Photography

Softcover. Aperture, 1st, November 30, 1998, Book: Very Good, Dust Jacket: None, 80 pages, b&w and color photographs throughout. Very good. The Mexican book series Rio de Luz was a courageous and energetic presentation of Latin American photography. To honor the accomplishments of the series and the artists, an issue of Aperture is devoted to the Rio de Luz collection.

Softcover. NY, Viking Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Introduction by Anthony Burgess. Candid shots of the stars off their guard; Romy Schneider, Tom Jones, Dustin Hoffman, Raquel Welsh, Richard Burton, Orson Welles, Alfred Hitchcock, Brigitte Bardot, Mick Jagger, Onassis, Edith Piaf. Many others.

Hardcover. NY, powerHouse Books, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 108 pages. In the basement of an apartment building in Manhattan, Scott Zieher discovered a pile of photographs among the effects of a recently deceased tenant. These photographs,presented for the first time in Band of Bikers, offer an intimate portrait of a group of gay bikers in the city and the woods, and a touching snapshot of an entire generation at it's carefree zenith.Newly aware of muscle and biker magazines and their heavy-handed eroticism, photographer and photographed brimwith a subtly vibrant, chromatic pride. The photographs as a whole bring into focus a brief, specific period of relative innocence, when middle-of-the-road Americans more often than not failed to perceive the homoerotic undertones of their most heterosexual of institutions. With conceptual light cast by issues ranging from anonymity in homosexuality and underground motorcycle chic, to vernacular photography's pop-culture ramifications, a warm and generous spirit of camaraderie pervades this subterranean survey. Like a real-world set forScorpio Rising casually captured byan unpretentious extra, presented as Band of Bikers and accompanied by an essay by Zieher, this found cache of old-school, leather party snapshots attains archeological significance.

Hardcover. New York, Knopf, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Photographs by Andre Kertesz; edited by Nicolas Ducrot. 192 pages; 184 full-page, gravure-printed b&w plates; 9 x 11.25 inches. A lovely collection of Kertesz's photographs of New York City, most published here for the first time.

Hardcover. San Francisco, Chronicle Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Attractive and scholarly look at Minor White's body of work and his influence on photography. Included in the book are White's never before published writings on the teaching of photography. Hardcover, 205 pages, b&w, some color illustrations.

Hardcover. Boston, Bulfinch, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 156 pages. A collection of images taken by the noted director of photography at MOMA. Accompanying the photographs are excerpts from a life-time's correspondence giving a glimpse of Szarkowski's perspective on life and photography. Curator Sandra Phillips contributes an introductory essay.

Hardcover. NY, Guggenheim Museum, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover. Catalogue for an exhibition in Berlin in 2004, which explored the relationship between Mapplethorpe's photography and classical art, particularly the Flemish mannerist engravings and sculpture. 232 pages includes 120 plates and 30 text illustrations, with extended essays by Blessing and Celant.

Hardcover. Stockport, UK, Dewi Lewis, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 55 pages. 26 black & white photos. Life, Love, Death and Decay are the elements that Reverdot, one of France's leading photographers, carefully shapes using a sequence of extraordinary single images to create a flow thatechoes the unrelenting progress of Life Towards Decay. Reverdot's sixth book to date.

Hardcover. Lars Muller Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover in publisher's shrink-wrap. 320 pages. The photographer Lukas Felzmann was fascinated by the very thing that some driving past would find boring, flat, and disconsolate: the vast Sacramento Valley, located just a hundred miles from San Francisco. Felzmann discovers with his camera the hidden charms of that seeming nonplace. For him, exploring a place means both walking around and lingering quietly, until the valley opens up like a book, with stories that cry out to be read and discovered. With his camera he traces how time, determined here by the growth of the plants, slows on the plane, and how the horizontality of the surface becomes a reassuring balance to the hectic city of millions nearby. The photographs show the diversity of the plane: the original landscape in its natural state, the large swaths put to agricultural use, the modern provincial towns, and the transitional areas in between. Photographs of water in all its facets run through the book, just as water runs through and forms a valley.

Hardcover. Paris, Editions de Lodi, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, glossy boards in a matching bright dust jacket. Large format, 484 pages, FRENCH TEXT. A collection of over 500 historical photos of old Paris printed in sepia tone. Around 1832 Parisian-born Charles-Francois Bossu (1813-1879) shed his unfortunate last name (bossu means hunchback in French) and adopted the pseudonym Marville. After achieving moderate success as an illustrator of books and magazines, Marville shifted course in 1850 and took up photography, a medium that had been introduced 11 years earlier. His poetic urban views, detailed architectural studies, and picturesque landscapes quickly garnered praise.By the end of the 1850s, Marville had established a reputation as an accomplished and versatile photographer. From 1862, as official photographer for the city of Paris, he documented aspects of the radical modernization program that had been launched by Emperor Napoleon III and his chief urban planner, Baron Georges-Eugene Haussmann. In this capacity, Marville photographed the city's oldest quarters, and especially the narrow, winding streets slated for demolition. Even as he recorded the disappearance of Old Paris, Marville turned his camera on the new city that had begun to emerge. Many of his photographs celebrate its glamour and comforts, while other views of the city's desolate outskirts attest to the unsettling social and physical changes wrought by rapid modernization. Taken as a whole, Marville's photographs of Paris stand as one of the earliest and most powerful explorations of urban transformation on a grand scale. Clean, bright copy.

Hardcover. New York, Whitney Museum of American Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Color and b/w illustrations throughout. Gilt titles to spine and front cover. Red fabric covered. Some age wear to dust jacket, otherwise very clean copy, bright pages. Previous owner signature on front flyleaf. Published to accompany an exhibition. From the front flap: "The photographs are presented to the greatest advantage in full-color plates and stunning tritone and duotone black-and-white reproductions. The 22 essays by leading historians, novelists, journalists, and environmentalists trace the shifting perceptions of the arid lands of the American West from a wide range of literary and scholarly perspectives.

Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages in color and b&w. Like new in publisher's shrink-wrap. From the late '70s, Herb Ritts gained a reputation as a master of art and commercial photography. In addition to his portrait and fashion work for Vogue, Vanity Fair, and Rolling Stone, he created campaigns for Calvin Klein, Coco Chanel, Gianni Versace, and Valentino Garavani. Churchward interviews Klein, Cindy Crawford, Elton John, Anna Wintour, Madonna, and Christopher Buckley and has many behind-the-scenes shots from photo shoots, parties, travels, intimate portraits, and moments with friends.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. NY, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages. A noted photographer offers a visual tour of Christian communities around the world--in such diverse areas as Cuba, Jerusalem, Lourdes, the United States, Mali, and Russia--that explores what it means to be a Christian at the dawn of a new millennium.

NY, Walker, 1st , 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos by Hine. 156 pages. Related material laid-in: exhibition card and newspaper article by author on Hine. Previous owner's stamp front fly leaf, old ink price on flap. Light edgewear, soil to dust jacket otherwise VG/VG

Softcover. NY, Crown, 1st wraps, 1995, Book: Very Good, Dust Jacket: None, Softcover, Black & white photos by Farley. 160 pages. "Farley has gathered these portraits of cowgirls - not showbiz cowgirls, but the real thing. Her subjects work in harsh, unpredictable climates, bring up families while they manage their ranches, and compete - and win - in rodeos alongside men. Her black-and-white photographs capture the spirit and energy of authentic working cowgirls and the raw beauty of the western landscape." Oblong format.

Softcover. NY, Aperture Foundation, 2001, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps.

Hardcover. Steidl, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap.

Softcover. NY, Aperture Foundation, 1994, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white. A tribute to Paul Strand. Glossy wraps. Many contributors.

Softcover. NY, Museum of Modern Art, 3rd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, 106 illustrations. Clean, tight copy. A reprint of the classic 1971 monograph. Introduction by John Szarkowski.

Hardcover. Milan, Sei Swann, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Illustrated throughout with full-page color portrait plates, many folding. Slim folio, black cloth, d.w. First Sei Swann edition. A fine copy in a fine dust wrapper. An interesting book with photographs taken of people looking at themselves in a mirror -- they could not see the photographer or the camera.

Softcover. UK, Black Dog Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, text in English and French. Clean, unmarked copy with only minor wear to wrappers.

Softcover. New York , Thames & Hudson Ltd, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Like new in publishers shrink-wrap.

Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 296 pages. This is Pam's 'visual anthropology' of his engagement with various Asian cultures, where he was photographing his life and experiences.

Hardcover. Gottingen, Steidl, reprint, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 123 pages, 65 color plates. Like new in publishers shrink-wrap. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.

Hardcover. London, Chris Boot, 1st, 2009, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition.

Hardcover. Bologna, Italy, Damiani Editore, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Like new in publisher's shrink-wrap. One of today's foremost fashion and celebrity photographers, Tom Munro has been making defining images since the mid-1990s. Munro achieves his results by encouraging his subjects to reinterpret their personalities for his lens, reveling in seductive roleplay or darkly-lit melodrama. The subjects gathered here include some of the biggest names in pop culture today-Ashton Kutcher, Brooke Shields, Charlotte Gainsbourg, Christina Ricci, Courtney Love, Daniel Craig, Dustin Hoffman, Ewan McGregor, Isabella Rossellini, Jake Gyllenhaal, Jennifer Aniston, Johnny Depp, Jude Law, Julianne Moore, Justin Timberlake, Lauren Hutton, Leonardo DiCaprio, Linda Evangelista, Madonna, Marion Cotillard, Matt Dillon, Matthew McConaughey, Naomi Campbell, Patrick Dempsey, Rob Lowe, Scarlett Johansson, Stephanie Seymour and Tom Cruise, to name only a few. This volume-Munro's first monograph-affirms his status as a portraitist of the first rank.English by birth, Tom Munro moved to New York in 1990, embarking on his own career as a photographer in 1997, and achieving overnight success with his early editorial shoots for British Vogue and Harper's Bazaar. Over the last ten years, Munro has contributed to some of the world's most prestigious magazine publications including Vogue, Italian Vogue, L'Uomo Vogue, Russian Vogue, China Vogue and Details. Munro's dedication to his craft has attracted some of the fashion and beauty industries' most prestigious names, including Armani, Banana Republic, Burberry, Calvin Klein, Converse, Gap, Givenchy, Hugo Boss, Lacoste, L'Oreal, Moschino, as well as music icons such as Beyonce, Justin Timberlake and Madonna.

Hardcover. US, Center for American Places, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Like new in publisher's shrink-wrap. From 2000 to 2007, Jay Wolke photographed in the south of Italy to capture the complexity of a region that is colloquially known as Il mezzogiorno. What he found in this historic and often troubled landscape was an elaborate set of physical, social, and political forces manifested in an extraordinary tapestry of visual information. Both referential and suggestive, Wolke's pictures reveal the marks of a long line of invaders, conquerors, and occupiers from the Greeks to the Spanish to the Camorra. Architectural and structural adaptations and "resignations" are evident in every scene and serve as the photographer's focus. Although the landscape is marred by layers of dysfunction and greed, we can't help but view it through the lens of the timeless belief in the bel paese--the beautiful country.

Hardcover. Boston, David R Godine, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar. This book collects work from nine of these trips: Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others, uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. Reproduced in duotone, the 175 photographs in The Likes of Us were all printed from the original negatives at the Library of Congress.

Softcover. Ft. Worth, Morgan & Morgan/ Amon Carter Museum, 1st, 1973, Book: Very Good, Dust Jacket: None, Unpaginated, 44 b&w images by the photographer, foreword by Ansel Adams. Softcover, clean, tight copy.

Hardcover. Syracuse NY, Syracuse University, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, b&w photos by Oppersdorff taken in County Kerry. Depicts the people living along country lanes in tents and barrel-top wagons, travellers - or tinkers, as they often are called. He took most of the images in the late 1960s at Puck Fair. Unread in a bright dust jacket.

Hardcover. London, Cinemage Limited, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardbound, 241 pages. Black & white and color photography. Light rubbing to back cover, otherwise very good.

Softcover. NY, Collier Books/Macmillan, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 121 pages. Tinsel and leather. Strippers in gold lame. Sleaze and sophistication. Vogue couture and flamboyant bad taste. Here, in pictures and words, is a collection of outrageous portrais of 21 men who dare to flaunt their fantasies on Halloween on Polk Street in San Francisco. Fully illustrated with photographs in B&W and color. Clean copy.

NY, Shannongrove Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 146 pages, A rare view of Hollywood's Golden Age as seen through the private family album of MGM's top box office draw in the 1940s, Van Johnson. This book is packed with hundreds of never before seen images of Hollywood at home. His wife, Evie Wynn Johnson, an amateur shutterbug captured behind-the-scenes images of their friends, some of Hollywood's most famous stars, such as Audrey Hepburn, Gary Cooper, Judy Garland, Charlie Chaplin and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. Schuyler Johnson, Van's daughter, shares these casual and candid images from her mother's album that have never been published .

Hardcover. Cambridge, Mass., The MIT Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 371 pages, b&w illustrations. Small remainder stamp on bottom edge. Light edge wear to dust jacket; tape-repaired cut on rear. Else a very clean, tight copy. Focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene--at a series of significant moments in his career.

Softcover. Milano, Longanesi & Co., 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 103 pages. Text in Italian. Light edgewear to wrappers, faint foxing to edges and end papers.

Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Aperture's second Explorations issue presents heretofore undiscovered images by photographers whose work is bound to become widely known. They probe the metaphysical through ritual, invoke dark metaphors in circus performance, find religion in nocturnal deserts, and study the ties that bind. The convergence of these uniquely powerful images and the artists' personal stories provokes an examination of the ever expanding boundaries of contemporary photography.Artists included are Stephen Barker, Neil Folberg, Jill Graham, Kimberly Gremillion, Jan van Leeuwen, Anne Arden McDonald, Andreas Rentsch, Maruch Santiz Gomez, and Dayanita Singh.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously iwith the hardcover. In publisher's shrinkwrap.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Hardcover. FR, Marval, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. color photographs featuring body tattoos and piercings. FRENCH TEXT.

Softcover. Danbury NH, Addison House, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover. approximately 125 pages, b&w images. Collection of surreal photographic stories some of which have handwritten text by the noted photographer. Simultaneous paperback issue.

Hardcover. NY, Aperture, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Minor White was one of the twentieth century's most influential B&W art photographers. Rites & Passages, is a compilation of his writings and photographs, with a biographical essay by James Baker Hall. The book is well writen and edited, and is a significant insite into the thoughts and motivations of a great artist. With a generous number of stunning photographs, expertly printed on quality paper, it is a book worthy of any discriminating collection.

Hardcover. New York, MoMA, 1st, 1978, Book: Very Good, Dust Jacket: Fair, 180 pages. Hardcover with price clipped dust jacket. Dust jacket has rips and tears to edges. Inch chunk missing from top front. Chipping and fraying to spine dust jacket. Black and white photographs throughout.

Hardcover. Just One Guy Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. In his most recent body of work, Hollingsworth sends up his former home of Los Angeles, the vortex of American pop culture, playing the characters who populate and define it: personas ranging from the well-worn stereotypes to the forgotten and disenfranchised. Shot entirely on Polaroid film, the images have a mug-shot aesthetic, whereby each character seems to have been momentarily plucked from his immediate environment for scrutiny under the artist's no-holds-barred gaze.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 164 pages. Like new in publisher's shrink-wrap. The high school prom is an American tradition, a rite of passage, and one of the most important rituals of youth in this country. The internationally recognized documentary photographer Mary Ellen Mark took on the extraordinary challenge of working with the Polaroid 20x24 Land camera to produce this fascinating look at dozens of young people from a diverse range of backgrounds on this memorable night in their lives.Traveling across the United States to complete the project from 2006 to 2009, Mark photographed prom-goers at thirteen schools from New York City to Charlottesville, Virginia, to Houston to Los Angeles. Mark's husband, the filmmaker Martin Bell, collaborated with her on the project to produce and direct a film, also called Prom, featuring interviews with the students about their lives, dreams, and hopes for the future. A DVD of the film is packaged with the book. The 127 large-format photographs are reproduced in rich detail, and quotations from the student interviews punctuate the book. Some of the students' statements are comical, while others are deeply touching. The result is a captivating and revealing document of American youth at the beginning of the twenty-first century.

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small closed tear to front panel. INSCRIBED BY HUDDLESTON on the dedication page. Huddleston has paired archival images of the first modern war with his own, contemporary color shots of the same locations, at the same time of year, at the same time of day. Some sites of suicidal charges have become Kmarts, mini-malls or swamps strewn with metal and plastic trash. The juxtapositions possess surprising power. In an overexposed and damaged archival shot of the Confederate prisoner of war camp at Andersonville, Ga., a filthy crowd of anonymous men packs the frame, while on the facing page Huddleston presents his own fine-tuned image of a muted, borderless sky. Office buildings, grocery stores and fast food franchises have sprouted where Union Major General George H. Thomas and Confederate General John Bell Hood slugged it out for December days in Nashville 141 years ago. Near the site of some of the heaviest fighting between blue and gray, a KFC sign now advertises discounts on the colonel's secret recipe. Clean copy.

Hardcover. New York, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Nelson Mandela, an icon of the international struggle for freedom and equality, whose importance rivals that of Martin Luther King and Mahatma Gandhi, turns ninety in July 2008. Mandela spent twenty-seven years in prison for his opposition to the apartheid regime of his native South Africa. Released in 1990, he pursued a policy of reconciliation, steering his nation into the ranks of the world's multi-racial democracies. He was elected president of South Africa in 1994. Photographer David Turnley covered Mandela and South Africa for the world's press, beginning in the 1980s. He witnessed the turbulence of the last violent years of apartheid, was there when Mandela was released from prison, campaigned with him during the presidential election, and sought out the significant people and places of his life. In Mandela: Struggle and Triumph, he tells in words and photographs the dramatic and emotional story of the most powerful movement for civil rights since the American civil rights movement, through the eyes of its legendary leader.

Hardcover. Paris, Arthaud, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages of French text followed by full color photographs of the people and culture of the Rajasthan region of India. Light edge wear to dust jacket. Clean, tight copy.

Hardcover. NY, Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. A sampling of the more than 100 authors is: Alice Walker; John Cheever; Saul Bellow (On Cover) ; Albert Murray; John Updike; Anne Sexton; Maurice Sendak; Joseph Heller; Tom Wolfe; Gwendolyn Brooks; Robert Penn Warren; Beryl Bainbridge; Eudora Welty; E. L. Doctorow; Doris Lessing; Margaret Drabble; Tony Kushner; Gabriel Garcia Marquez; Joyce Carol Oates and many others.