history

Hardcover. London, Oxford University Press, 1st, 1944, Book: Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering on the spine, 212 pages, fold-out map in rear. Previous owners signature at top of front endpaper. Cover shows wear and sun fading.

Softcover. Nairobi, East African Publishing House, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, 162 pages, index, genealogy of kings and chiefs, bibliography, chronology, notes. Name on front fly leaf, otherwise clean.

London, Independent Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, b&w illustrations. Like new in a bright dust jacket. Target Dresden chronicles the development of bombing from the earliest days through the Zeppelin and Gotha raids of the First World War to the development of strategic bombing of WWII and examines how it affected post war thinking. Packed with facts Target Dresden gives the story behind the raids which were the most controversial conventional bombing attacks of World War Two.

Hardcover. London, Titan Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 167 pages, illustrated throughout in color. Clean, tight copy. Burne Hogarth is one of the most famous artists in the history of comic strips - at the peak with Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant). In 1936 he followed Foster on the massively popular Tarzan comic strip, and set a new standard for dynamics and excitement. This is the first of four exclusive volumes that collects Hogarth's entire run, beginning with Tarzan and the Golden City. Restored and reproduced in an oversized format, these editions will finally do justice to one of the most lauded illustrators of all time, whose work has been out of print for more than a decade. Full-color restorations of the newspaper strips, reproduced in the oversized full-page format.

Hardcover. London , Titan Books , 1st, 2015, Book: Very Good, Dust Jacket: None, 191 pages. Hardcover without dust jacket. Extensive color illustrations throughout. Illustrated end papers and fly leafs. Clean tight copy. This book covers four complete comic strips from May 1940 to October 1943, and is continued on from "Tarzan in the City of Gold", Book 1 in the series.Mr. Hogarth carries on his new way of art form which is a pleasure to the eye, and the four stories are: Tarzan and the Peoples of the Sea and the Fire, Tarzan Against Dagga Ramba, Tarzan and the Fatal Fountain, and Tarzan and the Barbarians. There is also an introduction by Thomas Yeates.Relive four more tales of Tarzan as his adventures lead him across Africa, fighting for justice in lands unknown or forgotten to civilized man.

Hardcover. NY, Crowell, 2nd pr., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by the author. 109 pages. Dust jacket with light edgewear, chipping, rubbing and soil. Dust jacket price clipped.

Hardcover. Philadelphia, Temple University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with fading to spine, 174 pages. In this interpretation of Bolivia's political and social development, Carmenza Gallo focuses on the impact of the Bolivian tax code and its relationship to class structure. She argues that differences in state formation in primary export economies merge from variation of three main elements: class structure; the economic base and the export sector's degree of integration into the domestic economy; and the reliance of fiscal resources on export sectors. Gallo produces a more complete view of the state's responses to internal and international circumstances and a better understanding of the conditions under which officials of weak states, like Bolivia, act independently of upper classes.

Hardcover. Germany, PPVMedien, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 220 pages profusely illustrated in color. The story of Taylor Guitars from small San Diego company to a company producing over 70000 quality guitars a year. Showcases many rare guitars, including instruments made by Bob Taylor before the company's founding, standard production models and custom built instruments. Clean copy.

Hardcover. New Haven CONNECTICUT, Yale University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 317 pages, b&w illustrations, red cloth with gilt lettering on spine. Bright dust jacket with price-clip.

Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, yellow and black cloth covers, 145 pages. This interpretative essay and extensive bibliography surveying the chronology and major characteristics of American technology before 1850 is the first available guide in this period to the rapidly developing field of the history of technology. Clean copy.

Softcover. NY, International Publishers, 1st, 1944, Book: Good, Dust Jacket: None, Softcover, 128 pages. Author was leader of the American communist party, and the Teheran he refers to, is the meeting between Stalin, Churchill and Roosevelt in Teheran in 1943, and Brewstewr's wish to maintain the colalition post war. Clean, light shelf wear.

Softcover. NY, Bell System Telephone/AT&T, 1930, Book: Very Good, Dust Jacket: None, Softcover, 32 page booklet with green wrappers, promoting historical facts about the telephone. B&w line illustrations throughout, Stapled, 10 x 6.75".

Hardcover. London, Thames & Hudson, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages illustrated in b&w and some color. In just a few years, what used to be an immobile piece of living room furniture, which one had to sit in front of at appointed times in order to watch sponsored programming on a finite number of channels, morphed into a glowing cloud of screens with access to a near-endless supply of content available when and how viewers want it. With this phenomenon now a common cultural theme, a writer of David Thomson's stature delivering a critical history, or "biography" of the six-decade television era, will be a significant event which could not be more timely. With Television, the critic and film historian who wrote what Sight and Sound's readers called "the most important film book of the last 50 years" has finally turned his unique powers of observation to the medium that has swallowed film whole. Over twenty-two thematically organized chapters, Thomson brings his provocatively insightful and unique voice to the life of what was television. David Thomson surveying a Boschian landscape, illuminated by that singular glow-always "on"-and peopled by everyone from Donna Reed to Dennis Potter, will be the first complete history of the defining medium of our time. Clean copy.

Hardcover. NY, Thames & Hudson, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 412 pages illustrated in color and b&w. In just a few years, what used to be an immobile piece of living room furniture, which one had to sit in front of at appointed times in order to watch sponsored programming on a finite number of channels, morphed into a glowing cloud of screens with access to a near-endless supply of content available when and how viewers want it. With this phenomenon now a common cultural theme, a writer of David Thomson's stature delivering a critical history, or "biography" of the six-decade television era, will be a significant event which could not be more timely. With Television, the critic and film historian who wrote what Sight and Sound's readers called "the most important film book of the last 50 years" has finally turned his unique powers of observation to the medium that has swallowed film whole. Over twenty-two thematically organized chapters, Thomson brings his provocatively insightful and unique voice to the life of what was television. David Thomson surveying a Boschian landscape, illuminated by that singular glow-always "on"-and peopled by everyone from Donna Reed to Dennis Potter, will be the first complete history of the defining medium of our time. Clean copy.

Softcover. Washington DC, The Catholic University of America Press, 1st, 1954, Book: Very Good, Dust Jacket: None, Softcover, 178 pages, original printed wraps. VG, light wear to edges of covers. INSCRIBED BY 0'MALLEY on front fly leaf.

Hardcover. New York, Farrar Straus and Giroux, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 434 pages, b&w illustrations. Like new condition. When we picture the 1950s, we hear the sound of early rock and roll. The Ten-Cent Plague shows how -- years before music -- comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

Softcover. Chapel Hill NC, The University of North Carolina Press., 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 363 pages, b&w illustrations. Laura Wexler presents an incisive analysis of how the first American female photojournalists contributed to a "domestic vision" that reinforced the imperialism and racism of turn-of-the-century America. These women photographers, white and middle class, constructed images of war disguised as peace through a mechanism Wexler calls the "averted eye," which had its origins in the private domain of family photography.Wexler examines the work of Frances Benjamin Johnston, Gertrude Kasebier, Alice Austen, the Gerhard sisters, and Jessie Tarbox Beals. The book includes more than 150 photographs taken between 1898 and 1904, such as photos Johnston took aboard Admiral Dewey's flagship as it returned home from conquering Manila, Austen's photos of immigrants at Ellis Island, and Beals's images of the St. Louis World's Fair of 1904. In a groundbreaking approach to the study of photography, Wexler raises up these images as "texts" to be analyzed alongside other texts of the period for what they say about the discourses of power. Tender Violence is an important contribution not only to the fields of history of photography and gender studies but also to our growing understanding of U.S. imperialism during this period.

Hardcover. College Station TX, Texas A & M University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages, b&w photos. The show traveled in West Texas, Kansas, Oklahoma and Eastern Colorado from 1920 to 1945. Clean copy in a bright dust jacket.

Hardcover. Washington, Government Printing Office, 1st, 1893, Book: Good, Dust Jacket: None, 822 pages, b&w illustrations, several color plates. Olive green cloth covers w/ gilt lettering on spine, gilt design of Native American bust on front cover. Clear plastic dust jacket. Light wear to edges and corners; rubbing to rear cover. Rear hinge cracked and separating. Foxing to edges. Else pages clean and tight.

Hardcover. London, Art / Books Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. Terence Donovan was one of the foremost photographers of his generation--among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography, and--alongside David Bailey and Brian Duffy (photographers of a similar working-class background)--he captured and helped create the Swinging London of the 1960s. Donovan socialized with celebrities and royalty, and found himself elevated to stardom in his own right, and yet, despite his success and status, there has never been a serious evaluation of Donovan's fashion work: he allowed no monographs to be published during his lifetime. Terence Donovan Fashion is therefore the first publication of his fashion photographs. Arranged chronologically, and with an illuminating text by Robin Muir (ex-picture editor of Vogue), the book considers Donovan in the social and cultural context of his time, showing how his constant experimentation not only set him apart, but also influenced generations to come. Designed by former art director of Nova magazine and Pentagram partner David Hillman, and with images selected by Hillman, the artist's widow Diana Donovan and Grace Coddington, creative director of American Vogue, this volume is indisputably a landmark publication in the history of fashion photography.

Hardcover. San Diego, Clover Press, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 164 pages in large format. The saga continues in Terry and the Pirates Volume 6, reproduced from Milton Caniff's personal set of color syndicate tabloid proofs! Invader soldiers scatter the occupants of Singh-Singh's outpost, forcing Pat, Blaze, and April to flee. They take refuge at Raven Sherman's orphanage just in time for an outbreak of cholera (this is refuge?). Returning to the city, Raven meets the mysterious Hu Shee, while Pat is reunited with Terry, Big Stoop, and Connie and crosses paths with old friend Dude Hennick. All the newcomers to the cast--together with the Dragon Lady, no less!--fall prey to the schemes of Chopstick Joe. A strike by invader forces separate Terry and Hu Shee from the others, setting up an encounter with the elusive Chinese guerrilla leader known only as the Blue Tiger! This tabloid-sized Volume 6 containing the 1940 dailies and Sundays is an unparalleled upgrade that no Terry fan can afford to pass up. Still in publisher's shrinkwrap. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Philadelphia, University of Pennsylvania Press, 1st pbk, 1998, Book: Very Good, Softcover, 330 pages. Twelve literary scholars and historians investigate the ways in which space and place are politically, religiously, and culturally inflected. Exploring medieval texts as diverse as Icelandic sagas, Ptolemy's Geography, and Mandeville's Travels, the contributors illustrate the intimate connection between geographical conceptions and the mastery of land, the assertion of doctrine, and the performance of sexuality. Clean copy.

Hardcover. Boston, James R. Osgood, 1st, 1877, Book: Good, Dust Jacket: None, 158 pages, 4 b&w illustrations by C.S. Reinhart, each with a tissue guard. Green cloth with with black design, gilt lettering on spine, edges stained red. This copy INSCRIBED BY HARTE on a blank prelim page and dated the year of publication. Hinges partially cracked, front fly leaf opened roughly (possibly for inscription on following page), binding a little shaken.

Softcover. NY, Vintage, 1st pbk, 2008, Book: Very Good, Dust Jacket: None, Softcover, pages. That Sweet Enemy brings both British wit (Robert Tombs is a British historian) and French panache (Isabelle Tombs is a French historian) to bear on three centuries of the history of Britain and France. From Waterloo to Chirac's slandering of British cooking, the authors chart this cross-channel entanglement and the unparalleled breadth of cultural, economic, and political influence it has wrought on both sides, illuminating the complex and sometimes contradictory aspects of this relationship--rivalry, enmity, and misapprehension mixed with envy, admiration, and genuine affection--and the myriad ways it has shaped the modern world. Clean copy.