Hardcover. Angel City Press, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover, profusely illustrated, 208 pages. When Jean Harlow became the Blonde Bombshell, it was all Hollywood's doing. She was the first big-screen sex symbol, the Platinum Blonde, the mold for every famous fair-haired superstar who would emulate her. Yes; even Marilyn Monroe followed Harlow's lead. In her short decade in Hollywood, Harlow created a new genre of movie star--her fans idolized her for her peerless image, her beautiful body, and her gorgeous facade. Harlow in Hollywood is the story of how a town and an industry created her, a story that's never been told before. In these pages, renowned Harlow expert Darrell Rooney and Hollywood historian Mark Vieira team to present the most beautiful--and accurate--book on Harlow ever produced. With more than 280 rare images, the authors not only make a case for Harlow as an Art Deco artifact, they showcase the fabulous places where she lived, worked and played from her white-on-white Beverly Glen mansion to the Art Deco sets of Dinner at Eight to the foyer of the Cafe Trocadero. Still in publisher's shrink wrap.
Hardcover. NY, Knopf, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 599 pages. Don't pick up this fascinating, deeply eccentric book expecting to find a conventional biography of Eugene V. Debs (1855-1926). The fiery American labor leader who founded the Socialist Party of America is not so much the subject as the central figure in a group portrait of utopian dreamers--including Karl Marx, Brigham Young, abolitionist Wendell Phillips, poet James Whitcomb Riley, and detective-agency founder Allan Pinkerton--from the time of the French Revolution through the dawn of the 20th century. Author Marguerite Young is a legendary Greenwich Village bohemian who died in 1995. She devoted the last 25 years of her life to this volume, which was intended as a recapitulation of the issues that had engaged Debs - justice for workers, peace for everyone, racial equality - and continued to galvanize America in the 1960s and beyond. Young doesn't provide a lot of straight factual information about Debs's life, but takes instead a snapshot of his soul as it was formed by reading and experience. The narrative closes (sort of) with the national railroad strike of 1877, a bitter defeat for labor that turned railroad worker and union activist Debs toward greater radicalism. Though not a work for the traditionally minded, Young's genre-bending book will thrill students of American social and socialist history. Clean copy.
Hardcover. NY, Harper & Bros, 1868, Book: Good, Dust Jacket: None, 864 pages, b&w engravings throughout. 3/4 black calf leather over pebble grain cloth covered boards. Rubbing to the leather. Subjects: Lookout Mountain & How We Won It, John Bull in Abyssinia, Among the Andes of Peru and Bolivia, Fashions in Guinea, Chinese Embassy to Foreign Powers, Explorations in Lower California, Shooting Stars and Meteors, Fish Culture In America, many other articles. Hinges cracked, library bookplate on inside front cover, otherwise a clean, tight copy.
Hardcover. NY, Harper and Brothers, 1963, Book: Very Good, Dust Jacket: None, Hardcover, bound volume of every issue for 1863. Profusely illustrated, Exceptional condition. Clean. Extra shipping charges may apply. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Boston, Houghton Mifflin, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers stamped in dark blue. 230 pages, color frontis and 20 b&w drawings by Clifford Ashley. Previous owner's inscription on front fly leaf, darkening to cover edges, otherwise clean, very good.
Softcover. Philadelphia, Jewish Publication Society, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 238 pages illustrated in color. Today e-mail, Facebook, and Twitter are sometimes used to spread hateful messages and slurs masking as humor. In the late nineteenth and early twentieth centuries postcards served this purpose. The images collected in this volume make it painfully clear that anti-Semitic propaganda did not simply begin with the Nazis. Nor was it the sole province of politicians, journalists, and rabble-rousers. One of the most virulent forms of anti-Semitism during this time was spread by quite ordinary people through postcards. Of the millions of postcards exchanged during their heyday of 1890 through 1920, a considerable percentage carried the anti-Semitic images that publishers churned out to meet public demand, reflecting deep-seated attitudes of society. Over 250 examples of such postcards, largely from the pre-Holocaust era, are reproduced here for the first time-selected, translated, and historically contextualized by one of the world's foremost postcard collectors. Clean copy.
Hardcover. NY, Prestel, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages. Ever since Fidel Castro came to power as the leader of Cuba's communist regime in 1959, Havana has remained all but impenetrable to the outside world. The revolution cut Cuba off from the West, but at the same time preserved a century of built substance and style through the accident of fmancial stagnation. Without capital investment, time stood still, and five epochs of architectural style have survived to the present day. From the majesty of colonial city palaces to the half-hearted hope of heroic modernism, Engels' photographs show a city in silent transition, a microcosm of architecture through the ages. All of the structures picttired here were built in the twentieth century, but for the most part they have suffered from neglect in the form of peeling paint and stucco, &M grime, and abandonment. Yet there is utter beauty and dignity here-a sense of being trapped in time-that is no longer evident in America's everchanging cities. Like the structures he photographs, Engels uses a timeless approach to the artistic and technical aspect of his work. He uses a Sinar catnera with a 4 x 5 inch format, standing under a darkening cloth, just as photographers did a century ago. Using a Polaroid image to feel and see the light, Engels takes a single shot of each building. Most of these images were taken during die month of February, in 1997 and 1999 respectively. These photographs of apartment dwellings, office buildings, private residences, and places of worship tell a story on their own. Their haunting images seem to speak about more than just the men who made them or the materials they are made of. The buildings and streetscapes depicted in Havana speak to us of yesterday, today, and tomorrow.
Hardcover. New York, Harry N. Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 288 pages, illustrated throughout in color and b&w. Brown cloth, pictorial dust jacket. Beautiful copy in shrinkwrap. Like new. The first biography of the couple who created the landmark collection that is still the base of most American museums.
Hardcover. NY, Palgrave/Macmillan, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 283 pages. Each chapter is devoted to a specific idea of, or a major influence on, Hayek. Foundational ideas incorporated into Hayek's thought are discussed (Darwinianism, German historicism, Austrian school economics) as are significant works that denoted major changes in his thought. Individual chapters deal with Mises, Keynes, Friedman and Popper, and another contrasts Hayek's thought with Marx, Mill, and Freud. Hayek's major economic thought is address in chapters devoted to both his early years and his later work. Ex-lib with stamp on top edge, residue on inside rear cover.
Hardcover. NY, David Mckay, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 329 pages. "This volume puts together as a continuous narrative the diary of Rutherford B. Hayes from March, 1875 to March 1881 - covering his nomination as the Republican candidate, the campaign of 1876, the disputed election and its compromise, and his Presidency. It is based on a typed copy of the original manuscript supplied by The Rutherford B. Hayes Library of Fremont, Ohio, and its director, Watt P. Marchman. Hayes was an inveterate diary keeper from his youth to his old age. In this record of the presidential years the diary is reproduced virtually in facsimile form. All misspellings, errors in punctuation, and other eccentricities have been retained, as have the deletions and gaps in the original copy." Name on front fly leaf, otherwise clean.
Softcover. Universtity Park PA, Pennsylvania State University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 280 pages. This easily accessible volume, which grew out of a series of lectures presented at the Smithsonian Institution in 1991, aims to provide a coherent introduction to Byzantine culture with a focus on the interconnected realms of art and religion. The eight participants have revised their lectures into chapters on Byzantine history, theology, icons and icon theory, church architecture, monumental painting, silver church furnishings, illustrated liturgical books, and pilgrimage. In addition to presenting current research on this range of topics, the chapters each contribute original scholarship from authors who are recognized experts in their respective fields. The Introduction, by Linda Safran, deals with views and definitions of Byzantium over the course of its long history and considers why that civilization deserves our attention today. Illustrated in b&w and color.
Hardcover. Munich/NY, Prestel, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 143 pages with 100 color and 79 b&w illustrations. In 1750 the Venetian painter Giambattista Tiepolo arrived in Wurzburg, capital of the small German principality of Franconia. Its ruler, Prince-Bishop Carl Philipp von Greiffenclau, had commissioned him to decorate the Kaisersaal, one of the state rooms in his palace, the Residenz. Later extended to include the decoration of the Residenz's staircase, the commission resulted in a series of frescos that are numbered among the greatest glories of Baroque painting. Created by the last major representative of the Venetian tradition in painting, the frescos in the Wurzburg Residenz are a truly epochal work of art. They form the culmination of a venerable tradition of fresco decoration initiated by Giotto over four hundred years earlier and, in their marriage of mythological and historical subject-matter, constitute a monument to the dying age of absolutism. In his highly readable text Peter O. Kruckmann tells the story of how Tiepolo came to receive the commission, explores in detail the thematic and artistic intricacies of the frescos, and documents their genesis as a continuous process, from the preliminary sketches to the finished works. Clean copy.
Softcover. Salem NY, Hebron Preservation Society, 2nd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 276 pages with b&w illustrations. Covers with light curl to corners, mild crease to first 20 pages. Clean copy.
Hardcover. NY, Delano Greenidge Editions, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 396 pages, lavishly illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Guimard is the pre-eminent architect of Art Nouveau in France. He influenced French architecture and design in the first half of the 20th century. He was also the architect of a number of Paris Metro entrances. He was regarded as an architect who wielded the greatest influence on the popular imagination in Paris during the late 19th- and early 20th centuries.
Hardcover. NY, NYU Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 281 pages, b&w illustrations. Before Liz Smith and Perez Hilton became household names in the world of celebrity gossip, before Rush Limbaugh became the voice of conservatism, there was Hedda Hopper. In 1938, this 52-year-old struggling actress rose to fame and influence writing an incendiary gossip column, "Hedda Hopper's Hollywood," that appeared in the Los Angeles Times and other newspapers throughout Hollywood's golden age. Often eviscerating moviemakers and stars, her column earned her a nasty reputation in the film industry while winning a legion of some 32 million fans, whose avid support established her as the voice of small-town America. Yet Hopper sought not only to build her career as a gossip columnist but also to push her agenda of staunch moral and political conservatism, using her column to argue against U.S. entry into World War II, uphold traditional views of sex and marriage, defend racist roles for African Americans, and enthusiastically support the Hollywood blacklist. Clean copy.
Hardcover. NY, Cambridge University Press, reprint, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 256 pages. Originally published in 1971, this volume was created to commemorate the bicentenary of Hegel's birth in 1770. Thirteen essays are included from experts with diverse approaches, concentrating on the central issues of Hegel's political philosophy, and covering all of the major political works. These essays demonstrate the vitality of Hegel's philosophical perspective, engaging the reader and providing a way into the often difficult explication of his ideas. Whilst this is a commemorative edition, and the views put forward are broadly sympathetic, a critical distance is maintained, allowing for numerous fresh insights. Accessible and highly informative, this book will be of value to anyone with an interest in Hegelian thought and its political implications.
Hardcover. New York, State University of New York Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 233 pages. Hardcover. Dust jacket with light wear. Clean unmarked text.
Hardcover. Steidl, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. In 1878, the Photographic Times claimed that ten minutes provided sufficient exposure for photographing a landscape. Six years earlier, an English immigrant to the West Coast named Eadweard Muybridge, going by the commercial name of Helios, had already pushed photography far in the opposite direction: not to soak up time into pictures, but to divide time with the quickest exposures then imaginable. In 1872, the tycoon Leland Stanford had commissioned Muybridge to photograph his horse, Occident, to determine whether it ever lifted all four hooves off the ground at once. In proving that this was indeed the case, Muybridge achieved a five-hundredth-of-a-second exposure, and so began an anatomy of motion-in humans, horses, birds-that exploded the possibilities of photography and ultimately led to the development of the motion picture. Helios: Eadweard Muybridge in a Time of Change offers an opportunity to trace the life and art of the great photographer. In the wake of a wave of recent scholarship and renewed interest, it pitches his entire body of work against the backdrop of one of the most transformative periods of American and European history. Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Hardcover. NY, Jewish Theological Seminary of America, 2nd Ed., 1962, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering on spine, 231 pages. (Essays in Judaism series) In this book, master Talmudist and scholar of the Greco-Roman world, the late Professor Saul Lieberman, elucidates words, texts, customs, and practices in either rabbinic or classical literature, often by reference to passages in the other. In Greek in Jewish Palestine, he demonstrates that almost every foreign word and phrase have their raison d'etre in rabbinic literature and that all Greek phrases in rabbinic literature are quotations. Hellenism in Greek Palestine is an inquiry into the spirit of many rabbinic observations and investigations of the facts, incidents, opinions, notions and beliefs to which the Rabbis allude in their statements. Name on front fly leaf, otherwise clean.
Softcover. Washington DC/NY, National Gallery of Art/Abrams, 1st, 1986, Softcover, large exhibition catalog, white wraps, 367 pages. Profusely illustrated with color and bw plates. A coherent group of major paintings representing that period when Matisse gave up his primary artistic residence in Paris to watch him settle in Nice. First as a temporary visitor and then as a permanent citizen, we watch him respond to the Mediterranean and the constancy of its light. Bookplate on inside fron cover, otherwise a clean, bright copy. Heavy volume. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Abbeville Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 600 pages. Henry Frick, remembered by art lovers today for his splendid collection of old-master paintings by Rembrandt, Bellini, and others that make up New York's Frick Museum, was one of the 19th century's worst robber barons. Brutal with workers, he never hesitated to hire mercenary armies to kill railway and mine strikers. Frick's was such a bloody and vicious climb to a pot of gold that his descendents have been understandably reluctant to allow historians full access to his papers. Finally, his great-granddaughter, Martha Sanger, a noted steeplechase and hunting enthusiast, decided to write about the life of her ancestor, and was allowed full use of the archives. Sanger's publisher, Abbeville, has done her proud with a luxuriously produced volume in which Sanger offers many theories about why Frick bought certain works of art. And although art historians may dismiss her black-and-white analyses of a collector's motivations--based, as she admits, on her own years in psychoanalysis--they at least reflect how Frick's own family saw him. Among the reproductions are famous pictures by Goya, Greco, and Gainsborough, but also many others rarely reproduced, perhaps because they are typically bad-taste 19th-century art, showing that even Frick bought some duds. Whether or not he acquired paintings, as Sanger asserts, because they reminded him of a daughter who died in early childhood, Frick was still a major historical figure, and his life needs this kind of voluminous treatment in order to complement harsher portraits by professional historians like Samuel Schreiner, who subtitled his own 1995 book from St. Martins Press The Gospel of Greed.
Hardcover. NY, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 346 pages, b&w photographs. This book shows how Henry Robinson Luce used his famous magazines to advance his interventionist agenda in Cold War China, Korea, Japan, and above all, Vietnam. This is the first balanced work on Luce and his influence, using hitherto undiscovered or inaccessible sources. Luce saw the American Century as the heir to the fading British Empire; he failed to see the hubris and cultural blindness that would lead to disaster in Vietnam - a disaster for which his magazines paved the way. Remainder mark on top edge. Else a very clean, tight copy.
 "Harper's Weekly: Journal of Civilization Vol. VII For the Year 1863by: N/A")
 "Hartland (Vermont) - The Way It Was 1761-1976by: N?A")
 "Havana: The Photography of Hans Engelsby: Engels/ Beth Dunlop, et al., Hans")
 "Havemeyers, The: Impressionism Comes to Americaby: Weitzenhoffer, Frances")
 "Hector Guimard: Architect, Designer (1867-1942)by: Vigne, Georges")
 "Heidegger and the Project of Fundamental Ontologyby: Taminiaux, Jacques")
 "Hellenism in Jewish Palestine: Studies in the Literary Transmission Beliefs and Manners of Palestine in the I Century B.C.E.-IV Century C.E. by: Lieberman, Saul")
 "Henri Matisse: the Early Years in Nice 1916-1930by: Cowart, Jack & Dominique Fourcade")
 "Henry Adamsby: Samuels, Ernest")
 "Henry Clay Frickby: Martha Frick Symington Sanger")
 "Henry R. Luce, Time, and the American Crusade in Asiaby: Herzstein, Robert E.")