Photography

New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, decorated black cloth, 160 pages. An amazing treasure trove of unpublished images, this intriguing and entertaining book looks at how women explored their identity through popular photography in the 20th centurySnapshots preserve more than individual likeness and memory. Photographs of celebrations, vacations, and gatherings of family and friends are collected with the aim of constructing and preserving a personal identity for future generations. What happens, however, when a snapshot is subsequently discarded or displaced and becomes merely an "anonymous" image? This and many other questions are discussed in this fascinating selection of anonymous images depicting three women. Presumably all taken by nonprofessionals, these snapshots were acquired over time by a private collector interested in their eclectic yet familiar details, who named the grouping after the iconic Greco-Roman motif.

Hardcover. New York, Abbeville, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 231 pages. Illustrated with full color photographs. Clean, bright copy.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. Like new in publisher's shrink-wrap. Janne Lehtinen's bleak yet arresting photographs of his hometown in the south of Finland are reproduced in this slim, elegant volume. In this new autobiographical project, Lehtinen takes us to Lehtiskyla, where the locals believe that everyone who comes to stay will meet with a sad, usually sinister and absolutely inevitable fate. The images and their accompanying memories--his sick uncle's little bottles of pills, a corpse floating in the river, the last meal eaten by his old horse, a schoolmate's accident--do not promise better things to come, yet there is a certain beauty to the "curse" of Lehtiskyla. This very personal, melancholy album of photographs records the journey of Lehtinen and his cousin to their childhood house and other places of their youth.

Hardcover. London, Clearview, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a paste-down label, 160 pages, illustrated in color and b&w. Foreword by Elton John and David Furnish. A polaroid is the physical and organic reminder of a particular moment, enabling the creative team to step back and fully consider the technical and artistic direction of a photoshoot. The excitement of watching the image slowly developing and seeing the final result makes the polaroid a tiny artwork all of its own.In this book, uber-stylist and storyteller Jo Hambro showcases some of her vast personal records of polaroids taken from the fashionshoots she has worked on over the last two decades. Combined with her extraordinary notebooks, scribbles and sketches formulating the stories that each shoot is based on, (in which polaroids are an indispensable part), we are taken into the hidden world of fashion's creative process. Clean copy.

Hardcover. NY, Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages, b&w plates. An accomplished photographer of the American scene presents a unique artistic record that captures a vanishing part of our country, the main streets, barber shops, schoolhouses, and inhabitants of our small towns. In his 19th book on the American scene, Plowden has focused on what epitomizes small towns-before this endangered species disappears altogether. The well-produced images, arranged roughly by topic (e.g., schools, theaters, churches, home interiors, restaurants, stores, and grain elevators) and representing towns in many states (including Iowa, Kansas, West Virginia, New York, Minnesota, and Idaho), speak eloquently of small-town life. Even more so, they speak of change; by the time Plowden photographed these towns, most had been cut off from their rural heritages. Nevertheless, the photographs convey order, calm, and congeniality; the best of them evoke the work of Walker Evans, who, like Plowden, left scenes unaltered when he photographed them. Clean copy.

Hardcover. NY, Penguin Studio, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 120 pages, color plates throughout. A collection of photographs from the burial grounds of Europe explores the beauty of cemeteries and the emotions the survivors of the dead placed into the making of the tombs, accompanied by a meditation on the death of his own parents by Dean Koontz. Bright, clean copy.

Softcover. NY, Natioal Lampoon, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. B&w illustrations throughout. Minor wear to wrappers, clean inside.

Softcover. NY, Pantheon, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover. With an introduction by Jack Kerouac. Robert Frank's The Americans changed the course of twentieth-century photography. In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just Frank's subject matter--cars, jukeboxes and even the road itself that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was 75 years ago. This edition was printed in Switzerland by Jean Genoud under the direst supervision of Robert Frank. Clean, bright copy.

Hardcover. NY, Grossman Publishers, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. 218 b&w gravure plates. Dust jacket with minor wear, price-clipped. "This book is a retrospective of Andre Kertesz's long career and contains all of his best known works: Hungarian scenes, classic photographs of Mondrian's staircase, portraits of his artist and writer friends, as well as his famous Surrealist distortions." Clean copy.

Hardcover. GR, Steidl, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. When celebrated photographer Arnold Newman began his career in 1938 in chain portrait studios in Philadelphia, Baltimore and West Palm Beach, he also immediately began to make abstract and documentary photography on his own, studying people and places impoverished by the Depression. In June of 1941, Beaumont Newhall of The Museum of Modern Art, New York, and Alfred Stieglitz "discovered" him, and he was given an exhibit with Ben Rose at the A.D. Gallery that September. There Newman began to combine his independent work with the portraiture that had been his bread-and-butter, developing the approach for which he is best known, which came to be called "environmental portraiture," and which is so widely influential today that it might be the new standard practice. This style made Newman a distinctive contributor to publications like Life, Vanity Fair, and the New York Times Magazine, brought him into the collections of museums around the world, including The Museum of Modern Art, The Metropolitan Museum of Art, and the International Center of Photography in New York, and led to his recognition in photography histories and with awards including France's Commander of the Order of Arts and Letters. The photographs collected here were made before Newman achieved recognition as a pioneering portraitist, during the formative years from 1938 to 1942. They highlight the early stirrings of a great photographic master.

Hardcover. NY, Taschen, reprint, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 190 pages. A smaller edition of the book published in 2019. Rewind back to the midcentury, before the age of Instagram and Snapchat, where people were using 35mm cameras loaded with color film to document both monumental and mundane moments in their lives. They took pictures of their loved ones, their vacations, their celebrations. They memorialized the births of babies; a child in a cowboy outfit; a new color television set; sightseeing in National Parks; fishing trips; lazing on the beach; weddings; office parties; family reunions; holding hands, kissing and dancing. Imagining these lives and the possible stories that lie behind the images is what makes The Anonymous Project such a compelling journey into our past. Clean copy.

Softcover. US, Revolver, 1st, 2006, Book: Very Good, Dust Jacket: None, Unpaginated (approx 120 pages), b&w photographs. Like new softcover in publishers shrink-wrap.

Hardcover. Penland, NC, Jargon Society, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 63 pages. Hardcover with dust jacket. Clean, tight copy with only minor wear to edges. Related news clipping laid in.

Hardcover. Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 84 pages. When David Goldblatt received the world-renowned Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Born in 1930 in a gold-mining town near Johannesburg, his parents were Jewish refugees from Lithuania, and they raised him with an emphasis on tolerance and antiracism. In 1975, at the height of apartheid, Goldblatt explored white nationalist culture in Some Afrikaners Photographed, and in the 80s he observed workers on the Kwandebele-Pretoria bus, many of whom traveled eight hours every day to work and back. His late-90s solo show at New York's Museum of Modern Art focused on architectural work, and showed off Goldblatt's uncanny ability to discover a society through its buildings and landscapes. His photographs of architectural structures revealed the ways that ideology had defined his home country's landscape. No dj issued.

Hardcover. NY, Farrar, Straus And Giroux, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 464 pages. A personal exploration of the American West and the work of one of America's greatest photographers. Timothy O'Sullivan is America's most famous war photographer. You know his work even if you don't know his name: A Harvest of Death, taken at Gettysburg, is an icon of the Civil War. He was also among the first photographers to elevate what was then a trade to the status of fine art. The images of the American West he made after the war, while traveling with the surveys led by Clarence King and George Wheeler, display a prescient awareness of what photography would become; years later, Ansel Adams would declare his work 'surrealistic and disturbing.' At the same time, we know very little about O'Sullivan himself. Nor do we know-really know-much more about the landscapes he captured. Robert Sullivan's Double Exposure sets off in pursuit of these two enigmas. This book documents the author's own road trip across the West in search of the places, many long forgotten or paved over, that O'Sullivan pictured. It also stages a reckoning with how the changes wrought on the land were already under way in the 1860s and '70s, and how these changes were a continuation of the Civil War by other means.

Hardcover. London, Carpet Bombing Culture, 1st, 2017, Book: Very Good, Dust Jacket: None, 200 pages. Hardcover with no dust jacket. Very clean, unmarked copy. Full page color photographs throughout. Tight copy. A look deep inside the crumbling apocalyptic landscape of America through the eyes of Photojournalist Seph Lawless.

Hardcover. NY, The Burns Archive Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, laminated boards, measures 6 x 6 3/4", 164 pages. SIGNED AND INSCRIBED BY BURNS on title page. The first published expose focusing on the war-time clinical photographs of Dr. Reed Bontecou. Photographs of wounded Civil War soldiers from New York regiments, on display for the first time since the 19th century, show the supreme sacrifices made by Americans and their families in sobering detail. Clean copy.

Hardcover. Weslyan University Press , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover. In this volume appears the best of Ralph Steiner's work of over fifty years. In addition to the photographs and some technical comments on the personal darkroom techniques of Stieglitz and Steichen, the book includes an extensive autobiographical essay in which many of Steiner's well-known contemporaries figure prominently. 144 pages; 101 b&w plates; 10.25 x 10.25 inches.

Hardcover. Boston, Little, Brown & Co., 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor wear. 104 pages with 55 beautiful, luminous black & white plates, accompanied by selected texts from Adams, Emerson, and other poets and naturalists, chosen by the Editor, Janet Swan Bush. Clean copy.

Hardcover. New York, Aperture, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 214 pages. Excerpts from Weston's diaries covering the California period of 1923 - 1926. A remarkable documentation of the important and the mundane by an artist at the height of his powers. Includes 32 plates from the period. Crisp, clean and unmarked with tiny bit of sunning to board edges. Dust jacket with light tape repair, wear, unclipped.

Hardcover. NY, Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The human (and sometimes non-human) hands are, with the possible exception of the eyes, the most expressive parts of the body, asking for more or less, telling us to come or to go, asking questions and answering them, scolding, rewarding, searching and finding, and, at their most intimate, loving and lustful. Hands reward us, calm us, feed us, and scratch our backs. They intimidate, bless, encourage, and stop us. They soothe, caress, and sometimes go where they shouldn't. We may take hands for granted. But Elliott Erwitt does not. Here is Erwitt at his most serious-and-yet-whimsical best, giving us the moments which, without hands, would not exist. 100 duotone images.

Softcover. New York , Aperture, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover. 80 pages. Summer 2003. Portfolios and Essays from Larry Towell, Vince Aletti and Andrea Modica, Robert Farris Thompson and Adriana Groisman, Henri Cartier-Bresson and Diana C. Stoll, and Fred Ritchin. A clean, tight issue.

Hardcover. New York, Knopf, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, 207 pages. Hardcover with dust jacket. 161 color photographs by Arnold. Dust jacket with light wear. This book represents the result of two years traveling the USA. Arnold was a member of Magnum and though born and raised in the US, spent some 30 years in Britain; this was her way of reconnecting with her birth country and thus provides a look at US culture in the late 1970s/early 80s. Eve Arnold (1912-2012) was an American photojournalist. She joined Magnum Photos agency in 1951 as the first women, and became a full member in 1957. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. n/a, Contrejour, 1st, 1982, Book: Very Good, Dust Jacket: Good, 141 pages. Hardcover with dust jacket. Foxing to top edge. Light rubbing on dust jacket. Black and white pictures throughout. SPANISH TEXT.

Softcover. NY, Abrams, 1st pbk, 1999, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 399 pages plus index. This book offers a powerful new perspective on a much photographed subject: New York City, Veteran news photographer Ralph Ginzburg assigned himself the daunting task of photographing a different news event in The Big Apple on 365 consecutive days. The result is a year-long, 510-image extravaganza of the high drama and grandeur that are the everyday life of Gotham. Clean copy.

Softcover. NY, Da Capo Press, 1st US, 1977, Book: Very Good, Dust Jacket: None, First edition thus. Softcover. Features the original introduction by Cyril Connolly along with a new one by Mark Haworth-Booth. Includes 144 black and white images, with many of Brandt's best known images featured. A tight very good copy in wrappers with some very minor wear.

Hardcover. Waterbury VT, Silver Print Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. !00 beautiful b&w portraits of farm women in Vermont. Autograph copy emblem to cover. SIGNED by the photographer and author Peter Miller on the half title page.

Hardcover. BY, Aperture Foundation, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The first collection of the extensive and superlative work realized by Mary Ellen Mark in the United States. The book is composed of many previously unpublished images, as well as photographs from several of her best-known projects. From "Streetwise" to "The Damm Family," Mary Ellen Mark includes the most iconic images from these groundbreaking stories, as well as powerful, never-before-seen photographs Mark accomplished in subsequent years. She makes a deeply felt commitment to her subjects, and her empathy and humanity come through in every image. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Amsterdam, Schilt Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. San Francisco, Collins, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 157 pages. A pictorial record of farming families in northwest Illinois where the photographer lived. Extensive b/w photos throughout.

Hardcover. NY, Sports Illustrated, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. In its annual swimsuit issue 10 years ago, Sports Illustrated first presented photographs of gorgeous models in swimsuits that consisted of nothing more than paint artistically & painstakingly applied to their nude bodies. This book brings together a collection of astonishing painted-swimsuit photographs.

Hardcover. NY, The Viking Press, 1st, 1971, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 116 pages with b&w images by Bresson. Oblong format. A collection of 90 black and white photographs commissioned by IBM "on man's continuing dialogue with machines." Clean copy.

Softcover. Montpelier VT, Craftsbury Common Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 222 pages. In 1964 Ethan Hubbard began photographing and tape-recording the most unique and intriguing rural Vermonters he could find, believing that they were a vanishing race. B&w photos.

Softcover. Boston, Bulfinch, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 446 pages. This landmark book chronicles the development of a kind of photography that is created out of the energy and chance juxtapositions found in everyday life on the street. Street photography is at the heart of what makes photography unique. An unprecedented study that is the first history of this tradition ever published, Bystander explores street photography through a discussion of the medium's masters - Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Evans, Levitt, Frank, Arbus, Winogrand, and many others - and reveals along the way much about the craft and creative process of photography. Profusely illustrated with the work of more than eighty photographers, the book is composed of four parts separated by lively folios of pictures. Each part discusses a different era - from the early days of the medium in nineteenth-century Europe, to America in the late twentieth century - and devotes entire chapters to the key figures of that period. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Scalo Publishers, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 142 pages. Hardcover with dust jacket. Light foxing and discoloration on edges of pages, otherwise clean, unmarked copy with only minor wear to dust jacket. Red boards with black lettering to the spine. Heavily illustrated throughout with full page black and white photographs, color photographs and many textual photographs. A lovingly composed collection of photographs that celebrate "gender euphoria".

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages. Gathers Harold Lloyd's 3-D photographs of Hollywood actors, actresses, and celebrities. 3-D glasses included in back pocket.

Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps.

Hardcover. New Haven CT, Yale University Art Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. "Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today." 48 b&w images by Friedlander.

Hardcover. NY, Museum of Modern Art, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, 106 illustrations. Light edgewear and rubbing to dust jacket. Clean, tight copy.

Softcover. NY, Harmony Books, 1st, 1974, Book: Very Good, Oblong softcover, 182 pages. A wonderful photographic documentary of the era: daily life, workers, the rich and/or famous, the military, public schools, etc.

Softcover. New York , Thames and Hudson, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, 54 color photographs by Stefano de Luigi. With an essay by Martin Amis, "A Rough Trade". Tight, clean and crisp. Explores the world of pornography in Los Angelas, Tokyo, Budapest, Milan, Prague and Dortmund. Features interviews conducted with industry workers and stars in LA.

hardcover. NY, Aperture, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 80 black and white tritone portraits by Mark. Clean, bright copy. Mary Ellen Mark's fascination with twins has inspired a remarkable portrait series. Traveling to Twinsburg, Ohio, for their annual "Twins Day" festival allowed her to photograph hundreds of twins. In the two consecutive years Mark visited the festival she used a complex set-up for the seemingly simple aesthetic. Every detail is captured through the Polaroid 20x24 camera Mark used. Between the camera and dynamic lighting every wrinkle, toned muscle, body hair, and freckle is visible. Using the studio, all attention of the festival is lost. Instead the attention is given to the twins themselves. A thoughtful decision that emphasizes Marks pure interest in her subjects. The final pages of the book are dedicated to bits of conversation Mark collected after shooting the photographs. Each fragment from the conversations revels more about each pair connecting the viewer even more with every photograph.

Hardcover. US, Stern Portfolios, 1st, 2013, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with laminated boards. Like new in publishers shrinkwrap. In 1975, the young Parisian photographer Brigitte Lacombe met Donald Sutherland and Dustin Hoffman at the Cannes Film Festival; these new acquaintances would go on to open doors for her. That same year she was hired as a photographer for the filming of Fellini's Casanova. Since then, Lacombe's famous images have reflected a who's who of Hollywood cinema. This collection spans a masterfully choreographed array of photographs Lacombe took - all the way from the sets of 1970's cinema classics to film milestones of the new millennium, including Alan J. Pakula's All the President's Men, Martin Scorsese's Gangs of New York, and Quentin Tarantino's Inglorious Bastards. Conveying a certain intimacy without unmasking any mystery, Lacombe's images capture classical beauty in a way that is fresh and exciting.

Hardcover. Damiani, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 168 pages, color photos. From 1989 to 1993, New York fashion designer Isaac Mizrahi granted the British photographer Nick Waplington rare backstage access to photograph every detail of the designer's fitting sessions in the weeks before his twice-yearly fashion shows. Combining Waplington's gritty verite style with Mizrahi's haute couture sensibilities, the resulting images offer a candid glimpse into the world of fashion when supermodels including Cindy Crawford, Christy Turlington and Naomi Campbell reigned supreme. At the same time, Waplington set out to document the wildly creative nightlife of the '90s "club kid" culture in New York, juxtaposing his images of uptown style with downtown looks and taking pictures at some of the city's most infamous clubs, such as the Pyramid Club and Save the Robots. Clean copy in publisher's shrinkwrap.

Hardcover. Munich, Prestel Verlag, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. "Born Dora Kallmus (1881-1963), the Austrian fashion and portrait photographer who went by the moniker Madame d'Ora was the most acclaimed portraitist of fin de siecle Vienna. After relocating to Paris in the 1920s, she opened one of the most stylish Art Deco portrait studios where her models included Pablo Picasso, Josephine Baker, and Collette, among many others. This book, accompanying the largest exhibition devoted to Madame d'Ora ever presented in the United States, includes sections focusing on the different periods of the photographer's life, from her early upbringing as the daughter of Jewish intellectuals in Vienna, to her days as a premier society portraitist, through her survival during the Holocaust." Still in publisher's shrinkwrap.

Hardcover. New York, Abbeville Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 279 pages, hardcover with dust jacket. B&w illustrations throughout. SIGNED BY AUTHOR on title page. Mild wear to dust jacket top edge. Light fading to top boards. Foxing and faint soiling to text block. A bright and tight copy.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Brutal Kinship explores the relationship between humankind and its closest relative, the chimpanzee, presenting these extraordinary animals in the wild, in captivity and in protective sanctuaries. In photographs and commentary Michael Nichols and Jane Goodall show us that chimpanzees are physically, emotionally and intellectually closer to us than we imagined and that we have forced them into a more human yet less humane existence. The book is filled with over 100 remarkable color photographs

Hardcover. Damiani, 1st, 2015, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap, 156 pages. Outside the Studio is photographer Greg Gorman's tenth monograph. This book takes Gorman (born 1949) outside the reaches of his studio portrait and figure-study work, for which he is best known, and onto the streets of Southeast Asia-uncharted territory for the artist. Traveling initially on behalf of Epson, giving symposiums on fine art digital printing throughout Singapore, Malaysia, China and India, Gorman got a firsthand look at these very different cultures at the very beginning of the digital revolution. The transition from analogue to digital cameras was another new experience for Gorman, who had shot film for more than 30 years. For Gorman, being in the studio with the likes of Marlon Brando or Robert De Niro was second nature, but being thrust in front of strangers in China, Kuala Lampur, India, Thailand, Cambodia and Vietnam was a new adventure.