Photography

Softcover. NY, Aperture Foundation, 1993, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Many contributors.

Hardcover. New York, Scalo Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated in b&w, some color. A hardcover exhibition catalog for a show that opened at the National Gallery of Art in Washington, DC. This comprehensive volume presents the works of the Swedish photographer, and includes five essays which analyze different aspects of Frank's photographs, films and videos. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 192 pages. This volume surveys the work of Viennese photographer Edith Tudor-Hart (1908-1973), who was among the foremost social documentarians of the 1930s. In 1933 she fled to the U.K., where she documented social divisions in London, Wales and Scotland, posthumously gaining notoriety for her involvement with the "Cambridge Five" spies.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. The image of the untamed American West persists as one of our country's most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. O'Sullivan. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West--most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, O'Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challenging terrain and lacking previous photographic examples on which to rely, O'Sullivan created a body of work that was without precedent in its visual and emotional complexities. The first major publication on O'Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production.

Softcover. NY, Simon and Schuster, 1st, 1964, Book: Fair, Dust Jacket: None, Softcover, 96 pages, illustrated wraps. A documentation and moving tribute to the Civil Rights activists of the 1960s, many b&w photographs by Danny Lyons. Stated First Printing. Wrappers have chipping, rubbing. Lorraine Hansberry, best known for her award-winning play A Raisin in the Sun, contributed the text.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. In a lightly worn dust jacket with mild fading to spine.The image of the untamed American West persists as one of our country's most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. O'Sullivan. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West--most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, O'Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challenging terrain and lacking previous photographic examples on which to rely, O'Sullivan created a body of work that was without precedent in its visual and emotional complexities. The first major publication on O'Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production.

Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1994, Book: Very Good, Dust Jacket: None, 86 pages, illustrated throughout in b&w. Light shelf-wear to wrappers, else a clean, tight copy. 9 1/8 X 12 inches. Three essays 1) "The Art of the Human Document: Russell Lee in New Mexico" by J.B. Colson, 2) "John Collier, Jr.: Cultural Diversity and the Camera" by Malcolm Collier, 3) "Jack Delano and the Railroad Photography Project in New Mexico" by Jay Rabinowitz. Photographs follow by Russell Lee, John Collier, Jr., and Jack Delano. All photographs B&W and beautifully reproduced.

Hardcover. Bew Haven CT, Yale/Fine Arts Museums of San Francisco, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China's booming Shanxi Province, share Lyon's signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon's photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon's five-decade career. Alexander Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter assesses the artist's films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon's earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist's work. Clean copy. Still in publisher's shrinkwrap.

Hardcover. NY, powerHouse Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 164 pages. The crowds in the street at the 2001 inauguration made it clear America was at a difficult and defining moment after a contentious election. Following the inauguration of 2001 and the tragedy of 9/11, the American streets- as they have been since the country's founding-became the setting for numerous memorials and vigils, parades and protests. These photographs chronicle events in New York, Washington, D.C., and Vermont. The gatherings were large and sometimes small, and in both cases usually unnoticed by the mainstream media. These street portraits show a diversity of Americans: veterans, families of men and women on active duty, families of the victims of the 9/11 tragedy, parents of U.S. servicemen and women killed in the Iraq War, security personnel, police, Muslim Americans, anti-war activists, disenfranchised minorities, and anarchist youth. The common denominators that unite these images are the lens of the Hasselblad camera and the public stage of the American streets.

Hardcover. NY, E.P. Dutton, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 250 pages. One of Hollywood's legendary studio photographers on his long career shooting portraits of all the major Hollywood stars from the 20's to the 70's. 100s of b&w & color portraits. A nice collection. Clean copy.

Softcover. NY, Swann Galleries, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover. with pictorial covers, unpaginated, 598 lots, indexed. Fully illustrated with b/w halftones. Prices realized list laid in.

Hardcover. NY, Museum of Modern Art, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. The history of photography has been told many times, but never before through the incomparable collection of photographs at The Museum of Modern Art. This publication charts the medium during the height of the modernist period, from 1920 to 1960. with 550 b/w and color illustrations. The book begins with an in-depth introduction followed by eight chapters of full-color plates, each introduced by a short essay. Masterworks by photographers such as Alfred Stieglitz, Dorothea Lange, Man Ray and Aleksander Rodchenko appear alongside lesser-known gems, and diverse notions of modernism enrich classic interpretations, so that the beautiful fictions and messy realities of photography are complicated, refreshed and, above all, enjoyed. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Gloucestershire UK, History Press, 1st pbk, 2019, Book: Very Good, Dust Jacket: None, Softcover, 237 pages. Before Marilyn tells the story of Marilyn Monroe's modeling career, during which time she was signed to the famous Blue Book Agency in Hollywood. The head of the agency, Miss Emmeline Snively, saw potential in the young woman and kept detailed records and correspondence throughout their professional relationship and beyond. On the day of Monroe's funeral, Snively gave an interview from her office, talking about the girl she had discovered, before announcing, rather dramatically, that she was closing the lid on her Marilyn Monroe archive that day - to 'lock it away forever'. This archive was purchased by Astrid Franse, and together with bestselling Marilyn Monroe biographer Michelle Morgan they draw on this collection of never-before-seen documents, letters and much, much more. Before Marilyn explores an aspect of Monroe's life that has never been fully revealed - by charting every modelling job she did, and illustrating the text with rare and unpublished photographs of the young model and her mentor.

Hardcover. Bologna, Damiani , 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering, cover label on front cover, 160 pages. Diary of a Set Designer is a book of Polaroids taken over 25 years by Happy Massee while traveling the world as a production designer. The photographic journal is a journey through time, with a collection of images taken with the now-defunct Polaroid camera--which, at the time, was essential to the art of designing for film. One of the industry's top production designers, Massee has enjoyed a career spanning the realms of theater, film, commercials and fashion. He has worked with established directors such as Wes Anderson, David Lynch, David Fincher, Michel Gondry and more, while in the world of fashion he has collaborated with the likes of Inez and Vinoodh, Peter Lindbergh and Craig McDean, and worked for brands such as Gucci, Valentino, Armani, Bulgari and Swarovski. His film credits include, among others, Broken English, directed by Zoe Cassavetes, and Two Lovers, directed by James Gray, and he has designed sets for music videos such as Jay Z's "99 Problems" and Madonna's "Take a Bow." In this volume, "the images of personalities, sets, locations and encounters," Massee explains, "all tell a story related to my work and travels, and the people I met while on them. The images, raw and unretouched, are candid, and capture my art as well as my life as I like to travel through it." Still in publisher's shrinkwrap.

Hardcover. New York, St. Martin's Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, large square quarto; 309 pages; afterword; index; photographs in black and white (some full-page) on virtually every page; fine in ivory cloth; hinges tight; pages crisp and unmarked; in very good dust jacket, rubbed along top and bottom edges, and light chipping to corners. Classic survey of photographs made for the Farm Security Administration of the 1930's, a chronicle of small-town and rural America produced by 11 gifted photographers, including Walker Evans, Dorothea Lange, Ben Shahn and Carl Mydans; O'Neal's text introduces each of the photographers, followed by generous samples of their work, many never before published, accompanied in most cases by each photographer's own commentary; with a concluding essay by O'Neal and an afterword by Paul S.Taylor, who as a young economist during the New Deal was involved with and gave strong support to the photographic work of his wife, Dorothea Lange.

Softcover. London, Reaktion Books , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, b&w photos throughout. Documenting the grave sites of famous people. Memorializing as an art form; sculpture and text within a confined space, examples from all over the world, including: Vladimir Nabokov, Charles Chaplin, Thomas Hardy, Lewis Carroll, many others. Clean copy.

Softcover. NY, Aperture, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. Rebecca Solnit on Eliot Porter as pioneer in color photography and environmental propagandist, Peter Moore's photographs and Barbara Moore's writing reveal the adventurous, often subversive spirit of the avant garde, Donna DeCesare on the street gangs of El Salvador, L.A.'s export to Central America, Danny Lyon's personal reflections on the United States Holocaust Memorial Museum, more.

Hardcover. NY/Boston, Little Brown & Co., 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 175 pages. This is the first major publication and exhibition devoted to a comparative view of the work of Georgia O'Keeffe and Ansel Adams." who became friends in Taos. The exhibition was organized y the Georgia O'Keeffe Museum in Santa Fe. Contains essays and beautiful illustrations by both artists. Contains an index, source notes, chronologies, and a bibliography in the rear. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover. Like new in publisher's shrink-wrap. Liu Bolin first became invisible in 2006. When the artist village in Beijing where he worked as a sculp-tor's assistant was demolished, he decided to protest. He camouflaged himself in the ruins with acrylic paints and photographed the finished product, marking the first of his Hiding in the City series. Since then, he has "disap-peared" in many different places around the world--from politically fraught areas in China to grocery stores, toy stores, and more. His work protests specific political acts of the Chinese government and offers commentary on consumer culture. This comprehensive book showcases Bolin's most striking photographs and sculptures and explores the techniques he uses to create his unforgettable art. Bolin has also helped other people disappear, including the members of Bon Jovi for the band's recent album cover, as well as the fashion designers Jean Paul Gaultier, Missoni, Valentino, and more, and a selection of these photographs is featured throughout the book.

Hardcover. Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 308 pages. In 1987 Dirk Reinartz set out on his sad itinerary: Dachau, Auschwitz, Ravensbruck, Treblinka. The list goes on. Seven years later he compiled this series of 200 black-and-white photographs of the 24 ruins of the death camps. In 279 chilly, gray photographs taken at 25 different Nazi concentration camps, Reinartz successfully portrays the very purpose--death--of these horrific places. In the photographs, no figure intrudes on the stark emptiness and brutal orderliness of the camps' architecture. The photographs are carefully composed, and their tonal range deliberately compressed, so that there is no brightness in them, only shades of gray. Nor is there any shred of sentiment, only emptiness and silence. In his text, Krockow contrasts the truth of the pictures and the superficial, "amusement park" ambiance that greets actual visitors to the camps today. He meditates as well on the failings of the human mind that allowed the power to kill to go unchecked. Disturbing photographs, thoughtful text. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Renowned photographer Lauren Greenfield has won acclaim and awards for her studies of youth culture. In 'Girl Culture', she combines a photojournalists sense of story with fine-art composition and color to create an astonishing and intelligent exploration of American girls. Her photographs provide a window into the secret worlds of girls social lives and private rituals, the dressing room and locker room, as well as the iconic subcultures of the popular clique: cheerleaders, showgirls, strippers, debutantes, actresses, and models. Clean copy.

Softcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Diane Arbus (1923-1971) is renowned for her provocative and unsettling portraits of modern Americans. This book presents a significant body of previously unpublished pictures by Arbus and proposes a radically new way to understand her goals, strategies, and overall work. Diane Arbus: Family Albums examines unknown contact sheets from several of Arbus's portrait sessions, including more than three hundred photographs she took of a New York family one weekend in 1969. Anthony W. Lee and John Pultz put to the test Arbus's claim that she was developing a "family album." They present other images Arbus shot for Esquire magazine (including pictures of the families of Ricky Nelson, Jayne Mansfield, and Ogden Reid) and discuss her interest in photographic groupings of both traditional and alternative families. Challenging common interpretations of Arbus, the authors reveal a photographer far more savvy with the camera, more aware of photography as an artistic and commercial practice, and more sensitive to the social and cultural tensions of the 1960s than has been acknowledged before.

Hardcover. Boston, New York Graphic Society/ Little, Brown and Company, 1st, 1986, Hardcover in a bright. price-clipped dust jacket. Monograph to accompany an exhibition curated by Newhall and James Enyeart, with a catalog raisonne and a general selection of full page black and white (with some color) images. One of the best of the Weston monographs, with careful attention to the range, quality and meaning of his work. 123 plates plus frontis photo of Weston in the field with his 8x10 on tripod. Clean copy.

Hardcover. US, Stichting Kunstboak (Acc), 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Like new in publisher's shrink-wrap. German and English Text.

NY, te Neues Publishing, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, illustrated with b&w portraits by Sandro, 76 pages. Clean copy.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages. "With assistant curator of photographs Paul Martineau's intriguing biographical essay (based, in part, on the Getty's archive of Outerbridge papers), 104 stunningly beautiful plates, a chronology, checklist, and index, this catalog offers a highly visual and seductive overview. A section featuring selected photographs from Outerbridge's California years, a period missing from earlier books, makes this publication of interest to specialists as well."--ARLIS/NA Reviews

Softcover. Carmel CA, Friends of Photography, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 48 pages, 39 b&w plates. Photos taken in various parts of the country with a large format camera within the same year. Subjects are usually groups of people from places like Cambridge, MA, Neon, KY, Winter Haven, FL, Louisville, more Kentucky and so on. Preface by James Alinder, Executive Director of the Friends of Photography, and there is a four-page Introduction by photographer Robert Adams. Corner crease to rear cover, otherwise clean, very good.

New York, Aperture, Rep., 1998 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, many B&W & sepia period photographs of China, its people and culture. Very richly illustrated, captions, chronology, list pioneer phiotographers, sources, general bibliography, acknowledgements. Photographs from the archives of Arnold Arboretum - Harvard University.

Softcover. Durham NC, Duke University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 156 pages. In the early 1940s as the conflict between the Axis and the Allies spread worldwide, the U.S. State Department turned its attention to Axis influence in Latin America. As head of the Office of Inter-American Affairs, Nelson Rockefeller was charged with cultivating the region's support for the Allies while portraying Brazil and its neighbors as dependable wartime partners. Genevieve Naylor, a photojournalist previously employed by the Associated Press and the WPA, was sent to Brazil in 1940 by Rockefeller's agency to provide photographs that would support its need for propaganda. Often balking at her mundane assignments, an independent-minded Naylor produced something far different and far more rich--a stunning collection of over a thousand photographs that document a rarely seen period in Brazilian history. Accompanied by analysis from Robert M. Levine, this selection of Naylor's photographs offers a unique view of everyday life during one of modern Brazil's least-examined decades. Clean copy.

Hardcover. NY, Quantuck Lane Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 112 pages. Only 57 miles outside New York City on the Hudson River, the city of Newburgh has fallen from the status of "All American City" awarded by Look Magazine in 1952, to a corrupt and forsaken place, that in 1981 was put on a Federal list of most distressed areas in the United States. As recently as May 2010, about 500 enforcement officers conducted a massive sweep through the city to staunch the rampant drug trade. This book of photographic portraits focuses on the often overlooked and ignored population of the downtown section of the city, as well as its abandoned buildings, which have been left to collapse. Some families have not had steady jobs for three generations; only a handful of the fine houses have been restored. Newburgh, with its history of declining industry and ensuing efforts at so-called urban renewal in the last century is a microcosm of much of urban America, showing a population confronted by racism, broken promises, and constant danger, that somehow does not surrender its dignity.80 duotone photographs

Hardcover. New York, Takarajima Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, b&w celebrity photos by Willoughby. Introduction by Tony Curtis. Still in publisher's shrinkwrap.

Hardcover. New York, Aperture, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover. Features 136 black & white photographs by Robert Adams. Poem by Cid Corman and an essay by Adams. Beautifully reproduced landscape images. Very good in very good, unclipped dust jacket. Clean, unmarked pages.

Hardcover. NY, McGraw-Hill, 1st, 1972, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Photographs in black-and-white portray residents in the Town of Camden and Wilcox County, Alabama in the early 1970s, with accompanying text by photographer Bob Adelman and editor Susan Hall. A remarkable document by the photographer renowned for his photographic portraits of the Civil Rights Movement.

Hardcover. San Francisco, Pomegranate Communications, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Like new in publisher's shrink-wrap. Hardcover, 136 pages, b&w photos of the artist at work. Foreword by David Driskell, introduction by Ruth Fine.

Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt. Excerpts from Gordimer's prose alongside Goldblatt's striking black and white photographs. Goldblatt was an important South African photographer and documented apartheid under personal peril.

Hardcover. Garden City, N.Y., 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated, b&w photographs throughout, 2 photographs of Casals laid in. Light edge wear, rubbing to price-clipped dust jacket. Else a very clean, tight copy.

Softcover. Zurich, Scalo, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. Illustrated with full color and black & white photographs. Features essays by William S. Burroughs, Jack Kerouac, Dara Horn, and more. Text in German and English. Clean, bright copy.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated, illustrated throughout with photos in color. Minor shelf-wear to laminated boards, remainder mark to bottom edge. Clean, tight copy. A series of photographs capturing a gritty, glamorous, and authentic old- school New York, well before Mickey Mouse took over Times Square and scrubbed it clean. Curators and editors Beatriz and Hilton Arial Ruiz have collected and preserved the work of local street photographer Bill Butterworth, and have drawn from his work to create a revealing portrait of the Forty-Deuce, inside and out-- capturing the unique street life and street style of the era.

Softcover. Plainfield NH, Alma Gilbert Inc., 1st, 1998, Book: Very Good, Dust Jacket: None, 82 pages. Softcover. Black & white photographs and color plates by Maxfield Parrish. Minimal edgewear. Clean, tight copy.

Hardcover. New York, Abrams, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, illustrated with color photographs by Morell. Conversation by Lawrence Weschler, afterword by Lisa McElaney. Bright, clean copy in a similar dust jacket.

Hardcover. New Haven, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 129 pages. Hardcover. Color and b/w illustrations throughout. Clean inside and out. In excellent shape. From the Foreward: "River of No Return is organized like a long poem or a piece of music...a stunning look at an actual place, a meditation on rivers, nature history, the history of landscape photography of the American West and the idea of the American West. And the nature of fact and the nature of myth, and how we hold the world in our hands."

Hardcover. NY, Knopf, 1st US, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages, b&w illustrations. From the construction of the Berlin Wall through every major conflict of his adult lifetime up to the Syrian Civil War, photographer Don McCullin has left a trail of iconic images. Unreasonable Behavior traces the life and career of one of the top photojournalists of the twentieth century and beyond. Born in London in 1935, McCullin worked as a photographer's assistant in the RAF during the Suez Crisis. His early association with a North London gang led to the first publication of his pictures. As an overseas correspondent for the Sunday Times Magazine beginning in 1966, McCullin soon became a new kind of hero, taking a generation of readers beyond the insularity of post-war domestic life through the lens of his Nikon camera. He captured the realities of war in Biafra, the Congo, Vietnam, Cambodia, and the human tragedy of famine and cholera on the Bangladesh border and later, the AIDs epidemic in Sub-Saharan Africa. McCullin now spends his days in a Somerset village, where he photographs the landscape and arranges still-lifes. Harrowing and poignant, Unreasonable Behavior is an extraordinary account of a witness who triumphed over the memories that could have destroyed him.

Hardcover. teNeues, 1st, 2012, Book: Very Good, Hardcover in a bright dust jacket, 216 pages. Eve Arnold didn't even consider photography until a boyfriend gave her a Rolleicord when she was 34. But her talent and daring brought her immediate recognition and she was picked up by Magnum Photos only 5 years later. Arnold may be best known for her black and white images of Marilyn Monroe, but she has chronicled figures as diverse as migrant potato workers and heads of state in addition to screen icons during her assignments, which involved everything from politics, social issues, travel, to current events and a little glamour. Guided by her own words, this volume features Arnold's now iconic photographs as well as many never-before published images. teNeues Press has published this magnificent monograph, with a superb introduction by Liz Jobey who details the important steps in Eve Arnold's life, career and artistic impact.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. This book features a selection of McPhee's works in and around India's former capital.

Hardcover. London, Editions Gallimard, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Non-paginated. First French Edition. 14.25" x 10.5". French language throughout. Foreword by H.R.H. Duke of Edinburgh. Presented by Christian Fevrier. A collection of superb photographs from the archives of the well known photographers Beken of Clowes covering the hundred years from 1880 to 1980. All related to sailing, yachting, boats and printed in sepia duo-tone process with some as fold out spreads. Photographic index and captioned section at rear. Full bound maroon cloth with gold blocking to spine. Unclipped dust wrapper.

Hardcover. Museum of American Art and University of New Mexico Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. Numerous color and black and white plates. Essays by Merry A. Foresta, Stephen Jay Gould and Karal Ann Marling. Published on the occasion of the traveling exhibition, 1992-1993. Bar code sticker on rear of dust jacket, otherwise clean, bright copy. Uncommon in hardcover.

Hardcover. NY, Thames & Hudson, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. Autochromes--plates made from a pioneering color photography process--are too light sensitive to exhibit, and as such one of the world's greatest collections has been hidden from view until now. Offering unprecedented access to the V&A's collection of autochromes--one of the greatest collections of early color photography in the world--Color Mania presents the pioneering photographic process in its full, vibrant, and painterly beauty. Fragile and light sensitive, autochromes cannot be displayed in public, and so this volume provides a rare and breathtaking opportunity to view them true to size. Newly photographed specially for this book, the V&A's abundant collection of autochromes is brought to the public for the very first time. Organized thematically and with sections focusing on the photographers who engaged with the process, Color Mania is built upon the latest scholarship and research by curator Catlin Langford and includes insights into how these extraordinary photographs are being preserved for future generations.

Hardcover. NY, MOMA, 1st, 2002, Book: Very Good, Dust Jacket: None, 73 pages, a reproduction of the artist/photographer's handmade album. Maroon cloth with photography pasted on cover. No dust jacket issued. Still in shrink-wrap.

Hardcover. Atglen, PA, Schiffer Publishing, Ltd., 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Freelance photographer Harvey Caplin recorded ranch life in the American West from the 1940s to the 1980s, before the last roundup, magnificent landscapes, and picturesque people. See 173 of his beautiful images and revel at the grandeur of the land and drama of life played out upon it.