Hardcover. Lawrence KS, University Press of Kansas, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 274 pages. With the landmark election of Franklin Delano Roosevelt in 1932, decades of Republican ascendancy gave way to a half century of Democratic dominance. It was nothing less than a major political realignment, as the direction of federal policy shifted from conservative to liberal-and liberalism itself was redefined in the process. Electing FDR is the first book in seventy years to examine in its entirety the 1932 presidential election that ushered in the New Deal. Award-winning historian Donald Ritchie looks at how candidates responded to the nation's economic crisis and how voters evaluated their performance. More important, he explains how the Democratic Party rebuilt itself after three successive Republican landslides: where the major shifts in party affiliation took place, what contingencies contributed to FDR's victory, and why the new coalition persisted as long as it did. Ritchie challenges prevailing assumptions that the Depression made Roosevelt's election inevitable. He shows that FDR came close to losing the nomination to contenders who might have run to the right of Hoover, and discusses the role of newspapers and radio in presenting the candidates to voters. He also analyzes Roosevelt's campaign strategies, recounting his attempts to appeal to disaffected voters of all ideological stripes, often by altering his positions to broaden his popularity. With the advent of the New Deal, Americans came to enjoy a wide federal safety net that provided everything from old age pensions to rural electricity-government innovations so embraced by voters that even later conservative presidents recognized their importance. Ritchie traces this legacy through the Reagan and Bush years, but he relates how FDR in 1932 was often vague about the specifics of his program and questions whether voters really knew what they were in for with the New Deal. Clean copy.

Hardcover. New York, Raven Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 316 pages illustrated with b&w diagrams and charts. Tight and clean, review copy with publisher letter laid in.

Hardcover. New York, Poster Auctions International, INC, 1st, 1990, Book: Very Good, Dust Jacket: None, 448 lots. Hardcover with no dust jacket. Foxing and soiling to top edge, covers slightly warped. Gilt decoration on green cloth covers, Corners lightly bumped.

Hardcover. NY, Epic Comics, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardccover, 76 pages. color art by Frank Miller. The conclusion of Elektra by the master craftsman, Frank Miller, at the top of his game. No comic book collection is complete without it. This may be the best single work that Miller has done for Marvel. Written and with all line art by Miller, and with exquisite colors by Lynn Varley - Elektra Lives Again takes us back to the damaged life of Matt Murdock/Daredevil. Haunted now by the ghost (or is it?) of the woman he loves. Ballet level battles. Elegant panel work. Sharp story telling. Another textbook amalgam of American/European/Asian comics. Full number line, no dust jacket, clean copy.

Hardcover. London, William Pickering, 1st, 1853, Book: Good, Dust Jacket: None, 309 pages. Hardcover. Brown cloth covers w/ faded gilt lettering on spine. Light soiling to covers, rubbing to corners. Water stains to end papers. Rear hinge starting to crack. Spine slightly cocked. Else pages clean and tight.

Softcover. NY, Rosenberg & Stiebel, Inc., 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, illustrated throughout with photos in b&w. Pictorial stiff wrappers. Light wear and rubbing to edges and slightly foxed spine, else a very nice, tight copy. Good scope to text and examples: Mounts and corner mounts on all manner of furniture and decorative arts.

Hardcover. Netherlands, Kluwer Academic Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 223 pages. In Elements, Principles and Particles, Antonio Clericuzio explores the relationships between chemistry and corpuscular philosophy in the age of the Scientific Revolution. Science historians have regarded chemistry and corpuscular philosophy as two distinct traditions. Clericuzio's view is that since the beginning of the 17th century atomism and chemistry were strictly connected. This is attested by Daniel Sennert and by many hitherto little-known French and English natural philosophers. They often combined a corpuscular theory of matter with Paracelsian chemical (and medical) doctrines. Boyle plays a central part in the present book: Clericuzio redefines Boyle's chemical views, by showing that Boyle did not subordinate chemistry to the principles of mechanical philosophy. When Boyle explained chemical phenomena, he had recourse to corpuscles endowed with chemical, not mechanical, properties. The combination of chemistry and corpuscular philosophy was adopted by a number of chemists active in the last decades of the 17th century, both in England and on the Continent. Using a large number of primary sources, the author challenges the standard view of the corpuscular theory of matter as identical with the mechanical philosophy. He points out that different versions of the corpuscular philosophy flourished in the 17th century. Most of them were not based on the mechanical theory, i.e. on the view that matter is inert and has only mechanical properties. Throughout the 17th century, active principles, as well as chemical properties, are attributed to corpuscles. Given its broad coverage, the book is a significant contribution to both history of science and history of philosophy.

Hardcover. NY, St Martin's Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The third in Alldritt's sequence of novels about the English Midlands, this time with Edward Elgar as protagonist. Paints a picture of Edwardian social life, the music and the manners, in the provincial towns of the area.

Hardcover. New York, Hudson Hills, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Very large hardcover in jacket, about 12 x 14, contains numerous full-color illustrations of Rivera's works. Excellent monograph.

Hardcover. New York, Hudson Hills, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Very large hardcover in jacket, about 12 x 14, contains numerous full-color illustrations of Rivera's works. Excellent monograph.

Hardcover. US, Amer Federation of Arts, 1st, 2001-07-01, Book: Very Good, Dust Jacket: None, 134 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to boards. No dust jacket. Clean, tight copy.

Hardcover. New York, Abrams/Whitney Museum, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. 245 plates and figures, 95 bw and 150 color. Published in conjunction with an exhibition held at the Whitney Museum of American Art, April 3 to July 20, 2003. This book is the most comprehensive publication to date on the work of Elie Nadelman (1882-1946), an important sculptor and a key member of the New York art scene in the first half of the 20th century.

Hardcover. New York, Eakins Press , 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. 1/3075 copies. 359 pages, 215 plates in sepia. Beige cloth with gilt lettering to spine. Pictorial dust jacket with clear acetate cover. Small tears to plastic cover, otherwise like new.

Hardcover. New York, Farrar Straus Giroux, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Color illustrated by Antonio Frasconi. Dust jacket shows some minor wear. Hardbound. Translated from the Yiddish by the author and Elizabeth Shub. The winner of the 1970 National Book Award for children's literature retells a Hebrew legend with vivid simplicity and an internationally respected artist interprets it with a sincerity and fresh vision reminiscent of medieval art.

Hardcover. NY, Holt, Rinehart & Winston, 1st, 1985, Hardcover in a bright dust jacket, square format, 114 pages. This handsome book provides a first-time look at the black-and-white artistry of one of the century's master photographers. Ninety-one images, some going back almost fifty years, together with a richly evocative text by the author, record an authentic vision of the American Southwest - past and present. Large book measures about 12 x 11, introduction section of 25 pages followed by section of 88 b&w plates (total 91 plates in book). Clean copy.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 374 pages. Russia has a fascinating history and author Robert Coughlan has provided us with an informative and compelling peek into a particularly notable segment of it, essentially the 1700s. The book covers the period from Tsar [Czar] Alexis (briefly) up to the reign of Tsar Alexander I, probably the most beloved of all the Romanovs. The focus of the work is on Catherine the Great. Her mentor, Elizabeth, was important through her shrewd handling of the many bumps and potholes which eventually allowed Catherine to take the throne against many rivals and usurpers. Clean copy.

Hardcover. NY, Sei Swann, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. SIGNED BY HEYERT on the front fly leaf and dated 03/01/2003, difficult to see against the black endpapers. Stated first edition. Essay by John Guare. Conversation with Elizabeth Heyert and Stacey d'Erasmo. Illustrated throughout in black & white with Heyert's photographs. 12" high X 10" wide, 63 pages. Laid in is a receipt for purchase of the book from the Edwynn Houk Gallery in NY city dated 6/16/05. Clean copy.

Hardcover. New York, The Museum of Modern Art, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 236 pages, color illustrations. Like new in publisher's shrink-wrap. Elizabeth Murray has radically altered the structure of Modernist painting. Her shaped and constructed canvases, often topologically modeled in three dimensions or fitted together out of multiple jigsaw-like parts, treat figure and ground in unprecedented ways, giving the elastic shapes of classic Surrealism a space in their own image. The alternatively comfortable and cataclysmic world that her images depict would crack irrevocably if it followed Euclidean logic; instead; it constantly metamorphoses under stress. With a chaptered essay by Robert Storr, plate section, and in-depth interview, the book explores Murray's relation to artists such as Joan Miro, Stuart Davis, Claes Oldenburg and Frank Stella, as well as to the mainstream and opened up options for rising generations. This book accompanies the most detailed examination of Murray's art yet mounted, showing its development from Pop-oriented reliefs in the 1960s to the extraordinary volumetric of her recent work.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. Boston, Henry Hoyt, 1st, 1858, Book: Good, Dust Jacket: None, Hardcover, 344 pages, several b&w plates. Embossed red cloth, gilt lettering on spine. Previous owner's inscription inside front cover, front hinge partially cracked, otherwise very good.

Hardcover. NY, Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The human (and sometimes non-human) hands are, with the possible exception of the eyes, the most expressive parts of the body, asking for more or less, telling us to come or to go, asking questions and answering them, scolding, rewarding, searching and finding, and, at their most intimate, loving and lustful. Hands reward us, calm us, feed us, and scratch our backs. They intimidate, bless, encourage, and stop us. They soothe, caress, and sometimes go where they shouldn't. We may take hands for granted. But Elliott Erwitt does not. Here is Erwitt at his most serious-and-yet-whimsical best, giving us the moments which, without hands, would not exist. 100 duotone images.

Softcover. New York, MOMA, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color illustrations. Light edge wear to wrappers; yellowing to spine. Else a clean, tight copy. Illustrated with eighty-four reproductions, eighteen of which are in color, as well as fifty-one reference illustrations. Bibliography. Index.

Softcover. New York, MOMA, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color illustrations. Light edge wear to wrappers; yellowing to spine. Else a clean, tight copy. Illustrated with eighty-four reproductions, eighteen of which are in color, as well as fifty-one reference illustrations. Bibliography. Index.

Hardcover. NY, Taschen, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 211 pages, b&w and color photographs throughout. Light edge wear, rubbing to dust jacket. Else a clean, tight copy. For adults only.

Hardcover. NY, Random House , 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Elmore is a porcupine desperate to make friends. But it is hard to seek closeness with others when you're covered with spikes that shoot off your back every so often. Elmore suffers rejection and heartbreak, but the goodness of his forest community ultimately shines through as the animals find a way to connect with this prickly bundle of love. Clean copy.

Hardcover. New York , Simon & Schuster Children's Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY HILLARY KNIGHT. What's this--a new Eloise, never before seen or published? News doesn't get better than that. Kay Thompson first wrote Eloise Takes a Bawth in Italy in the 1960s with Hilary Knight and pal Mart Crowley; it has been marinating until now for a release with all-new drawings by Hilary Knight. Of course, this time Eloise is not in Moscow, not in Paris, she is simply in the bawth at home in the Plaza Hotel. With Eloise, though, nothing is simple. Perhaps especially the notion of taking a bath, where you have to "skibble into the bathroom and take off all your clothes," then strike a pose and look in the mirror, and splawsh, and sing, and bathe with turtle Skipperdee and dog Weenie. And pretend to be the "loosest cannonball in all the Caribbean" and "Little Miss Mermaid but let's keep that between us." But what's this? Could Eloise's bathtime shenanigans be causing a drip that "has begun to drop within the walls and hallowed halls of the stately old Plaza?" Drenching the elite at the Venetian Masked Ball in the Grawnd Ballroom, no less? Fabulously decadent scenes of Eloise enacting wild battles and undersea dives in the bathtub on the "tip top floor" of the Plaza contrast deliciously with the resulting swampy splendor of the ballroom. Extended fold-out cross-sections of the hotel's plumbing system and a spectacular, colorful, double gatefold illustrating the underwater ball ("the sensation of the social season" thanks to Eloise!) add drama and silliness as well.

Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardecover in a bright dust jacket, 492 pages. In a letter to Sir Thomas Browne about his proposed magnum opus on gardens, John Evelyn stated his purpose: "to refine upon some particulars, especially concerning the ornaments of Gardens, which I shal endeavor so to handle that persons of all conditions and faculties, which delight in Gardens, may therein encounter something for their owne advantage."In his Elysium Britannicum, or The Royal Gardens, Evelyn indeed produced a rich document, an assemblage of the horticultural knowledge and wisdom of the seventeenth century. An intriguing intellectual whom many have called a virtuoso, Evelyn was a garden designer, a noted author and translator of garden books, and a founding member of the Royal Society in 1660, where experimental science was at the heart of intellectual debate. Interlacing in his work practical, literary, and philosophical approaches to landscape architecture, Evelyn created the first large-scale encyclopedic work on the science and art of gardening. Evelyn never saw his great work published. Until now, the entire Elysium Britannicum, or The Royal Gardens has never appeared in print. In an impressive transcription, John E. Ingram makes the document--of which only a single folio volume remains--accessible to a wide range of scholars. Complete with Evelyn's extensive marginalia, interlineations, and tipped-in addenda, the manuscript is expertly organized by Ingram to preserve the meaningful complexity of Evelyn's original. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. US, Glitterati, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 272 pages. In his debut book of photography, with a foreword by one of the luminaries of NYC culture and entertainment, Adrian Buckmaster's monograph presents a staggeringly beautiful collection of portraits - a cross-section of humanity in all of its glorious diversity, from the ordinary to the extraordinary and everything in-between. Having spent his early years shooting commercial beauty and fashion, Buckmaster soon shifted focus to more personal projects, challenging conventional notions of beauty and celebrating the eccentricities of those whom society might classify as "misfits." Echoes of Buckmaster's early career remain, in the form of exquisite costuming, make-up, and scenic design. Despite an element of performance, there is an undeniable rawness to these portraits, in which subjects are both aware of the camera's gaze and sympathetically self-conscious, robing and disrobing, revealing and concealing. Buckmaster's photographic genius is encapsulated in his uncanny ability to fastidiously art direct while simultaneously stripping away layers of formality and convention. Arranged in three movements: Imposing, Revealing, and Inventing, this collection progresses from traditional portraiture to increasingly intimate portrayals, as subjects expose, create, and invent themselves. Included in this endlessly varied spectrum of characters are Burlesque performers, families, brides, lovers, and all manner of tattoos and body piercings. There are classical reclining nudes, reminiscent of Edouard Manet's Olympia or Titian's Sleeping Venus, dancers with incredible physical strength and dexterity, women costumed as peacocks and geishas, a contortionist inside a trunk, even a green-skinned man, bejewelled like an Indian deity.

Hardcover. NY, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher'd shrinkwrap. This volume, on a unique and wide-ranging collection of figural sculptures from sub-Saharan Africa, examines not only each distinctive piece, but also how these works of art express value systems and cultural relationships both inside and outside Africa. The Richard H. Scheller Collection, presented in this book and on display at the de Young in San Francisco, offers a diverse portrait of sub-Saharan African sculpture. More than 100 distinct ethnic groups from more than 20 present-day countries are represented by works of art spanning several centuries and encompassing a broad array of styles. These objects represent ancestors, express community values, and serve religious and ceremonial purposes. Beautifully photographed in natural light, the sculptures range in style from classic and iconic to rare and unusual. The geographical breadth of the collection and the variations in the depictions will allow readers to explore both the histories and formal qualities of the genre. Texts by leading scholars enhance the understanding of 122 objects, alongside essays on major sculptures and themes. Writings on the scientific testing of pieces and the process of photographing the works round out this volume that expands our understanding of African figurative art.

Softcover. Lancaster PA, Phillips Museum, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 89 pages. Text in Chinese and English. Illustrated throughout in color. Light shelf-wear and rubbing to wrappers, else a clean, tight copy.

Hardcover. NY, Dial Press, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, HardcoverColor illustrations by Martha Alexander. Dust jacket with light soil, edgewear.

Softcover. New York , NBM/Eurotica, 6th pr., 1990, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in b&w by Crepax. ADULT CONTENT.

Softcover. New York , NBM/Eurotica, 6th pr., 1992, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in b&w by Crepax. ADULT CONTENT.

Hardcover. New York, Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 352 pages, numerous illustrations. Pictorial boards in clear plastic dust jacket. Beautiful copy. Like new, in shrinkwrap.

Hardcover. NY, Stewart, Tabori & Chang, 1st , 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Mendelson. Animal characters highlight a retelling of the story of two rascals who sell a vain emperor an invisible suit of clothes. Clean copy.

Softcover. London/NY, Routledge , 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 288 pages, illustrated in b&w. Empire Building is a study of how and why Western architecture was exported to the Middle East and how Islamic and Byzantine architectural ideas and styles impacted on the West.The book explores how far racial theory and political and religious agendas guided British architects (and how such ideas were resisted when applied), and how Eastern ideas came to influence the West, through writers such as Ruskin and buildings such as the Crystal Palace.Beautifully written and lavishly illustrated, Empire Building takes the reader on an extraordinary postcolonial journey, backwards and forwards, into the heart and to the edge of empire.

Hardcover. NY, Doubleday, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 480 pages. The product of thirty years of friendship and conversation, Jay Parini's Empire of Self digs behind the glittering surface of Gore Vidal's colorful career to reveal the complex emotional and sexual truths underlying his celebrity-strewn life. But there is plenty of glittering surface as well--a virtual Who's Who of the twentieth century, from Eleanor Roosevelt and Amelia Earhart through the Kennedys, Johnny Carson, Leonard Bernstein, and the creme de la creme of Hollywood. Also a generous helping of feuds with the likes of William F. Buckley, Norman Mailer, Truman Capote, and TheNew York Times, among other adversaries. The life of Gore Vidal teemed with notable incidents, famous people, and lasting achievements that call out for careful evocation and examination. Jay Parini crafts Vidal's life into an accessible, entertaining story that puts the experience of one of the great American figures of the postwar era into context, introduces the author and his works to a generation who may not know him, and looks behind the scenes at the man and his work in ways never possible before his death. Provided with unique access to Vidal's life and his papers, Parini excavates many buried skeletons yet never loses sight of his deep respect for Vidal and his astounding gifts. This is the biography Gore Vidal--novelist, essayist, dramatist, screenwriter, historian, wit, provocateur, and pioneer of gay rights--has long needed.

Hardcover. New York, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, unmarked copy in excellent condition.

Hardcover. NY, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.

Hardcover. US, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.

Softcover. New York , HarperPerennial, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 125 pages. Coverage in words and pictures of the title performance piece (in 27 parts, including "Strange Angels") and tour (with a table of the itinerary, June 1989 - December 1990); plus Anderson's concluding essay ("About 'Empty Places'").

Softcover. New York , HarperPerennial, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 125 pages. Coverage in words and pictures of the title performance piece (in 27 parts, including "Strange Angels") and tour (with a table of the itinerary, June 1989 - December 1990); plus Anderson's concluding essay ("About 'Empty Places'").

Hardcover. Chicago, University of Chicago Library, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publisher's shrink-wrap. With 2014 marking the one-hundredth anniversary of the commencement of World War I, En Guerre offers a fresh, thought-provoking exploration of the impact of the Great War as viewed through the lens of French graphic illustration of the period. Published in conjunction with an exhibition of these illustrations at the University of Chicago Library's Special Collections Research Center, this catalog draws from illustrated books, magazines, and prints to present a wide range of perspectives on themes essential to a deeper understanding of the war in France: patriotism, nationalism, propaganda, and the soldier's experience, as well as the mobilization of the French national home front as seen through fashion, music, humor, and children's literature. With a text by noted historians Neil Harris and Teri J. Edelstein and featuring more than one hundred reproductions of the vivid and colorful work of French illustrators, En Guerre reaffirms the persuasive role that art can play in the service of political and military power.

Hardcover. NY, Abrams, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color plates. Reflects Goldsworthys lifelong interest in the landscape of the British Isles, its history, and the people who work on it, 'Enclosure' is a collection of ephemeral work that relates to sheep, including a spectacular series of large sheep paintings--made by the hoof-prints of sheep. Very nice clean, tight copy free of any marks.

Hardcover. NY, St. Martin's Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Trixie Dolan, ex-movie star, is back in London sharing quarters with her actress friend Evangeline Sinclair. Evangeline is writing her memoirs and when she discovers that an old rival is writing hers as well, trouble begins. Clean copy.