Photography

Hardcover. Princeton NJ, Princeton University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcocer in a bright dust jacket, 257 pages plus 143 b&w pages of photographs in the front of the book. Walker Evans (1903-75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans's work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans's practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans's dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists--from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner--underscoring how Evans's travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.

Hardcover. France Loisirs , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Like new in publisher's shrink-wrap. Bastienne Schmidt's photographs are images of both life and death. Mercilessly direct, these pictures from Latin America - the fruits of intensive work over the past few years - bring to an existential fact of our lives, a truth we in western societies are only too happy to hide behind a facade of casual diversions and consumable "beauty"; the immediate presence of death. It takes courage to look at these pictures, for in the faces of these people from another culture we are confronted, violently and with an authenticity we cannot ignore, with the very destiny we refuse to accept. Moreover, Bastienne Schmidt shows us the naked truth that underlies not only our inability to look our own death in the face, but also our tendency to disregard the violent deaths of others, failing to recognize the value of "mere" life as we do, so long as they die far enough away from our own doorsteps.

Hardcover. NY, Amphoto, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly edgeworn dust jacket. 192 pages with 80 color pages and over 80 black and white illustrations. This book goes behind the scenes in the fascinating world of fashion photography. It shows how the illusion of fashion photographs is created--shows the people, planning, and hard work behind these striking and sensual images. A combination of finished fashion photos, background shots, and interviews with top people in fashion, Moves step-by-step through the intricate process of producing a fashion photograph for a major magazine, newspaper, or catalog. Minor wear to dust jacket, clean copy.

Hardcover. London, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. The complete catalogue of design collective Hipgnosis, showcasing groundbreaking cover art created for iconic rock "n" roll giants, including the Rolling Stones, Paul McCartney, Led Zeppelin, and Pink Floyd. 320 pages, 500 color illustrations. Hardcover.

Hardcover. San Rafael CA, Rocky Nook, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth, 202 pages. In The Mindful Photographer, teacher, author, and photographer David Ulrich follows up on the success of his previous book, Zen Camera, by offering photographers, smartphone camera users, and other cultural creatives 55 short (1-5 pages) essays on topics related to photography, mindfulness, personal growth, creativity, and cultivating personal and social awareness. Whether you're seeking to become a better photographer, find your voice, enhance your ability to "see" the world around you, realize your full potential, or refine your personal expression, The Mindful Photographer can help you. Clean copy.

Softcover. NY, Museum of Modern Art, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 156 pages. Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. Clean copy.

Hardcover. NY, Scala, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Jack Kerouac's novel On the Road was a touchstone for a generation and the centrepiece of the Beat movement in literature and art. This new book examines Kerouac's life and career, and accompanies a major exhibition at The New York Public Library to celebrate the 50th anniversary of On the Road's publication in 1957. Kerouac's achievement as both a literary and cultural figure is traced, including his innovations in narrative techniques and in character development. His counterculture vision is explored, showing his image as a seer and sage who wanted to save America from its obsession with consumerism, the inhibition of sexuality and other conventional bourgeois pieties. The author also explores Kerouac's relationships with Allen Ginsberg, William S. Burroughs and other Beats, as well as the Beat movement in general. The book is heavily illustrated, with material from the extensive Kerouac literary archive owned by The New York Public Library, including typescript drafts of On the Road.

Softcover. Washington DC, Island Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 337 pages. Repeat photography is a scientific technique in which photographs are taken from the same vantage point over different points in time. This text explores the technical and geographic scope of this method through a series of essays by 35+ scholars. Topics include techniques for creation and analysis of repeat photographs, applications in the geosciences, population ecology, and ecosystem change. Thirty two pages of color photographs are included. Clean copy.

Softcover. New York , Matthew Marks Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, 116 pages, softcover, 52 duotone illustrations. Designed by Catherine Mills. Produced in conjunction with a 2003 New York gallery exhibition, this is a somber volume that reproduces fifty-two photographs taken by Robert Adams between 1974 and 1984 of everyday folks traversing parking lots and city streets in the metropolitan Denver area. Like new in publishers shrink-wrap.

Hardcover. Santa Fe NM, Arena Editions, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages. 125 erotic images used in research at the Kinsey Institute. Preface by Betsy Stirratt and Jeffrey Wolin. Very good in bright, unclipped dust jacket.

Hardcover. New York, Aperture, reprint, 1998 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, many B&W & sepia period photographs of China, its people and culture. Very richly illustrated, captions, chronology, list pioneer photographers, sources, general bibliography, acknowledgments. Photographs from the archives of Arnold Arboretum - Harvard University.

Hardcover. Munich/NY, Prestel, 1st, 2019, Hardcover in a bright dust jacket, 304 pages. Featuring 60 subjects from August Sander's People of the 20th Century along with another 100 brilliant images from his large-scale project, this book presents a selection of the most stunning images from the photographer's monumental work. August Sander is one of the greatest photographers in international photographic history. With his seminal book People of the 20th Century, he set new standards in portrait photography. Sander's aspiration was to create a typological "composite image" of his time. The ambitious project began in the 1910s and was to occupy him through the 1950s. A novel feature of this book is that all the reproductions are based on vintage prints produced and authorized by August Sander himself. The croppings and the desired tonal values are authentically rendered here for the first time in the long publication history of Sander's brilliant portrait work. The originals are from the rich holdings of the Photographische Sammlung/SK Stiftung Kultur in Cologne and from additional major collections such as the Museum of Modern Art in New York, the J. Paul Getty Museum in Los Angeles, and the Pinakothek der Moderne in Munich. Like new in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Softcover. NY, Aperture Foundation, 2003, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Don McCullin on Aids in Africa / Japanese Photography in Houston / Baryshnikov on the Light Fantastic / Cold War Relics / John Coffer's Tintypes / Russian Pictorialism

Hardcover. NY, Universe, 5th pr., 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Despite Prohibition, the '20s was the decade of jazz, flappers and hip flasks. While some took their vote and joined the Woman's Christian Temperance Movement, others, well, took liberties. Compiled here for the first time are more than 200 publicity stills and photos of some of America's first "It" girls--the silent film-era starlets who paved the way for the cacophony of Monroes and Madonnas to follow. Accompanying these iconic images are the stories behind them, including accounts from surviving Ziegfeld Girls, as well as ads featuring them that helped perpetuate the allure of It girl glamour. When rare and striking portraits of these women surfaced on the internet in 1995, author Robert Hudovernik began researching their source. What he discovered was the work of one of the first "star makers" identified most with the Ziegfeld Follies, Alfred Cheney Johnston. Johnston, a member of New York's famous Algonquin Round Table who photographed such celebrities as Mary Pickford, Fanny Brice, the Gish Sisters, and Louise Brooks, fell out of the spotlight with the demise of the revue. A sumptuous snapshot of an era, this book is also a look at the work of this "lost" photographer. Clean copy.

Hardcover. NY, Crown, 1st, 1999-12-08, Book: Very Good, Dust Jacket: Very Good, 132 pages, illustrated throughout in b&w. Light edgewear and rubbing to dust jacket, else a clean, tight copy. SIGNED BY MILLER.

Softcover. NY, Gagosian, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 316 pages. Published on the occasion of the eponymous exhibition at Gagosian, New York, in 2023, this striking illustrated catalog celebrates the centenary of the iconic photographer's birth. Over one hundred celebrated artists, designers, musicians, writers, curators, and figures from the world of fashion were asked to select a photograph by Avedon and elaborate on the ways in which both the image and artist have made an impact on their lives. Participants include Hilton Als, Naomi Campbell, Elton John, Spike Lee, Sally Mann, Polly Mellen, Kate Moss, Chloe Sevigny, Taryn Simon, Christy Turlington, and Jonas Wood."Avedon 100" celebrates Avedon's enduring influence on photography and makes clear his profound impression on visual culture worldwide. The book represents various periods from his oeuvre, including the widely known In the American West series, images of the social justice movement, classic portraiture, advertising, and fashion work. Includes a foreword by Larry Gagosian, texts by Derek Blasberg and Jake Skeets, and an essay by Sarah Elizabeth Lewis. Red remainder dot on bottom edge otherwise clean.

Hardcover. New York, Random House, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, photographs throughout. Foreword by David Halberstam. Introduction by John Szarkowski. Slight dust jacket edge wear, otherwise, very clean and tight copy. "Robert Riger was the preeminent artist of a golden age of American sports," David Halberstam notes in his introduction to this collection of Riger's classic photographs. "He was good because he knew what he was doing, understood the games, understood both the talent and the passion of the athletes." Riger's photographs are remarkable testaments to his love for sports, his acute insight into what it is that athletes do, and his uncanny knack for locating the decisive moment in a play or gesture.

Hardcover. Koln GR, Taschen , reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 233 pages. Edited by Steve Crist and Shirley T. Ellis De Dienes. Very large, heavy book, smooth glossy white covers, gray lettering on front and spine, light blue background with pattern of photographer's name inside covers and adjacent end papers, 233 very heavy glossy pages with photographs of the young and virtually undiscovered Marilyn Monroe. No nudity. Author's notes. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Durham NC, Duke University Press, 2012, Book: Very Good, Dust Jacket: None, Softcover, 387 pages. Pictures and Progress explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, Pictures and Progress brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking. Still in publisher's shrinkwrap.

Hardcover. Scotland, Kiscadale Pub, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 104 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. A well illustrated account of the author's collection of early photographs and post cards depicting Burma.

Hardcover. NY, Sei Swann, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. SIGNED BY HEYERT on the front fly leaf and dated 03/01/2003, difficult to see against the black endpapers. Stated first edition. Essay by John Guare. Conversation with Elizabeth Heyert and Stacey d'Erasmo. Illustrated throughout in black & white with Heyert's photographs. 12" high X 10" wide, 63 pages. Laid in is a receipt for purchase of the book from the Edwynn Houk Gallery in NY city dated 6/16/05. Clean copy.

Softcover. San Francisco, Chronicle Books, 2nd pr., 1987, Book: Very Good, Dust Jacket: None, 143 pages. Softcover. Light edgewear to wrappers, light fading to top edge. Black and white pictures throughout.

Hardcover. NY, Abradale Press, reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. A collection of photograph reproductions and accompanying text of O. Watson Link's work on the Norfolk and Western Railway.

Hardcover. Los Angeles, Paul Getty Museum, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 170 pages, 183 early photographs from Scotland, circa 1839-1850. Still in publisher's shrinkwrap. Brewster was an eminent physicist whose principal research was in optics, which led to his intense interest in photography. He was also close friends with William Henry Fox Talbot, inventor of negative-positive paper photography. The Brewster album is a scrapbook, containing a miscellany of images by an assortment of early photographers.

Hardcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with mild fade to spine. Mary Ellen Mark fell in love with the Indian circus in 1969, during her first trip to India. As she watched a huge hippopotamus walk around the ring with its mouth wide open, wearing a pink tutu, she was struck by the beauty and innocence of the show. She returned to India many times, and in 1989 and 1990 she devoted six months to photographing eighteen circuses, following them around the continent by train, plane, van, and auto-rickshaw. Secretive, highly competitive, and each a closed, self-sufficient society, the circuses embody what Mark calls "a poetry and a craziness that are still uncorrupted, and honest, and pure." Beautifully printed in tri-tone, this remarkable collection of photographs captures the texture of circus life outside of the ring - exhausting, humorous, poignant, and often bizarre - as well as the affection and devotion that the performers have for each other and their animals. Clean copy.

Softcover. NY, Museum of Modern Art, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 156 pages. A guide to the mediums visual language through works by such early masters as Atget, Cartier-Bresson, Evans, Strand and Weston. It contains 172 illustrations that reveal the range of the photograph from the early days of the mediums development to the mid-1960s.

Hardcover. San Francisco, Chronicle Books, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with a dark brown cloth spine and a pictorial label on the cover. No dust jacket issued. Legendary for his massive photographic undertaking, The North American Indian, Edward Sheriff Curtis (1868-1952) recorded much more than portraits of Native American tribespeople. Among his huge body of work are numerous images of all manner of native dwellings: tipis, hogans, huts, cliff houses, adobes, and many more that are far less familiar to the public eye. Though people are largely absent from these photographs, each image speaks volumes about the lives and lifestyles of the tribes to which they belonged. Other structures such as tombs, religious buildings, granaries, and totem poles are also featured prominently, further glimpses into ways of life that were in the process of disappearing. Taken from the Dan and Mary Solomon collection,Sites & Structures: The Architectural Photographs of Edward S. Curtis is the first book of Curtis photographs to explore these dwellings and structures, faithfully reproduced from the original prints and gravures.

Hardcover. Brisbane AU, Steve Parish, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, large oblong volume. Slater dedicated most of his life to the photography and study of Australian birds capturing their incredible beauty on film, recording their unique behaviour in books and sharing here his experiences as a birder with unwavering honesty, compassion and humor. 160 pages of color plates. Oversized. DOMESTIC SHIPPING ONLY.

Softcover. Tokyo, Parco Publishing, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, wrapped in a clear acetate cover with no printing. Unpaginated. 72 photographs including several color prints that were among the first ever collected in book form. Many portraits, including Patti Smith, Ken Moody. Text in English and Japanese. Clean copy.

Softcover. Cambridge MA, Harvard Art Museums, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. Perhaps best known for his paintings, sculptures, and drawings, Bochner became deeply involved with photography in the mid- to late 1960s, although most of these works have only recently been exhibited. This significant book provides the first critical look at a virtually unknown body of Bochner's extremely varied photographs dating from 1966-1969. Some 75 of his photographs are presented, many in color and most published for the first time. Also included are a number of Bochner's drawings that directly informed his photographic works. Scott Rothkopf explores the crucial role of photography in Bochner's artistic development as well as key issues in the relation of photography to Minimal and Conceptual art.

Hardcover. NY, Walker Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Thomas Pakenham, no stranger to Africa with his award-winning books The Boer War and The Scramble for Africa, nor to remarkable trees with his bestselling Remarkable Trees of the World, combines his two interests on safari in Southern Africa. His particular quarry is the rare, the giant, the very old, the extraordinary, or the simply beautiful-from a giant baobab and a prickly quiver tree in Namibia to a glorious jacaranda in South Africa and sesame bushes attacked by elephants in Botswana. He uncovers trees written about by the great explorers of the past, or associated with magic, folklore, or ritual. The narrative accompanying each image interweaves the stories of Pakenham's own journey-at some moments scaling trees to escape from enraged wildlife, while at others standing in awe before a particular tree, connected by some primitive, atavistic bond-with those of the trees themselves, imbuing each with personality and presence. The result is a beautifully crafted blend of botany and social history, the product of a brilliant photographer, an original mind, and a superlative writer. 208 pages in color. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Margaret Bourke-White was "a war correspondent, a compassionate witness of famine in India, a dedicated seeker of the truth, whether it be among sharecroppers, South African goldminers, American GI's or Jesuits. . All of her important work is shown in this major retrospective of her career." Tan cloth binding, illustrated dust jacket.

Hardcover. US, Antique Collectors Club , 2nd, 2016, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. The Groupies was a special edition of Rolling Stone magazine published in 1969, and for the first time the photographs from that issue are featured in book form, together with previously unpublished images and behind-the-scenes shots and interviews.

Hardcover. US, Reel Art Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Beautiful photography. Clearly 50's era glamour and models. Tastefully erotic but not pornographic. The famous "red velvet series" featuring Marilyn Monroe is included, along with many many others.

Hardcover. Princeton NJ, Princeton University Press, 1st , 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 334 pages. Extensive b&w and color photography throughout. Extensive photo documentation and bibliography. Clean, unmarked copy with only minor wear to jacket.

Hardcover. New York, Random House, 1st, 1939, Book: Good, Dust Jacket: None, Non- paginated. Hardcover. Extensive b&w photographs throughout. Illustrated title page. Some edge wear to top edge, otherwise clean, tight copy.

Hardcover. New York, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Unpaginated. Color and black & white photography. British artist Long ( Walking in Circles ) takes nature treks--in England's Lake District, the Sahara, Japan, Nepal--and creates site-specific works along the way. He fashions a mud circle in the river Avon, traces a line of snow near a temple in Kyoto and erects a circle of stones on a Swiss mountainside. The spare, deeply meditative photographs that he took en route sometimes call to mind prehistoric British megalithic monuments or Native American earthworks, as if he wants to tune in on planetary patterns of energy. At other times Long simply records what he sees, providing dramatic vistas of Iceland's vast rolling hills, Bolivia's high plateau, Washington's forests and Mount Everest's calm majesty. His images, poetic captions and unobstrusive siteworks reflect an artist who is at once traveler, nature-lover and adventurer.

Hardcover. NY, Pantheon, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. A collection of b&w images Brandt made in the 1930s of how the various classes of English society lived their lives. Brandt personally supervised the printing of the plates. In a bright, unclipped dust jacket. Previous owner's signature on front fly leaf, otherwise clean copy.

Hardcover. NY, Norton, 1st , 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white photos. 127 pages.

Hardcover. Bellevue WA, Whalesong Collection, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, large folio, glazed boards. More than 500 b&w photos of celebrities, includes portraits of Steve Martin, the Judds, Jodie Foster, Jane Fonda, Santana, Timothy Leary, Billy Wilder, Hugh Hefner, Jefferson Starship, Cher and Eugene Ionesco, among many others.

Hardcover. NY, Abrams, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. The photography that Americans invented in the 1960s and ?70s was as fresh and vital as their music. Photographers of those years believed in their medium?s unlimited capacities of expression. Between the publication of Robert Frank?s The Americans (1958) and the coming of post-modernism, the photographers featured in this book embarked on their own personal quests. Whether they roamed the world, like Lee Friedlander and Garry Winogrand, or sought out its dark corners, like Larry Clark and Nan Goldin, they shared a fierce devotion to their medium and its unique qualities. The generation that created this work knew it was remarkable. Today, with Gilles Mora as a guide, we can look back on it with even greater appreciation, since we know that these were indeed the last photographic heroes. Also includes work by Joel Meyerowitz, William Eggleston, and many others.

Softcover. San Francisco, Fraenkel Gallery,, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. A collection of 77 black and white self portraits by Friedlander.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages with 164 tritone photographs. beautiful copy still in shrinkwrap. Like new. Turning Back: A photographic journal of Re-exploration is published to coincide with the bicentennial of the Lewis and Clark Expedition.

Softcover. Washington, Smithsonian, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 62 pages, minor edge wear, otherwise, very clean and tight copy. Part of the Photographers at Work Series. Includes an interview with Eggleston along numerous color photographs of horses and dogs in various situations.

Hardcover. Koln/NY, Konemann, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Illustrated with black and white photographs. Text in English, French and German.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. Chicago, CityFiles Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 pages. Retrospective collection of snapshot photographs, almost all by anonymous contributors. Some color, mostly b&w images.

Hardcover. Boston, David Godine, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 234 pages. Long acknowledged as the giant of nineteenth-century Canadian photography, William Notman - along with his sons and protegees - created perhaps the most vital photographic studio of his day, a venture that spanned almost sixty years and an entire continent. As the authors clearly demonstrate in this stunning new book, Notman's ambition did not expire at the Canadian border but continued far into the United States; and his photographs chronicled not only the nineteenth century but extended well into the twentieth.

London, Hardie Grant, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, embossed black boards stamped in white, 250 pages, color photos. Wanting You to Want Me is a collection of anonymous stories from the world of London strip clubs, documented by the women themselves. The stories range from behind-the-scenes conversations in the changing rooms, to dancefloor and private room etiquette, from emotional and intellectual connections between dancer and client, to the often-blurred boundaries that exist in between.Journalist Emily Dinsdale and filmmaker Bronwen Parker-Rhodes have collected images and stories from the women working in the London strip clubs over several years. Having been part of the industry themselves, they have a unique and intimate access to the seldom-heard stories, giving voice to an age-old industry, from the perspective of the traditionally voiceless workers. Supported by original, behind the scenes photography from the authors, these narratives express vulnerability, empowerment, curiosity and the complexity and duplicity of relationships--in short, what it is to be human.