Hardcover. NY, McGraw-Hill, 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages. Gold, red, green and black (old Lucky Strike colors) boards, no dust jacket. A history of cigarette smoking. Great photos of smoking in films, antique ads and packages, etc. Laid in are publicity photos of author and designer. Clean, bright copy.
Hardcover. NY, McGraw-Hill, 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages. Gold, red, green and black (old Lucky Strike colors) boards, no dust jacket. A history of cigarette smoking. Great photos of smoking in films, antique ads and packages, etc.
Hardcover. Philadelphia, James Gopsill's Sons, 1st, 1897, Book: Very Good, Dust Jacket: None, Hardcover, 581 pages, includes many ads. Black cloth spine with ad-illustrated cardboard covers. Covers edgeworn, interior bright and clean.
Hardcover. NY, Metropolitan Museum of Art, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 499 pages, profusely illustrated throughout with 562 plates, including 148 in full color. Previous owner's blind stamp on front end paper. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. New York, Harry N. Abrams, Inc., 1st English, 1972, Book: Very Good, Dust Jacket: Very Good, 527 pages. Hardcover. Previous owners name and brief inscription on front endpaper. Illustrated with black & white photographs. Dust jacket with light wear. Clean, tight copy.
Hardcover. San Marino CA, The Huntington Library, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 326 pages, b&w illustrations. Early modern European governments and their subjects had difficulty agreeing to laws governing behavior on the sea - an environment that featured watery borders, rampant piracy, the threat of free trade, and the large-scale transportation of human cargo. The essays in this volume explore how the exploitation of the oceans changed the institution of slavery, long-distance trade, property crime, the environment, literature, and memory from medieval times to the nineteenth century. Clean copy.
Softcover. US, Lund Humphries Publishers, 2004, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. Over 35 years, alongside his paintings and prints, Francisco Goya expressed his creative genius in eight albums of drawings. Split up after his death, their pages scattered across various collections, the albums remain little known. This book reunites over 100 of the drawings, almost all in colour at actual size, including both sides of double-sided sheets, and there are detailed commentaries on each album and each drawing. The album drawings reveal Goya's astonishing powers of invention and observation. Essay by Tom Lubbock.
Hardcover. NY, Pantheon, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Grand Avenues tells the riveting story of Pierre Charles L'Enfant and the creation of Washington D.C.--from the seeds of his inspiration to the fulfillment of his extraordinary vision.L'Enfant's story is one of consuming passion, high emotion, artistic genius, and human frailty. As a boy he studied drawing at the most prestigious art institute in the world. As a young man he left his home in Paris to volunteer in the army of the American colonies, where he served under George Washington. There he would also meet many of the people who would have a profound impact on his life, including Alexander Hamilton and James Monroe. And it was Washington himself who, in 1791, entrusted L'Enfant with the planning of the nation's capital--and reluctantly allowed him to be dismissed from the project eleven months later. The plan for the city was published under another name, and for the remainder of his life L'Enfant fought for recognition of his achievement. But he would not live to see that day, and a century would pass before L'Enfant would be given credit for his brilliant design. Scott W. Berg recounts this tale, richly evocative of time and place, with the narrative verve of a novel and with a cast of characters that ranges from Thomas Jefferson and the other Founding Fathers to the surveyor who took credit for L'Enfant's plans, the assistant who spent a week in jail for his loyalty to L'Enfant, and the men who finally restored L'Enfant's reputation at the beginning of the twentienth century.
Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages, b&w illustrations. Few people have had as profound an impact on the history of New York City as William J. Wilgus. As chief engineer of the New York Central Railroad, Wilgus conceived the Grand Central Terminal, the city's magnificent monument to America's Railway Age. Kurt C. Schlichting here examines the remarkable career of this innovator, revealing how his tireless work moving people and goods over and under Manhattan Island's surrounding waterways forever changed New York's bustling transportation system. After his herculean efforts on behalf of Grand Central, the most complicated construction project in New York's history, Wilgus turned to solving the city's transportation quandary: Manhattan - the financial, commercial, and cultural hub of the United States in the twentieth century - was separated from the mainland by two major rivers to the west and east, a deep-water estuary to the south, and the Harlem River to the north. Wilgus believed that railroads and mass transportation provided the answer to New York City's complicated geography. His ingenious ideas included a freight subway linking rail facilities in New Jersey with manufacturers and shippers in Manhattan, a freight and passenger tunnel connecting Staten Island and Brooklyn, and a belt railway interconnecting sixteen private railroads serving the metropolitan area.
Hardcover. Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. The Breakers, the Waldorf, the Biltmore, the Sherry, the Pierre--these landmark hotels are synonymous with grand luxury and style. When they were built, in the 1920s, their refined elegance and grandeur set the bar for hotels and resorts the world over. Responsible for creating these and countless other hotels throughout the United States, were the partners of a single architectural firm: Schultze & Weaver. Together, this duo--an architect and an engineer--virtually invented the glamorous lifestyle made famous in films like Grand Hotel. Catering to the social elite of which they were themselves a part, Schultze & Weaver synthesized the Old World style of Renaissance Italy, Moorish Spain, and Georgian England with all of the modern amenities that made hotel living luxurious. This book presents portfolios of fifteen of the firm's most spectacular hotels, culminating in the Art Moderne masterpiece of the Waldorf-Astoria. Over two hundred period photographs and hand-colored architectural renderings chart the ascent of the American hotel in all its glory and glamour, before the Great Depression forever changed the lifestyles of America's rich and famous. Essays address the cultural and technological developments that underpin the creation of resort and residential hotels, including the elemental role played by Schultze & Weaver.
Hardcover. NY, McGraw-Hill Book Company, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. "[This book] represents a selection of the most beautiful photographs to ever come out of Hollywood's Golden Years. The motion pictures of that era, stumbling perhaps across a new poetics, projected gorgeous fantasies which soared beyond the plots and elaborate sets, even beyond the luminous glamour of the stars." Black and white photographs of film actors and actresses. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 744 pages.A year's worth of rare images from the archives of the National Baseball Hall of Fame includes action shots, humorous moments, publicity stunts, players in the off season, minor-league and armed-forces players, and more.
Hardcover. New York , Knopf, 1st, 1993, Book: Very Good, Dust Jacket: None, 42 pages illustrated in color by Wiktor Sadowski. Color illustrated boards, no dust jacket issued for this library edition. NOT ex-library, clean and bright copy.
Hardcover. Hartford CT, J. B. Burr & Company, 1st, 1868, Book: Good, Dust Jacket: None, Hardcover in polished calf, black spine label with gilt lettering. Frontis portrait of Grant, additional full page engravings, 631 pages plus publisher's ads. Both cover hinges cracked but holding, and text block is solid. No foxing in text.
Hardcover. Boston, MA, Da Capo Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover. Dust jacket unclipped. Gilt title on spine. B/w illustrations throughout. In excellent condition, binding tight, clean and unmarked inside and out. Looks barely read.
Hardcover. New York , De Vinne Press, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, 269 pages. Light blue and white cover. Printed for the Naval History Society. Pages untrimmed. Worn slipcase. Clean condition inside and out. Number 582 of 650 copies. B&w illustrations with tissue guards by various artists. Includes one page insert addressed to members of the Naval History Society. With introduction stressing the importance of Naval campaigns in the American Revolution.
Hardcover. London, Chartwell Books, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Extensive b&w photography throughout. Slight edge wear, otherwise clean, tight copy. Many photos of old saloons, both interior and exterior shots. From Alaska, Arizona, California, Minnesota, Texas, and all over the country.
Softcover. San Francisco, Ten Speed Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Early in the 20th century, as Americans climbed into their Model-Ts and took to the open road, American manufacturers and retailers discovered miles and miles of new advertising space, and the audaciously oversized billboard was born. For a century, billboards have recruited, congratulated, teased, sold, and seduced us, promoting everything under the sun, from hosiery to war bonds, presidential candidates to rock shows. GREAT AMERICAN BILLBOARDS not only offers a lively look back at changing styles, products, and tastes, but is also an important visual record of this largely unheralded yet ubiquitous American art form.
Hardcover. NY, Hawthorn Books, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, lightly soiled dust jacket, 243 pages. Name on front fly leaf, otherwise clean.
Hardcover. Columbia SC, University of South Carolina Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 311 pages. To illustrate the changing conception of colonies and the tensions with London, the author selected 50+ revealing documents that explore the economic and political relationships between Great Britain and her American Colonies from 1607 to 1763. Name on front fly leaf, otherwise clean.
Hardcover. NY, Doubleday, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 510 pages. Bibliography, Index. Numerous b&w photographs, drawings, and maps throughout text. A portrayal of the history, geography, architecture, and people of fourteen ancient cities at their height, among them Thebes, Jerusalem, Babylon, Athens, Carthage, and Rome. Clean copy.
Chicago, Follett , unknown , 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Translated from French by John Mills. 70 pages, including glossary. First American edition. Profusely illustrated. 71 pages, giving information of various types of ships from Galleys, Clippers, Whalers, Glossary of sailing terms. Famous sailers James Cook & others.
Hardcover. New York, Tim Duggan Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages, b&w illustrations. The first great portrait photographer, a pioneering balloonist, the first person to take an aerial photograph, and the prime mover behind the first airmail service, Nadar was one of the original celebrity artist-entrepreneurs. A kind of 19th-century Andy Warhol, he knew everyone worth knowing and photographed them all, conferring on posterity psychologically compelling portraits of Manet, Sarah Bernhardt, Delacroix, Daumier and countless others--a priceless panorama of Parisian celebrity. Born Gaspard-Felix Tournachon, he adopted the pseudonym Nadar as a young bohemian, when he was a budding writer and cartoonist. Later he affixed the name Nadar to the facade of his opulent photographic studio in giant script, the illuminated letters ten feet tall, the whole sign fifty feet long, a garish red beacon on the boulevard. Nadar became known to all of Europe and even across the Atlantic when he launched "The Giant," a gas balloon the size of a twelve-story building, the largest of its time. With his daring exploits aboard his humongous balloon (including a catastrophic crash that made headlines around the world), he gave his friend Jules Verne the model for one of his most dynamic heroes.