Photography

Hardcover. Scalo, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. The catalogue to Robert Frank's (born 1924) 2001 exhibition at the Museum Folkwang in Essen. Though the artist is best known for his seminal photobook The Americans (1959) and his experimental film Pull My Daisy (1959), until this publication, little scholarship existed on the intersection between Frank's work in the disciplines of photography and film. Hold Still, Keep Going fills that void, exploring the influence of film on Frank's photographic work, and the interaction between the still and moving image that has engaged the photographer and experimental filmmaker since the late 1950s. The book adopts a nonchronological approach, including photographs, film stills, 35mm filmstrips, as well as photomontages that present Frank's most famous series alongside less known work; from these varied contents, the volume offers revealing juxtapositions, rendering the seemingly disjointed arc of Frank's art more cohesive. Text, from handwritten phrases on photographs (of which "HOLD STILL-keep going" is but one example) to the dialogue in his films, emerges as a crucial tool, one that is also central to Frank's photo-diaries. Including a new essay from Tobia Bezzola, director of the Museum Folkwang, this edition highlights some of the more obscure work by perhaps the world's best-known living photographer, and is an essential addition to all photography and film collections.

Hardcover. Englewood Cliffs NJ, Prentice Hall, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages. Great color photos and essays from the golden age of Sports Illustrated. Work by Walker Evans, William Saroyan, Philip Wylie, Paul Gallico, etc. Clean copy.

Hardcover. Center for American Places, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages. Clambering down slippery rocks to a swimming hole. Ducking the plume of smoke from a barbecue grill. Wishing for a breeze in a too-small dome tent. Scanning the sky for rain from a postage-stamp backyard. It is in these small moments of action--and inaction--that Justin Kimball captures our everyday attempts to relax. Indeed, one might argue that the events depicted are everyday life. Kimball's compelling photographs depict ordinary people--parents and teens, grandparents and kids--in landscapes of leisure. These are not the exclusive resorts and white sand beaches of the affluent; rather, they are the parks, campgrounds, and fishing piers where most Americans vacation. They are natural landscapes--inviting, green, and sometimes beautiful--but at the same time they are imperfect--muddy, crowded, and partially paved. There is nothing idyllic about these vacation spots; indeed, Kimball's photographs make clear that daily life can never be fully left behind. The people in his pictures, though momentarily transformed by cascading water or the shade of towering trees, remain enmeshed in ties of family and obligation, shadowed by thoughts of home.

Hardcover. Penland, NC, Jargon Society, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 63 pages. Hardcover with dust jacket. Clean, tight copy with only minor wear to edges. Related news clipping laid in.

Hardcover. New York, MJF Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 166 pages. Hardcover with dust jacket. Photographs by Sid Avery. Front sun faded, otherwise clean, tight copy. An interesting collection of black and white photographs, presenting Hollywood Celebrities of the fifities and sixties in various scenes. eg Paul Newman and Joanne Woodward in their kitchen cooking breakfast, Debbie Reynolds with her children playing at home.

Hardcover. US, Acc Art Books, 1st, 2018, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with laminated boards. Like new in publisher's shrinkwrap. One of the largest archives of film-set photography and editorial magazine shots from the '70s and '80s. Introduction by Jacqueline Bisset and Charlotte Rampling. Archive contains almost 100 unseen pictures, all narrated by Eva Sereny herself: a top professional photographer, working in a male-dominated fieldo Includes shots from the sets of several great classical films ('The Great Gatsby', 'The Night Porter', and 'Indiana Jones and the Temple of Doom', and more)Stories and photography intermingle on the pages of this gorgeous homage to '70s and '80s cinema and celebrity. Including rare and never-before-seen images. Through Her Lens is a wonderful collection of images and memoires that capture the spirit of the age. From unexpected late-night calls from Romy Schneider, to a stay at Paul Newman's home in Connecticut; from working on set with Bernardo Bertolucci, Werner Herzog, Steven Spielberg and Sydney Pollack, to lounging poolside with Raquel Welch; Sereny reveals her favorite moments from working behind the lens. This is the first photographic retrospective of Sereny's star-studded career, including nearly 100 never-before-seen images complemented by Eva's own stories.

Hardcover. NY, Merrell, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Over the course of his fifty-year career, American photographer Edward Weston (1886-1958) blazed a path into Photo-Modernism rendering portraits, landscapes, still-lifes and nudes. In 1902, a sixteen-year-old Weston took up photography in Highland Park, Illinois, where he worked as an amateur for five years. In 1907, at the age of twenty-one, Weston moved to Tropico, California, now the city of Glendale in Los Angeles County, where he constructed his first studio and set about with great purpose to become a photographic artist. Examining Weston's earliest sharp- and soft-focus photographs reveals that the young artist had already formed a perfect sense of composition that was to be the hallmark of his later work. Presenting Weston's earliest work from a recently discovered family album, Edward Weston: Portrait of the Young Man as an Artist compares the artist's naive first artistic efforts with his latest masterworks to show the persistence and evolution of his singular vision to find essential form in the vernacular with an ever-increasing intensity. As a young man deeply intuitive and original in his creative expression, Edward Weston demonstrates that his teenage work, beginning with his amateur snapshots, embrace the same significant form as the later work for which he is now considered a master.

Hardcover. NY, The Museum of Modern Art, 1st, 1987, Book: Very Good, Dust Jacket: Good, Hardcover with dust jacket, 152 pages. Oblong small 4to., 125 b&w photos, 4 in color. Dust jacket with 2 small tan stains at bottom of front panel, not affecting book except for very faint mark on cover. Otherwise a clean, tight copy.

Hardcover. NY, Prestel, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. This photographic homage to Los Angeles presents a timeless depiction of the great city. In his book New York Sleeps, Christopher Thomas traveled the empty streets of New York City shooting dreamy cityscapes with a large-format Polaroid camera. For this new book he focuses his lens on Los Angeles, capturing in duotone images of the iconic buildings and spaces in the city: the Chinese Theatre without tourists, the Griffith Observatory peacefully alone, the Hollywood Boulevard without celebrities or onlookers. Around the city's artdeco buildings and mid-century drive-ins, sidewalks, and parking lots are vacant. Shot in the early morning, with the sun's rays just hinting between buildings, or at dusk, when the light is inchoate and mournful, these pictures are a tender valentine to Los Angeles. Fans of New York Sleeps will be thrilled to encounter another sublime project by Thomas. And residents and lovers of Los Angeles will be awestruck at this new interpretation of the City of Angels.

Hardcover. NY, Atria Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 368 pages, illustrated in color and b&w. The definitive biography that unlocks the remarkable story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn't share them with others. Now, in this definitive biography, Ann Marks uses her complete access to Vivian's personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman--a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.

Softcover. Atglen PA, Schiffer Books, 2008, Book: Very Good, Dust Jacket: None, Softcover, 160 pages, b&w photos throughout. Here are the ladies who pioneered and perfected the art of titillating performance in the 1950s, as captured by famous female photographer and pin-up girl Bunny Yeager. Celebrities shown include Dixie Evans, Blaze Starr, Bonnie Bell, Michelle Toots LAmour, and Kitten DeVille, and Lana Loy. These women practiced the art of teasing with varying and increasing degrees of nudity, and were billed under many monikers, including stripper, exotic or erotic dancer, burlesque queen, and stripteuse. Though most strip clubs have abandoned the delayed gratification of teasing in recent decades, the art of striptease is undergoing revival. Yeagers images embody the mix of sultry and playful that characterized the art during the 1950s. Here famous subjects pose in the spotlight amidst smoky nightclubs, as well as at home or relaxing on the beach. If you love women, youll love this journey back into the era of the 1950s.

Softcover. NY, powerHouse Books, 2nd Ed., 2018, Book: Very Good, Dust Jacket: None, Softcover. Before gentrification, New York City was a gritty and inspiring place. And in its midst was Arlene Gottfried, whose eye for the sublime caught it all. Sometimes Overwhelming, her second powerHouse Book, is a manic yet romantic ode to the people of New York City in the 1970s and 80s. From Coney Island to a Hasid at Riis Beach's nude bay to the disco nights of sexual abandon and the children in the original Village Halloween parade, Sometimes Overwhelming is a delightfully lighthearted look at the most outrageous people you might ever see.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 288 pages.This substantial and unusual volume is not an encyclopedic summary of names, dates, and images but a roughly chronological series of scholarly, sometimes provocative essays by specialists in various aspects of the medium's history. Contributors (identified only in the table of contents) are from France, Italy, Germany, Switzerland, England, and the United States. The chapters on photo-journalism, the illustrated press, and photography between the world wars are particularly informative, while high-quality illustrations from public and private collections worldwide convey photography's technical and aesthetic development and its ubiquity.

Hardcover. NY, Knopf, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 695 photographs. "[A] spectacular collection of images from the personal archives of Italian countess Camilla McGrath (1925-2007). McGrath and her husband, Earl--at various times a screenwriter, record producer, and art curator--had an outsized social life, and the sheer number of celebrities who passed through their orbit is mind-boggling. Among the photographs are ones capturing Jackie Kennedy lounging by a pool, Andy Warhol smiling alongside his dachshund Archie, and vacation shots with Princess Margaret and Bianca Jagger. As art dealer Beatrice Monti remembers of McGrath's gift, "She was able to capture something of each one of us even in the middle of a party." . . . These spellbinding photos will beguile photographers, artists, and those enamored of the glamour of a bygone era." No dj issued.

Softcover. San Francisco, Chronicle Books, 1st pbk, 1993, Book: Very Good, Dust Jacket: None, Softcover, 180 pages. A retrospective examination of the pioneering 20th-century photographer's work that spanned some seventy years. Drawn primarily from Cunningham's archives at the Imogen Cunningham Trust, the most complete collection of her prints and negatives in the world. 120 black-and-white photographs. Name on front fly leaf, otherwise clean.

Softcover. Corte Madera CA, Gingko Press, 1st, 1998, Softcover, 96 pages. This book is a collection of rare, previously unpublished, photographs from The International Historical Press Photo Collection of Stockholm that provide fascinating glimpses of everyday life in one of the world's greatest cities during the 1920s and 1930s. These remarkable, large format images open a window to the past that is absolutely stunning. London in the twenties and thirties was still a hub of a powerful empire - an exciting, lively place that brought people and goods together fromall over the world. It is shown here wearing many different faces, but one thing is clear: London has always been full of hustle and bustle. Pulsating street scenes, vibrant architectural portraits, and touching human encounters all come together to create an image of a city that was every bit as exciting then, as it is now.

Hardcover. University Park PA, Penn State Press, 1st, 2014, Book: Very Good, Hardcover. Dogs are as ubiquitous in American culture as white picket fences and apple pie, embracing all the meanings of wholesome domestic life--family, fidelity, comfort, protection, nurturance, and love--as well as symbolizing some of the less palatable connotations of home and family, including domination, subservience, and violence. In Picturing Dogs, Seeing Ourselves, Ann-Janine Morey presents a collection of antique photographs of dogs and their owners in order to investigate the meanings associated with the canine body. Included are reproductions of 115 postcards, cabinet cards, and cartes de visite that feature dogs in family and childhood snapshots, images of hunting, posed studio portraits, and many other settings between 1860 and 1950. These photographs offer poignant testimony to the American romance with dogs and show how the dog has become part of cultural expressions of race, class, and gender. Still in publisher's shrink wrap.

Softcover. NY, Swann Auction Galleries, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. with pictorial covers, unpaginated. Contains 213 Lots with photographer and subject index. Illustrated throughout with color and black and white photographs. All pages are clean, crisp and tight.

Hardcover. NY, Harry N. Abrams, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear, large square format, 144 pages, 100 photographs by Pete Turner, personal favorites, classics; he published in Look Esquire, Holiday, Twen, Photo, etc. Remainder line to bottom edge, inscription on front5 fly leaf, otherwise clean.

Hardcover. NY, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 192 pages. A critical examination of American photographer Gertrude Kasebier. Features text by Barbara L. Michaels. Includes 120 duotone illustrations. NAME ON FRONT FLY LEAF, OTHERWISE CLEAN.

Softcover. Paris, Editions Du Chene, 1st wraps, 1953, Book: Good, Dust Jacket: Fair, Stiff paper wraps with dust jacket. 1st 20 pages have scuff, fraying to bottom pages, dog eared. Photograph section is VG condition. FRENCH TEXT. Dust jacket taped together as flaps had separated.

Hardcover. Insight Editions, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. In this curated collection of art and photography from his personal archive, Graham Nash's life as a musician and artist unfolds in vivid detail. Best known as a founding member of the Hollies and supergroup Crosby, Stills & Nash, Graham developed a love of photography from the time he was a child. Inspired by his father, Nash began taking pictures at 10 years old and would go on to take his camera with him ever since--on tour with the Hollies and later CSN and CSNY, among friends at Laurel Canyon and abroad. Many of his photographs depict intimate moments with family and friends, among them Joni Mitchell, Stephen Stills, and Neil Young. This volume presents these images alongside Nash's own reflections, telling the story behind the pictures and giving insight into the life of one of the greatest musicians of all time. Still in publiher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Crown, 1st wraps, 1995, Book: Very Good, Dust Jacket: None, Softcover, Black & white photos by Farley. 160 pages. "Farley has gathered these portraits of cowgirls - not showbiz cowgirls, but the real thing. Her subjects work in harsh, unpredictable climates, bring up families while they manage their ranches, and compete - and win - in rodeos alongside men. Her black-and-white photographs capture the spirit and energy of authentic working cowgirls and the raw beauty of the western landscape." Oblong format.

Hardcover. NY, Aperture, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with small closed tears. Photographs and statements by Caponigro; edited by Minor White. 62 pages; 48 full-page b&w plates; 8 x 9.25 inches. Chronology, bibliography through 1966, exhibition history, list of plates with captions. Clean copy.

Hardcover. NY, Atlantic Monthly Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 101 pages. Black & white photos of Hollywood in the 1980s. Introduction by Bret Easton Ellis.

Softcover. Millerton NY, Aperture, Inc., 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 70 pages of text and black and white photographic images. Highlights from this issue: "Walt Whitman and Thomas Eakins" by Lincoln Kirsten, "Double Portrait: Alfred Stieglitz and "Ananda Coomaraswamy" by Roger Lipsey. Includes images from: Paul Caponigro, Arthur Lazar, and Ernest Bloch. A very good copy in photo-illustrated wrappers.

Softcover. Corte Madera, CA, Gingko Press, 1st Wraps, 1998, Book: Very Good, Dust Jacket: None, Softcover, black & white photograph, 96 pages. "This book is a remarkable collection of photographs that will take you on a fascinating journey back to Berlin of the 1920s and early 1930s". A bright, clean copy.

Hardcover. NY/Boston, Bulfinch Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 203 pages. Introduction by Alan Trachtenberg. 170 duotone illustrations, chronology. Published in conjunction with a series of retrospective exhibitions chronicling forty years of the author's photographs of industrial and rural landscapes. Clean copy.

Austin, University of Texas , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 154 pages. Many B&W, color photos by Kennerly. The last 30 years of the 20th century produced a compelling range of images: Vietnam and the student protests, Robert Kennedy's assassination and Richard Nixon's election, the trauma of Watergate and the recovery under Gerald Ford and Jimmy Carter, the fragile beginnings of peace in the Middle East and the crumbling of the Soviet Union. David Hume Kennerly's astonishing photographs of these and many other events that shaped our times are among the images forever imprinted in our memories. Kennerly was always there with his camera - on the battlefield, at ringside, or behind closed doors in the Oval Office. This eyewitness collection presents over 250 of his most dramatic photographs, many published here for the first time. Augmented by Kennerly's first-hand recollections of the historic events he witnessed, the photographs range from an early Supremes concert through Jonestown, with vivid coverage of Vietnam and other wars, the final days of the Nixon presidency, the inside workings of the Ford Administration, and groundbreaking events in international diplomacy.

Hardcover. Los Angeles, Chronicle Chroma, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 376 pages. This is the first comprehensive, large-format monograph of Bob Willoughby's photographs of film and television stars from the 1950s to the 1970s. Considered the first on-set still photographer in the film industry, Bob Willoughby photographed numerous movie stars of the era, including Audrey Hepburn, Marilyn Monroe, Jean Seberg, Elizabeth Taylor, Natalie Wood, Frank Sinatra, Cary Grant, Doris Day, James Dean, and many more. These stars continue to influence fashion and culture, from Baby Boomers all the way to Gen Z. The iconic celebrities and others featured have lasting presence, still gaining fans today via both social media and the availability of classic films through streaming channels.This compendium features vintage and never-before-seen photographs of the most beloved stars of film and television. Willoughby's images include many taken during the filming of classics such as THE GRADUATE, MY FAIR LADY, ROSEMARY'S BABY, and others. In addition to on-set photography, there are also many candid portraits of actors at home, such as those of Audrey Hepburn. This compendium includes both black-and-white and color photographs of some of the greatest icons from this Golden Age of Hollywood. DOMESTIC SHIPPING ONLY.

Hardcover. Bologna Italy, Damiani, 1st, 2010, Book: Very Good, Dust Jacket: None, Unpaginated, color illustrations throughout. Light edgewear and rubbing to cardboard covers, else a clean, tight copy. No dust jacket issued.

Softcover. London, National Portrait Gallery, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. Illustrated in color and b&w. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. India, Mapin Publishing Gp Pty Ltd, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. Indian Heritage in the Photographs of Jean Philippe Vogel, 1901-1913. 191 pages, b&w photographs. Frontis, 1 color map, profuse b/w photos. The early twentieth century proved to be a highly innovate period for Indian historical archaeology and heritage care. This highlights Vogel's contribution to early twentieth-century archaeology, documenting his explorations and excavations.

Hardcover. London/NY, Thames & Hudson, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson--one of the great photographers of the twentieth century.In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China's history: he photographed Beijing in "the last days of the Kuomintang," and then headed back to Shanghai, where he bore witness to the new regime's takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The "picture stories" he sent to Magnum and Life on a regular basis played a key role in Westerners' understanding of Chinese political events. Many of these images are among the best-known and most significant photographs in Cartier-Bresson's oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. This volume allows these photographs to be reexamined along with all of the documents that were preserved: the photographer's captions and comments, contact sheets, and abundant correspondence, as well as the published versions that appeared in both American and European magazines. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Phaidon Press, 1st, 2005-07-06, Book: Near Fine, Dust Jacket: Near Fine, Like new in publishers shrink-wrap. Hardcover. Portraits of life in Benin from the 1960's and 70's. A collection of never-before-seen photographs made in West Africa whose discovery opens a new chapter in the history of African and world photography. 136 pages.

Hardcover. NY, Aperture, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 107 pages. Henri Cartier-Bresson's writings on photography and photographers have been published sporadically over the past 45 years. His essays--several of which have never before been translated into English--are collected here for the first time. The Mind's Eye features Cartier-Bresson's famous text on "the decisive moment" as well as his observations on Moscow, Cuba and China during turbulent times. These essays ring with the same immediacy and visual intensity that characterize his photography. Clean copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages, illustrated throughout in color and b&w. Text in German and English. Clean, unmarked copy with only minor wear to dust jacket. Oliver Mark (born 1963) has photographed countless artists, actors, politicians and other celebrities. Subjects included here are Tom Hanks, Anthony Hopkins, George Lucas, Sir Ridley Scott, Jenny Holzer, Mia Farrow, Norbert Tadeusz, Kenny Scharf, Georg Baselitz, David Chipperfield, Luc Tuymans, Cate Blanchett, Balthus and Sir Peter Ustinov. Besides Mark's most successful portraits, this volume also contains some of his most beautiful fashion photographs and other stills, many of which have appeared in several well-known magazines.

Hardcover. San Francisco, Chronicle Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 172 pages. Hailed by Ansel Adams as "the greatest photographer of the nude," Ruth Bernhard is an icon in the photographic world. As told by Ruth in countless conversations with close friend and biographer Margaretta Mitchell, this thoughtful, illustrated memoir is a true tribute to the legendary artist. Reminiscent of a personal scrapbook, the engaging text is adorned with an abundance of fascinating memorabilia and nostalgic snapshots. Woven throughout is correspondence between Ruth and her mentor Edward Weston, as well as interviews with friends, colleagues, students, and her long-time printer. Also included is a special section entitled "Workshop," which surveys Ruth's acclaimed teaching methods. Coinciding with an exhibition in honor of Ruth's 95th birthday, Ruth Bernhard: Between Life and Art is a beautiful celebration of an extraordinary woman.

Hardcover. New York, W. W. Norton & Company, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages, 242 photographs reproduced in four-color process. Like new in publishers shrink-wrap. Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair. Over the next fifteen years, he would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers. Here are icon images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charles Chaplin, as well as numerous other celebrities drawn from an archive of more than 2,000 original prints.

Softcover. Koln GR, Taschen, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 240 pages, 233 b/w illustrations. This book is a photographers' homage to Paris's dramatic romantic and historic moments as well as everyday scenes. Themes include the street; parks & gardens; loves; bistros; Paisiennes; kids; on the move; insurrectionary Paris; the popular front; occupation - liberation. Clean copy.

Hardcover. Gottingen, Steidl, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publishers shrink-wrap. Haunts is the second book in a trilogy that began with Trying to Dance, in which Engstrom writes, "I'm always looking for presence. Whenever I try, my doubts get unmasked..." These doubts and questions are prevalent in Haunts as well, but in this volume Engstrom focuses more on public spaces and life in the streets. At the center of these pictures is a strong feeling of being in an endless present tense. The confrontation between "now" and the photographer's memories is inevitable. He doesn't try to separate emotions from objectivity: his images embody their questions.

Softcover. Fort Worth TX, Amon Carter Museum, 1st, 1986, Book: Good, Dust Jacket: None, Softcover in sun faded wraps, 339 pages. Laura Gilpin (1891-1979) was a photographer of the American Southwest for over sixty years. She was intrigued by the Navajo Indians but also made excursions to other parts of the United States and to Yucatan as well as documenting life during the Great Depression. The book accompanied a retrospective exhibition and includes a chronological bibliography of her other exhibitions and published work. 167 superb full-page reproductions in tritone, color and duotone. Paper cover with wear, inside bright and clean. DOMESTIC SHIPPING ONLY.

Hardcover. London, Chris Boot, 1st, 2009, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition.

Softcover. NY, Harper & Row, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Warhol's career as an artist has been a love affair with the United States. Culled from his photographic archives, "America" is a lavishly illustrated selection of Warholian images of people and places and a photographic portrait of modern life from Warhol's camera's eye. 1st edition in paperback. Clean, bright copy, like new.

Hardcover. New York, Glitterati Incorporated, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 158 pages. Like new in publishers shrink-wrap. Beautifully photographed images of horses.

Hardcover. NY, Aperture, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 183 pages. Profile of Strand by Calvin Tompkins. Features excerpts from correspondence, interviews, and other documents along with numerous black and white images by Strand. Clean copy.

Hardcover. New York, Museum of Modern Art, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. The first major retrospective of the work of Irving Penn in more than twenty years will open at The Museum of Modern Art on September 13, 1984. The exhibition surveys Penn"s long career, spanning the past four decades, and features his work in portraiture, fashion, advertising, the nude, ethnographic subjects and still life, as well as a selection of Penn"s early, unpublished photographs.

Hardcover. NY, Aperture, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 143 pages. Beautiful black & white photos by Minor White (1908-1976) who is an icon in the world of photography. and was also the editor of "Aperture" for many years. There is a biographical essay by James Baker Hall and a chronology and title list of photographs in the rear. Clean copy.