history

Hardcover. Windsor VT, Washington Benevolent Society, 1st, 1812, Book: Very Good, Dust Jacket: None, 24 pages. Bound in brown leather covers. Stamp on cover with handwritten title. Related clippings mounted to inside front cover. Standard rubbing to leather. Clean, tight copy.

Hardcover. NY, Doubleday, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 445 pages. Story of the struggle among Jefferson, Hamilton and Burr for power and influence during the early days of the nation. Name on front fly leaf, otherwise clean.

Hardcover. New York, John Wiley & Sons, Inc., Reprint, 1915, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth, 604 pages. Stated: First Edition - Third Thousand. Illustrated with black & white photographs and drawings. Previous owners name on front endpaper. Minor fade to spine. Clean, tight copy.

Hardcover. Flammarion, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. The century that spanned from the 1850-1950 witnessed the golden age of travel and the exposure of an increasing number of Westerners to foreign cultures. The Maghreb became a source of exotic fascination and people grew particularly enchanted by the landscapes, peoples, and cultures of countries such as Morocco, Tunisia, and Algeria. Orientalist Photographs pays homage to the ultimate travel dream of that era. This collection of over 100 autochrome, sepia, and black and white photographs captures delicate, lost details: the dusty, labyrinthine walls of the casbah; the dappled sunlight on the market stall of a souk; the intricate metal work of traditional jewelry. Each image is accompanied by an informative text that situates the photograph in its historical reality, revealing how, for example, the richness of Algerian embroidery is not the product of hermetic tradition, as once perceived, but rather that of an innovative fusion of Spanish, Turkish, and native cultures. This book's haunting photographs and incisive texts vividly render all the mystery, the beauty, and the naivete of the West's encounter with a culture it found so radically different from its own.

Hardcover. NY, Flammarion, 1st, 2009, Book: Very Good, Dust Jacket: Very Good,

Hardcover. Paris, Flammarion, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages. Like new in publisher's shrink-wrap. Pays homage to the ultimate travel dream of that era. This collection of over 100 autochrome, sepia, and black and white photographs captures delicate, lost details: the dusty, labyrinthine walls of the casbah; the dappled sunlight on the market stall of a souk; the intricate metal work of traditional jewelry. Each image is accompanied by an informative text that situates the photograph in its historical reality.

Softcover. Philadelphia, Temple University Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 271 pages. Confronting the cultural stereotypes that have been attached to Asian-Americans over the last 150 years, this title seizes the label Oriental and asks where it came from. It shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to Asian-Americans. Clean copy.

Cleveland OH, Rauch & Lang Carriage Co., 1913, Book: Very Good, Dust Jacket: None, Art "The car that sets the fashion", color illustration, not credited. 9" X 10 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Decorative cover featuring Revolutionary War scene. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

NY, Harper & Brothers, 1902, Book: Very Good, Dust Jacket: None, B&w illustration of an indignant woman whose baggage is being searched by customs officers. Art by J.E. Jackson. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Two-color art of Uncle Sam greeting Woodrow Wilson by C. Budd. Approx. 10 X 12".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1938, Book: Very Good, Glossy b&w photo, 7 X 4 1/2", a view of water flowing through street of East Middlebury, dated 9/22/38. Very good.

Minneapolis MN, Northwestern Knitting Co., 1918, Book: Very Good,

Shirley MA, C.A. Edgarton Co., 1909, Book: Very Good, Holiday Boxes featuring "The Bachelor Girl" and two others. 11 X 14". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

NY, P F Collier & Son, Book: Very Good, Illustration in 2-colors of Benjamin Franklin selling books door-to-door by Edward Penfield.. Colliers, 8/22/1925. "Franklin learned the secret for himself-" 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1951, Book: Very Good, Color art of Washington in his boat crossing the Delaware River. Painting by Tom Lovell. 10 X 13", label shadoe not affecting art. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1939, Book: Very Good, Color portrait of George Washington in profile, art by J. C. Leyendecker. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Academic Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 366 pages, b&w illustrations. Gray cloth with silver lettering on spine, in a bright dust jacket. Previous owner's signature on inside front cover, otherwise clean and tight.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 168 pages. In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Topffer, Gustave Dore, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images--satirical images in particular--were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.

Hardcover. New York, Thames and Hudson, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 280 pages. Black cloth covers with silver titles to spine, silver pictorial to front, silver dust jacket and slipcase with color illustration, 191 illustrations throughout. 1"x3" strip missing from upper right corner from front endpaper, slight rubbing to dust jacket and slipcase, clean covers, pages crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.

Softcover. Louisiana State University, reprint, 1974, Book: Very Good, Dust Jacket: None, Softcover, 654 pages with index. After more than half a century, Origins of the New South is still recognized both as a classic in regional historiography and as the most perceptive account yet written on the period which spawned the New South. Historian Sheldon Hackney recently summed it up this way: "The pyramid still stands. Origins of the New South has survived relatively untarnished through twenty years of productive scholarship, including the eras of consensus and of the new radicalism. . . . Woodward recognizes both the likelihood of failure and the necessity of struggle. It is this profound ambiguity which makes his work so interesting. Like the myth of Sisyphus, Origins of the New South still speaks to our condition." Light rubbing to wrappers, clean copy.

Softcover. NY, McGraw-Hill , 3rd pr., 1992, Book: Very Good, Dust Jacket: None, Softcover, 205 pages. 191 b&w figures. An in-depth look at the history of ornamental ironwork and ironworkers in American architecture. Well illustrated with many photos. Clean copy.

Hardcover. Boston, David R. Godine, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages, b&w photographs by Charles C. Withers. Very good copy in a clean, bright, unclipped dust jacket.

Hardcover. New Haven, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages, illustrated throughout in b&w. SIGNED BY AUTHOR on title page. Light sun-fade along dust jacket spine. Clean, tight copy. Touring America as the "Apostle of Aestheticism" in 1882, Oscar Wilde brought a witty and controversial message of regeneration through art and beauty to a nation still shaken by the trauma of the Civil War. In this book, the first cultural history of the aesthetic movement in the United States, Mary W. Blanchard shows that it was a wide-ranging popular movement resisted by the moral guardians of Victorianism but advanced by visionary women.