history

Hardcover. Oxford, Oxford University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 193 pages, 8 color and 100 b&w plates. Examines the approach of the Pre-Raphaelite Brotherhood and their associates to the natural world. It is the first serious examination of the consequences of the Pre-Raphaelite creed of 'exact truth to nature', which led to the ever increasing importance of natural detail in Pre-Raphaelite school of landscape painting. Following a discussion of the developing interest in the precise depiction of nature by the Pre-Raphaelites from 1848 to 1851, chapters on individual artists, many hitherto almost forgotten, trace the history of the Pre-Raphaelite landscape in the 1850s and 1860s and its relation to earlier and later art in England and abroad. Much new light is cast on Ruskin's central role as theorist, patron, and critic of mid Victorian art.

Hardcover. NY, Zone Books, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 214 pages. The philosopher and literary and cultural critic Samuel Weber returns to past narratives of plagues and pandemics to reproduce the myriad ways individual and collective, historical and actual, intentional and unintentional forces converge to reveal how cultures and societies deal with their vulnerability and mortality. The "preexisting conditions"-a phrase taken from the American healthcare industry-of these very cultures converge and collide with the urgent situations of individuals confronting the plague. Texts drawn from the Bible, Sophocles, Thucydides, Boccaccio, Luther, Defoe, Kleist, Holderlin, Artaud, and Camus demonstrate how in the process of narration individuals come to reconsider their relationship to others, to themselves, and to the collectives to which they belong and on which they depend. Clean copy.

Hardcover. New York, Academic Press, 1st USA, 1978, Book: Very Good, Dust Jacket: Good, 313 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped. Gilt title on spine and front cover. Dust jacket has agewear with light foxing and soil. Some foxing to edges. Clean inside, binding tight.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 299 pages, b&w illustrations. How, asks John Terrell in this richly illustrated and original book, can we best account for the remarkable diversity of the Pacific Islanders in biology, language, and custom? Traditionally scholars have recognized a simple racial division between Polynesians, Micronesians, Melanesians, Australians, and South-east Asians: peoples allegedly differing in physical appearance, temperament, achievements, and perhaps even intelligence. Terrell shows that such simple divisions do not fit the known facts and provide little more than a crude, static picture of human diversity. A few pages with light pencil marking, otherwise clean.

Hardcover. London, Macmillan, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover in worn dust jacket, 383 pages. fold-out map, bibliographical notes. A seminal study of the infiltration of European influence into West Africa (1860s-90s) from Senegal to Cameroon, the tension between French and English leading to partition.. Light pencil marking throughout. Name on front fly leaf.

Hardcover. Twin Palms, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated, black cloth in pictorial dust jacket (with pink belly band dj present and intact). Lavishly illustrated in duotone photographs of female nudes. During the 1920s. a time when the United States was, from all appearances, open to artistic experimentation, a Bay Area photographer named Albert Arthur Allen unwittingly took on the Goliath of nudity and politics. An obscure figure who operated outside the margins of the fine art community, Allen was known to a small coterie of clients who bought boudoir studies, pictures of comely young voluptuaries. (In Europe these photographic etudes were an acknowledged integral part of the academic tradition.) A homespun aesthetician who had a marked propensity for self-invention, Allen produced photographic protfolios that were initially inspired by the naturist movement. Today his images, which are typically perceived as high camp, are more familiar than his name.

Hardcover. Cambridge, Cambridge University Press, 1st UK, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 269 pages. Clean, bright copy. This is the first scholarly account by a Western historian of the Time of Troubles, the period of civil war and foreign invasion in early-seventeenth-century Russia. The author focuses on the various pretenders or royal imposters who appeared at this time; she traces their careers and offers explanations for their success. Her analysis of the phenomenon of pretense illuminates popular perceptions of the monarchy in early modern Russia, and demonstrates how social protest could take the form of support for imposters claiming to be the "true tsar".

Softcover. Greensboro NC, Weatherspoon Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Text by Nancy Doll, George Dimock, Tom Beck, Verna Posever Curtis and Patricia J. Fanning. Includes photographs by Lewis Hind, F. Holland Day, Gertrude Dasebier, Clarence H. White, Alfred Stieglitz, Edward Steichen and Edward Weston. 64 pages, paper with stiff cover. Black and white reproductions. 12" x 9 ". Clean, very good.

Hardcover. New York, American Book Company, Reprint, 1899, Book: Very Good, Dust Jacket: None, 252 pages. Hardcover. Color (maps) and b/w illustrations throughout. Brown leather boards, black designs and gilt on spine and front cover board. Decorated edges.

Hardcover. NY, Crown, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 384 pages, b&w photos throughout. Over 2000 photos and other trivial knowledge. From 1946 to 1983, nostalgia covered year by year with commentary. Milton Berle (Mr. TV), Sid Caesar, Imogene Coca, Ed Sullivan, Lucille Ball, Jackie Gleason, Bob Hope, Martin and Lewis and all the others. Clean copy.

Hardcover. New Vienna OH, Peace Association of Friends in America, 1st, 1876, Book: Very Good, Dust Jacket: None, Hardcover, 64 pages, thin flexible cloth covers. INSCRIBED "For my Dear Sister" from the author, dated 1876 Germantown on front fly leaf. Clean.

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Clean, unmarked copy in excellent condition. For 35 years, Hal Foster created epic adventure and romantic fantasy in his legendary Sunday strip, Prince Valiant. Realistic in its visual execution and noble in its subject, depicting a time in which the fabled warriors of history and legends fought together for the greater good, it remains one of the great masterpieces of the medium. In this second volume, Prince Valiant helps his father reclaim his throne in kingdom of Thule; fights alongside King Arthur; is made a knight of the Round Table; battles the Huns; sets off with Sir Gawain and Tristam of Arthurian legend fame; and is thrown off-course from Sicily; adventure follows him everywhere. Fantagraphics is proud to present these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were originally published 70 years ago. Foster's work, painterly and sweeping, is finally treated to the grand depiction it deserves.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 120 pages in color. You might think that birth of Prince Valiant's son Arn at the end of the previous volume would have slowed down Val's adventuring, but you would be wrong. In Prince Valiant Vol. 7, after the baby has been christened, Valiant and Gawain are dispatched to investigate reports of black magic in Wales, ending up in pitched battle at the aptly named Castle Illwynde. Then it's off to Scotland to battle the Picts, and then home yet again for Val to visit his growing boy. Valiant now enters the 1950s: The Thule winter is hard and bleak, and a prince who has designs on Aleta must be dealt with. Then it's another epic-length story, "The Missionaries," in which Val and several of his fellow knights and crew travel to Rome on a quest for teachers who might bring Christianity to Thule. The story also features an escape through the Alps, far too many red-headed girls, and a tragic, life-changing event for the young squire Geoffrey (a.k.a. "Arf "). And Foster charmingly ends the book with "The Prince Arn Story," a three-week sequence narrated by the toddler.

Hardcover. NY, Holt, Rinehart & Winston, 1st US, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, library edition, NOT EX-LIB. Stated First Edition.

Hardcover. Oxford University Press, 1st, 1914, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt decoration and lettering to front cover and spine. Top edge gilt. Illustrated with 11 vintage photographic plates, 416 pages. Mild wear to cover edges. No markings.

Softcover. UK, Oxford University Press, Revised Ed., 2001, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. Published here for the first time is much of a final and long-anticipated work on the philosophy of history by the great Oxford philosopher and historian R. G. Collingwood (1889-1943). The original text of this uncompleted work has only recently been discovered and is accompanied here by Collingwood's shorter writings on historical knowledge and inquiry. Besides containing entirely new ideas, these incredible writings discuss many of the issues which Collingwood famously raised in The Idea of History and in his Autobiography. This book also includes two conclusions written by Collingwood, which were eventually revised and published as The Idea of Nature. and a lengthy editorial introduction that puts Collingwood's writings in their context and discusses the philosophical questions they initiate. A landmark publication, this work will appeal not only to those studying Collingwood but also to anyone broadly curious about philosophy of history. Clean copy.

Hardcover. Philadelphia, Johnson and Warner etc., reprint, 1818, Book: Very Good, Dust Jacket: None, 344 pages, full leather binding with spine label. With improvements and notes by Thomas C. James. A nice copy with only faint foxing. Volume two only of a two volume set.

Hardcover. New York, Appleton and Co., reprint, 1896, Book: Very Good, Dust Jacket: None, Three separate hardcover volumes: Vol. 1 - 642 pages. Vol. 2 divided into two parts, 302 pages, 303-696 pages. All bound in half leather with matching marbled boards. Leather is chipped and cracked in places. Overall, a clean and tight set, small name label on front pastedowns. NOTE: THIS LARGE HEAVY SET UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Hardcover. Cambridge MA, Harvard University Press, 2nd Ed., 1951, Book: Very Good, Dust Jacket: None, Hardcover, spine stamped with gilt lettering, 325 pages. Ex-lib copy with light stamping, residue to endpapers, lettering on spine. Interior clean. Offers a detailed examination of printing types across Europe from the 16th to the 19th centuries. The author delves into the history, evolution, and use of various fonts, exploring the rise and fall of different styles and the influence of prominent printers and type foundries. The book highlights the shift in printing dominance from France to the Netherlands, emphasizing the remarkable contributions of Christophe Plantin and the Elzevir family. The narrative examines the interplay between typographic innovation and the broader cultural and religious landscape, showing how printing techniques reflected evolving aesthetic sensibilities, scholarly trends, and the political climate of the era. The book also explores the economic and social aspects of the printing industry, including the role of censorship, labor conditions, and the evolving relationship between printers, publishers, and patrons.

Hardcover. New York, Skira/Rizzoli, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages, 86 color, 252 b&w illustrations. A clean, bright copy in a similar dust jacket. Slipcased. The book delivers on its title, covering various printmaking techniques from the 15th century to the present. An excellent reference.

Hardcover. NY, Grossman Publishers, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, unclipped dust jacket. The personal memoirs of a participant in the Albany Georgia civil rights movement. 185 pages + photographic plates at end. No markings.

Softcover. Philadelphia, privately printed, 1st, 1893, Book: Very Good, Dust Jacket: None, Softcover booklet, 26 pages. Not a reprint. Pages uncut along top edge. Bright copy.