Hardcover. Hartford CT, Guyde Publishing Co., 1927, Book: Very Good, Dust Jacket: None, Limp red cloth covers stamped in gilt, now faded. Vintage travel guide for the northeast. Maps, advertising, photos, large folding map inside rear cover with a tear to one panel, no paper loss. Previous owners embossed stamp on front fly leaf, otherwise clean, very good.
Hardcover. Washington DC, War Department, 1st, 1905, Book: Very Good, Hardcover, Large folio volume (17x12 inches) in pebbled red embossed cloth with gilt lettering, modest wear at the extremities with bottom corners bumped. Marbled edges, 584 pages. Hundreds of woodcut illustrations with no stains or flaws. Massive work which reproduces hundreds of black and white engravings of the Civil War. The illustrations originally appeared in Leslie's Magazine during the war. Narrative and descriptions by John Clark Ridpath, Rossiter Johnson, General Fitzhugh Lee, General John T. Morgan, George L. Kilmer, General Joseph B. Carr. No makings. DOMESTIC SHIPPING ONLY.
Hardcover. Seattle, University of Washington Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 388 pages, hardcover. B&w plates. INSCRIBED BY ECKERT. Light foxing to edge and light wear to bottom edges of cover. According to conventional interpretations, the Japanese annexation of Korea in 1910 destroyed a budding native capitalist economy on the peninsula and blocked the development of a Korean capitalist class until 1945. In this expansive and provocative study, now available in paperback, Carter J. Eckert challenges the standard view and argues that Japanese imperialism, while politically oppressive, was also the catalyst and cradle of modern Korean industrial development. Ancient ties to China were replaced by new ones to Japan - ties that have continued to shape the South Korean political economy down to the present day.Eckert explores a wide range of themes, including the roots of capitalist development in Korea, the origins of the modern business elite, the nature of Japanese colonial policy and the Japanese colonial state, the relationship between the colonial government and the Korean economic elite, and the nature of Korean collaboration. He conveys a clear sense of the human complexity, archival richness, and intellectual challenge of the historical period. His documentation is thorough; his arguments are compelling and often strikingly innovative.
Hardcover. New York, Shell Oil Company, 1947, Book: Good, Dust Jacket: None, 782 pages plus appendix and vocabulary in rear. Leather covers, text pages two-hole punched for updating. Many photographs and diagrams in text. About 40 loose sheets laid in which are 1949 updates to various pages. Some light pencil notations in text, a little dusty but sound.
Softcover. London, Tate Publishing, 1st, 2007, Book: Near Fine, Dust Jacket: None, Softcover. Clean, unmarked copy with only minor wear to wrappers. 136 pages, 40 color & 50 black & white illustrations. Helio Oiticia (1937-80) was one of the most influential artists of the late twentieth century. At the end of the 1960s Oiticica was invited to exhibit at the Whitechapel Art Gallery in London. This book captures not only a pivotal moment in the life and career of a unique artist but also in the development of the avant-garde in London.
Softcover. Ludlow VT, privately printed, 1936, Book: Very Good, Dust Jacket: None, Local newsletter, 12 pages, printed by members of the Civilian Conservation Corps at Okemo Mountain Park. Dated September 10, 1936 it covers national news, camp news and what's playing that week at the Royal Movie Theater. ("Green Pastures", among others.) Center fold otherwise very good.
Softcover. Bowie MD, Heritage Books, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 325 pages, b&w illustrations. The village of Bergen, established in 1660, was the first permanent settlement in New Jersey. Now known as Hoboken and Jersey City, the marshy land on which Bergen was founded is just across the Hudson River from New York. At the beginning of this century, when this book was written((1902), the Bergen region was still known for an old-fashioned charm. Mr. Van Winkle used sources such as colonial and revolutionary documents, old newspaper articles and individual's reminiscences to compile this pleasant and enjoyable history. Light pencil marking to 10 pages.
NY, The Press of the American Institute of Architects., 1st, 1925, Book: Good, Dust Jacket: None, Hardcover. Complete with 24 watercolor prints and 44 plates. Loosely bound in case with cloth ties which has cracking along spine. Interior very good. Number 677 of 1000. Elephant folio 23" tall. "A Series of Historical Examples from Roman Times to the End of the XVIIIth Century." An appreciation of historic French infrastructure that survived WWI. Beautiful large color reproductions of original watercolors of bridges by Pierre Vignal; 35 black and white drawings by Louis C. Rosenberg & Samuel Chamberlain; 44 measured drawings, photographs, diagrams, and maps. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Leopard Publishing Ventures, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, illustrated. Built in the cottage orne style from a plan by the Regency architect John Nash (1752-1835), Old Came Rectory is the historic home of the poet philologist, William Barnes (1801-1886), Thomas Hardy's mentor. Amid gatherings of poets, writers and historical figures, how many discussions around the fire of this homely home have gone on to shape the world we know today? INSCRIBED BY AUTHOR on Dedication page.
Hardcover. London, Cornmarket Press Ltd., reprint, 1969, Book: Very Good, Dust Jacket: Very Good, 205 pages + advertisement. Reprint of 1911 edition. Part of series of 50 books reprinted in facsimile from originals in the National Maritime Museum Library. B/W illustrations. Fold-out map at end of book. Dust jacket faded and lightly soiled otherwise clean.
Hardcover. London, Macmillan and Co, 1st, 1894, Book: Good, Dust Jacket: None, Hardcover, 163 pages, illustrated throughout in b&w by Hugh Thomson. Unfortunate foxing throughout text. Minor wear to illustrated boards with light soil to rear cover.
Hardcover. New York , F.A. Stokes , 1st US, Book: Good, Dust Jacket: None, Hardcover, boards with cloth spine. Color frontispiece, b&w Illustrations. Spine darkened, light foxing to a few pages otherwise clean. Hinge weak at title page. A descriptive and historical account of the more important old English towns.
Hardcover. New York, Harcourt Brace , 1st US, 1957, Book: Good, Dust Jacket: Fair, Hardcover, 200 pages. Illustrated with black & white photographs. This copy previously owned by author Roger Shattuck and includes his underlining and editing of text in various colors of ink. Upper right corner of front cover bumped. Foxing to endpapers and edges. Dust jacket quite worn.
Hardcover. NY, Platt & Munk, rep, 1928, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Moderate soil on covers. Light bumps on top cover. Tight copy. Profusely illustrated in b&w and colors, depicting the history of our flag.
Hardcover. New York , Viking, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR. 434 pages, b&w photographs. Light edge wear to dust jacket; else a very clean, tight copy.
Hardcover. Euston Station, London Midway & Scottish Railway Company, 1st, Book: Very Good, Dust Jacket: None, 43 pages. Dark blue cloth covers, gilt titles to front and spine, 15 color and b&w plates including frontispiece, smaller b&w figures throughout. Light rubbing and edgewear to covers, mild foxing to endpapers, pages crisp and unmarked; overall, a very neat, tight copy.
Hardcover. Louisville KY, Data Courier for the Courier-Journal, 1st, 1975, Book: Good, Dust Jacket: Good, Hardcover in a bight, lightly worn dust jacket. 152 pages with many b&w historical photos of Louisville
Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. "Vacationers of today," writes C. John Sullivan, "can only dream of what this seaside resort was like for those who visited in the early 1900s." With Old Ocean City, Sullivan brings back those long-ago summers through the words and photographs of the Walker family of Washington, D.C. Avid photographers as well as sports enthusiasts, the Walkers preserved their Ocean City summers in hundreds of snapshots. And the Walkers' son, Robert, kept a detailed record of those days in a small leather-bound journal, titled My Vacation, in which he wrote almost daily from 1912 to 1916. In Old Ocean City, Sullivan mixes his own commentary and explanatory captions with excerpts from Robert Walker's journal and more than one hundred family photographs (discovered in 1994, Sullivan notes, in a sweltering attic in Berlin, Maryland). Views of handsome beach architecture and grass-covered dunes suggest an Ocean City almost unimaginable today. Rare photographs and accounts of shorebird hunting (banned in 1918 to protect sandpipers, plover, herons, and other species) are an arresting contrast to more familiar scenes of boating, fishing, and beachcombing. We see the Walker children growing up-and Ocean City growing up around them. The result is a surprising look at a place "far different than our memories would recall." Sullivan includes a time line of Ocean City history and Walker family visits, starting with the formation of the Atlantic Hotel Company in 1868 (the company's stockholders chose the name Ocean City at their 1875 meeting in Salisbury) and ending with the Walkers' sale of their beloved cottage in 1950.
Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.
Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.
Hardcover. New York, Henry Holt, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Non-paginated. SIGNED BY WILLIAM LOW ON TITLE PAGE. Full color illustrations. Clean, tight copy in a bright dust jacket.