history

Hardcover. New York, Abbeville Press, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, illustrated in color. Minor shelf-wear, else a very neat, clean, tight copy in excellent condition. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Harper Design, 1st, 2018, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Over 125 color illustrations, memorabilia, plus a framable print in the back.

Softcover. Chicago, University of Chicago Press, reprint, 1983, Book: Very Good, Dust Jacket: None, Softcover with pages and covers in pristine condition. Like new, in shrinkwrap. Rosenberg's essays on modern art.

Metuchen NJ, Scarecrow Press, 1st, 1991, Hardcover, 242 pages, b&w photos. Extensive interview with a veteran assistant director (who actually started out as a cameraman) whose career stretched over six decades, from 1918 to 1970. During the studio era he worked largely at Paramount and then 20th Century-Fox. Fun fact: He was also one of Clara Bow's boyfriends. No dust jacket issued.

Softcover. UK, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 306 pages, b&w illustrations. This book is an introduction to the history of work in general and of artisans in particular in Europe from 1300 to 1914. It focuses on many aspects of artisan culture, including economic and guild life, and discusses social, rebellious, ceremonial and leisure experience as well. Women, masters, journeymen, apprentices, and non-guild workers all receive substantial treatment, and the text is illuminated with fascinating illustrations. Mild crease to first 8 pages. Clean copy.

Hardcover. New York, Walker and Company, 2nd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, 91 pages, with illustrations throughout. Minor corner wear and previous owner's signature on front fly leaf. Otherwise, very clean and tight copy.

Hardcover. Charlottesville, VA, Virginia Historical Society/University Press of Virginia, 1st, 1983, Book: Near Fine, Dust Jacket: None, Lists hundreds of artists, both famous and largely unknown, who spent some or all of their careers in Virginia. Near fine condition; virtually no flaws except for very slight wear at one end of the spine.

Hardcover. New York, Abbeville Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, illustrated throughout with 213 plates in color and b&w. Maroon cloth with white title to spine, pictorial dust jacket. Beautiful copy. Like new. The rich artistic and social history of the Arts and Crafts movement in California, as well as the highly collectible objects it produced. In a brief but intensely prolific period between about 1895 and 1930. Essays by Leslie Greene Bowman, Bruce Kamerling, Cheryl Robertson, Joseph A. Taylor, David C. Streatfield, Karen J. Weitze and Richard Guy Wilson.

Hardcover. New York, Golden Press, 1st US, 1963, Book: Very Good, Dust Jacket: Good, 462 pages. Hardcover. The fourth volume of the series 'The Arts of Mankind' edited by Andre Malraux and Georges Salles. Light foxing to preliminary pages, front and rear. Profusely illustrated with full color and black & white photographs. A massive volume on the highlights of Oceanic art. Part One reviews material conditions of Oceanian life, the social & religious systems, etc. Part Two is a Gazetteer of Styles with Australia, Melanesia, Micronesia & Polynesia grouped stylistically. Dust jacket with chipping, wear along edges. Clean, tight copy.

Hardcover. Cambridge MA, The MIT Press, 1sr, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright gold foil dust wrapper, 476 pages. The artist Francis Picabia -- notorious dandy, bon vivant, painter, poet, filmmaker, and polemicist -- has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade -- Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history -- and naming them -- for the first time: Dada Drawing, Dada Painting, Dada Photography, Dada Abstraction, Dada Cinema, Dada Montage.Along the way, Baker describes a series of nearly forgotten objects and events, from the almost lunatic range of the Paris Dada "manifestations" to Picabia's polemical writings. Clean copy.

Softcover. Chicago, University of Chicago Press, reprint, 1982, Book: Very Good, Dust Jacket: None, Red card cover, with pages and covers in pristine condition. Like new, in shrinkwrap. Rosenberg's essays cover art's relationship with the media, pop art, art as thinking; Pollock's methods; Josph Cornell's boxes; Russian constructivism; big paintings; the artist's hand; action painting, Dada etc etc. First published in 1969.

Hardcover. NY, Jewish Opinion Publishing Corporation, 1st, 1944, Book: Very Good, Dust Jacket: Good, Hardcover. 285 pages+ portrait frontis. Original full cloth binding, edges browned. Original dust jacket, chipped, tanning. First Edition. Stephen S. Wise (1874-1949) was born in Budapest and as a child emigrated to New York, where he received his Jewish and secular education. He was ordained as a rabbi in the New Jewish Theological Seminary and went on to become a Reform rabbi and ardent Zionist and Anti-fascist. This book was published to mark Rabbi Wise's 70th birthday. his comments on Zionism, Hitlerism, the fate of the Jews - as WW2 was drawing to a close - were enormously influential.

Hardcover. Boston, David R Godine, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, b&w photos. Light edgewear to dust jacket, else a clean, tight copy. A survey that displays the variety of imagery, much of it developed anonymously in small studios, much of it taken by inspired amateurs, in early-twentieth-century America. Notes, List of Postcard Photographers Working Before 1930, Selected Bibliography. More than 200 fine-line duotones.

Hardcover. Boston, David R Godine, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, b&w photos. Light edgewear to dust jacket, else a clean, tight copy. A survey that displays the variety of imagery, much of it developed anonymously in small studios, much of it taken by inspired amateurs, in early-twentieth-century America. Notes, List of Postcard Photographers Working Before 1930, Selected Bibliography. More than 200 fine-line duotones.

Softcover. Bright Mountain Books , 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 358 pages, b&w illustrations throughout, Sometimes called the Paris of the South, Asheville, North Carolina, is known for its grand mountain views, rich and diverse culture, deep-rooted artistic heritage, historic architecture, and the legendary Biltmore Estate. Asheville: Mountain Majesty is an excellent source for discovering, or rediscovering, these and other facets of the city and its history.A lifelong resident of Asheville and regional historian, author Lou Harshaw offers a firsthand look at the history and development of this magnificent city by drawing upon a host of historical sources as well as an extensive oral tradition. She follows the development of Asheville from village to town to city, always reflecting the feeling of the times. The result is a journey through time, documenting the evolution of one of the most intriguing cities in the United States.Asheville: Mountain Majesty is enhanced by a wealth of period images, complemented by the author's contemporary photography.

Hardcover. Chicago, University of Chicago Press, 1st, 1970, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, b&w illustrations, 257 pages. Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture. This is the second volume in a series that traces, century by century, the role of Asia in the making of Europe. The rise to world dominance of the Western nations in modern times and the rapid industrial growth of the West, which outpaced the East in technical and military achievements, have led to a historical eclipse of the ancient and brilliant cultures of Asia. Light foxing to dust jacket, edge of text block. No markings.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 478 pages. Name on half-title page, otherwise clean.

Softcover. University of Toronto Press , 1st pbk, 2020, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 312 pages. During the night of 25 July 1941, assassins planted a time bomb in the bed of the former French Interior Minister, Marx Dormoy. The explosion on the following morning launched a two-year investigation that traced Dormoy's murder to the highest echelons of the Vichy regime. Dormoy, who had led a 1937 investigation into the "Cagoule," a violent right-wing terrorist organization, was the victim of a captivating revenge plot. Based on the meticulous examination of thousands of documents, Assassination in Vichy tells the story of Dormoy's murder and the investigation that followed. At the heart of this book lies a true crime that was sensational in its day. A micro-history that tells a larger and more significant story about the development of far-right political movements, domestic terrorism, and the importance of courage, Assassination in Vichy explores the impact of France's deep political divisions, wartime choices, and post-war memory. Clean copy.

Hardcover. Annapolis MD, Naval Institute Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 126 pages, b&w illustrations. Princeton grad Erasmus Kloman was undergoing Army training at Fort Bragg in 1943 when, due to his passing knowledge of French, he was interviewed for potential involvement in "a highly confidential activity." The interview culminated in the question, "Would you be willing to volunteer for hazardous duty behind enemy lines?" He signed up for duty with the newly formed Office of Strategic Services (OSS) and after an intensive period of training in various aspects of espionage, found himself on assignment in wartime Cairo, Algiers, and then Caserta. At age 24 with the title of OSS Acting Chief of Operations in the Mediterranean Theater of Operations, he helped organize and coordinate the actions of Operational Groups (OGs) , which infiltrated Italy and occupied France on daring sabotage missions. Clean copy.

Hardcover. Washington DC, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages, color and b&w photos. The famous, the infamous, and the never-before-seen are here in a remarkable 'democracy of images' Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. In a bright dust jacket.

Hardcover. Annapolis MD, Naval Institute Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 226 pages. Fenn's skill as a spy is matched by his talent as a storyteller, and this witty, elegantly written account of his OSS days not only adds to the historical record, it makes for a compelling read. Clean copy.

Hardcover. NY, Basic Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 184 pages. In 1850, America hovered on the brink of disunion. Tensions between slave-holders and abolitionists mounted, as the debate over slavery grew rancorous. An influx of new territory prompted Northern politicians to demand that new states remain free; in response, Southerners baldly threatened to secede from the Union. Only Henry Clay could keep the nation together. At the Edge of the Precipice is historian Robert V. Remini's fascinating recounting of the Compromise of 1850, a titanic act of political will that only a skillful statesman like Clay could broker. Although the Compromise would collapse ten years later, plunging the nation into civil war, Clay's victory in 1850 ultimately saved the Union by giving the North an extra decade to industrialize and prepare. Clean copy.

Softcover. New York, Seven Stories Press, 1st, 2017, Book: Very Good, Dust Jacket: None, 87 pages. Softcover. A very clean, unmarked copy with only minor edgewear.

Hardcover. London, The Bodley Head, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover. Retold by Rex Warner from "History of the Peloponnesian War" of Thucydides. 174 pages, illustrations in black & white by William Stobbs. Very good condition except for fading of spine.