history

Softcover. New York, Harry N. Abrams , reprint, 2002, Book: Very Good, Dust Jacket: Very Good, 263 pages, softcover with French flaps. A major contribution to the social and art history of Paris in the early 20th century. Heavily illustrated with black-and-white photographs. Minor rubbing and edgewear to wraps. Unmarked. A clean and tight copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small closed tear to front panel. INSCRIBED BY HUDDLESTON on the dedication page. Huddleston has paired archival images of the first modern war with his own, contemporary color shots of the same locations, at the same time of year, at the same time of day. Some sites of suicidal charges have become Kmarts, mini-malls or swamps strewn with metal and plastic trash. The juxtapositions possess surprising power. In an overexposed and damaged archival shot of the Confederate prisoner of war camp at Andersonville, Ga., a filthy crowd of anonymous men packs the frame, while on the facing page Huddleston presents his own fine-tuned image of a muted, borderless sky. Office buildings, grocery stores and fast food franchises have sprouted where Union Major General George H. Thomas and Confederate General John Bell Hood slugged it out for December days in Nashville 141 years ago. Near the site of some of the heaviest fighting between blue and gray, a KFC sign now advertises discounts on the colonel's secret recipe. Clean copy.

Hardcover. London, Lutterworth, 1st UK, 1955, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with faded gilt lettering on spine, 115 pages. A fascinating glimpse into the debate in Scandinavia concerning a number of inter-related Biblical themes focused on the concept of the Messiah, a debate associated with scholars such as Mowinckel, Pedersen, Widengren, and Bentzen himself. The argument traces the development of the Messianic figure from its Old Testament roots, starting with the Messiah of many of the Psalms, which represents a demythologised form of the Oriental conception of kingship, through the eschatologised Messiah of the prophetic thought of Isaiah and Micah, and then to the prophet-Messiah of Second Isaiah, which although still a present and entirely human figure, embodies the insight that the saviour of Israel must suffer and be cast in the role of a Moses Redivivus as leader of a new Exodus. The Son of Man of Daniel 7 carries this eschatologising process even further, until the Christology of the New Testament emerges as a creative synthesis of these Old Testament types. In this synthesis, Jesus is a new Adam, the Messiah present in the flesh and present still in His body the Church, the suffering Prophet playing the part of the new Moses and the once and future Divine King. Bentzen argues that ultimately this figure of Christ the Messiah transcends not only the Old Testament types on which it is based, but also the subsequent historical development of the Christian Messianic tradition.

Hardcover. NY, Coward, McCann & Geoghegan, 4th pr., 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 48 pages illustrated in colors and b&w by Margot Tomes. A lead statue of King George III relates the events leading to the American Rovolution through indignant ratings about what he observes. Clean copy.

Hardcover. NY, W. W. Norton & Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Written by two members of archaeological expeditions which have excavated at Caesarea, the ancient city on the coast of Israel built by Herod the Great, this book tells the story of the great city, from its beginnings to its destruction in the 13th century. Readers discover this past through archaeologists' eyes, as the text considers not only artifacts and written sources but the processes by which archaeologists reconstruct the past. A companion volume to a traveling exhibition of Caesarean artifacts, this is very highly recommended for both its clarity and creativity. 244 pages illustrated in color plus index. Clean.

Softcover. San Diego, CA, IDW Publishing, Reprint, 2018, Book: Very Good, Dust Jacket: None, 308 pages. Softcover. A very clean, unmarked copy with only minor edgewear. This book is a centennial birthday bash hosted by Dean Mullaney, Bruce Canwell, and Brian Walker, with contributions by Brendan Burford, Lucy Shelton Caswell, Jared Gardner, Ron Goulart, Jeffrey Lindenblatt, Carl Linich, Paul Tumey, and Germund von Wowern. More than just comics, it's a celebration of the profound impact that King Features has had on popular culture!

Hardcover. Woodstock VT, Countryman Press, 4th pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 416 pages, b&w illustrations. Now largely forgotten, the massacres of 1675 to 1676, known as King Philip's War, ended the harmonious relations that had existed between native Americans and the colonists since their arrival at Plymouth Rock in 1620. Tensions had been rising as the number of settlers grew, and the pillaging of an outlying farm by affronted young braves escalated into open hostilities. Pitched battles were fought from Rhode Island to Maine. Hundreds of English died as farmers fled and cowered behind stockades or in the few port towns. Thousands of natives were slaughtered and the rest dispersed or sold into slavery in the West Indies. The savagery resulted in the clearing of the native populations from southern New England and the unopposed expansion of the New England colonies. It also became the brutal model on which the United States came to deal with its native peoples. King Philip's War tells the story with such close attention to detail that each ambush, each burned-out farm, becomes a vivid image. The authors make abundant use of maps and photographs of old sites to enable the reader to follow the course of the war: the book forms an exhaustive guide for the armchair historian or anyone wishing to visit the monuments and battlefields today. Clean copy.

Hardcover. New York, E. P. Dutton & Company, First Edition, 1938, Book: Very Good, Dust Jacket: None, 107 pages. Hardcover. Previous owner's signature to front flyleaf. Black & white illustrations throughout. Dust jacket with moderate wear, tears to edges & chipping, now protected with a plastic cover. Toning throughout. Clean & unmarked.

Hardcover. Boston, Little Brown, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 338 pages. Light edgewear to dj, remainder dot bottom edge. A novel of Henry Knox's 1776 winter raid on Fort Ticonderoga to bring cannon to beleaguered Boston. Endpapers map. Clean copy.

Hardcover. New York , Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages, 173 illustrations, 131 in color. Although he is now seen as a progenitor of the "naive" style, during his lifetime Edward Hicks (1780-1849) was known only as a devout, impoverished Quaker minister who liked to paint. With a few exceptions, his extant body of work is made up of 62 "Peaceable Kingdom" pictures, based on Isaiah's biblical prophecy. Although these paintings, known for their charmingly wide-eyed and sensuous beasts, use potent color and effective design, they are technically unsophisticated and repetitive in the extreme. But they contain a powerfully serene devoutness, a mood probably expressed in compensation for Hicks's guilt about an avocation viewed as frivolous by other Quakers. As the popularity of folk art boomed in the early 20th century, Hicks's homely visions were popularized and became the focus of scholarly attention, and this work is probably the best to date. Weekley, the director of museums at Colonial Williamsburg, shrewdly considers Hicks's "secular" life and art through the filter of his intense piety and copiously illustrates her large-format book with brilliant color plates.

Hardcover. NY, Black Dog & Leventhal, reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover, 143 pages. 41 superb photos of the early logging locomotives of the Northwest. Essay by John T. Labbe. Bright copy in a dust jacket.

Hardcover. Boston, Houghton Mifflin, 2nd pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos. 337 pages. Dj price clipped

Hardcover. Fort Worth, TCU Press, Reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes,. Volume 1 - 164 pages. Ceremonial Dance, Ritual and Song. Full color and black & white illustrations. Dust jacket in clear plastic protective cover. Clean, tight copy. Volume 2 - 323 pages. Myths, Legends and Folktales. Full color and black & white illustrations. Dust jacket in clear protective cover. Clean, tight copy.

Hardcover. New York, The New Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 515 pages. Hardcover. Gray cover boards, gilt title on spine. In nice shape, Dust jacket unclipped, has just a touch of age yellow. Edges show a little soil (shelfwear). Binding very tight, clean inside. Very good condition.

Hardcover. NY, Doubleday and Company, reprint, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket.

Softcover. Philadelphia, University of Pennsylvania Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 286 pages. Kitchen Culture in America is a collection of essays that examine how women's roles have been shaped by the principles and practice of consuming and preparing food. Exploring popular representations of food and gender in American society from 1895 to 1970, these essays argue that kitchen culture accomplishes more than just passing down cooking skills and well-loved recipes from generation to generation. Kitchen culture instructs women about how to behave like "correctly" gendered beings. One chapter reveals how juvenile cookbooks, a popular genre for over a century, have taught boys and girls not only the basics of cooking, but also the fine distinctions between their expected roles as grown men and women. Several essays illuminate the ways in which food manufacturers have used gender imagery to define women first and foremost as consumers. Other essays, informed by current debates in the field of material culture, investigate how certain commodities like candy, which in the early twentieth century was advertised primarily as a feminine pleasure, have been culturally constructed. The book also takes a look at the complex relationships among food, gender, class, and race or ethnicity-as represented, for example, in the popular Southern black Mammy figure. In all of the essays, Kitchen Culture in America seeks to show how food serves as a marker of identity in American society. Clean, bright copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. Black and white pictures throughout. Clean, tight copy. More than 10,000 images reside in public archives and private collections, depicting every aspect of what popular historian Pierre Berton has called "one of the strangest mass movements in history." For this book, Berton selected 200 photographs, some iconic, some touchingly personal, and most previously unpublished.The Klondike Quest brings to life the panoramic drama of the great stampede for gold as seen by the ordinary gold-seeker. The photographs are beautifully reproduced and informatively and colorfully captioned. "One million people, it is said, laid plans to go to the Klondike. One hundred thousand actually set off. And so the Klondike saga is a chronicle of humanity in the mass.... For the next eighteen months, the Yukon interior plateau became a human anthill."

Hardcover. Boston, Atlantic Little Brown, 1st US, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, illustrated throughout with photos in b&w. Light shelf-wear to dust jacket. Clean, tight copy. The most photographed event in America during the 19th century. More than 10,000 images reside in public archives and private collections, depicting every aspect of what popular historian Pierre Berton has called "one of the strangest mass movements in history." For this book, Berton selected 200 photographs, some iconic, some touchingly personal, and most previously unpublished.

Hardcover. New York, G. P. Putnam's Sons, reprint, 1894, Book: Very Good, Dust Jacket: None, Two hardcover volumes. Van Twiller Edition, with b&w illustrations by Edward W. Kemble throughout both volumes. In 1809, New Yorkers were buzzing about a series of classified ads concerning the whereabouts of Dutch historian Diedrich Knickerbocker. They were unaware that Washington Irving had invented the man entirely and placed the ads himself. Knickerbocker's purported manuscript, A History of New York, was Irving's own. Told from Knickerbocker's point of view, A History of New York is a chronicle of New York's fifty years under Dutch rule in the 1600s that plays fast and loose with the facts, to uproarious effect. A History of New York propelled Irving to the heights of literary stardom. Gilt and blue design on beveled covers, spine. Top edge gilt, decorated pages, frontispiece with tissue guard. Slight corner bump, edge wear, age darkening to spine, otherwise,very clean and tight copies.

Hardcover. New York, Harcourt, Brace and Co, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with paper label on front and spine. 286 pages. B&w frontispiece and illustrations by Warren Chappell. Minor edgewear to cover and age staining to endpapers. Else a clean, tight copy.

Hardcover. London, Macmillian St. Martin's Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 553 pages. Hardcover with price-clipped dust jacket. Dust jacket spine has St. Martin's Press sticker on bottom. Internally, clean and tight. Cover boards have light soil to front and fading to bottom edge.

Softcover. NY, Delano Greenidge Editions, 1st paperback, 2002, Book: Very Good, Dust Jacket: None, Softcover, 229 pages. 207 color plates. Articles by A.D. Coleman and Henry Wilhelm. Large paperback format with glossy covers.