history

Hardcover. Vermont, Town of Westminster, 1st, 1941, Book: Very Good, Dust Jacket: None, 174 pages. Red cloth covers with white lettering, blue cloth spine. Previous owner's signature on front end paper, Binding cracked on page 67. Black & white photographs throughout. Vermont Sesquicentennial souvenir.

Hardcover. Weybridge, Weybridge Bicentennial Committee, 1st, 1991, Book: Very Good, Dust Jacket: None, 244 pages. Hardcover. Green cloth with titles in gilt. SIGNED BY AUTHOR ON TITLE PAGE. Illustrated with black & white photographs. Minor residue from local historians sticker at bottom edge of covers at spine - not ex-library - no stamping or library marking. Clean, unmarked text.

Softcover. Weybridge VT, Weybridge Bicentennial Committe, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 244 pages, b&w illustrations. Green wrappers with black lettering. Seven related 4-page pamphlets laid in. Clean copy.

Hardcover. Woodstock NY, Overlook Press, 1st US, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 456 pages with b&w and color illustrations. In Hitler and the Power of Aesthetics, acclaimed historian Frederic Spotts presents a startling reassessment of Hitler's aims and motivations. Spotts dismisses the traditional biographical view that Hitler was an "unperson," who had no life outside of politics, Spotts shows that Hitler's interest in the arts was as intense as his racism and his argument is punctuated with photographs and illustrations, including reproductions of Hitler's watercolors and drawings from his 1925 sketchbook. The book offers the first full analysis of Hitler's own work as a painter, as well as of his art collection. It also treats the entire range of his personal interests: from architecture, painting, symphony, opera, and sculpture, to the German autobahn system and the development of the Volkswagen. A riveting and highly original work, Hitler and the Power of Aesthetics provides a key to an understanding of the Third Reich which has, until now, been missing from biographies and studies of the arts in the Third Reich, as well as from political and military studies of Hitler. Clean copy.

Hardcover. New York, Random House, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 809 pages, b&w photography. Black cloth spine, silver title. Pictorial dust jacket. Minor wear to covers and upper edges, else a very nice, tight, clean copy in excellent shape.

Hardcover. NY, Walker and Company, 1st US, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout in b&w and with 17 full color plates. Previous owner's signature on front fly leaf, dust jacket edge wear and minor foxing on top and fore edge. Otherwise, very clean and tight copy.

Hardcover. New Haven, Yale University Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover set. Volume I: 558 pages. Cloth boards. Illustrated with black & white reproductions of works by Hogarth. Dust jacket quite worn along edges with some tape repair to small tears. Clean, tight copy. Volume II: 557 pages. Cloth boards. Illustrated with black & white reproductions of works by Hogarth. Fore-edge shows slightest foxing. Dust jacket worn along edges with small tears and creases. Clean, tight copy. NOTE: DUE TO WEIGHT AND SIZE, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Holiday House, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with black & white illustrations. Light edgewear to dust jacket with closed tears to front cover. Protected by mylar cover. Clean, tight copy. History of this children's book publishing house followed by chronological listing of all their publications.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Hardcover. New York, Dey Street Books, 1st, 2018, Book: Very Good, Dust Jacket: None, 220 pages. Hardcover with laminated cover boards. Clean, tight copy with light edge wear and rubbing to covers.

Hardcover. Buffalo NY, Firefly Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, pages illustrated in color and b&w. Hollywood Fashion explores the art and legacy of the cinematic costume designer, starting with the birth of the modern motion picture industry on a prime piece of California real estate known as Hollywood. Readers will discover how film clothing evolved from actors selecting items from their home wardrobes to outfits customized for their roles -- everything from suits of armor to ball gowns to office attire to lingerie, all created by a studio designer and a dedicated staff of costumers.

Hardcover. New York, Simon & Schuster Ltd, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Black boards, bright silver gilt lettering. 23 prose-poems by Nobel Prize Laureate Dylan are thought-provoking, witty, and unexpected observations of a bygone era.

Hardcover. New York, Simon & Schuster Ltd, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Black boards, bright silver gilt lettering. 23 prose-poems by Nobel Prize Laureate Dylan are thought-provoking, witty, and unexpected observations of a bygone era.

Hardcover. NY, Knopf, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 387 pages, b&w photos. Author takes you behind the scenes of Paramount, MGM, Warner Brothers, RKO and Universal in their glory years.

Hardcover. NY, New York University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 376 pages. "When it comes to censorship in Hollywood, the bottom line is the ticket line. That's the central message in Jon Lewis's provocative and insightful investigation of the movie industry's history of self-regulation....Lewis shows that Hollywood films are a triumph of commerce over art, and that the film industry has consistently usedinternal censorship and government-industrial collusion to guarantee that its cash flow is never seriously threatened." -- The New York Times Book Review"...an accomplished, comprehensive, and provocative new history of censorship and the American film industry...And what of the perennial tussles between politicos and the film industry? All show business,suggests Lewis, make-believe veiling the real power structure that has nothing to do with morals, let alone art (it would be interesting to get his take on the recent marketing brouhaha and its relationship to the recent threatened actors and writers strikes). A staggering saga worthy itself of a Hollywood movie, Hollywood v. Hardcore is filmhistory at its most illuminating and intense." Clean copy.

Hardcover. NY, Knopf, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 332 pages, b&w photos. How the formation of the Screen Writers Guild and the political passions it aroused among Hollywood's writers, actors, directors, and producers in the 1930s and 40s shattered the closely knit community and led to the blacklist years. Clean in a bright dust jacket with light edgewear.

Hardcover. New York Graphic Society, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 pages, illustrated in color, black & white. Describes the art of filmmaking and includes discussions with the creators of film--producers, directors, designers, technicians, and the stars.

Hardcover. NY, Harper, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 741 pages. From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a reader listen in on candid remarks from the biggest names in front of the camera-Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd-to the biggest behind it-Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen: musicians, costumers, art directors, cinematographers, writers, sound men, editors, make-up artists, and even script timers, messengers, and publicists. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. Its the insiders story.Clean, bright copy.

Softcover. Worcester MA, Holy Cross Quarterly, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover. The entire 80 page booklet is devoted to the Brothers Berrigan, Phil, a Josephite and Daniel, a Jesuit. B&W photos throughout, includes Noam Chomsky famous article "On the Limits of Civil Disobedience. "Who will rid me of these troublesome priests," said J. Edgar Hoover. Cover drawing by David Levine. Phil Berrigan graduated from Holy Cross in 1950. Clean copy, light wear to wrappers.

Hardcover. NY, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 365 pages. Holy war, sanctioned or even commanded by God, is a common and recurring theme in the Hebrew Bible. Rabbinic Judaism, however, largely avoided discussion of holy war in the Talmud and related literatures for the simple reason that it became dangerous and self-destructive. Reuven Firestone's Holy War in Judaism is the first book to consider how the concept of ''holy war'' disappeared from Jewish thought for almost 2000 years, only to reemerge with renewed vigor in modern times.The revival of the holy war idea occurred with the rise of Zionism. As the necessity of organized Jewish engagement in military actions developed, Orthodox Jews faced a dilemma. There was great need for all to engage in combat for the survival of the infant state of Israel, but the Talmudic rabbis had virtually eliminated divine authorization for Jews to fight in Jewish armies. Once the notion of divinely sanctioned warring was revived, it became available to Jews who considered that the historical context justified more aggressive forms of warring.

Hardcover. Princeton NJ, Princeton University Press, 2nd pr., 1994, Book: Very Good, Dust Jacket: None, Hardcover in green cloth covers, 188 pages, b&w illustrations. In this provocative examination of collective identity in Jordan, Linda Layne challenges long-held Western assumptions that Arabs belong to easily recognizable corporate social groups. Who is a "true" Jordanian? Who is a "true" Bedouin? These questions, according to Layne, are examples of a kind of pigeonholing that has distorted the reality of Jordanian national politics. In developing an alternate approach, she shows that the fluid social identities of Jordan emerge from an ongoing dialogue among tribespeople, members of the intelligentsia Hashemite rulers, and Western social scientists. Many commentators on social identity in the Middle East limit their studies to the village level, but Layne's goal is to discover how the identity-building processes of the locality and of the nation condition each other. She finds that the tribes creates their own cultural "homes" through a dialogue with official nationalist rhetoric and Jordanian urbanites, while King Hussein, in turn, maintains the idea of the "homeland" in many ways that are powerfully influenced by the tribespeople. Clean copy, no dust jacket.

Softcover. St. Louis MO, Wrought Iron Range Co., reprint, Book: Good, Dust Jacket: None, Softcover, 212 pages, stiff black card covers. Reprint edition of this combined cookbook and trade catalogue, which changed slightly with each change in stove models. The Model "AB" is the most recent stove depicted on page 12 (circa 1924). Includes recipes for breakfast, beverages, bread, dinner, salads, puddings, and household hints. Prior to and following the recipes is a variety of promotional information about the Wrought Iron Range Company. Illustrated product lists for stoves and accessories, company history, features about prizes and awards, an illustration of their exhibit at the 1893 World's Columbian Exposition, as well as references for businesses currently using their products. Previous owner's name on last blank page. Otherwise clean. Binding a little shakey but holding.

Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.

Softcover. Lyndon VT, Lyndon Historical Society, reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover. SIGNED BY AUTHOR. 166 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers.