Photography

Hardcover. New York, Flammarion, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. This homage to Paris by the great Magnum photographers reveals a multifaceted portrait of the city's effervescent character in 350 photographs. By documenting the everyday workings of the city, Magnum's photographers capture the essence of Parisian life.

Hardcover. Los Angeles, Alskog Books, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 96 pages, illustrated in color. Includes images from both photographers as well as a technical section on how they were made. From the series "Masters of Contemporary Photography". Mild wear to dust jacket, clean copy.

Hardcover. NY, Aperture, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 61 b&w photographs by Josef Koudelka. Prepared and designed by Robert Delpire. Essay by Czeslaw Milosz. Koudelka's follow-up to Gypsies is a study of the physical and spiritual state of exile, investigating the lives of people in that situation, for one reason or another. Koudelka's brilliant photographs are nearly mythical in their portrayal of what John Szarkowski calls "the prototypical rituals." Nobel Prize-winning author Czeslaw Milosz contributes a stirring text, speaking vividly to the soul in search of a spiritual homeland. Clean copy.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Henri Cartier-Bresson was 'the eye of the 20th century' and one of the world's most acclaimed photographers. Paris was his home, on and off, for most of his life (1908-2004). The photographs he took of the city and its people manage to be both dreamlike and free of affectation. Here are around 160 photographs taken over a more than fifty-year career. Mostly in black and white, this selection reveals the strong influence on Cartier-Bresson of pioneering documentary photographer Eugene Atget (1857-1927), and the clear visual links with Surrealism that infused Cartier-Bresson's early pictures. After an apprenticeship with Cubist painter Andre Lhote, in 1932 Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture movement and the rhythms of daily life in Paris. Cartier-Bresson observed from close quarters the Liberation in August 1944 and the civil disturbances of May 1968. In between he also succeeded in capturing the faces of Parisians in their natural habitat, celebrated artists and writers and citizens alike. Remainder line to bottom edge, otherwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Simon and Schuster/Ridge Press, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages. A famous photographic exploration of childhood. Over 300 b&w images trace toddlers to teenagers playing, learning and growing up. Light shelfwear, previous owner's bookplate inside front cover. Otherwise clean and bright. Dust jacket good plus with $10 flap price.

Softcover. NY, Aperture, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Profile by Calvin Tomkins; excerpts from correspondence, interviews, and other documents. This is a comprehensive survey of the power and force of one of the 20th century's major photographic figures. Before his death, Strand spent his last days going over his photographic prints and his many books with an eye to the completion of this book. Clean copy.

Hardcover. Framingham MA, Old America Company, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 306 pages. Illustrated by the author with many b&w photos and sketches. SIGNED BY NUTTING on the front fly leaf. A pictorial history of Virginia, mostly landscapes and buildings. Spine gilt faded, clean copy.

Hardcover. NY, The Museum of Modern Art, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong format, 123 pages. Monograph published to accompany a show that started at MOMA and traveled to Boston, Detroit, and San Francisco. Introduction by Peter Galassi, Includes 5 text illustrations and 85 tritone plates. Clean copy.

Hardcover. Louisville, University Press of Kentucky, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket., 160 pages. Sulky races at the Mercer County Fair, church suppers, sorghum making, shooting marbles in the school yard, housing tobacco, loafing at the courthouse-here are 129 beautifully reproduced images of who we were as Kentuckians not so long ago-during the Depression and the early years of World War II. This collection is part of the remarkable series of photos shot for the Farm Security Administration-more than 125,000 photographs taken over a period of nine years by some of the best American photographers of the time, including Ben Shahn, Marion Post Wolcott, Russell Lee, John Vachon, and Arthur Rothstein. To reintroduce us to that important slice of our history, Beverly Brannan and David Horvath have selected a rich sampling from among several thousand photos taken in Kentucky for the FSA. They have added an extra dimension to the images by including in their commentary excerpts from the photographers' own correspondence and field notes.

Hardcover. NY, Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. This lavish fourth volume in Abrams' Slim Aarons collection revels in this photographer's decades-long love affair with Italy. From breathtaking aerials of the Sicilian countryside to intimate portraits of celebrities and high society taken in magnificent villas, Slim Aarons: La Dolce Vita captures the essence of "the good life." Slim Aarons first visited Italy as a combat photographer during World War II and later moved to Rome to shoot for Life magazine, yet even after relocating to New York, he would return to Italy almost every year for the rest of his life. The images collected here document the aristocracy, cultural elite, and beautiful people, such as Marcello Mastroianni, Ursula Andress, Joan Fontaine, and Tyrone Power, who lived la dolce vita in Italy's most fabulous places during the last 50 years. The introduction by Christopher Sweet shares stories from Aarons's years in Italy and new insights about his life and career.

Hardcover. Torino, Italy, Hopeful Monster Editore, 1st, 2003, Book: Very Good, Dust Jacket: None, 45 pages. Hardcover with no dust jacket. Color and black and white photographs throughout. Clean, tight copy. Italian Text.

Softcover. NY, Grossman, 1st pbk, 1963, Book: Near Fine, Dust Jacket: None, Softcover, square pictorial wrappers, The first paperback edition, published by Grossman Publishers in 1963. Introductions by Lincoln Kirstein and Beaumont Newhall. Illustrated with the photography of Henri Cartier-Bresson. A near fine example of this title.

Hardcover. London, Dewi Lewis Publishing, 1st, 2000-09-15, Book: Very Good, Dust Jacket: None, Illustrated throughout with photos in color and b&w. Minor shelf-wear to illustrated boards, else a clean, tight copy.

Softcover. NY, Alfred A. Knopf, 2nd pr., 1975, Book: Very Good, Dust Jacket: None, Softcover, 170 pages. Selections from the work of Gertrude Kasebier, Frances Benjamin Johnston, Margaret Bourke, Dorothea Lange, Berenice Abbott, Barbar Morgan, Diane Arbus, Alisa Wells, Judy Dater, and Bea Nettles. 100 b&w plates plus 10 text illustrations; 10 x 9 inches.

Hardcover. New York, The Monacelli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Like new in publisher's shrink-wrap.

Hardcover. NY, Abrams , 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, large format, blue cloth with color paste-downs on covers. 430 pages. The ultimate and most comprehensive collection of Slim Aarons photography ever released, featuring more than 100 previously unpublished images. This deluxe edition provides a deep and comprehensive look at the groundbreaking career of Slim Aarons, spanning five decades. The book begins with Slim's field work as an Army photographer and continues through his fledgling days in Hollywood, opening the LIFE bureau in Rome, fashion and travel shoots for Holiday, and finally traveling the world for Harper's Bazaar. With a new and definitive biographical essay, spotlights on key moments in his career, and exclusive insight from former associates, Slim Aarons: The Essential Collection gives readers an unprecedented look into Slim's private world. Author Shawn Waldron's text digs into Slim's biography in unprecedented detail and reveals new information, while award-winning journalist, historian, and New York Times bestselling author Lesley Blume provides historical context to Slim's career. Additionally, Slim's former assistant and author Laura Hawk reveals the intricacies of her and Slim's friendship, and historian, author, and Vanity Fair contributing editor Nick Foulkes explores Slim's influence on our current cultural moment. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Aperture, reprint, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 121 pages, 56 b&w plates. Third edition. Foreword by John Szarkowski. Originally published in 1974, The New West is now regarded as a classic book of photography. This 2008 reissue is a facsimile of the original book and has been recreated from a set of original prints held in the collection of the Yale University Art Gallery. A very good copy with light wear at the top edge.

Hardcover. NY, Museum of Modern Art, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 367 pages, color and b&w illustrations. This publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective on the most prominent artists working with the photographic medium of the late twentieth and early twenty-first centuries. At a moment when photography is undergoing fast-paced changes and artists are seeking to redefine its boundaries in new and exciting ways, Photography at MoMA serves as an excellent resource for understanding the expanded field of contemporary photography today. The book is organized with an in-depth introductory chapter and eight chapters of full-colour plates, each introduced by a short essay, and features work by over 250 artists, including Diane Arbus, John Baldessari, Jan Dibbets, Rineke Dijkstra, William Eggleston, Lee Friedlander, Louise Lawler, Zoe Leonard, Helen Levitt, Sigmar Polke, Cindy Sherman, Wolfgang Tillmans, Jeff Wall, Carrie Mae Weems, Hannah Wilke and Garry Winogrand, among many others. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Time-Life, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover in a slipcase. Published posthumously, this volume provides an excellent survey of Larry Burrows' work for Life magazine from the late-1940s to 1971 (when he disappeared in Laos), concentrating primarily on the Vietnam War. Astonishingly powerful photojournalistic work; some of the best photographic work to emerge from the war. Photographs by Larry Burrows; introduction by Ralph Graves; reminiscences by Life editors sprinkled throughout. 160 pages; profusely illustrated with b&w and color plates; 10 x 12.5 inches. No dj issued.

Hardcover. NY, Rizzoli International, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, folio, 394 pages, 250 color and black and white Illustrations. Black cloth stamped in silver and gold gilt. There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. Now, in the first official book on the legendary club, co-owner Ian Schrager presents a spectacular volume brimming with star-studded photographs and personal stories from the greatest party of all time. From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous and creative people in the world. It quickly became known for its celebrity guest list and uniquely chic clientele. From the cutting-edge lighting displays to its elaborate sets, it was the beginning of nightclub as performance art. Now, Studio 54 explores this cultural zeitgeist and gives us Schrager's personal firsthand account of what it was like to create and run the most famous nightclub of our age. With hundreds of photographs, many of which have never been seen before, of the celebrities and beautiful people and engaging stories and quotes from such cultural luminaries as Liza Minelli, David Geffen, Brooke Shields, Pat Cleveland, and Diane von Furstenberg, this exciting volume depicts the wild energy and glittering creativity of the era. One of the most important cultural landmarks of the twentieth century, Studio 54 continues to inspire with its legendary glamour. This exhilarating volume is a must-have for style and fashion aficionados today. DOMESTIC SHIPPING ONLY.

Softcover. New York, Aperture, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 104 pages, b&w plates by Weston. Minor cover wear, clean copy.

Hardcover. NY, PowerHouse Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 200 pages. A wide ranging collection of photographs by musician John Cohen of other musicians and authors and artists like Robert Frank, Allen Ginsberg, Woody Guthrie and others. Features text by Greil Marcus. Includes 127 duotone and 39 color images. Clean copy.

Softcover. New York , Aperture Foundation, 1st, 2002, Book: Very Good, Dust Jacket: None, Two softcover issues, 160 pages total. 50th Anniversary, Part 1&2, Issues 168 and 169 of Aperture feature excerpts and page spreads from fifty years of issues and books, which reveal how Aperture, in all of its projects, has continuously rethought and reinterpreted the varied aesthetic and social paths set forth by the Founders. Featured artists in Part 1 include: Ansel Adams, Henri Cartier-Bresson, Bruce Davidson, Mitch Epstein, Nan Goldin, Philip Jones Griffiths, Eikoh Hosoe, Dorothea Lange, Robert Mapplethorpe, Sally Mann, Mary Ellen Mark, Ralph Eugene Meatyard, Duane Michals, Tina Modotti, Pierre et Gilles, Sebasti

Hardcover. New York, Hatje Cantz, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 167 pages, 132 plates in duotone and color. Light wear to dust jacket. This book focuses on surprisingly atypical choices from the oeuvres of 125 seminal artists, such as Walker Evans, Henri Cartier-Bresson, Alexander Rodchenko, Albert Renger-Patzsch, and Ulrich Tillman. Over 130 images in duotone and color illustrate the aesthetic differences between various styles, genres, and authors, and show diversities and affinities among different continents, cultures and periods. This extraordinary recombination of photographs by master artists offers viewers a fresh look at the world of photography.

Softcover. US, Damiani, 1st, 2014, Book: Very Good, Dust Jacket: None, 110 pages, softcover. Like new in publisher's shrink-wrap. Absence of Subject and Two Crowns of the Egg are Somoroff's most intriguing books of photography. In this edition of Two Crowns, the still life art work is as stunning as the female nudes. Of note, the rare combinations of objects (such. books of literature, high polished knives, exquisite dishes) and life matter (such pomegranates, honey, eggs, human skulls) set one's imagination in fire. These strange image compositions are as odd as the pairing of words by Postmodern poet Giannina Braschi who writes love poems to objects, animals, beings. The scholarly introduction by art historian Donald Kuspit is respectable but a bit dry. Regardless the imagery and poetry tower over any essay that one could write about them.

Hardcover. NY, The Lyons Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 112 pages. A book of ninety exquisite and moving black & white photographs about the deep interior of the American West, stretching from the Mexican border to Montana. The world which photographer Lindy Smith has captured is a landscape of ranch-work, self-reliance and hard-won trust, a place as much defined by dogs, sheep, cattle and horses as by humans.

Hardcover. New York, Aperture, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, b&w photos throughout by Heyman, 112 pages. Clean, unclipped dust jacket.

Softcover. NY, Holt, Rinehart Winston, 1st pbk., 1975, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. The simultaneous paperback issue. Features text by Aileen M. Smith that accompanies her husband's heart wrenching black and white images which showed the damages from chemical poisoning to the Japanese island Kyushu. A very good copy in wrappers with some bumping to the top right corner and light wear to the corners and some of the usual issues with the lamination. Internally a clean copy.

Hardcover. NY, New York Graphic Society, 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages. 200 black-and-white photographs by Dorothea Lange, Walker Evans, Carl Mydans, Marion Post Wolcott, Ben Shahn, Arthur Rothstein, Jack Delano, Russell Lee, and Others. Black cloth, missing dust jacket.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 107 pages, illustrated throughout in color. Each of Beahan and McPhee's extraordinary images captures a point of collision between natural and constructed worlds. Introduction by Rebecca Solnit. Afterword by John McPhee. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. US, Lickle Pub Inc, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 192 pages. Like new in publisher's shrink-wrap.

Softcover. NY, Aperture, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 120 pages with 90 iconic black & white photographs on high gloss paper. A rare poem by Ursula K. Le Guin at the front and a biographical essay by Raphael Shevelev at the back. A generous collection of superb photographs forms the bulk of the contents, with some commentary by the photographer. Mild wear to bottom corner of wrappers, otherwise a clean, bright copy.

Hardcover. Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. Alison Jackson has photographed the Queen of England on the toilet, George Bush and Tony Blair chatting in the sauna, Mick Jagger doing gymnastics, and Monica Lewinsky lighting Bill Clinton's cigar. Or has she? The likenesses are uncanny, but of course, her subjects are look-alikes. Her photos demonstrate that while seeing is believing, the truth is another story entirely. In her work, Jackson says, "Likeness becomes real and fantasy touches on the believable. The viewer is suspended in disbelief. I try to highlight the psychological relationship between what we see and what we imagine. This is bound up in our need to look--our voyeurism--and our need to believe." Indeed, by showing "celebrities" ostensibly caught unawares, Jackson's pictures show us what we imagine might go on behind closed doors. Jackson's work causes controversy, because it threatens to cross the line between the private and public life of our contemporary icons. Because we unquestioningly accept the authenticity of the photograph, it would appear that we are being given a glimpse of something confidential, a private moment. It is only upon closer examination that we question the reality of the image, and hopefully this makes us question our unwitting tendency to believe everything we see in the media today.

Hardcover. NY, Aperture, 1stt, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 112 pages, b&w plates, comments and observations of ghetto residents accompany photographs, taken by a German soldier, of Jewish ghetto life in 1941 Warsaw. Clean copy.

Softcover. Hanover, NH, Hood Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, 70 pages. Softcover with light edgewear to paper wrappers. Crisp photographs throughout. Clean, tight copy.

hardcover. Austin, TX, Texas Monthly Press, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. A collection of black & white documentary photos taken in Texas in the 1940's. 149 pages. The photographs are from the Standard Oil Company archive, compiled under the direction of Roy Stryker, and now housed at the University of Louisville. Dust jacket unclipped. Clean copy.

Hardcover. Washington DC, National Portrait Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages, 300 color and b&w images. Like new in publisher's shrink-wrap. Accompanied by a major exhibition at the National Portrait Gallery, London, in spring 2014, which will then tour to venues on four continents, this book like the exhibition, is structured thematically, with iconic images presented alongside many lesser-known and previously unseen portraits. Essay by Tim Marlow.

Softcover. West Islip, ULAE Inc., 1st, 1981, Book: Very Good, Dust Jacket: None, 46 pages. Softcover. Illustrated with black & white photographs by Robert Rauschenberg. Darkening to spine. light wear to book and slipcase. A collection of 45 black and white photographs of Boston by Robert Rauschenberg. It is a companion book to his New York Photos. 10 1/4" x 13",

Softcover. New York, powerHouse, 1st, August 2003, Book: Very Good, Dust Jacket: None, Softcover, 191 pages, color photographs throughout. A very clean, tight copy. For adults only. Every day, thousands of young Asian women go to work in the sex industry, a marketplace in which any desire can be satisfied for a price--despite the fact that many Asian countries are repressive to the point of banning certain standard sexual practices. For six years, Asian-American photographer Reagan Louie journeyed through this sexual underworld, visiting nearly a dozen countries including Cambodia, China, Hong Kong, the Philippines, Vietnam, Tibet, Thailand, and Japan, among others, photographing the day-to-day lives of women who, either by choice or by necessity, exchange their bodies for money. 

Hardcover. New York , W. W. Norton & Company, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 159 pages. Hardcover with dust jacket. Indentations on back cover otherwise, clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. Chicago, University of Chicago Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright, unclipped dust jacket, 304 pages. The Oldest Living Things in the World is an epic journey through time and space. Over the past decade, artist Rachel Sussman has researched, worked with biologists, and traveled the world to photograph continuously living organisms that are 2,000 years old and older. Spanning from Antarctica to Greenland, the Mojave Desert to the Australian Outback, the result is a stunning and unique visual collection of ancient organisms unlike anything that has been created in the arts or sciences before, insightfully and accessibly narrated by Sussman along the way.

Hardcover. Atlanta, Nexus Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages. Glossy color illustrated boards, color illustrated end-papers, color and black-and-white illustrations from photographs throughout, accompanying 16 page facsimile journal laid in (no publishing info) with reproductions of polaroids of Burke's. 'Mine Fields' (a sequel to Bill Burke's justly famous I Want To Take Picture), is Burke's scrapbook of his life and his pursuit of the history and daily life of Cambodia. Part adventure story, part personal confession, part travelogue, and always fascinating, Burke's negotiation of the mine fields of divorce and war is a compelling collage of photographs, found objects, stories, and the contrast between glorious ancient temples and the horrors of war and genocide.

Hardcover. London, Thames and Hudson, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 287 pages. Hardcover with dust jacket. Black and white photographs throughout. Clean, tight copy.

Hardcover. Chicago, Quadrangle Books, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. 180 pages, b&w photo by Feldman. Mild soil to rear panel of dust jacket, otherwise clean.

Hardcover. Chicago, University of Chicago Press , 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 280 pages. Preface by Geoff Dyer. Essay by David Van Reybrouck. Includes 20 color plates and 80 halftones. Still in publisher's shrinkwrap. The First World War presents a startlingly different perspective, one based on rare glass plate photographs, that reveals the war with previously unseen, even uncanny, clarity.Scanned from the original plates, with scratches and other flaws expertly removed, these oversized reproductions offer a wealth of unusual moments, including scenes of men in training, pictures of African colonial troops on the Western front, landscapes of astonishing destruction, and postmortem portraits of Belgian soldiers killed in action. Readers previously familiar with only black-and-white or sepia-toned prints of the hostilities will be riveted by the book's many authentic color photographs, products of the early autochrome method. From children playing war games to a wrenching deathbed visit, these images are extraordinary not only for their subject matter, but also for the wide range of emotions they evoke.

Softcover. Los Angeles, Museum of Contemporary Art, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, pages. A photograph can serve as as both witness and catalyst, art object and call to action. In this catalog of a pivotal exhibition of works from the Ralph R. Parsons Photography Collection at the Museum of Contemporary Art, Los Angeles, photographs capture the heartbeat and mindset of America. Works by French photographer Brassai set the stage; the bulk of the exhibition features photographs by Robert Frank, Helen Levitt , Diane Arbus, Lee Friedlander and Garry Winogrand, among others. When many of these works were first shown, they were met with criticism and outrage, but today, we've accepted them as profound documents of our nation and era. Includes essays by exhibition curator Cornelia H. Butler, as well as Max Kozloff, A.D. Coleman, Liz Kotz and Emily Aer. Dimension: 9 1/4 x 11 1/2 inches, 125 duotone & 11 color reproductions, Exhibition Catalog.

Hardcover. Hatje Cantz Publishers, 1st, 2005, Book: Very Good, Dust Jacket: None, Text is in English and German. Oversized hardcover issued without a dust jacket. Cover has faint wear to corners and edges. Inside is bright and clean, 210 b&w photographs throughout. This handsomely illustrated volume reproduces fine vintage prints from Relang's early reportage career and from the height of her days as a documenter of style, while also providing valuable insight into the historical background of her work.

Hardcover. London, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Since the invention of photography, Ireland has been a magnet for photographers, but this book is unique in bringing together the work done by the unrivaled talents of the members of Magnum. From Ireland's first attempts to forge a modern identity in the 1950s to the confident country of the twenty-first century, here is a stunning survey of a beautiful and complex place and people, through times of peace as well as troub

Hardcover. Boston, Bulfinch Press, 4th Revised, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 28 pages text + 62 plates in b&w. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Carmel CA, Friends of Photography, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. Black & white photography from the U.S. South during the Great Depression. 33 plates. Chronology. Introduction by Sally Stein. The first comprehensive group of Wolcott's photographs outside of the Library of Congress