who lived near the front were accused of being German spies and were deported to Siberia. He later moved to Germany, where he witnessed the horrible events of Kristallnacht and the anti-Jewish legislation that allowed Hitler to declare his enemies stateless and therefore unworthy of international protection. As we study Vishniac's photographs--a surviving fraction of the more than 16,000 he took--we are aware that we are seeing the faces of those soon to die, witnessing a world that has all but perished. Yet that world, of shops and schools, of busy streets and quiet farms, remains with us if only as a ghostly memory, thanks in part to Vishniac's compassionate eye.

Softcover. Vintage, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Throughout his travels, writer Bruce Chatwin took thousands of photographs. They demonstrate his legendary "eye" at its best, showing a sense of color and surface, an ability to find beauty in the most mundane of objects or prosaic of places.

Hardcover. New York , Random House, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Remainder mark to bottom edge, else like new in publishers shrink-wrap. White cloth hardcover in the dust jacket and name band , 244 page book . With color and black & white photo illustrations by Annie Leibovitz .

Hardcover. NY, Norton, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Through a lively text and 250 stunning duotone images (most never previously published), Millionaires, Mansions, and Motor Yachts re-creates an era of opulence and extravagance that today seems incredible. Dominating this volume are the mansions and yachts of Alfred and Jessie du Pont. Equally larger-than-life personalities include Thomas Lawson, his expansive estate, Dreamwold, and yachts such as Dreamer; empire builder John Spreckels's 227-foot Venetia; Emily Cadwalader, who commissioned a vessel destined for world renown as a U.S. presidential yacht, before checkmating this achievement by ordering the largest private yacht ever built, the 407-foot Savarona; Eugene Tompkins, the "Napoleon of Theater Managers"; George Fabyan; Harry Darlington; and William Rands. Enfolded in this volume's fascinating pages are not only the wealthy individuals who shaped this era but also curmudgeonly writer/yachtsman Thomas Fleming Day, photographer Nathaniel Stebbins, and the designers and builders who created the splendid yachts that here return to life.

Hardcover. NY, Random House, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages, 289 photographs from her own collection. Legendary actress Marlene Dietrich is honored in this beautiful coffee-table book, which is introduced by brief recollections from director Josef von Sternberg, Orson Welles (who worked with her in Touch of Evil), Ernest Hemingway, and others. The Film Museum of Berlin contains 25,000 objects and 18,000 images related to Dietrich, and this book is like a museum exhibition held expressly for Dietrich lovers. It is divided into sections such as "Portraits," "Beads, Furs, and Feathers," and "Possessions" and displays her dresses and accessories in pristine condition, alongside excerpts from letters and diaries. Daughter Maria Riva (author of a 1994 biography, Marlene Dietrich) provides extended captions to the many photographs of the actress and her belongings. Also included are a filmography, theatography, concertography, discography, and collection inventory with exhibitions.

Softcover. NY, Phaidon Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, 55 photos. Born in 1941, Larry Fink was a teenager in the 1950s in an America on the cusp of radical social change. Growing up on Long Island in New York, Larry Fink was disinterested in the consumer-driven culture of 1950s' America. A disaffected teenager, his parents transferred him to art school where his career as a photographer began to flourish. His parents were supportive of his interest in the arts, and Fink would later drop out of college to join a circle of artists living in Greenwich Village. Fink spent the 1960s watching and learning from the prominent photographers of the time: Henri Cartier- Bresson, Robert Frank, W. Eugene Smith, and in many ways, his photographic aesthetic and rebellious spirit encapsulate the dramatic lose of innocence that the US underwent after the assassination of John F. Kennedy in 1963. photographic mentor.

Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Shadows of War presents an astonishing collection of previously unpublished, unknown photographs of life at the front lines in the German war machine during World War II, taken by a common foot soldier. The work of a gifted amateur, Willi Rose's images present a powerful vision of a largely suppressed aspect of the war. These fractured glimpses of the world at war, from quotidian tasks and moments of leisure to scenes of death and destruction, reveal one man's experience of the epic flow of history. A miller in the years before World War II, Rose was drafted into the German army in October 1939 and served as a motorbike messenger on the front, first in France and then in Russia. He was wounded twice and was later captured by the Polish army, eventually returning home in June 1946. Throughout his military service, Rose sent home photographs that he took of the action, mostly along the Eastern Front. Discovered by his widow after his death, these images form a unique photographic document of one soldier's war.

Hardcover. Boston, David R. Godine, 1st, 2009, Hardcover, 192 pages. The photography of Angus McBean encompasses more than three decades of the history of British theater. His work includes most of the memorable productions of the Old Vic Company and of what is now the Royal Shakespeare Company; opera productions at Glyndebourne and the Royal Opera House, Covent Garden; ballet and operetta at Sadler's Wells; and West End productions of plays and musicals both old and new -- hundreds of productions in all. He was the favorite photographer of Vivien Leigh, Laurence Olivier, and Edith Evans, and he photographed countless plays starring John Gielgud, Ralph Richardson, and Alec Guinness, not to mention younger stars such as Audrey Hepburn, Richard Burton, and Elizabeth Taylor. In fact, McBean photographed virtually every great actor of his era, perhaps the most brilliant years in the annals of British theater.His studio was active and eclectic; among his patrons were not only actors, singers, and dancers, but also playwrights, producers, composers, artists, and writers. In his early career, McBean had been a pioneer of surrealist photography, with a highly popular series of "surrealized" portraits that appeared in The Sketch, and, later, of montage and multiple-exposure photography in a long-running series for The Tatler.In 1969, McBean approached Harvard University to initiate the sale of his collection, and in the following year his archive of glass plate negatives, index prints, and programs, together with the copyrights, became a part of the Harvard Theatre Collection, where it remains the most often-requested collection of visual material. The photographs in this book, selected and captioned by the archive's curator, Fredric Woodbridge Wilson, have been carefully reproduced from the original negatives.

Hardcover. NY, powerHouse Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Sylvia Plachy, a photographer for the Village Voice, and James Ridgeway, a reporter for the same publication, have delved into the depths of the pornography trade to explore and explain both its allure and its vulgarity. There is a sense of shock value in exposing the most lurid of fantasies--a man who has his dominatrix mummify him in concrete--that is tempered with theories as to how such an industry could have evolved. We also get to meet for ourselves those in the trade, providing a walk on the wild side within the safe confines of photographs and words.

Hardcover. Flammarion, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 448 pages. This elegant, large-format volume presents twenty masters of photography via 300 extraordinary authorial photographs, providing a broad yet accessible overview of twentieth-century photography. From Man Ray's pioneering experimentations to the elegant and provocative fashion shots of Helmut Newton and Herb Ritts, the twenty master photographers featured in this handsome tome are masters of their craft across different photographic genres, from reportage and documentary to art and portraiture to fashion and glamour photography. A portfolio for each photographer features a selection of their legendary images, an introduction to the photographer's oeuvre, a brief biography, and commentary on each of the featured photographs. The volume features a striking, elegant design and large format, bringing these iconic photographs into sharp focus.Master Photographers features the work of Araki Nobuyoshi, Gabriele Basilico, Margaret Bourke-White, Robert Capa, Henri Cartier-Bresson, Robert Doisneau, Elliott Erwitt, Walker Evans, Mario Giacomelli, Mimmo Jodice, William Klein, Peter Lindbergh, Man Ray, Robert Mapplethorpe, James Nachtwey, Helmut Newton, Martin Parr, Herb Ritts, Sebastiao Salgado, and August Sander.

Hardcover. New York, Umbrage Editions, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Illustrated throughout in b&w. Clean, unmarked copy with only minor wear to covers. Having worked as a photojournalist in the 1990s in Zaire, Sierra Leone and Angola, van Lohuizen had seen the effects of the diamond trade first hand, and in 2005, he went back to Africa to assess the situation under new peace agreements. His haunting black and white images follow diamonds from the mines in Africa to retail spaces in New York and parties in London.

Hardcover. New York, Getty Publishers, 1st, 2004, Book: Very Good, Dust Jacket: None, 118 pages. Softcover still in publisher's wrap.

Softcover. New York, Rizzoli, 1st, 1991, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light wear to paper wrappers. Color pictures throughout. Clean, tight copy.

Hardcover. New York, Farrar, Straus and Giroux, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 207 pages. Hardcover. Cover boards bound in dark gray cloth, gilt title on spine. Some light fading to covers at top and bottom of spine (shelfwear). Gray endpapers. Dust jacket price-clipped, some light tanning and chipping to edges of dj (see image). Pages clean and unmarked. Foreedge has some light spots of soil and a touch of tanning (see image). Binding tight. Spine straight. Sontag examines a wide range of problems, both aesthetic and moral, raised by the presence and authority of the photographed image in the lives of everyone today. Appendix "A Brief Anthology of Quotations" included.

Softcover. San Francisco, Chronicle Books, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (176 pages). This irresistible celebration captures dogs in their finest moments, at the charming and idiosyncratic society dog shows of the 1930s and '40s, when both dogs and owners were at their dapper best. Selected from the collection of the late, renowned society photographer Bert Morgan, these more than 150 exquisite duotone photographs evoke an era of refined leisure with the famous and fabulous-and their dogs-in competition and at home: eight-year-old Jacqueline Bouvier, Band-Aid on her knee, stands beaming on her front lawn with her enormous Great Dane; firehouse Dalmations line up at the Westminster Kennel Club's annual show; and descendents of Napoleon Bonaparte admire their distinguished pup on a park bench. Pedigreed pets vault walls, preen and promenade, all for the admiration of their owners-and the judges.