history

Hardcover. Tallahassee FL, Sentry Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages, b&w photos. Signed by Rogers and inscribed by Kate Ireland, owner of Foshalee plantation, on the title page. Foshalee Plantation is a historic quail hunting estate located in northern Leon County, Florida, approximately 12 miles north of Tallahassee, within the Red Hills region spanning the Georgia-Florida border. Originally encompassing around 11,500 acres, it was established in the early 20th century as one of the oldest continuous private quail preserves in the area, transformed from former cotton lands into a managed hunting retreat for northern elites. The plantation, associated with prominent families including the Whitneys, Clarks, Irelands, and Ingalls, emphasized bobwhite quail production through practices like prescribed burning and multi-aged forest management, reflecting the broader shift in the region from agriculture to sporting conservation after the Civil War.

Hardcover. New York, Gosset & Dunlap, Reprint, 1932, Book: Very Good, Dust Jacket: Very Good, 216 pages. Pages age darkened. Green cloth covers. Dust jacket with light wear along edges. Clean, tight copy.

Hardcover. London, Methuen, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Orange cloth boards, white dust jacket with gray and blue illustration, mylar protective covering, color frontispiece, profusely illustrated with monotone plates. Light rubbing and soiling to dust jacket, through dust jacket still presents very neatly with mylar covering, pages crisp and unmarked; overall, a clean, tight copy.

Hardcover. NY, Time Life, reprint, 1983, Book: Very Good, Dust Jacket: None, 376 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Good, Hardcover, A captivating, spirited account of the intense relationship among four artists whose strong personalities, passionate feelings, and aesthetic ideals drew them together, pulled them apart, and profoundly influenced the very shape of twentieth-century art. Rear of dj has a crimp at top and a short trar at spine edge.

Hardcover. New York, Crown Publishers, 1st Thus, 1971, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover. Black & white illustrations. Dust jacket in protective clear plastic cover. Clean, unmarked text.

Softcover. Urbana IL, University of Illinois, 1st, 1928, Book: Very Good, Dust Jacket: None, Softcover, gray card covers, 42 pages. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. The image of the untamed American West persists as one of our country's most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. O'Sullivan. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West--most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, O'Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challenging terrain and lacking previous photographic examples on which to rely, O'Sullivan created a body of work that was without precedent in its visual and emotional complexities. The first major publication on O'Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. In a lightly worn dust jacket with mild fading to spine.The image of the untamed American West persists as one of our country's most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. O'Sullivan. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West--most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, O'Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challenging terrain and lacking previous photographic examples on which to rely, O'Sullivan created a body of work that was without precedent in its visual and emotional complexities. The first major publication on O'Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production.

Softcover. Rome, Bulzoni Editore, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 700 pages, Color plates in rear section. Very good condition. Card wraps. Appendices appear to have original text from letters in Italian. Previous owner's inscription on front fly leaf, otherwise clean.

Softcover. Crossroad Pub Co, reprint, January 1992, Book: Good, Dust Jacket: None, 720 pages. Light wear, creasing, rubbing to wrappers, faint soil to edges, small dent to spine. Previous owner's notation in ink on contents-page.

Hardcover. Chicago, University Of Chicago Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 397 pages, illustrated throughout in b&w. Slight crease to dust jacket front flap, slight dent to rear cover upper corner, else a clean, unmarked copy in excellent condition.

Hardcover. NY, Holt, Rinehart and Winston, BC Ed., 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 268 pages. Illustrated with a section of black-and-white photographs. "In the poised, outspoken style that typifies his career as one of baseball's fiercest competitors and a superstar of the modern era, Frank Robinson recounts in this book his remarkable and dramatic experience as the first black manager in the history of the major leagues. Written in collaboration with Dave Anderson, the renowned sports columnist of The New York Times, Frank is both the essence of baseball and a document that transcends sports: an intimate, superbly detailed record of the business of managing men on the playing field and a revelation of one man on a spot no one ever occupied before him." Copyright page states first edition but lack of price on dust jacket tells us it's a Book Club. Embossed stamp on front fly leaf, otherwise clean.

Hardcover. NY, Oxford University Press, 2nd pr., 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 657 pages. Robert Dallek vigorously and convincingly defends Roosevelt's foreign policy. He emphasizes how Roosevelt operated as a master politician in maintaining a national consensus for his foreign policy throughout his presidency and how he brilliantly achieved his policy and military goals. Name on half-title page otherwise a clean copy.

Hardcover. Berlin, Hatje Cantz, reprint, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 319 pages. Text by David Campany, Jeff Wall, Hans-Michael Koetzle. Text in English and German. Fred Herzog is known for his unusual use of color in the 1950s and 1960s, a time when art photography was almost exclusively associated with black and white imagery. The Canadian photographer worked almost exclusively with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide. In this respect, his photographs can be seen as a pre-figuration of the New Color photographers of the seventies. This book brings together over 230 images, many never before reproduced, and will feature essays by acclaimed authors David Campany and Hans-Michael Koetzle. Small bunp tp top of front board otherwise very good, clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. With the aid of some 400 photographs, the great film director, now 85, recalls 50 years of film-making and more than 20 major films, including High Noon, From Here to Eternity, Oklahoma!, A Man for All Seasons, The Day of the Jackal, Julia, and The Nun's Story. Light musty smell. Clean.

Softcover. Dallas, TX, Dallas Museum of Fine Arts, 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 109 pages. Exhibition catalog. Black-and-white illustrations. Pencil markings throughout, with one pen underlining. Light stain on title page. Good, tight copy.

Hardcover. Garden City, Duobleday & Company Inc., First Edition, 1982, Book: Very Good, Dust Jacket: Very Good, 537 pages. Hardcover. Black cloth covered boards with white titles to spine. Black & white illustrations. Dust jacket with light, marginal wear, now protected with a plastic cover. Tight binding, clean & unmarked pages throughout.

Softcover. NY, Oxford University Press, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover, 402 pages, b&w illustrations. An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians' quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Clean copy.

Chicago, University of Chicago Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned following--an elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.

Hardcover. London, Faber and Faber, 1st UK, 1976, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt and red title block on spine. 422 pages, b&w map. Light bump to top corner otherwise very good, clean copy. "An analysis That carries an indictment of the whole colonial system."

Hardcover. Mamaroneck, N.Y., Harbor Hill Books, reprint, 1989, Book: Very Good, Dust Jacket: Very Good, Softcover, 218 pages. Light pencil markings by previous owner, else a clean, tight copy.

Hardcover. Geneva, Skira, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 106 tipped-in color plates, 271 pages, very good dust jacket, slipcase.