history

Hardcover. New York , Wilfred Funk, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages, many b&w illustrations. Dust jacket with light edgewear.

Softcover. Philadelphia, Casemate Publishers, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover, 226 pages, b&w illustrations. With his parting words "I shall return", General Douglas MacArthur sealed the fate of the last American forces on Bataan. Yet one young Army Captain named Russell Volckmann refused to surrender. He disappeared into the jungles of north Luzon where he raised a Filipino army of over 22,000 men. For the next three years he led a guerrilla war against the Japanese, killing over 50,000 enemy soldiers. At the same time he established radio contact with MacArthur?s HQ in Australia and directed Allied forces to key enemy positions. When General Yamashita finally surrendered, he made his initial overtures not to MacArthur, but to Volckmann. This book establishes how Volckmann's leadership was critical to the outcome of the war in the Philippines. Clean, bright copy.

Softcover. Lincoln NE, University of Nebraska Press, reprint, 1973, Book: Very Good, Dust Jacket: None, Softcover, 303 pages. Clean copy.

Hardcover. NY, Macmillan, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in blue and gilt, 772 pages, b&w plates. Illustrated endpapers. The author focuses on newspapers as interpreters of events and ideas for the popular audience, highlighting dramatic, humorous, and colorful episodes in American history- and the way in which American newsmen have reported them.

Hardcover. Bloomington, IN, Indiana University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Christopher Felver has collected over 240 photographs from tours and encounters with musicians over the past 25 years. From Doc Watson to John Cage and Mavis Staples to Sonny Rollins, this collection celebrates the tapestry and diversity of musical styles that make up the American sonic landscape.

Hardcover. Albuquerque, University of New Mexico Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 page, illustrated throughout with 126 plates in b&w. Lightly bumped corners and mild shelf-wear, else a clean, tight copy. Artists include: James McNeill Whistler, Joseph Pennell, Albert Sterner, Margaret Lowengrund, Tatyana Grosman, June Wayne, George Bellows, Thomas Hart Benton, Rockwell Kent, and others.

Hardcover. NY, Hawthorn Books, 3rd pr., 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages, in a bright, unclipped dust jacket.

Hardcover. Boston, Houghton, Mifflin and Company, reprint, 1893, Book: Good, Dust Jacket: None, 479 pages. Spine and corner edge wear. Ex-library usual stamping and residue. Tissue guard on frontispiece. Clean pages and tight binding.

Hardcover. Salem MA, Marine Research Society, 1st, 1930, Book: Very Good, Dust Jacket: Good, Hardcover. 399 pages. B&W portraits of sea captains and ships throughout. Tissue-covered frontispiece. Top edge colored blue. Green pictorial dust jacket with pasted-on color illustration, taping and edgewear. Blue boards with gilt title to spine and stain to front cover. Otherwise, a clean, tight copy. The twenty-first volume in the series of publications by the Marine Research Society.

Hardcover. Salem, MA, Marine Research Society, 1st, 1930, Book: Very Good, Dust Jacket: Good, Hardcover, 399 pages. B&W portraits of sea captains and ships throughout. Tissue-covered frontispiece. Top edge colored blue. Green pictorial dust jacket with taping and edgewear. Blue boards with gilt title to spine and stain to front cover. Otherwise, a clean, tight copy.

Hardcover. NA, By Subscription, 1825, Book: Fair, Dust Jacket: None, 431 pages. Brown leather covers. Spine with chipping and creases to gilt decoration. Black & white illustrations, including 1 fold-out. Previous owners name stamped on preliminary page. Light to moderate foxing throughout. Front cover detached.

Hardcover. Washington DC, Office of the Chief of Military History, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt eagle seal at top front, gilt lettering on spine. Illustrated with selections from the Department Of Defense files . Forty-seven maps by B. C. Mossman . This is a team effort by a number of the nation's leading scholars including Matloff , Kent Greenfield , Richard Leighton , and other leaders of the Army Historical Series. The volume covers through the Vietnam war. Small name blacked out on front fly leaf, otherwise clean.

Softcover. US, Laurence King Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 186 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, else a clean, tight copy. This is the first comprehensive survey of Modernist graphic design as it emerged in America in the period from 1920 and 1960 in various media--advertising, information design, brand identity, magazine design, book design, and posters. It examines the great works which by mid-century had defined American graphic design. The book begins with a section devoted to the emergence of Modernism and its major historical influence, such as European avant-garde movements, popular culture, educational innovations such as the Bauhaus School, architecture, industrial design, and photography. The heart of the book includes the key works of mid-century Modernism as it matured into a fully-formed American style, bringing together such great names as Alexey Brodovitch, Lester Beall, Paul Rand, Saul Bass, Will Burtin, and Alvin Lustig. The final section looks at the impact of and reactions to this new movement as graphic design in America matured in the 1960s and beyond.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 315 pages. The documents, speeches, letters and debates that were the genesis and evolution of American nationalism: Adams, Jefferson, Hamilton, Madison, Cooper, Clay, Breckinridge and others. Name on front fly leaf otherwise clean.

Hardcover. Garden City, NY, Doubleday, Page & Co., 1st, 1915, Book: Very Good, Dust Jacket: Poor, INSCRIBED BY AUTHOR to a Mrs. Thomas (the levelest head I know among women) with sincere affection and regard. Dated Newport. 27 May, 1915. The dust jacket is fragile with large missing chips and a few tape repairs on the inside, but with both flaps intact and the front and back being essentially there to be able to read the extensive copy on both sides. Internally very clean.

Softcover. NY, International Publishers, 7th pr., 1968, Book: Very Good, Dust Jacket: None, Softcover, 409 pages. Years ago, the controlling view held that the response of the slaves in the United States to their bondage 'was one of passivity and docility'. That opinion, so decisive a part of the chauvinism afflicting the nation, is shown to be false in this book and in the material accumulated since its initial appearance has further substantiated this thesis; namely, that the African-American people, in slavery, forged a record of discontent and of resistance comparable to that marking the history of any other oppressed people. Name on front fly leaf otherwise clean.

Softcover. Salem MA, Peabody Museum of Salem, 1st, 1971, Book: Very Good, Dust Jacket: None, Four softcover journals, 307 pages total, b&w illustrations. Light cover wear, some dog-earred pages. Clean set. Scholarly essays covering a wide spectrum of maritime history.

Softcover. Princeton NJ, Princeton University Press, reprint, 1970, Book: Good, Dust Jacket: None, Softcover, 243 pages, 150 b&w plates. Illustrated covers, perfect binding, divided into seven sections organized by historical period, profusely illustrated with b&w plates. Mild rubbing to covers, very minor markings to bottom of page block, front top right corner creased; otherwise a very clean, tight copy.

Hardcover. London, The Fine Arts Society, 1st, 1907, Book: Very Good, Dust Jacket: None, 376 pages, hardcover. Decorated boards with gilted top text block. Illustrated by Elizabeth M. Chettle. Homes and memorials of the founders of Virginia, the New England states, and Pennsylvania. Also includes the universities of Harvard and Yale, the first president of the United States and other illustrious Americans. Fading and edgewear to spine. Light bumping to corners with mild fraying. Moderate spotting to text block edges. Weak spine at front endpapers. Unmarked. A clean copy.

Hardcover. Boston, Houghton Mifflin , reprint, Book: Very Good, Dust Jacket: None, Two volumes, bound in matching 3/4 black leather and marbled boards. Spines with raised bands, gilt decorations and lettering, top edge gilt, ribbon markers. Marbled end papers, previous owner's bookplate on inside front covers. Illustrated with b&w portraits and maps. A handsome production in bright, clean condition.

Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.

Softcover. Hanover NH, W. T. Eldred, 1st, 1946, Book: Good, Dust Jacket: None, Softcover, pictorial wraps. 376 pages including ads. B/W illustrations. Covers edgeworn, rubbed. Three ad pages loose at end of book.

Softcover. Belmont CA, Wadsworth Publishing, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 202 pages. A collection of essays focusing on African American resistance, specifically (from the introduction) "on the nature and extent of the resistance of blacks to slavery in the United States." Name on front fly leaf, otherwise clean.

Softcover. Princeton NJ, Princeton University Press, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. 113 color plates, 47 in b&w. The painters who came to be known as the Hudson River School - Thomas Cole, Asher B. Durand, Frederic Edwin Church, Jasper Cropsey, Sanford Robinson Gifford, and others - found inspiration in our young country's natural wonders and were the first to paint many of its still-wild vistas. As America was settled and the wilderness receded, their successors - most notably Albert Bierstadt and Thomas Moran - carried their quest for the sublime to the Far West, communicating its breathtaking grandeur in brilliant views of Rocky Mountain peaks, roaring waterfalls, and vast canyons. Within a single generation these artists established the dramatic approach to American landscape painting that is celebrated in this stirringly beautiful book. The freshness of their vision, the intensity of their invention, and the energy of their execution were all born of the urgency these artists sensed in the life of America itself. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.